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Thematische Bibliographien / Gate of the Mother of God / Dissertationen

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Dissertationen zum Thema „Gate of the Mother of God“

Autor: Grafiati

Veröffentlicht am 28. Juni 2021

Zuletzt aktualisiert am 17. Februar 2022

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1

Milbright, Sherry A. „Mother and Father God concepts in relation to psychological well-being“. Virtual Press, 2003. http://liblink.bsu.edu/uhtbin/catkey/1266025.

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This study examined the relationship between masculine and feminine God images and psychological well-being. Based on the results of past research, it was hypothesized that people with more feminine images of God would have higher psychological well-being compared to those with more masculine images of God. Participants were 232 college students. A factor analysis indicated that God images did not fall into primarily masculine or feminine factors. Rather, three factors were found, which were labeled Loving Father, Controlling God, and Mother God. Although the God image factors were not found to be significant predictors of psychological well-being when intrinsic, extrinsic, and quest religiosity were controlled, the results suggested that the relationship between God images and psychological well-being may be mediated by intrinsic religiosity. It was concluded that development of more psychometrically sound measures of God images is needed to enhance future research on this topic.
Department of Psychological Science

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2

Tsironis, Niki J. „The lament of the Virgin Mary from Romanos the Melode to George of Nicodemia“. Thesis, King's College London (University of London), 1998. https://kclpure.kcl.ac.uk/portal/en/theses/the-lament-of-the-virgin-mary-from-romanos-the-melode-to-george-of-nicodemia(c652c3c6-3d01-41c8-be4a-a575ae733a05).html.

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3

Roberts, Christopher. „Ullathorne's The Immaculate Conception of the Mother of God (1904): Doctrinal Eclecticism, Pastoral Implications“. IMRI - Marian Library / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=udmarian1615568919177223.

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4

Bohlander, Ruth Ann. „Mother of God, Cease Sorrow!: The Significance of Movement in a Late Byzantine Icon“. Master's thesis, Temple University Libraries, 2010. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/105691.

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Art History
M.A.
The relationships between movement, emotion, and ritual communion in Byzantium have drawn the attention of art historians in recent years. While Henry Maguire has considered many facets of this subject, a monumental Late Byzantine icon, the Two-Sided Icon with the Virgin Pausolype, Feast Scenes, the Crucifixion and Prophets, suggests others. While the catalog entry by Annemarie Weyl Carr in Byzantium: Faith and Power remains the only published discussion of this particular icon, or even specifically of the Pausolype ("cease sorrow!") iconographic type, I believe that this image contributes significantly to our understanding of Late Byzantine culture and liturgical practice. Careful study of this particular icon encourages a consideration of the problematic subject of emotion, and its interactions with movement, ritual and art. The paucity of evidence makes it difficult to address specific devotional practices associated with this particular object, although some observations can be made. I am able, however, to align it with its iconographic antecedents and establish contemporary relationships, illuminating aspects of its original function.
Temple University--Theses

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5

Matthews, Venita J. „An Actor's Method to Building the Character of Mother Superior in AGNES OF GOD“. ScholarWorks@UNO, 2017. http://scholarworks.uno.edu/td/2369.

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ABSTRACT Agnes of God is the story of a nun (Agnes) who gets pregnant while living in a convent. She almost dies after giving birth to a baby, who was later found dead in a garbage can. The cast consists of three members: Agnes; Mother Miriam Ruth (Mother Superior); and Dr. Martha Livingstone, the court appointed psychiatrist. Faith is tested as Dr. Livingstone draws closer to uncovering the truth surrounding the conception, birth, and death of Agnes’ baby. I performed the role of Mother Superior in the UNO production of Agnes of God. This thesis documents my rehearsal and performance journey. It includes a rehearsal journal and an evaluation of my performance. The play was performed in the Lab Theatre of the Performing Arts Center on November 5 and 6; November 14 and 15; and on November 19 and 20. Agnes of God is based on a true story. Keywords: Mother Superior, Agnes, Pielmeier, Sacrifice, Nun, Maureen Murphy

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Johnson, David William. „Assisting students at the Arizona Campus of Golden Gate Baptist Theological Seminary to Clarify their ministry vocation objectives“. Mill Valley, CA : Golden Gate Baptist Theological Seminary, 2008. http://dx.doi.org/10.2986/tren.116-0002.

