Auswahl der wissenschaftlichen Literatur zum Thema „Frankenstein's monster“
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Zeitschriftenartikel zum Thema "Frankenstein's monster"
COWLES, HENRY M. „HISTORY COMES TO LIFE“. Modern Intellectual History 16, Nr. 1 (17.11.2017): 309–20. http://dx.doi.org/10.1017/s1479244317000543.
Der volle Inhalt der QuelleHopkins, Lisa. „Engendering Frankenstein's Monster“. Women's Writing 2, Nr. 1 (Januar 1995): 77–85. http://dx.doi.org/10.1080/0969908950020105.
Der volle Inhalt der QuelleVaris, Essi. „The Monster Analogy: Why Fictional Characters are Frankenstein's Monsters“. SubStance 48, Nr. 1 (2019): 63–86. http://dx.doi.org/10.1353/sub.2019.0005.
Der volle Inhalt der QuelleAdamson, Eve. „Frankenstein's Monster in the Arctic Circle“. Iowa Review 31, Nr. 3 (Dezember 2001): 37–38. http://dx.doi.org/10.17077/0021-065x.5418.
Der volle Inhalt der QuelleCollins, Alan. „Securitization, Frankenstein's Monster and Malaysian education“. Pacific Review 18, Nr. 4 (Dezember 2005): 567–88. http://dx.doi.org/10.1080/09512740500339034.
Der volle Inhalt der QuelleRadford, Tim. „Let Frankenstein's monster live in science“. Lancet 352, Nr. 9144 (Dezember 1998): 1944. http://dx.doi.org/10.1016/s0140-6736(05)60451-5.
Der volle Inhalt der QuelleSkilbeck, R. „Frankenstein's Monster: Creating a New International Procedure“. Journal of International Criminal Justice 8, Nr. 2 (21.04.2010): 451–62. http://dx.doi.org/10.1093/jicj/mqq024.
Der volle Inhalt der QuelleNensilianti, Nensilianti, Yuliana Yuliana und Ridwan Ridwan. „REPRESENTASI MAKNA TANDA/SIMBOL DALAM FILM VICTOR FRANKENSTEIN (2004) KARYA MARY SHELLEY“. Hasta Wiyata 7, Nr. 1 (30.01.2024): 100–111. http://dx.doi.org/10.21776/ub.hastawiyata.2024.007.01.09.
Der volle Inhalt der QuelleLuckham, Robin. „Democracy and the military: An epitaph for Frankenstein's monster?“ Democratization 3, Nr. 2 (Juni 1996): 1–16. http://dx.doi.org/10.1080/13510349608403464.
Der volle Inhalt der QuelleMalchow, H. L. „FRANKENSTEIN'S MONSTER AND IMAGES OF RACE IN NINETEENTH-CENTURY BRITAIN“. Past and Present 139, Nr. 1 (1993): 90–130. http://dx.doi.org/10.1093/past/139.1.90.
Der volle Inhalt der QuelleDissertationen zum Thema "Frankenstein's monster"
Bondy, David J. „Frankenstein's monster and the politics of the black body“. Thesis, National Library of Canada = Bibliothèque nationale du Canada, 2000. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ52516.pdf.
Der volle Inhalt der QuelleLinter, Simon. „Mary Shelley’s Unrealised Vision : The Cinematic Evolution of Frankenstein’s Monster“. Thesis, Stockholms universitet, Engelska institutionen, 2014. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-104476.
Der volle Inhalt der QuelleLange, Dirk. „Warum will Frankensteins Monster sterben? Selbstmord im englischen Roman des 19. Jahrhunderts“. Heidelberg Winter, 2004. http://deposit.ddb.de/cgi-bin/dokserv?id=2679712&prov=M&dok_var=1&dok_ext=htm.
Der volle Inhalt der QuelleLange, Dirk. „Warum will Frankensteins Monster sterben? : Selbstmord im englischen Roman des 19. Jahrhunderts“. Heidelberg Winter, 2005. http://deposit.ddb.de/cgi-bin/dokserv?id=2679712&prov=M&dokv̲ar=1&doke̲xt=htm.
