Auswahl der wissenschaftlichen Literatur zum Thema „Francoism – historiography“
Geben Sie eine Quelle nach APA, MLA, Chicago, Harvard und anderen Zitierweisen an
Inhaltsverzeichnis
Machen Sie sich mit den Listen der aktuellen Artikel, Bücher, Dissertationen, Berichten und anderer wissenschaftlichen Quellen zum Thema "Francoism – historiography" bekannt.
Neben jedem Werk im Literaturverzeichnis ist die Option "Zur Bibliographie hinzufügen" verfügbar. Nutzen Sie sie, wird Ihre bibliographische Angabe des gewählten Werkes nach der nötigen Zitierweise (APA, MLA, Harvard, Chicago, Vancouver usw.) automatisch gestaltet.
Sie können auch den vollen Text der wissenschaftlichen Publikation im PDF-Format herunterladen und eine Online-Annotation der Arbeit lesen, wenn die relevanten Parameter in den Metadaten verfügbar sind.
Zeitschriftenartikel zum Thema "Francoism – historiography"
1
Wright, Stephanie. „Out of the Ordinary: Confronting Paradox in the Historiography of Francoism“. Contemporary European History 30, Nr. 1 (15.01.2021): 136–46. http://dx.doi.org/10.1017/s0960777320000478.
Der volle Inhalt der QuelleAnnotation:
On 19 November 1975 Francisco Franco lay dying in Madrid's La Paz hospital. Clutching the cloak of the Virgin del Pilar, and with the ill-gotten relic of St Teresa of Ávila's hand at his bedside, the ailing dictator would soon depart this existence following the withdrawal of life support. For Enrique Moradiellos in Franco: Anatomy of a Dictator, the juxtaposition of modernity and tradition within this deathbed scene was emblematic of the countless paradoxes which characterised the Francoist dictatorship in its later years. Since the dictator's death scholars have continued to grapple with such paradoxes, struggling over how best to define a regime which has come to occupy a notoriously contentious space within contemporary Spanish politics and society. Like a fairground hall of mirrors, historical representations of Francoism have been stretched or squashed by different analytical frames, shaped in many cases by the political and social legacies of the dictatorship. Despite dubious claims to ‘objectivity’, the regime's apologists depict Francoism as a stabilising antidote to the ‘chaos’ of republicanism, conveniently overlooking the destruction and misery which followed the coup of 18 July 1936. Meanwhile, those who seek justice for the regime's victims continue to emphasise the repressive nature of the dictatorship. Though an important component of Francoism's modus operandi, repression does not, by itself, help us to fully understand Francoism's long-term survival or the consent it secured from millions of ordinary Spaniards. The titles under review reflect an increasing willingness to confront Francoism's many contradictions head-on, and to regard the paradoxical nature of the regime not as a conceptual knot to be disentangled, but as a historiographical problem in itself. Historians exploring the experiences of ‘ordinary’ people have proved particularly adept at addressing such complexities, as have scholars adopting comparative or transnational frameworks which reach beyond traditional emphasis on fascist Italy and Nazi Germany. The titles surveyed in this article offer a snapshot of recent developments in the field, while signposting potential avenues through which historians of Francoism might contribute to broader discussions within the historiography of modern Europe.
2
McFarland, Andrew. „Spanish Sport and the Challenges of Its Recent Historiography“. Journal of Sport History 38, Nr. 2 (01.07.2011): 211–21. http://dx.doi.org/10.5406/jsporthistory.38.2.211.
Der volle Inhalt der QuelleAnnotation:
Abstract This article strives to bring together the diverse strands of literature on the role and development of sport in Spain to provide a resource for future scholars. The first section briefly surveys the history of Spanish sport over the course of the late nineteenth and twentieth centuries, including bullfighting because of its symbolic importance. The middle section focuses on the historiography of sport and especially bullfighting, football, and the Olympics. The largest amount of work has considered the role of sport in Francoism, national and regional identities, gender roles, and the media. Finally, the article concludes by noting that the field suffers from a lack of cohesion among its scholars and too much focus on football, Madrid, and Barcelona; it also needs to ground itself more effectively in the larger historical narrative. Though weaknesses now, these also provide clear directions for future contributions.
