Auswahl der wissenschaftlichen Literatur zum Thema „Frankenstein’s monster“
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Zeitschriftenartikel zum Thema "Frankenstein’s monster"
McCormack-Clark, Jack Alexander. „Night of the resurrected pets: The popular monsters of Tim Burton’s Frankenweenie“. Australasian Journal of Popular Culture 10, Nr. 1 (01.12.2021): 141–53. http://dx.doi.org/10.1386/ajpc_00043_1.
Der volle Inhalt der QuelleOlivato, Giulia Maria. „Is Dr. Frankenstein Still Alive? From Twix to Apple: Commercializing Monstrosity“. Pólemos 12, Nr. 1 (26.03.2018): 167–83. http://dx.doi.org/10.1515/pol-2018-0010.
Der volle Inhalt der QuelleParé, Zaven. „Frankenstein’s lectures“. Remate de Males 39, Nr. 1 (28.06.2019): 482–503. http://dx.doi.org/10.20396/remate.v39i1.8652889.
Der volle Inhalt der QuelleCañete Vera, Marcela. „Frankenstein’s Monster and the Qualitative Experience“. English Studies in Latin America: A Journal of Cultural and Literary Criticism, Nr. 4 (22.06.2023): 1–16. http://dx.doi.org/10.7764/esla.61903.
Der volle Inhalt der QuelleAlhashmi, Rawad. „The Grotesque in Frankenstein in Baghdad: Between Humanity and Monstrosity“. International Journal of Language and Literary Studies 2, Nr. 1 (16.03.2020): 90–106. http://dx.doi.org/10.36892/ijlls.v2i1.120.
Der volle Inhalt der QuelleKowal, Justyna. „Frankensteinowska hybryda“. Literatura i Kultura Popularna 25 (28.07.2020): 529–32. http://dx.doi.org/10.19195/0867-7441.25.30.
Der volle Inhalt der QuelleProsser, Ashleigh. „Resurrecting Frankenstein: Peter Ackroyd’s The Casebook of Victor Frankenstein and the metafictional monster within“. Australasian Journal of Popular Culture 8, Nr. 2 (01.09.2019): 179–96. http://dx.doi.org/10.1386/ajpc_00004_1.
Der volle Inhalt der QuelleGelbin, Cathy S. „Was Frankenstein’s Monster Jewish?“ Publications of the English Goethe Society 82, Nr. 1 (März 2013): 16–25. http://dx.doi.org/10.1179/0959368312z.00000000014.
Der volle Inhalt der QuelleKowalczyk, Andrzej Sławomir. „“I know not […] what I myself am”: Conceptual Integration in Susan Heyboer O’Keefe’s ”Frankenstein’s Monster” (2010)“. Lublin Studies in Modern Languages and Literature 43, Nr. 2 (03.07.2019): 109. http://dx.doi.org/10.17951/lsmll.2019.43.2.109-123.
Der volle Inhalt der QuelleHeller, Peter B. „Frankenstein’s Monster: The Downsides of Technology“. International Journal of Technology, Knowledge, and Society 6, Nr. 3 (2010): 121–32. http://dx.doi.org/10.18848/1832-3669/cgp/v06i03/56098.
Der volle Inhalt der QuelleDissertationen zum Thema "Frankenstein’s monster"
Linter, Simon. „Mary Shelley’s Unrealised Vision : The Cinematic Evolution of Frankenstein’s Monster“. Thesis, Stockholms universitet, Engelska institutionen, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-104476.
Der volle Inhalt der QuelleBondy, David J. „Frankenstein's monster and the politics of the black body“. Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ52516.pdf.
Der volle Inhalt der QuelleLange, Dirk. „Warum will Frankensteins Monster sterben? Selbstmord im englischen Roman des 19. Jahrhunderts“. Heidelberg Winter, 2004. http://deposit.ddb.de/cgi-bin/dokserv?id=2679712&prov=M&dok_var=1&dok_ext=htm.
Der volle Inhalt der QuelleLange, Dirk. „Warum will Frankensteins Monster sterben? : Selbstmord im englischen Roman des 19. Jahrhunderts“. Heidelberg Winter, 2005. http://deposit.ddb.de/cgi-bin/dokserv?id=2679712&prov=M&dokv̲ar=1&doke̲xt=htm.