Der volle Inhalt der QuelleNidesjö, Liselott. „Who is the Monster in Mary Shelley's Frankenstein? : A Psychoanalytic Reading of the Double Nature of Victor Frankenstein“. Thesis, Högskolan i Halmstad, Sektionen för humaniora (HUM), 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-18981.
Der volle Inhalt der QuelleHawley, Erin. „Filmic machines and animated monsters: retelling Frankenstein in the digital age“. Thesis, Hawley, Erin (2011) Filmic machines and animated monsters: retelling Frankenstein in the digital age. PhD thesis, Murdoch University, 2011. https://researchrepository.murdoch.edu.au/id/eprint/5382/.
Der volle Inhalt der QuelleEdfors, Evelina. „Personer och monster : om litteraturens bidrag till religionsfilosofin“. Thesis, Uppsala universitet, Teologiska institutionen, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-323604.
Der volle Inhalt der QuelleAtkins, Emily. „An Exploration of Costume Design For David Emerson Toney's "Frankenstein: Dawn of a Monster"“. VCU Scholars Compass, 2015. http://scholarscompass.vcu.edu/etd/3963.
Der volle Inhalt der QuelleHeidenescher, Joseph D. „"Listen to my tale": Shelley's Literate Monster“. University of Toledo Honors Theses / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=uthonors1450430867.
Der volle Inhalt der QuelleVan, Wyk Wihan. „Shelleyan monsters: the figure of Percy Shelley in Mary Shelley’s Frankenstein and Peter Ackroyd’s The Casebook of Victor Frankenstein“. University of the Western Cape, 2015. http://hdl.handle.net/11394/4860.
Der volle Inhalt der QuelleThis thesis will examine the representation of the figure of Percy Shelley in the text of Mary Shelley’s Frankenstein (1818). My hypothesis is that Percy Shelley represents to Mary Shelley a figure who embodies the contrasting and more startling aspects of both the Romantic Movement and the Enlightenment era. This I will demonstrate through a close examination of the text of Frankenstein and through an exploration of the figure of Percy Shelley as he is represented in the novel. The representation of Shelley is most marked in the figures of Victor and the Creature, but is not exclusively confined to them. The thesis will attempt to show that Victor and the Creature can be read as figures for the Enlightenment and the Romantic movements respectively. As several critics have noted, these fictional protagonists also represent the divergent elements of Percy Shelley’s own divided personality, as he was both a dedicated man of science and a radical Romantic poet. He is a figure who exemplifies the contrasting notions of the archetypal Enlightenment man, while simultaneously embodying the Romantic resistance to some aspects of that zeitgeist. Lately, there has been a resurgence of interest in the novel by contemporary authors, biographers and playwrights, who have responded to it in a range of literary forms. I will pay particular attention to Peter Ackroyd’s, The Casebook of Victor Frankenstein (2011), which shows that the questions Frankenstein poses to the reader are still with us today. I suggest that this is one of the main impulses behind this recent resurgence of interest in Mary Shelley’s novel. In particular, my thesis will explore the idea that the question of knowledge itself, and the scientific and moral limits which may apply to it, has a renewed urgency in early 21st century literature. In Frankenstein this is a central theme and is related to the figure of the “modern Prometheus”, which was the subtitle of Frankenstein, and which points to the ambitious figure who wishes to advance his own knowledge at all costs. I will consider this point by exploring the ways in which the tensions embodied by Percy Shelley and raised by the original novel are addressed in these contemporary texts. The renewed interest in these questions suggests that they remain pressing in our time, and continue to haunt us in our current society, not unlike the Creature in the novel.
Bücher zum Thema "Frankenstein's monster"
O'Keefe, Susan Heyboer. Frankenstein's monster: A novel. New York: Three Rivers Press, 2010.
Den vollen Inhalt der Quelle findenShelley, Mary Wollstonecraft, und Anthony Williams. Frankenstein. [Not specified]: Arcturus Publications, 2021.
Den vollen Inhalt der Quelle findenBaosen, Xiao, Hrsg. Guai wu: Frankenstein's monster / Susan Heyboer O'keefe. Taibei Shi: Xiao yi chu ban, 2011.