3
Vincent, Mary. „Nation and State in Twentieth-Century Spain“. Contemporary European History 8, Nr. 3 (November 1999): 473–85. http://dx.doi.org/10.1017/s0960777399003094.
Der volle Inhalt der QuelleAnnotation:
Pamela Beth Radcliff, From Mobilisation to Civil War: The Politics of Polarisation in the Spanish City of Gijón, 1900–1937 (Cambridge: Cambridge University Press, 1996), 354 pp., £40, ISBN 0–521–56213–9.Carolyn Boyd, Historia Patria: Politics, History, and National Identity in Spain, 1875–1975 (Princeton: Princeton University Press, 1997), 358 pp., $49.50, £35.00, ISBN 0–691–02656–4.Sebastian Balfour, The End of the Spanish Empire 1898–1923 (Oxford: Clarendon Press, 1997), 269 pp., £35.00, ISBN 0–198–20507–4.Clare Mar-Molinero and Angel Smith, eds., Nationalism and the Nation in the Iberian Peninsula: Competing and Conflicting Identities (Oxford/Washington, DC: Berg, 1996), 281 pp., £34.95, pb £14.95, ISBN 1–859–73175–9.Michael Richards, A Time of Silence: Civil War and the Culture of Repression in Franco's Spain, 1936–1945 (Cambridge: Cambridge University Press, 1998), 314 pp., £40.00, $59.95, ISBN 0–521–59401–4.Gerald Howson, Arms for Spain: the Untold Story of the Spanish Civil War (London: John Murray, 1998), 354 pp., £25, ISBN 0–719–55556–6.During the long years of Francoism, Spanish historiography was dominated by a search for explanation. Against the regime's triumphalist account of the ‘essential’ Spain – resurgent in the form of the victorious general's authoritarian, confessional state – exiled intellectuals such as Claudio Sánchez-Albornoz and Américo Castro posed questions about the ‘problem’ of Spain, looking to the country's past to explain the political violence of the present. For those who won the Civil War of 1936–39, Spain's national destiny was to remain true to the imperial, Catholic legacy of the Habsburg monarchy. Eschewing modern ‘decadence’ and the false paths of secularism and democracy, Spain was to remain, according to Franco, the ‘spiritual reserve of the west’. Such a vision of history, in Mike Richards's words, ‘appropriated time itself in acknowledging no distinctions between past, present and future’ (Mar-Molinero and Smith, p. 152). To Francoist ideologues, both history and the nation were understood in terms of providential destiny: once understood, the national destiny would prove immutable.
4
Moreno Resano, Esteban. „Aproximaciones historiográficas al emperador Constantino en España durante el franquismo“. REVISTA DE HISTORIOGRAFÍA (RevHisto) 28 (18.05.2018): 347. http://dx.doi.org/10.20318/revhisto.2018.4220.
Der volle Inhalt der QuelleAnnotation:
Resumen: Como todo sistema de gobierno de sesgo totalitario, el franquismo recurrió a la historia para justificar su existencia y forma. El emperador Constantino fue uno de los personajes a los que presto atención, por su doble condición de príncipe victorioso en la guerra y varón piadoso. La imagen de Constantino evoluciono con la sucesión de las llamadas familias del régimen. Así, Eduardo Aunós trazó una semblanza del emperador acorde con los ideales del falangismo en 1940. El auge del nacionalcatolicismo propicio la elaboración de nuevos retratos de Constantino. Dentro de este movimiento, el trabajo más comprometido con la ideología oficial fue el publicado por Ramón Sarabia en 1951. Finalmente, la llegada de la tecnocracia propicio la realización de estudios puramente académicos, como Censura en el mundo antiguo, de Luis Gil Fernández, de 1960.Palabras clave: Constantino, España, franquismo, historiografía.Abstract: As with all movements leaning toward totalitarianism, Francoism too relied on history to justify its existence and form, focusing attention on, inter alia, Constantine the Great, given his doublé condition of victorious prince at war and pious man. Constantine’s image evolved with the succession of the so-called ‘families’ of the Franco regime. Thus, Eduardo Aunós sketched the emperor’s outline according to the ideals of Falangism in 1940. The growth of National-Catholicism further favoured the elaboration of new images of Constantine, and the most committed work under this movement was by Ramón Sarabia (1951). Finally, with the arrival of technocracy, purely academic studies assumed the mantle, such as Luis Gil Fernández’s Censure in the Ancient World (1960).Key words: Constantine, Spain, Franquism, historiography.
