Auswahl der wissenschaftlichen Literatur zum Thema „Frankenstein, victor“
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Zeitschriftenartikel zum Thema "Frankenstein, victor"
Nensilianti, Nensilianti, Yuliana Yuliana und Ridwan Ridwan. „REPRESENTASI MAKNA TANDA/SIMBOL DALAM FILM VICTOR FRANKENSTEIN (2004) KARYA MARY SHELLEY“. Hasta Wiyata 7, Nr. 1 (30.01.2024): 100–111. http://dx.doi.org/10.21776/ub.hastawiyata.2024.007.01.09.
Der volle Inhalt der QuelleProsser, Ashleigh. „Resurrecting Frankenstein: Peter Ackroyd’s The Casebook of Victor Frankenstein and the metafictional monster within“. Australasian Journal of Popular Culture 8, Nr. 2 (01.09.2019): 179–96. http://dx.doi.org/10.1386/ajpc_00004_1.
Der volle Inhalt der QuellePinel Benayas, Ana. „Victor Frankenstein y la racionalidad instrumental = Victor Frankenstein and the instrumental rationality“. Estudios Humanísticos. Filología, Nr. 42 (18.12.2020): 223–34. http://dx.doi.org/10.18002/ehf.v0i42.6260.
Der volle Inhalt der QuelleBowta, Femilia, und Yulan Puluhulawa. „DECONSTRUCTIVE ANALYSIS OF MAIN CHARACTER IN FRANKENSTEIN NOVEL BY MERY SHELLEY“. British (Jurnal Bahasa dan Sastra Inggris) 7, Nr. 1 (26.11.2019): 60. http://dx.doi.org/10.31314/british.7.1.60-71.2018.
Der volle Inhalt der QuelleKoepke, Yvette. „Lessons from Frankenstein: narrative myth as ethical model“. Medical Humanities 45, Nr. 1 (10.07.2018): 27–36. http://dx.doi.org/10.1136/medhum-2017-011376.
Der volle Inhalt der QuelleHeggestad, Jon. „On Frankenstein and How (Not) to Be a Queer Parent“. Victoriographies 13, Nr. 2 (Juli 2023): 131–50. http://dx.doi.org/10.3366/vic.2023.0489.
Der volle Inhalt der QuelleAziz Mahmood, Karzan. „The Appropriation of Innocence: from Shelley’s Frankenstein to Ahmed Saadawi’s Frankenstein in Baghdad“. Arab World English Journal For Translation and Literary Studies 5, Nr. 2 (15.05.2021): 126–38. http://dx.doi.org/10.24093/awejtls/vol5no2.10.
Der volle Inhalt der QuelleHenze, Adam David. „Henry Clerval Scolding Victor Frankenstein: An autoethnographic poem about graduate students and their daemons“. Special Issue - Artistic and Creative Inquiries 55, Nr. 3 (09.11.2021): 685–92. http://dx.doi.org/10.7202/1083429ar.
Der volle Inhalt der QuelleRomanyshyn, Robert D. „Diagnostic Fictions“. Journal of Humanistic Psychology 59, Nr. 1 (26.07.2018): 107–20. http://dx.doi.org/10.1177/0022167818790300.
Der volle Inhalt der QuelleWeidmann, Anja. „Death's Enemy: The Pilgrimage of Victor Frankenstein“. BMJ 327, Suppl S2 (01.08.2003): 0308304a. http://dx.doi.org/10.1136/sbmj.0308304a.
Der volle Inhalt der QuelleDissertationen zum Thema "Frankenstein, victor"
Kolker, Danielle. „Mary Shelley, Victor Frankenstein, and the Powers of Creation“. Oberlin College Honors Theses / OhioLINK, 1991. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1411135456.
Der volle Inhalt der QuelleNidesjö, Liselott. „Who is the Monster in Mary Shelley's Frankenstein? : A Psychoanalytic Reading of the Double Nature of Victor Frankenstein“. Thesis, Högskolan i Halmstad, Sektionen för humaniora (HUM), 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-18981.
Der volle Inhalt der QuelleVan, Wyk Wihan. „Shelleyan monsters: the figure of Percy Shelley in Mary Shelley’s Frankenstein and Peter Ackroyd’s The Casebook of Victor Frankenstein“. University of the Western Cape, 2015. http://hdl.handle.net/11394/4860.
