Zeitschriftenartikel zum Thema „Furman University. Visual Arts Center“
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Siry, Joseph M. „Roche and Dinkeloo's Center for the Arts at Wesleyan University“. Journal of the Society of Architectural Historians 75, Nr. 3 (01.09.2016): 339–65. http://dx.doi.org/10.1525/jsah.2016.75.3.339.
Der volle Inhalt der QuelleMarble, Scott, und Karen Fairbanks. „Toni Stabile Student Center, Columbia University Graduate School of Journalism - Marble Fairbanks“. Architectural Design 79, Nr. 2 (März 2009): 106–9. http://dx.doi.org/10.1002/ad.863.
Der volle Inhalt der QuelleMiller, Melissa. „British Theatre Collections in the Harry Ransom Humanities Research Center“. Theatre Survey 39, Nr. 1 (Mai 1998): 63–72. http://dx.doi.org/10.1017/s0040557400003021.
Der volle Inhalt der QuelleJames, Stephen. „The Menil Connection: Louis Kahn and the Rice University Art Center“. Journal of the Society of Architectural Historians 69, Nr. 4 (01.12.2010): 556–77. http://dx.doi.org/10.1525/jsah.2010.69.4.556.
Der volle Inhalt der QuelleHawkins, Kat. „A Guide to a Somatic Movement Practice: The Anatomy of Center, Nancy Topf and Hetty King (2022)“. Journal of Dance & Somatic Practices 15, Nr. 2 (01.12.2023): 265–68. http://dx.doi.org/10.1386/jdsp_00113_5.
Der volle Inhalt der QuelleTanzer, Kim, und Caroline Constant. „Center for Women's Studies and Gender Research, University of Florida, 1994–2000“. Journal of Architectural Education 55, Nr. 2 (November 2001): 81–89. http://dx.doi.org/10.1162/104648801753199509.
Der volle Inhalt der QuelleClouse, Carey. „Fayetteville 2030: Food City Scenario University of Arkansas Community Design Center, 2014“. Journal of Architectural Education 71, Nr. 1 (02.01.2017): 128–30. http://dx.doi.org/10.1080/10464883.2017.1260966.
Der volle Inhalt der QuelleBannova, Olga, und Sandra Häuplik‐Meusburger. „Learning, Teaching, Coexisting, Thriving: The Evolution of Space Architecture in the Posthuman Era“. Architectural Design 94, Nr. 1 (Januar 2024): 94–99. http://dx.doi.org/10.1002/ad.3019.
Der volle Inhalt der QuelleBoddy, William. „Statement by William Boddy, Baruch College and Graduate Center, City University of New York“. Historical Journal of Film, Radio and Television 16, Nr. 3 (August 1996): 393–96. http://dx.doi.org/10.1080/01439689600260411.
Der volle Inhalt der QuelleMaxwell, Ian. „Parallel Evolution: Performance Studies at the University of Sydney“. TDR/The Drama Review 50, Nr. 1 (März 2006): 33–45. http://dx.doi.org/10.1162/dram.2006.50.1.33.
Der volle Inhalt der QuelleBudhiraja, Geeta. „A Glimpse of Canada in India“. Canadian Theatre Review 105 (Januar 2001): 24–26. http://dx.doi.org/10.3138/ctr.105.005.
Der volle Inhalt der QuelleDavis, Natalie Zemon. „Shelby Cullom Davis Center for Historical Studies Princeton University: Proof and Persuasion“. Renaissance Quarterly 44, Nr. 1 (1991): 183. http://dx.doi.org/10.2307/2862439.
Der volle Inhalt der QuelleHamburger, Esther Império, Cecília Mello und Giuliana Bruno. „Interview with Giuliana Bruno“. Significação: Revista de Cultura Audiovisual 50 (06.12.2023): 1–31. http://dx.doi.org/10.11606/issn.2316-7114.sig.2023.219151.
Der volle Inhalt der QuelleFei, Faye Chunfang. „Huang Zuolin: Michael Chekhov’s Link to China’s Modern Theatre“. New Theatre Quarterly 22, Nr. 3 (11.07.2006): 235–48. http://dx.doi.org/10.1017/s0266464x06000443.