Der volle Inhalt der QuelleNidesjö, Liselott. „Who is the Monster in Mary Shelley's Frankenstein? : A Psychoanalytic Reading of the Double Nature of Victor Frankenstein“. Thesis, Högskolan i Halmstad, Sektionen för humaniora (HUM), 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-18981.
Der volle Inhalt der QuelleHawley, Erin. „Filmic machines and animated monsters: retelling Frankenstein in the digital age“. Thesis, Hawley, Erin (2011) Filmic machines and animated monsters: retelling Frankenstein in the digital age. PhD thesis, Murdoch University, 2011. https://researchrepository.murdoch.edu.au/id/eprint/5382/.
Der volle Inhalt der QuelleEdfors, Evelina. „Personer och monster : om litteraturens bidrag till religionsfilosofin“. Thesis, Uppsala universitet, Teologiska institutionen, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-323604.
Der volle Inhalt der QuelleAtkins, Emily. „An Exploration of Costume Design For David Emerson Toney's "Frankenstein: Dawn of a Monster"“. VCU Scholars Compass, 2015. http://scholarscompass.vcu.edu/etd/3963.
Der volle Inhalt der QuelleHeidenescher, Joseph D. „"Listen to my tale": Shelley's Literate Monster“. University of Toledo Honors Theses / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=uthonors1450430867.
Der volle Inhalt der QuelleVan, Wyk Wihan. „Shelleyan monsters: the figure of Percy Shelley in Mary Shelley’s Frankenstein and Peter Ackroyd’s The Casebook of Victor Frankenstein“. University of the Western Cape, 2015. http://hdl.handle.net/11394/4860.
Der volle Inhalt der QuelleThis thesis will examine the representation of the figure of Percy Shelley in the text of Mary Shelley’s Frankenstein (1818). My hypothesis is that Percy Shelley represents to Mary Shelley a figure who embodies the contrasting and more startling aspects of both the Romantic Movement and the Enlightenment era. This I will demonstrate through a close examination of the text of Frankenstein and through an exploration of the figure of Percy Shelley as he is represented in the novel. The representation of Shelley is most marked in the figures of Victor and the Creature, but is not exclusively confined to them. The thesis will attempt to show that Victor and the Creature can be read as figures for the Enlightenment and the Romantic movements respectively. As several critics have noted, these fictional protagonists also represent the divergent elements of Percy Shelley’s own divided personality, as he was both a dedicated man of science and a radical Romantic poet. He is a figure who exemplifies the contrasting notions of the archetypal Enlightenment man, while simultaneously embodying the Romantic resistance to some aspects of that zeitgeist. Lately, there has been a resurgence of interest in the novel by contemporary authors, biographers and playwrights, who have responded to it in a range of literary forms. I will pay particular attention to Peter Ackroyd’s, The Casebook of Victor Frankenstein (2011), which shows that the questions Frankenstein poses to the reader are still with us today. I suggest that this is one of the main impulses behind this recent resurgence of interest in Mary Shelley’s novel. In particular, my thesis will explore the idea that the question of knowledge itself, and the scientific and moral limits which may apply to it, has a renewed urgency in early 21st century literature. In Frankenstein this is a central theme and is related to the figure of the “modern Prometheus”, which was the subtitle of Frankenstein, and which points to the ambitious figure who wishes to advance his own knowledge at all costs. I will consider this point by exploring the ways in which the tensions embodied by Percy Shelley and raised by the original novel are addressed in these contemporary texts. The renewed interest in these questions suggests that they remain pressing in our time, and continue to haunt us in our current society, not unlike the Creature in the novel.
Bücher zum Thema "Frankenstein’s monster"
Shelley, Mary Wollstonecraft, und Anthony Williams. Frankenstein. [Not specified]: Arcturus Publications, 2021.
Den vollen Inhalt der Quelle findenKay, Jeremy. The secret laboratory journals of Dr. Victor Frankenstein. Woodstock, N.Y: Overlook Press, 1995.