Der volle Inhalt der QuelleThis thesis will examine the representation of the figure of Percy Shelley in the text of Mary Shelley’s Frankenstein (1818). My hypothesis is that Percy Shelley represents to Mary Shelley a figure who embodies the contrasting and more startling aspects of both the Romantic Movement and the Enlightenment era. This I will demonstrate through a close examination of the text of Frankenstein and through an exploration of the figure of Percy Shelley as he is represented in the novel. The representation of Shelley is most marked in the figures of Victor and the Creature, but is not exclusively confined to them. The thesis will attempt to show that Victor and the Creature can be read as figures for the Enlightenment and the Romantic movements respectively. As several critics have noted, these fictional protagonists also represent the divergent elements of Percy Shelley’s own divided personality, as he was both a dedicated man of science and a radical Romantic poet. He is a figure who exemplifies the contrasting notions of the archetypal Enlightenment man, while simultaneously embodying the Romantic resistance to some aspects of that zeitgeist. Lately, there has been a resurgence of interest in the novel by contemporary authors, biographers and playwrights, who have responded to it in a range of literary forms. I will pay particular attention to Peter Ackroyd’s, The Casebook of Victor Frankenstein (2011), which shows that the questions Frankenstein poses to the reader are still with us today. I suggest that this is one of the main impulses behind this recent resurgence of interest in Mary Shelley’s novel. In particular, my thesis will explore the idea that the question of knowledge itself, and the scientific and moral limits which may apply to it, has a renewed urgency in early 21st century literature. In Frankenstein this is a central theme and is related to the figure of the “modern Prometheus”, which was the subtitle of Frankenstein, and which points to the ambitious figure who wishes to advance his own knowledge at all costs. I will consider this point by exploring the ways in which the tensions embodied by Percy Shelley and raised by the original novel are addressed in these contemporary texts. The renewed interest in these questions suggests that they remain pressing in our time, and continue to haunt us in our current society, not unlike the Creature in the novel.
Stafford, Richard Todd. „A Genealogy of Frankenstein's Creation: Appropriation, Hypermediacy, and Distributed Cognition in Shelley Jackson's Patchwork Girl, Victor Erice's Spirit of the Beehive, and Mary Shelley's Frankenstein“. Thesis, Virginia Tech, 2011. http://hdl.handle.net/10919/76983.
Der volle Inhalt der QuelleMaster of Arts
Ocic, Sundberg Erik Daniel. „A Narratological Comparison of the Morals of Herbert West and Victor Frankenstein : Traces of Prometheus through Shelley towards Lovecraft“. Thesis, Linnéuniversitetet, Institutionen för språk (SPR), 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-61014.
Der volle Inhalt der QuelleKerren, Ulla. „Victor’s Body : Male Hysteria and Homoeroticism in Mary Shelley’s Frankenstein and Kenneth Branagh’s Mary Shelley’s Frankenstein“. Thesis, Linnéuniversitetet, Institutionen för språk (SPR), 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:lnu:diva-32306.
Der volle Inhalt der QuelleHung, Wei-Hsiang, und 洪偉翔. „The Queer Case of Mary Shelley’s Frankenstein or the Modern Prometheus: (The) Murdering Victor Frankenstein“. Thesis, 2016. http://ndltd.ncl.edu.tw/handle/mccn99.
Der volle Inhalt der Quelle淡江大學
英文學系碩士班
104
The thesis provides a queer reading of Mary Shelley’s well known novel Frankenstein or the Modern Prometheus by scrutinizing the text and the comparison among the film adaptations, including Frankenstein (1910), Bride of Frankenstein (1935), Mary Shelley’s Frankenstein (1994), The Frankenstein Theory (2013), I, Frankenstein (2014), and the latest film adaptation Victor Frankenstein (2015). In the thesis, I argue that Victor Frankenstein is a homosexual living in the Victorian era when the homophobic society vastly values domestic life and marriage. The heteronormative society distresses Victor so much that he creates the monster as his alter ego and commits all the murders, including killing himself due to desperation in the end. To make such claim, I examine the monster representation and physiognomy first to present how the novel and film adaptations construct the image of the monster. In so doing, I also prove the common belief on the monster’s physical existence. Then I move forward to examine some ambiguous passages describing Victor and the monster both in the novel and film adaptations. Not only the physiognomy but also does the overlapping language use of Victor and the monster enable us to conclude that Victor and the monster is in fact the same unity. Finally, I explain the murder cases based upon Victor’s homosexuality which has been repressed to a certain extent until he could not bear it anymore and commits the crime. Victor Frankenstein, as I contend, is both a victim and murderer in the Victorian era.