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7

Larsson, Emelie, und Henrik Jalking. „Läsförståelse och motivation i grundskolan : Motivation som en framgångsrik faktor för god läsförståelse“. Thesis, Linköpings universitet, Institutionen för kultur och kommunikation, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:liu:diva-161667.

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Att ha ett brett språkregister har betydelse för vilka möjligheter individen ges för att kunna verka i samhället. Språket är nyckeln för att bland annat kunna uttrycka sig, stärka identiteten och sätta sig in i andra individers kulturer, tankar och sätt att se på världen. Färdigheter, motivation, strategier och tidigare kunskap ingår i läsförståelseutvecklingen och beskrivs som ett rörligt och målmedvetet förlopp. Uppdraget som ligger hos skolan är att hjälpa eleverna att stärka sitt självförtroende kring läsning så att motivationen och intresset för läsning ökar. Finns självförtroendet, väcks motivationen och intresset vilket i sin tur ökar chanserna att eleverna på fritiden väljer att läsa. Syftet med denna uppsats är att undersöka relationen kring läsförståelse och motivationsfrämjande stöd i grundskolan. Uppsatsen ger en överblick över forskningen om läsförståelsen bland svenska elever, tar upp vilka orsakerna bakom den försämrade läsförståelsen kan tänkas vara, förklarar varför det är viktigt att elever besitter god läsförståelse samt redogör för vad konsekvenserna blir om eleverna inte besitter kunskapen. Vidare belyser uppsatsen motivationens roll för att främja elevers utveckling av sin läsförståelse, i vilken utsträckning motivationen kan påverka elevers läsförståelse samt vilka faktorer som ligger bakom att individer blir motiverade och hur lärare kan nyttja motivationsfrämjande stöd i sin undervisning. Begreppen läsförståelse och motivation definieras, samt en redogörelse presenteras kring vad som utgör dessa två begrepp. Relationen mellan läsförståelse och motivation har i forskningen visat sig vara aningen vag, då det inte är tydligt hur stor påverkan motivation har för god läsförståelse. Trots detta har motivation ändå en relevans för läsförståelse då det ses som en av byggstenarna som utgör begreppet läsförståelse. Vår slutsats kring motivationens relation till läsförståelse är att motivationen spelar en betydande roll kring läsutveckling och läsförståelse och att motivationsfrämjande stöd bör ges till alla elever baserat på deras individuella förutsättningar.

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8

Litchfield, Allen W. „Behind the Veil: The Heavenly Mother Concept Among Members of Women's Support Groups in The Church of Jesus Christ of Latter-Day Saints“. Diss., CLICK HERE for online access, 1987. http://patriot.lib.byu.edu/u?/MTGM,23533.

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9

Jensen, Karen Adell. „Qualitative Analysis of Women Who Make Motherwork a Career Choice: Religious Minorities“. BYU ScholarsArchive, 2013. https://scholarsarchive.byu.edu/etd/3562.

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Interviews were conducted with 44 highly religious women from three demographics: Mennonite, Evangelical Christians and Cajun Catholics. The results provide insight into the reasons that faith appears to play a part in making motherwork a deliberate choice for many women. Comparing and contrasting the interviews within and between demographics as well as allowing for the influences of modern academia and media on attitudes toward motherwork grants voice to these often marginalized religious minorities. The resulting analysis shows that all of these women, to varying degrees, find value in motherwork. Each group seemed to have a perspective of this work which was unique between and yet common within the specific demographic. Across groups was a pronounced unity of thought that motherwork is profoundly important and that one is culpable before God in her execution of this potentially divine work

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10

Zayachkowski, Jennie. „Xoždenie Bogorodicy po mukam = The Journey of the Mother of God through the torments of hell : a literary and textological study of a Kievan Rusʹeschatological apocryphon“. Thesis, University of Ottawa (Canada), 1989. http://hdl.handle.net/10393/5881.