Der volle Inhalt der QuelleRossman, Jae Jennifer. „Build It and S/He Will Come: A Reflection on Five Years in a Purpose-Built Special Collections Space“. RBM: A Journal of Rare Books, Manuscripts, and Cultural Heritage 14, Nr. 2 (01.09.2013): 111–20. http://dx.doi.org/10.5860/rbm.14.2.405.
Der volle Inhalt der QuelleWu, Guanda. „Worldly Stage: Theatricality in Seventeenth-Century China. By Sophie Volpp. Cambridge, MA: Harvard University Asia Center, 2011; pp. xii + 371. $44.95 cloth.“ Theatre Survey 55, Nr. 2 (11.04.2014): 279–81. http://dx.doi.org/10.1017/s0040557414000209.
Der volle Inhalt der QuelleLangley, Julia. „ARTS AND HUMANITIES BRIDGING ACROSS CONTINUUM OF CARE: CASE STUDY, GEORGETOWN LOMBARDI COMPREHENSIVE CENTER“. Innovation in Aging 3, Supplement_1 (November 2019): S29—S30. http://dx.doi.org/10.1093/geroni/igz038.114.
Der volle Inhalt der QuelleGiersdorf, Jens Richard. „Dance, Politics & Co-Immunity“. Dance Research Journal 47, Nr. 3 (Dezember 2015): 106–9. http://dx.doi.org/10.1017/s0149767715000388.
Der volle Inhalt der QuelleZubrzycki, Anna, und Grzegorz Bral. „Song of the Goat Theatre: Finding Flow and Connection“. New Theatre Quarterly 26, Nr. 3 (August 2010): 248–60. http://dx.doi.org/10.1017/s0266464x10000448.
Der volle Inhalt der QuelleAkalaitis, JoAnne. „Releasing the ‘Profound Physicality of Performance’“. New Theatre Quarterly 13, Nr. 52 (November 1997): 329–38. http://dx.doi.org/10.1017/s0266464x00011453.
Der volle Inhalt der QuelleKwei-Armah, Kwame. „‘Know Whence You Came’: Dramatic Art and Black British Identity“. New Theatre Quarterly 23, Nr. 3 (August 2007): 253–63. http://dx.doi.org/10.1017/s0266464x07000152.
Der volle Inhalt der QuelleTarantino, Mary. „UNCOVERING GEMS: THEATRICAL DESIGN COLLECTIONS AT THE WISCONSIN HISTORICAL SOCIETY“. Theatre Survey 50, Nr. 2 (November 2009): 327–35. http://dx.doi.org/10.1017/s004055740999010x.
Der volle Inhalt der QuelleHughes, Holly. „Left Wanting“. TDR/The Drama Review 58, Nr. 4 (Dezember 2014): 120–25. http://dx.doi.org/10.1162/dram_a_00403.
Der volle Inhalt der QuellePunt, Michael. „Toward a Science of Consciousness Tucson Convention Center, Tucson, Arizona, 8–12 April 2002. Sponsored by the Center for Consciousness Studies, University of Arizona“. Leonardo 36, Nr. 1 (Februar 2003): 89–90. http://dx.doi.org/10.1162/leon.2003.36.1.89.
Der volle Inhalt der QuelleRoach, Joseph. „The History of the Future“. Theatre Survey 45, Nr. 2 (November 2004): 275–78. http://dx.doi.org/10.1017/s0040557404000250.
Der volle Inhalt der QuelleWood, Gerald C. „Orphans' Home: The Voice and Vision of Horton Foote. By Laurin Porter. Baton Rouge: Louisiana State University Press, 2003; pp. 233. $49.95 cloth, $22.95 paper.“ Theatre Survey 45, Nr. 2 (November 2004): 286–88. http://dx.doi.org/10.1017/s0040557404240261.
Der volle Inhalt der QuelleTian, Min. „Worldly Stage: Theatricality in Seventeenth-Century China. By Sophie Volpp. Cambridge, MA: Harvard University Asia Center, Distributed by Harvard University Press, 2011. Pp. xi + 371. $44.95 Hb.“ Theatre Research International 38, Nr. 2 (31.05.2013): 172–73. http://dx.doi.org/10.1017/s0307883313000163.