Den vollen Inhalt der Quelle findenShelley, Mary Wollstonecraft, Webb Robert H, Ann Brewster und Norman B. Saunders. Frankenstein. Newbury, Berkshire, UK: CCS Books, 2016.
Den vollen Inhalt der Quelle findenSnyder, Bethany. Frankenstein. Franklin, Tenn: Dalmatian Press, 2011.
Den vollen Inhalt der Quelle findenField, Barbara. Playing with fire (after Frankenstein). New York, N.Y. (440 Park Ave. South, New York 10016): Dramatists Play Service, 1989.
Den vollen Inhalt der Quelle findenRoza, Greg. Drawing Frankenstein. New York: Windmill Books, 2011.
Den vollen Inhalt der Quelle findenRoza, Greg. Drawing Frankenstein. New York: Windmill Books, 2010.
Den vollen Inhalt der Quelle findenAverill, Ric. Frankenstein: An adaptation of Mary Shelley's classic. Woodstock, Ill: Dramatic Publishing, 2006.
Den vollen Inhalt der Quelle findenCopyright Paperback Collection (Library of Congress), Hrsg. Frankenstein, the legacy: A novel. New York: Pocket Books, 2001.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Frankenstein's monster"
Jensen, Carsten, und Kees van Kersbergen. „Goldilocks’ Frankenstein monster“. In The Routledge Handbook of Scandinavian Politics, 69–79. Milton Park, Abingdon, Oxon ; New York, NY : Routledge, 2017.: Routledge, 2017. http://dx.doi.org/10.4324/9781315695716-6.
Der volle Inhalt der QuelleSoccio, Anna Enrichetta. „Victorian Frankenstein: From Fiction to Science“. In Monsters and Monstrosity, herausgegeben von Daniela Carpi, 131–40. Berlin, Boston: De Gruyter, 2019. http://dx.doi.org/10.1515/9783110654615-008.
Der volle Inhalt der QuelleBasham, Diana. „Frankenstein’s Monster: Lady Byron and Victorian Feminism“. In The Trial of Woman, 1–39. London: Palgrave Macmillan UK, 1992. http://dx.doi.org/10.1057/9780230374010_1.
Der volle Inhalt der QuelleRomanyshyn, Robert D. „Who is the Monster?“ In Victor Frankenstein, the Monster and the Shadows of Technology, 87–100. Abingdon, Oxon ; New York, NY : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9780429028335-8.
Der volle Inhalt der QuelleAlder, Emily. „Our Progeny’s Monsters: Frankenstein Retold for Children in Picturebooks and Graphic Novels“. In Global Frankenstein, 209–25. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-78142-6_12.
Der volle Inhalt der QuelleWyse, Bruce. „‘The Human Senses Are Insurmountable Barriers’: Deformity, Sympathy, and Monster Love in Three Variations on Frankenstein“. In Global Frankenstein, 75–90. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-78142-6_5.
Der volle Inhalt der QuelleDubowsky, Jack Curtis. „Queer Monster Good: Frankenstein and Edward Scissorhands“. In Intersecting Film, Music, and Queerness, 173–207. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/9781137454218_7.
Der volle Inhalt der QuellePersdotter, Josefin. „Introducing Menstrunormativity: Toward a Complex Understanding of ‘Menstrual Monsterings’“. In The Palgrave Handbook of Critical Menstruation Studies, 357–73. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-0614-7_29.
Der volle Inhalt der QuelleOnega, Susana. „Patriarchal Law and the Ethics and Aesthetics of Monstrosity in Mary Shelley’s Frankenstein“. In Monsters and Monstrosity, herausgegeben von Daniela Carpi, 115–30. Berlin, Boston: De Gruyter, 2019. http://dx.doi.org/10.1515/9783110654615-007.
Der volle Inhalt der QuelleRomanyshyn, Robert D. „The Monster’s body“. In Victor Frankenstein, the Monster and the Shadows of Technology, 31–44. Abingdon, Oxon ; New York, NY : Routledge, 2019.: Routledge, 2019. http://dx.doi.org/10.4324/9780429028335-4.
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