5
Mombell, Nicole. „Teaching Representations of Resistance and Repression in Popular Spanish Film“. Image and Storytelling: New Approaches to Hispanic Cinema and Literature 1, Nr. 2 (31.10.2020): 163–83. http://dx.doi.org/10.5399/uo/peripherica.1.2.8.
Der volle Inhalt der QuelleAnnotation:
This essay presents a brief analysis of three popular Spanish films released between 2001 and 2012 that are set in the immediate post Civil War period and first decades of the Franco dictatorship. Specifically, it considers three films which aim to reconstruct and represent the experience of the men, women, and children who fought Francoism or who endured repression after the end of the Spanish Civil War: Silencio roto (Armendáriz 2001), El laberinto del fauno (Del Toro 2004), and 30 años de oscuridad (Martín 2012). This essay explores the way in which tropes of politics, history, resistance, and repression are represented in each film, and how filmmakers using popular cinematic forms have appropriated the Spanish Civil War and Franco period settings to comment on contemporary political and social issues in Spain. Most of the recent Spanish cinematic productions (fictional and documentary) that depict the Spanish Civil War and Franco period have focused on the moral vindication of the vanquished. The three films considered here aim to reconstruct the particular experience or memories of the Spanish maquis and topos, and the civilians who supported them in their struggles. Each of the films discussed has sought to play a role in the recasting of collective identity in Spain, and affords important insights into the social processes and experiences of the time in which they were created. In a world where the visual immediacy of cinematic images increasingly works to displace traditional historiography, these representations have become ever more important and merit discussion. This essay takes into account that these cinematic representations are subjective and mediated depictions of events, participants, and circumstances of the Civil War and Franco period, and suggests pedagogical approaches to discussing each film in order to enable students (and other viewers) to grasp how to distinguish between history and the historicizing effect of its representations.
6
Kressel, Daniel G. „The “Argentine Franco”?: The Regime of Juan Carlos Onganía and Its Ideological Dialogue with Francoist Spain (1966–1970)“. Americas 78, Nr. 1 (Januar 2021): 89–117. http://dx.doi.org/10.1017/tam.2020.106.
Der volle Inhalt der QuelleAnnotation:
AbstractThe article examines the ideological character of Juan Carlos Onganía's dictatorship by exploring its ties and dialogue with Francisco Franco's Spain. Known as the “Argentine Revolution,” Onganía's regime (1966-70) was, the article shows, one of the first Cold War Latin American dictatorship to overtly use Francoist ideology as its point of reference. While building on the conventional wisdom that the legacies of the Spanish Civil War informed right-wing thought in Latin America, the study then shifts its focus to Spain's 1960s “economic miracle” and technocratic state model, observing them as a prominent discursive toolkit for authoritarian Argentine intellectuals. Drawing on newly discovered correspondence and archival sources, the article first excavates the intellectual networks operating between Franco's Spain and the Argentine right during the 1950s and 1960s. Once handpicked by Onganía to design his regime, these Argentine Franco-sympathizers were to decide the character of the Argentine Revolution. Second, the article sheds light on the intimate collaboration between the two dictatorships, and further explores the reasons for Onganía's downfall. In doing so, the study adds to a burgeoning historiographic field that underscores the significance of the Francoist dictatorship in the Latin American right-wing imaginary.
7
Roldán-Figueroa, Rady. „Religious nationalism, racism, and raza hispánica (“Hispanic race”) in Constantino Bayle’s, S.J. (1882–1953) missiology (A publication history approach)“. Critical Research on Religion 10, Nr. 1 (April 2022): 41–60. http://dx.doi.org/10.1177/20503032221075378.
Der volle Inhalt der QuelleAnnotation:
This article focuses on the career of the Jesuit priest, Constantino Bayle, as a historian of Spanish Catholic missions and promoter of state-sponsored arrangements that institutionalized nationalist religious historiography. He encoded religious nationalism and racist categories in academic discourse and terminology, elevating in this way racist assumptions and renewed imperialist aspirations to the level of official historiography. The article traces Bayle’s early career as an Americanista at the Spanish Catholic periodical, Razón y Fe. Bayle was an ardent supporter of Francisco Franco’s military uprising of 1936. He was an apologist for Falange Española who defended its Catholic character. Alongside other Jesuits, he was responsible for forging a Spanish school of missiology that was predicated upon the tenets of Spanish national Catholicism and that was meant to rival analogous Protestant and Roman Catholic historiographic projects. Central to this culturalist endeavor were the notions of Hispanidad and Raza Hispanica.