Der volle Inhalt der QuelleAllen, Peter. „The End of Modernism?“ Journal of the Society of Architectural Historians 70, Nr. 3 (01.09.2011): 354–74. http://dx.doi.org/10.1525/jsah.2011.70.3.354.
Der volle Inhalt der QuelleMulligan, John, Matthew Wettergreen, Ying Jin, Benjamin Rasich und Isaac Phillips. „The Electronic Vesalius: Embodying Anatomy Atlases“. Leonardo 52, Nr. 1 (Februar 2019): 62–63. http://dx.doi.org/10.1162/leon_a_01700.
Der volle Inhalt der QuelleBond, Chrystelle Trump. „Southern Dance Traditions—Communities in Motion (Center for Appalachian Studies and Services, Tennessee Humanities Council, and Congress on Research in Dance; East Tennessee State University, 1–3 March 1990)“. Dance Research Journal 22, Nr. 2 (1990): 45–47. http://dx.doi.org/10.1017/s0149767700002631.
Der volle Inhalt der QuelleKöth, Anke. „Verortung in der Zeit“. Architectura 46, Nr. 2 (11.07.2019): 176–89. http://dx.doi.org/10.1515/atc-2016-2003.
Der volle Inhalt der QuelleLizondo-Sevilla, Laura, Zaida García-Requejo und Jos´e Santatecla-Fayos. „Exposición de arquitectura de Ludwig Miës van der Rohe. Art Institute of Chicago, 1938-1939“. EGA Revista de Expresión Gráfica Arquitectónica 28, Nr. 48 (24.07.2023): 86–99. http://dx.doi.org/10.4995/ega.2023.18901.
Der volle Inhalt der QuelleBrown, Lorraine A. „Pointing to the Future“. Theatre Survey 36, Nr. 2 (November 1995): 83–87. http://dx.doi.org/10.1017/s0040557400001216.
Der volle Inhalt der QuelleGluck, Robert J. „Electric Circus, Electric Ear and the Intermedia Center in Late-1960s New York“. Leonardo 45, Nr. 1 (Februar 2012): 50–56. http://dx.doi.org/10.1162/leon_a_00325.
Der volle Inhalt der QuelleLee, Younseon. „A Study of Plans to Supplement the Operations of Curricular and Extracurricular Writing Programs in University: Focusing on Writing Center in University“. Korean Society of Culture and Convergence 44, Nr. 11 (30.11.2022): 243–55. http://dx.doi.org/10.33645/cnc.2022.11.44.11.243.
Der volle Inhalt der QuelleHadjinicolaou, Nicos. „Art Centers and Peripheral Art [A Lecture at the University of Hamburg, October 15, 1982]“. ARTMargins 9, Nr. 2 (Juni 2020): 119–40. http://dx.doi.org/10.1162/artm_a_00267.
Der volle Inhalt der QuelleNasir, Evleen. „Staging Fashion, 1880–1920: Jane Hading, Lily Elsie, Billie Burke. Edited by Michele Majer. Exh. cat. Bard Graduate Center, 2012. Distributed by Yale University Press; pp. 208, 168 illustrations. $40 paper.“ Theatre Survey 55, Nr. 1 (16.12.2013): 128–30. http://dx.doi.org/10.1017/s0040557413000653.
Der volle Inhalt der QuelleBhattacharjee, Partha, und Priyanka Tripathi. „Interview with Argha Manna“. Studies in Comics 11, Nr. 2 (01.11.2020): 405–21. http://dx.doi.org/10.1386/stic_00038_7.
Der volle Inhalt der QuelleEmeljanow, Victor. „Pleasure Gardens. Performing Arts Resources, vol. 21. Edited by Stephen M. Vallillo and Maryann Chach. New York: Theatre Library Association, 1998; pp. 105. $30 cloth; Their Championship Seasons: Acquiring, Processing, and Using Performing Arts Archives. Performing Arts Resources, vol. 22. Edited by Kevin Winkler. New York: Theatre Library Association, 2001; pp. 142. $30 cloth.“ Theatre Survey 45, Nr. 1 (Mai 2004): 133–35. http://dx.doi.org/10.1017/s0040557404290081.