Bücher zum Thema "Frankenstein, victor"
Shelley, Mary Wollstonecraft, Webb Robert H, Ann Brewster und Norman B. Saunders. Frankenstein. Newbury, Berkshire, UK: CCS Books, 2016.
Den vollen Inhalt der Quelle findenAckroyd, Peter. The casebook of Victor Frankenstein. Oxford: ISIS, 2009.
Den vollen Inhalt der Quelle findenill, Ering Timothy B., Hrsg. The diary of Victor Frankenstein. New York: DK Ink, 1997.
Den vollen Inhalt der Quelle findenB, Ering Timothy, Hrsg. The diary of Victor Frankenstein. London: Dorling Kindersley, 1997.
Den vollen Inhalt der Quelle findenAckroyd, Peter. The casebook of Victor Frankenstein. New York: Nan A. Talese, 2009.
Den vollen Inhalt der Quelle findenAckroyd, Peter. The casebook of Victor Frankenstein. Waterville, Me: Thorndike Press, 2010.
Den vollen Inhalt der Quelle findenAckroyd, Peter. The casebook of Victor Frankenstein. Waterville, Me: Thorndike Press, 2010.
Den vollen Inhalt der Quelle findenAckroyd, Peter. The Casebook of Victor Frankenstein. New York: Knopf Doubleday Publishing Group, 2009.
Den vollen Inhalt der Quelle findenWeinberg, Larry. Frankenstein. New York: Scholastic Inc., 2005.
Den vollen Inhalt der Quelle findenillustrator, Berry Bob, und Shelley Mary Wollstonecraft 1797-1851, Hrsg. Frankenstein. New York, N.Y: Modern Pub., 2004.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Frankenstein, victor"
Shepherd, Robert K. „Victor Frankenstein Sullies The Book of Splendour“. In The Palgrave Handbook of Gothic Origins, 199–221. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-84562-9_10.
Der volle Inhalt der QuelleStryker, Susan. „My Words to Victor Frankenstein Above the Village of Chamounix“. In The Transgender Studies Reader Remix, 67–79. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003206255-9.
Der volle Inhalt der QuelleRomanyshyn, Robert D. „Introduction“. In Victor Frankenstein, the Monster and the Shadows of Technology, 1–3. Abingdon, Oxon ; New York, NY : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9780429028335-1.
Der volle Inhalt der QuelleRomanyshyn, Robert D. „Resurrecting the dead“. In Victor Frankenstein, the Monster and the Shadows of Technology, 4–17. Abingdon, Oxon ; New York, NY : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9780429028335-2.
Der volle Inhalt der QuelleRomanyshyn, Robert D. „The melting polar ice“. In Victor Frankenstein, the Monster and the Shadows of Technology, 18–30. Abingdon, Oxon ; New York, NY : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9780429028335-3.
Der volle Inhalt der QuelleRomanyshyn, Robert D. „The Monster’s body“. In Victor Frankenstein, the Monster and the Shadows of Technology, 31–44. Abingdon, Oxon ; New York, NY : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9780429028335-4.
Der volle Inhalt der QuelleRomanyshyn, Robert D. „Out of Africa to the moon“. In Victor Frankenstein, the Monster and the Shadows of Technology, 45–50. Abingdon, Oxon ; New York, NY : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9780429028335-5.
Der volle Inhalt der QuelleRomanyshyn, Robert D. „From astronauts to angels in clouds“. In Victor Frankenstein, the Monster and the Shadows of Technology, 51–70. Abingdon, Oxon ; New York, NY : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9780429028335-6.
Der volle Inhalt der QuelleRomanyshyn, Robert D. „WWW: adrift in the digital world“. In Victor Frankenstein, the Monster and the Shadows of Technology, 71–86. Abingdon, Oxon ; New York, NY : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9780429028335-7.
Der volle Inhalt der QuelleRomanyshyn, Robert D. „Who is the Monster?“ In Victor Frankenstein, the Monster and the Shadows of Technology, 87–100. Abingdon, Oxon ; New York, NY : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9780429028335-8.
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