8
Anderson, Peter. „British Government Maritime Evacuations in the Spanish Civil War, 1936–1939“. War in History 26, Nr. 1 (03.10.2017): 65–85. http://dx.doi.org/10.1177/0968344517691320.
Der volle Inhalt der QuelleAnnotation:
The Spanish Civil War represents the most important and brutal conflict between the two world wars. This brutality makes humanitarian efforts to alleviate suffering important, but we have much to learn about British government-backed maritime rescue efforts of adults at risk from violence behind the lines. This article provides a history of these efforts which corrects the neglect of the Francoist repression in the historiography of British diplomatic responses to the Civil War and questions the argument that UK front-line diplomats acted according to a sense of fair play. It also demonstrates the importance Francoist indifference to humanitarian initiatives.
9
Gaspar Celaya, Diego. „Fascisme, historiographie et Résistance: entretien avec Robert O. Paxton / Fascism, Historiography and Resistance: Interview with Robert O. Paxton“. Historiografías, Nr. 4 (07.01.2018): 101. http://dx.doi.org/10.26754/ojs_historiografias/hrht.201242483.
Der volle Inhalt der QuelleAnnotation:
Professor Robert O. Paxton is one of the greatest historians who has most reflected on France, fascism and Europe during World War II. His research has changed the historical understanding of France’s Vichy régime, as he used exceptional empirical evidence to demonstrate that Vichy was a voluntary program, at least at first, more than one forced on France by German pressure. In this interview he is asked about some burning issues concerning fascism historiography today, the Spanish case, and also his personal point of view about the relationship between history and memory about World Word II in France. This gives him cause to review topics such as historiography, present tendencies in fascism studies, the specificities of Franco’s régime and the dominant post war memories in France.Key wordsFascism, memory, Resistance, francoism.AbstractLe Professeur Robert O. Paxton est l’un des plus grands historiens qui ait réfléchi sur la France, le fascisme et l’Europe pendant la Seconde Guerre mondiale. Ses recherches ont changé la compréhension de l'histoire du régime de Vichy en France. Il a notamment démontre que Vichy était un programme volontaire, au moins au début, plutôt qu’une contrainte sous la pression allemande. Dans cette interview, il est interrogé à propos de questions brûlantes qui concernent l'historiographie du fascisme aujourd'hui, le développement du fascisme en Espagne, et aussi son point de vue personnel sur la relation entre histoire et mémoire de la seconde Guerre mondiale en France. Cette type de question a permis à monsieur Paxton d'examiner des thèmes tels que les tendances actuelles de l’historiographie sur le fascisme, les spécificités du régime de Franco et les souvenirs et mémoires qui dominent l'après-guerre en France par rapport à la période de Vichy et à la Résistance.Mots clé.Fascisme, mémoire, Résistance, franquisme.
10
Fernández Soria, Juan Manuel, und Diego Sevilla Merino. „Introducción: a los 50 años de la Ley General de Educación de 1970“. Historia y Memoria de la Educación, Nr. 14 (26.05.2021): 11. http://dx.doi.org/10.5944/hme.14.2021.30313.
Der volle Inhalt der QuelleAnnotation:
The commemorative opportunity is only a circumstance that prompts to investigate the General Education Act (LGE) of 1970 fifty years after its approval. Another more essential reason invites its study: to investigate with new analyzes and new perspectives on what the LGE meant for the modernization of the country and for the transition between Franco's education and constitutional education. This requires examining the precedents of the 1970 Law and paying attention to the place that the LGE has occupied in educational historiography, in which an evolution towards current historiographic trends is visible. In these highlights the study of international influences in the process of educational modernization, the different iconographic discourses with which the LGE is represented, the protagonism of some of its traditional actors, the rereading of timeless themes present in the Law, and the debates that this generates in the collective memory. These questions are addressed here from the historian's workshop, which are enriched on this occasion with testimonies of individual memories, protagonists in the gestation, development and application of the 1970 Law.