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11

McCullough, Eleanor G. „"Except you ravish me" [microform] : the images of Christ as courtly knight, bridegroom, and mother of the soul as woven through the religious love lyric "In a valey of this restles mynde" /“. Theological Research Exchange Network (TREN), 2007. http://www.tren.com/search.cfm?p048-0326.

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12

Björk, Chanda. „Vulvan, förlossningen och mötet med modergudinnan : Om Monica Sjöös målning God giving birth“. Thesis, Södertörns högskola, Institutionen för kultur och kommunikation, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-17194.

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This study is about the artist Monica Sjoo’s (1938-2005) painting God giving birth (1968) that was accused of being blasphemous and obscene in the early 1970s. God giving birth could have had much in common with Niki de Saint-Phalle’s She – a cathedral (1966), both works suggesting a mother goddess image. The main difference however can be found in the fact that Monica Sjoo’s painting had connection to the women’s movement in the 1970s. Monica Sjoo’s artwork responded to other feminist artwork of that period. Among several feminist artists during the period about 1968-1985, an iconography was in use that focused on vulvar imagery, experience of childbirth and goddess images. In particulary the mother goddess was embraced. The female body in art was re-sacred and invested with meaning connected with women’s cycles of birth-death and rebirth and the earth as a mother goddess.

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13

Clough, Daniel M. „St. Lawrence of Brindisi: Mary in the Psalms as Model of the Spiritual Life“. IMRI - Marian Library / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=udmarian1624398994284175.

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14

Maroney, Fr Simon Mary of the Cross M. Carm. „Mary, Summa Contemplatrix in Denis the Carthusian“. IMRI - Marian Library / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=udmarian1620301036422259.

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15

Tippner, Jeffrey E. „The Third World evangelical missiology of Orlando E. Costas“. Thesis, University of St Andrews, 2013. http://hdl.handle.net/10023/3278.

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This thesis examines the missiological writings of Orlando E. Costas (1943-1987), particularly The Church and Its Mission: A Shattering Critique from the Third World (1974); Theology of the Crossroads in Contemporary Latin America (1976); Christ Outside the Gate (1982); and Liberating News: A Theology of Contextual Evangelization (1989). From the early 1970s until his death in 1987 he wrote over 130 articles and 12 books in both Spanish and English that addressed key missiological concerns. A careful reading of a selection of Costas's texts oriented around a hymn, a gospel song, a psalm, and a poem provides the shape of this thesis. This thesis argues that Costas formulated a Third World evangelical missiology. Chapter one investigates what Costas's autobiographical material expressed about his positions on conversion, Protestant evangelicalism, missiology, and those living on the ‘periphery' of life. Chapter two recognises his commitment to the peoples of Latin America and the Caribbean in particular and the Third World in general. Chapter three explores Costas's analysis of the Latin American Protestant Church in a revolutionary situation in the continent and chapter four examines his survey and critical appraisal of Latin American liberation theology. Chapter five recognizes the pastoral shape of Costas's missiology. Chapter six explores his critical interaction with two more conservative evangelical missiological positions, the Church Growth Movement and Peter Beyerhaus and the Frankfurt Declaration, and chapter seven surveys the discussion within the international evangelical community regarding the relationship between evangelism and social responsibility. Chapter eight examines Costas's Liberating News as an expression of Third World evangelical missiology. Chapter nine considers the theological issue of penal substitutionary atonement and his missiology. The thesis concludes with an appraisal of the issues and contributions of Costas's Third World evangelical missiology to current missiological discussion.

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16

Haskell, Ellen. „Metaphor and symbolic representation : the image of God as a suckling mother in thirteenth century Kabbalah /“. 2005. http://wwwlib.umi.com/dissertations/fullcit/3181350.