Den vollen Inhalt der Quelle findenField, Barbara. Playing with fire (after Frankenstein). New York, N.Y. (440 Park Ave. South, New York 10016): Dramatists Play Service, 1989.
Den vollen Inhalt der Quelle findenSnyder, Bethany. Frankenstein. Franklin, Tenn: Dalmatian Press, 2011.
Den vollen Inhalt der Quelle findenAckroyd, Peter. The casebook of Victor Frankenstein. New York: Nan A. Talese, 2009.
Den vollen Inhalt der Quelle findenAckroyd, Peter. The Casebook of Victor Frankenstein. New York: Knopf Doubleday Publishing Group, 2009.
Den vollen Inhalt der Quelle findenO'Keefe, Susan Heyboer. Frankenstein's monster: A novel. New York: Three Rivers Press, 2010.
Den vollen Inhalt der Quelle findenO'Keefe, Susan Heyboer. Frankenstein's monster: A novel. New York: Three Rivers Press, 2010.
Den vollen Inhalt der Quelle findenLouise, Dorothy. Frankenstein. Chicago: Ivan R. Dee, 2004.
Den vollen Inhalt der Quelle findenCopyright Paperback Collection (Library of Congress), Hrsg. Frankenstein, the legacy: A novel. New York: Pocket Books, 2001.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Frankenstein’s monster"
Basham, Diana. „Frankenstein’s Monster: Lady Byron and Victorian Feminism“. In The Trial of Woman, 1–39. London: Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1057/9780230374010_1.
Der volle Inhalt der QuelleHardwicke, Natalie. „Frankenstein’s Monster as Mythical Mattering: Rethinking the Creator-Creation Technology Relationship“. In IFIP Advances in Information and Communication Technology, 191–97. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-030-04091-8_14.
Der volle Inhalt der QuelleMetze, Tamara, und Sabine van Zuydam. „Chapter seven Frankenstein’s Monster: the Amsterdam Case of Good Collaborative Governance“. In The Quest for Good Urban Governance, 127–46. Wiesbaden: Springer Fachmedien Wiesbaden, 2015. http://dx.doi.org/10.1007/978-3-658-10079-7_7.
Der volle Inhalt der QuelleEckermann, Simon. „Avoiding Frankenstein’s Monster and Partial Analysis Problems: Robustly Synthesising, Translating and Extrapolating Evidence“. In Health Economics from Theory to Practice, 57–89. Cham: Springer International Publishing, 2017. http://dx.doi.org/10.1007/978-3-319-50613-5_3.
Der volle Inhalt der QuelleJensen, Carsten, und Kees van Kersbergen. „Goldilocks’ Frankenstein monster“. In The Routledge Handbook of Scandinavian Politics, 69–79. Milton Park, Abingdon, Oxon ; New York, NY : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315695716-6.
Der volle Inhalt der QuelleSoccio, Anna Enrichetta. „Victorian Frankenstein: From Fiction to Science“. In Monsters and Monstrosity, herausgegeben von Daniela Carpi, 131–40. Berlin, Boston: De Gruyter, 2019. http://dx.doi.org/10.1515/9783110654615-008.
Der volle Inhalt der QuelleRomanyshyn, Robert D. „Who is the Monster?“ In Victor Frankenstein, the Monster and the Shadows of Technology, 87–100. Abingdon, Oxon ; New York, NY : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9780429028335-8.
Der volle Inhalt der QuelleAlder, Emily. „Our Progeny’s Monsters: Frankenstein Retold for Children in Picturebooks and Graphic Novels“. In Global Frankenstein, 209–25. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-78142-6_12.
Der volle Inhalt der QuelleWyse, Bruce. „‘The Human Senses Are Insurmountable Barriers’: Deformity, Sympathy, and Monster Love in Three Variations on Frankenstein“. In Global Frankenstein, 75–90. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-78142-6_5.
Der volle Inhalt der QuelleDubowsky, Jack Curtis. „Queer Monster Good: Frankenstein and Edward Scissorhands“. In Intersecting Film, Music, and Queerness, 173–207. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/9781137454218_7.
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