Dissertationen zum Thema "Francoism – historiography"
1
Farguell, Magnet Josep. „L’associacionisme arqueològic a Catalunya en el segon franquisme i la transició. Estudi del cas del Grup de Prehistòria i Arqueologia del Museu de Berga“. Doctoral thesis, Universitat de Girona, 2020. http://hdl.handle.net/10803/671003.
Der volle Inhalt der QuelleAnnotation:
The purpose of this research work is focused on the archaeological practice that was carried out from the archaeological associations in Catalonia. The Renaixença cultural movement claimed a glorious past in Catalonia during the formation of different European nations. The interest in the past led to the fact that in the late nineteenth and beginning twentieth centuries, archaeological associations were a reality in Catalonia. They were mainly organized around scientific hiking. These archaeological associations arrived to the culmination in the Second Republic. In the first so-called Franco regime, the Comisaría General de Excavaciones Arqueològicas, led by the falangist Julio Martínez Santa-Olalla, used the network of archaeological associations that Pere Bosch Gimpera had used for archaeological knowledge of the territory of Catalonia since the beginning of the 20th century. The Decree of December 2, 1955, abolished this commissary and gave birth to the Servicio Nacional de Excavaciones Arqueológicas. This date roughly coincides with what historiography identifies as the second Franco regime. It has been verified that the new organization of archaeology in this second Franco regime continued to use this network of archaeological associations. Each place in the Catalan territory had its own particularity and demanded an investigation by itself. In this work, the Grup de Prehistòria i Arqueologia del Museu Municipal de Berga is a case study, that since 1965 had direct permission from the Dirección General de Bellas Artes for the practice of archaeology in the territory of the BerguedàEl sentit d’aquest treball de recerca va dirigit a la pràctica de l’arqueologia que es realitzava des de l’associacionisme arqueològic Catalunya. El moviment cultural de la Renaixença reivindicava un passat gloriós de Catalunya durant la formació de les diferents nacions europees. L’interès pel passat propi, a imatge del romanticisme, va propiciar que a final del segle XIX i principis del XX, l’associacionisme arqueològic fos una realitat a Catalunya. Principalment es va organitzar a l’entorn de l’excursionisme científic. Aquest associacionisme va tenir el punt culminant a la Segona República. En l’anomenat primer franquisme la Comisaría General de Excavaciones Arqueològicas que dirigia el falangista Julio Martínez Santa-Olalla va fer servir la xarxa d’associacions arqueològiques que Pere Bosch Gimpera havia emprat per el coneixement arqueològic del territori de Catalunya des de principis del segle XX. El Decreto de 2 de diciembre de 1955 va suprimir aquesta comissaria i va fer néixer el Servicio Nacional de Excavaciones Arqueológicas. Aquesta data coincideix aproximadament amb el què la historiografia anomena com el segon franquisme. S’ha comprovat que la nova organització de l’arqueologia en aquest segon franquisme va continuar fent servir aquesta xarxa d’associacions arqueològiques. Cada lloc del territori català tenia la seva particularitat i demana una investigació per ell mateix. En aquest treball i com estudi d’un cas, s’efectua el del Grup de Prehistòria i Arqueologia del Museu de Berga que des de 1965 va tenir un permís directe des de la Dirección General de Bellas Artes per a la pràctica de l’arqueologia en el territori del Berguedà
2
Collard, Franck. „Recherches sur l'historiographie française à la fin du Moyen Âge : le "Compendium de origine et gestis francorum" de Robert Gaguin“. Paris 1, 1994. http://www.theses.fr/1994PA010546.