Der volle Inhalt der QuelleSamchuk, Taras. „Fine art in the St. Vladimir University students‘ everyday life in the context of artistic life of Kyiv and nearby region (1834-1863)“. Text and Image: Essential Problems in Art History, Nr. 2 (2018): 84–97. http://dx.doi.org/10.17721/2519-4801.2018.2.05.
Der volle Inhalt der QuelleWolner, Edward W. „Art: Architecture. Joint Conference Sponsored by the Wexner Center for the Visual Arts. The Ohio State University Department of Architecture and the ACSA East Central Region, Fall 1990“. Journal of Architectural Education (1984-) 44, Nr. 4 (August 1991): 248. http://dx.doi.org/10.2307/1425151.
Der volle Inhalt der QuelleIone, Amy. „A Different Kind of Animal: How Culture Transformed Our Species by Robert Boyd. Princeton University Press, 2017. The University Center for Human Values Series. 248 pp. Trade. ISBN: 978-0691177732; 978-0691177731.“ Leonardo 53, Nr. 1 (Februar 2020): 103–6. http://dx.doi.org/10.1162/leon_r_01845.
Der volle Inhalt der QuelleJagielska-Burduk, Alicja. „Alicja Jagielska-Burduk talks with Patty Gerstenblith, professor of law at DePaul University and director of its Center for Art, Museum & Cultural Heritage Law“. Santander Art and Culture Law Review 9, Nr. 1 (27.09.2023): 9–12. http://dx.doi.org/10.4467/2450050xsnr.23.001.18113.
Der volle Inhalt der QuelleMinton, Gretchen E., und Mikey Gray. „The Ecological Resonance of Imogen’s Journey in Montana’s Parks“. New Theatre Quarterly 38, Nr. 4 (18.10.2022): 299–318. http://dx.doi.org/10.1017/s0266464x22000227.
Der volle Inhalt der QuelleSham, James, Patrick Killoran, Neil Rubens und Brian A. Korgel. „Patent-Bot“. Leonardo 52, Nr. 3 (Juni 2019): 290–91. http://dx.doi.org/10.1162/leon_a_01719.
Der volle Inhalt der QuellePerkins, Kathy A. „Center Stage: An Anthology of Twenty-One Contemporary Black-American Plays. Edited by Eileen Joyce Ostrow. Champaign: University of Illinois Press, 1991. Pp. 328 + illus. $19.95.“ Theatre Research International 18, Nr. 1 (1993): 76. http://dx.doi.org/10.1017/s0307883300017788.
Der volle Inhalt der QuelleQuatember, Ursula. „The Bouleuterion and its environs in Early Imperial Aphrodisias“. Journal of Roman Archaeology 32 (2019): 516–28. http://dx.doi.org/10.1017/s104775941900028x.
Der volle Inhalt der QuelleGoossaert, Vincent. „Franciscus Verellen, Imperiled Destinies. The Daoist Quest for Deliverance in Medieval China, Cambridge (Mass.), Harvard University Asia Center (Harvard-Yenching Institute Monograph Series, 118), 2019“. Cahiers de civilisation médiévale, Nr. 260 (01.12.2022): 439–41. http://dx.doi.org/10.4000/ccm.10705.
Der volle Inhalt der QuelleGoossaert, Vincent. „Franciscus Verellen, Imperiled Destinies. The Daoist Quest for Deliverance in Medieval China, Cambridge (Mass.), Harvard University Asia Center (Harvard-Yenching Institute Monograph Series, 118), 2019“. Cahiers de civilisation médiévale 260, Nr. 4 (19.06.2023): 439–41. http://dx.doi.org/10.3917/ccm.260.0439.
Der volle Inhalt der QuelleBest, Makeda. „Margaret Sartor and Alex Harris, eds., with a foreword by Deborah Willis. Where We Find Ourselves: The Photographs of Hugh Mangum, 1897–1922. Durham: University of North Carolina Press and the Center for Documentary Studies, 2019. Books of the Center for Documentary Studies. xiv+166 pp.; 118 color illustrations, notes, afterword, bibliography. $45.00.“ Winterthur Portfolio 55, Nr. 2-3 (01.06.2021): 202–3. http://dx.doi.org/10.1086/717148.
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