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17

Kardos, Michael Anthony. „God of the gate, protector of the door: door gods (menshen) in chinese popular religion“. Thesis, 1998. http://hdl.handle.net/2429/8962.

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The door plays an important part in religious rituals and beliefs throughout many cultures and thus is often considered to be the residence of some spirit or is appointed a special protective deity. In China, door gods are called menshen and are associated with the lunar New Year celebration. They are pictures of mythological or deified historical figures placed on double-leaf gates or single-leaf doors to guard against evil influences. Sometimes, door prints depict mythological beasts, tigers, roosters, or exorcistic symbols, all of which are believed to provide protection from evil. There are also auspicious door prints which express the desire to attain wealth and prosperity, to give birth to a son, or to pass the civil service examination. Past studies of door gods have primarily focused on their artistic evolution and characteristics in the form of Chinese woodblock New Year prints. This study focuses on the role of door gods as deities in Chinese popular religion, ritual, and the New Year festival celebration concentrating primarily on literary evidence instead of artistic. It shows that door gods are not just printed images, but possess 'personality' and 'emotion'. I provide annotated translations or summaries of relevant short stories, tales, poems, popular novels, and dramas in which door gods play a role. I also briefly discuss the current use of door gods in the People's Republic of China based on the fieldwork and observations of myself and various scholars. The major conclusions reached in the thesis are: (1) there is no direct evidence supporting the belief that modern-day door gods evolved directly from or supplanted the five tutelary deities of first century BCE China; (2) Qin Qiong (?-638) and Yuchi Jingde (585-658) did not supplant the mythological door guardians Shen Tu and Yu Lei; (3) there is evidence to support the belief that door gods did receive sacrificial offerings; and, (4) only through the combination of literary and artistic evidence will the history and evolution of this deity be fully understood by future scholars.

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18

WU, MENG-TSANG, und 吳孟蒼. „Immigration and Faith:Take the Burmese-Chinese Catholics of Mother of God Church in ZhongHe as an Example“. Thesis, 2017. http://ndltd.ncl.edu.tw/handle/40256687547562237233.

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碩士
輔仁大學
宗教學系碩士在職專班
105
Myanmar Chinese population is the most widely distributed area in New Taipei City of Taiwan. Most of them are concentrated in Zhonghe District of New Taipei City. As a result, this study takes the Burmese Chinese, Catholics of the Mother of God Church in Zhonghe District as a case in this paper. The researchers collected the Myanmar geography, minerals, history, humanities, religion and other aspects of books, periodicals, papers and other related literature. For this group of Myanmar Chinese Catholics, a comprehensive and complete discussion of the memory of their ancestors, and describe their own life experiences and beliefs of the process. The military government start to control the Myanmar in 1960s, which caused the seriously affected to economy on overseas Chinese, forcing a large number of them to immigrate to Taiwan. This study will explore these Myanmar overseas Chinese believers, why they come to Taiwan, how they come to Taiwan, their life experiences live in Taiwan from the past to the present. In addition, the study will discuss their family values, and adapt to national changes and identity. After that, this study will explore and analysis the process of conversion to Catholicism, the motivation of religious belief, as well as the faith experience of the Burmese Chinese after being the Catholics in the Mother of God Church, the spiritual level of religious dependence, and the relationship between the Mother of God Church and them. In addition, the respondents talked about the second generation of religious attitudes. In the detailed narrative of Burmese Chinese, the researcher found that their family and they are attention to Chinese culture and education. Additionally, moving to Taiwan for Taiwan citizenship identity, Dynamic Psychology of religious beliefs, and the relationship of the Mother of God Church.

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Balaban, Bara Adriana. „The Political and Artistic Program of Prince Petru Rares of Moldavia (1527-1538 and 1541-1546) and the Fresco Series Depicting the “Life of the Mother of God” in the Church of Humor Monastery“. Thèse, 2012. http://hdl.handle.net/1866/8888.