Der volle Inhalt der QuelleAnnotation:
En 1495, sous le titre compendium de origine et gestis francorum, paraissait à Paris la première histoire de France imprimée en latin, allant des origines à l'époque de l'auteur. Due au ministre général des trinitaires et docteur en décret Robert Gaguin (1433-1501), elle se voulait la relation du glorieux passe de la France et de ses rois selon les méthodes humanistes alors en cours en Italie. Immergé au cœur de l'humanisme parisien et européen, imprégné d'un ardent sentiment national, Gaguin parvint, malgré l'absence d'un soutien de la part des monarques français, à mener à bien un travail historiographique facilité par l'imprimerie naissante et appuyé majoritairement sur des sources très traditionnelles, au premier rang desquelles figurent les grandes chroniques de France et la chronique scandaleuse. Abrégeant et combinant les sources utilisées, il consacra l'essentiel de ses efforts à la confection d'un texte bref et très travaillé du point de vue stylistique. Désireux de fournir un récit véridique qui informe ses compatriotes et convainque l'étranger - anglais et italiens principalement - de la grandeur du royaume et de la culture française, il consentit à remettre en cause quelques mythes nationaux pour mieux exalter par ailleurs la supériorité des français, de leur terre et de leurs souverains, non sans porter sur la société de son temps un jugement empreint d'une sévérité toute cléricale. Moins innovante dans son fond que dans sa forme, l'histoire de France de Gaguin connut auprès de lecteurs tant français qu'étrangers, tant savants que simplement curieux, un grand succès sanctionné par ses multiples éditions au XVIe siècle et par sa traductionEntitled Compendium de origine et gestis francorum, the first history of france printed in latin and extending from the origins to the author's era was published in Paris in 1945. Written by the general minister of trinitarians and doctor of decree robert Gaguin (1433-1501), it intended to be the account of the glorious past of france and its kings according to the humanist methods which were in use in italy at the time. Deeply involved in the parisian and european humanism, impregnated with an ardent national feeling, Gaguin, despite a lack of support from the french monarchs, succeeded in seeing through a historiographical work made easier by the nascent printing and especially backed up with very traditionnal soutces, among which the grandes chroniques de france and the chronique scandaleuse are to be noticed. Shortening and combining the sources he used, he devoted most of his efforts to the writing of a short polished text. Anxious to produce a truthful tale which would inform his compatriots and convince foreigners - english and italian mostly - of the greatness of the kingdom and of the french culture, he agreed to question a few national myths so as to exalt the superiority of the french, their land and their souvereigns, while judging the society of the time with clerical sterness. Less innovating in its content than in its form, Gaguin's history of france was a great success among french and foreign readers, whether they were learned or merely curious
3
Fiuza, Adriana Aparecida de Figueiredo [UNESP]. „Releituras da história franquista nos romances Galíndez e Autobiografía del general Franco de Manuel Vázquez Montalbán“. Universidade Estadual Paulista (UNESP), 2010. http://hdl.handle.net/11449/103658.
Der volle Inhalt der QuelleAnnotation:
Made available in DSpace on 2014-06-11T19:32:48Z (GMT). No. of bitstreams: 0
Previous issue date: 2010-07-28Bitstream added on 2014-06-13T20:04:20Z : No. of bitstreams: 1
fiuza_aaf_dr_assis.pdf: 1161946 bytes, checksum: 9f341e2fae5b39fbe336c8d5ff5e40f8 (MD5)Este estudo propõe-se a investigar, em uma perspectiva comparatista, como ocorre a releitura da história e a retomada da memória esquecida da Espanha franquista, por meio do discurso da ficção. Tendo como corpus os romances Galíndez (1990) e Autobiografía del general Franco (1992) do escritor Manuel Vázquez Montalbán, a pesquisa enfatiza o estudo da metaficção historiográfica e o papel de relevância destas obras, como modelo estético para outras narrativas que surgiriam, posteriormente, no campo da literatura espanhola e que também abordariam a temática da Guerra Civil e do franquismo. A tese indaga sobre como estas narrativas históricas se inserem no contexto de uma estética da Pós-Modernidade, sem, no entanto, deixar que a relativização da história amenize os horrores da violência, da repressão e do abuso de poder presentes nas ditaduras trujillista e franquista. Portanto, apesar destas narrativas de Manuel Vázquez Montalbán se construírem com os recursos estéticos característicos da metaficção historiográfica, como a metaficção, a paródia, o pastiche, a ironia, as relações intertextuais e a autorreflexividade, não abandonam o caráter de reivindicação por uma estética da ética e de uma história não oficial das ditaduras
This study investigates, in a comparative perspective, the process of rereading history and reviving the forgotten memory of Francoist Spain by the fictional discourse. Based on the novels Galíndez (1990) and Autobiografía del general Franco (1992) by Manuel Vázquez Montalbán, this research highlights the study of the historiographic metafiction and the role played by these works as aesthetic models for other narratives which would later arise in the Spanish literature, and which would also address the subject of the Spanish Civil War and the Francoism. This study investigates how these historical narratives arise in the context of an aesthetics of Postmodernity, without, however, letting the relativization of history fade the horrors of violence, repression and abuse of power seen in Trujillo‟s and Franco‟s dictatorial governments. Therefore, although these narratives by Manuel Vázquez Montalbán incorporate the typical aesthetic resources of historiographic metafiction, such as metafiction, parody, pastiche, irony, intertextuality and self-reflexivity, they do not abandon the characteristic of claiming for an aesthetics of ethics and an unofficial history of the dictatorships
4
Fiuza, Adriana Aparecida de Figueiredo. „Releituras da história franquista nos romances Galíndez e Autobiografía del general Franco de Manuel Vázquez Montalbán /“. Assis : [s.n.], 2010. http://hdl.handle.net/11449/103658.
Der volle Inhalt der QuelleAnnotation:
Orientador: Antonio Roberto EstevesBanca: Maria Dolores Aybar Ramirez
Banca: Silvia Inês Cárcaro de Arcuri
Banca: Magnolia Brasil Barbosa do Nascimento
Banca: Cátia Inês Negrão Berlini de Andrade
Resumo: Este estudo propõe-se a investigar, em uma perspectiva comparatista, como ocorre a releitura da história e a retomada da memória esquecida da Espanha franquista, por meio do discurso da ficção. Tendo como corpus os romances Galíndez (1990) e Autobiografía del general Franco (1992) do escritor Manuel Vázquez Montalbán, a pesquisa enfatiza o estudo da metaficção historiográfica e o papel de relevância destas obras, como modelo estético para outras narrativas que surgiriam, posteriormente, no campo da literatura espanhola e que também abordariam a temática da Guerra Civil e do franquismo. A tese indaga sobre como estas narrativas históricas se inserem no contexto de uma estética da Pós-Modernidade, sem, no entanto, deixar que a relativização da história amenize os horrores da violência, da repressão e do abuso de poder presentes nas ditaduras trujillista e franquista. Portanto, apesar destas narrativas de Manuel Vázquez Montalbán se construírem com os recursos estéticos característicos da metaficção historiográfica, como a metaficção, a paródia, o pastiche, a ironia, as relações intertextuais e a autorreflexividade, não abandonam o caráter de reivindicação por uma estética da ética e de uma história não oficial das ditaduras
Abstract: This study investigates, in a comparative perspective, the process of rereading history and reviving the forgotten memory of Francoist Spain by the fictional discourse. Based on the novels Galíndez (1990) and Autobiografía del general Franco (1992) by Manuel Vázquez Montalbán, this research highlights the study of the historiographic metafiction and the role played by these works as aesthetic models for other narratives which would later arise in the Spanish literature, and which would also address the subject of the Spanish Civil War and the Francoism. This study investigates how these historical narratives arise in the context of an aesthetics of Postmodernity, without, however, letting the relativization of history fade the horrors of violence, repression and abuse of power seen in Trujillo‟s and Franco‟s dictatorial governments. Therefore, although these narratives by Manuel Vázquez Montalbán incorporate the typical aesthetic resources of historiographic metafiction, such as metafiction, parody, pastiche, irony, intertextuality and self-reflexivity, they do not abandon the characteristic of claiming for an aesthetics of ethics and an unofficial history of the dictatorships
Doutor
Bücher zum Thema "Francoism – historiography"
1
Álvaro, Francesc-Marc. Els assasins de Franco: Un judici particular del franquisme i dels que van deixar-lo morir al llit. 3. Aufl. Madrid: Esfera de los Libros, 2005.
Den vollen Inhalt der Quelle finden
2
Natoli, Claudio, Leonardo Rapone, Lutz Klinkhammer und Giuliana Di Febo. Dittature, opposizioni, resistenze: Italia fascista, Germania nazionalsocialista, Spagna franchista: storiografie a confronto. Milano: Unicopli, 2005.
Den vollen Inhalt der Quelle finden
3
Cambra, Emilio Castillejo. Mito, legitimación y violencia simbólica en los manuales escolares de historia del franquismo, 1936-1975. Madrid: Universidad Nacional de Educación a Distancia, 2008.