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En 1993, l’église du monastère Humor et six autres églises du nord de la Moldavie (Roumanie) ont été classifiés comme patrimoine de l'UNESCO, en particulier en raison de leurs caractéristiques iconographiques et architecturales uniques. Construit au seizième siècle, le monastère Humor est devenu un riche centre religieux et culturel sous le patronage du prince Petru Rares de Moldavie. Ce centre a encouragé les innovations architecturales ecclésiales, ainsi qu’un programme très prolifique de fresques, extérieures et intérieures, exprimant une créativité au-delà du canon de la peinture de l'époque. La présente thèse est concentrée sur ces innovations architecturales et iconographiques, comprises à la lumière du contexte historique de ce moment unique dans l'histoire de la Moldavie, dans le siècle qui suivit la chute de Constantinople (1453). Tandis que la première partie de la thèse est concentrée sur ces circonstances historiques, et plus précisément sur l'impact du patronage du Prince Rares, la deuxième partie de la recherche est concentrée sur l'analyse des sources littéraires et de la théologie d’une série unique de fresques, placé dans la gropnita (chambre funéraire) de l’église monastique d’Humor, évoquant la vie de la Mère de Dieu. La série est un exemple extraordinaire d’interaction des textes, le Protévangile de Jacques et le Synaxarion, avec l'iconographie. Une attention particulière à l'iconographie du monastère Humor démontre le besoin de la corrélation entre texte et icône d'une part, ainsi que la nécessité d’une corrélation entre les études théologiques, l'art et l’histoire d’autre part. Un autre avantage de la recherche est de contribuer à une appréciation plus riche des trésors culturels et religieux des communautés chrétiennes de l'Europe de l'Est aux points de vue religieux et culturel, en réponse à leur reconnaissance comme patrimoine de l’UNESCO.
In 1993, the church of Humor Monastery and six other churches from northern Moldavia (Romania) were classified as UNESCO Patrimony, due to their unique iconographical and architectural features. Built in the sixteenth-century, Humor Monastery became a rich and vital cultural religious center under the patronage of Prince Petru Rares of Moldavia. This center encouraged ecclesial architectural innovations, as well as an extraordinarily prolific program of frescoes, both internally and externally, expressing creativity beyond the canon of painting of the time. This dissertation focuses on understanding these architectural and iconographical innovations, in the light of the historical context that gave rise to this unique moment in Moldavian history, in the century following the Fall of Constantinople (1453). While the first part of the dissertation focuses on these historical circumstances, and more precisely on the impact of the patronage of Prince Rares, the second part of the research concentrates on the literary sources and the theology of a unique fresco series depicting the “Life of the Mother of God,” which has been painted on the walls of the gropnita (burial chamber) of Humor monastic church. The fresco series is an extraordinary example of the interaction between texts, the apocryphon Protogospel of James and the Synaxarion, and the iconographic narration of the “Life of the Mother of God.” Careful attention to the iconography of the Humor monastic church demonstrates the need for the correlation between text and icon, as well as the need for a correlation between theological studies, art and history. This methodological perspective will foster a richer appreciation of the abundant cultural and religious treasures of the Christian communities of Eastern Europe, both from a cultural as well as a specifically theological perspective as a further response to their prestigious recognition of being included in the UNESCO’s Patrimony in the closing decade of the twentieth - century.

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Táborský, Jiří. „Bohorodiční svátky v Pravoslavné Církvi“. Master's thesis, 2020. http://www.nusl.cz/ntk/nusl-435491.

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In our work, we have tried to study the Feast of the Feast in the Orthodox Church, from a historical, dogmatic and liturgical point of view. We sought a descriptive and comparative approach that would have elements of a case study. We looked mainly at the feast of the Church of the Blessed Virgin, which is basically part of the feast of the Nativity. We looked at the feast of the Nativity of the Blessed Virgin Mary, then at the feast of the Annunciation, Introduction to the Church and, of course, the feast of the Assumption, which enjoys great respect in Orthodoxy and is nicknamed the Mother of God Passover. The main purpose was to delve deeper into the meaning of the Mother of God in human life, so that the Mother of God could teach each of us to live in the Truth, that is, to live in Christ.

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