Den vollen Inhalt der Quelle finden
4
Hans-Jürgen, Lüsebrink, und Strugnell Anthony, Hrsg. L' Histoire des deux Indes: Réécriture et polygraphie. Oxford: Voltaire Foundation, 1995.
Den vollen Inhalt der Quelle finden
5
Paolucci, Paola. Profilo di una dietetica tardoantica: Saggio sull'Epistula Anthimi de observatione ciborum ad Theodoricum regem Francorum. Napoli: Edizioni scientifiche italiane, 2002.
Den vollen Inhalt der Quelle finden
6
Gerberding, Richard A. The rise of the Carolingians and the Liber historiae Francorum. Oxford: Clarendon Press, 1987.
Den vollen Inhalt der Quelle finden
7
Aróstegui, Julio. En el combate por la historia: La República, la guerra civil, el franquismo. Barcelona, España: Pasado y Presente, 2012.
Den vollen Inhalt der Quelle finden
8
Muilekom, Jan van. Franco Regime and Its Historiography: Spanish Historians Confronting Propaganda and Censorship. Sussex Academic Press, 2022.
Den vollen Inhalt der Quelle finden
9
Las armas y el oro : palancas de la guerra, mitos del franquismo. - 1. ed. Pasado y Presente, 2013.
Den vollen Inhalt der Quelle finden
10
Graham, Helen. Interrogating Francoism: History and Dictatorship in Twentieth-Century Spain. Bloomsbury Publishing Plc, 2016.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Francoism – historiography"
1
Stöckinger, Martin. „Between Narrativity, Memory, and Administration: Lists in Roman Historiography“. In Forms of List-Making: Epistemic, Literary, and Visual Enumeration, 27–51. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-76970-3_2.
Der volle Inhalt der QuelleAnnotation:
AbstractThis contribution examines the function of lists in Roman historiography. It considers passages from Cicero’s rhetorical works (on the Annales Maximi), Tacitus’ Histories, the emperor Augustus’ Res Gestae, and Gregory of Tours’ Historia Francorum. The relationship of lists and narrativity is the central focus of the investigation. Moreover, it sheds light on the medium of writing that is crucial for the lists under consideration, the role of bureaucracy and administration, and the entanglement of list-keeping and political and religious power.
2
Anderson, Peter. „Introduction“. In The Age of Mass Child Removal in Spain, 1–18. Oxford University Press, 2021. http://dx.doi.org/10.1093/oso/9780192844576.003.0001.
Der volle Inhalt der QuelleAnnotation:
The Introduction explains the key features of the age of mass child removal and the central role of the juvenile courts. It examines how the historiography has overlooked the transnational origins of the courts and their role in child removal. The introduction further shows how the neglected history of the courts in Spain allows scholars to challenge the existing consensus of Francoist child-removal practice. The courts carried out the vast majority of removals and owe their origins to child-welfare reformers rather than Francoist psychiatrists such as Antonio Vallejo-Nágera. The courts also carried out removals in everyday life and this focus makes it possible to overcome the privileging of removals from ‘political’ families. The Introduction further brings into question the view that the Francoist removals were imposed upon passive victims and parents who permanently lost contact with their children and the ability to bring them up according to their own beliefs.
3
„I. Co-opting the Past: Historiography in Francoist Spain“. In Narrating the Past, 15–38. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822382416-003.
Der volle Inhalt der Quelle
4
Mostert, Marco. „The Historiography of Fleury in the Tenth and Eleventh Centuries. A Study in Monastic Historiography“. In Studia monastica et mediaevalia: Opuscula Marco Derwich dedicata, 105–19. Ksiegarnia Akademicka Publishing, 2022. http://dx.doi.org/10.12797/9788381387989.05.
Der volle Inhalt der QuelleAnnotation:
The article provides an evaluation of Aimoin of Fleury as a hagiographer and historian against the background of historiographical production at the monastery of St. Benedict at Fleury, Saint-Benoît- -sur-Loire, in the ninth through eleventh centuries. Not much is known of the life of Aimoin, who must have entered the monastery between 979 and 987, and began books II and III of the Miracula Sancti Benedicti in 1005. He also wrote a Historia Francorum in four books (before 1004), the Vita Abbonis (started at the end of 2004), a history of the abbots of Fleury (now lost), and a few minor texts. On the basis of his works, it is possible to reconstruct how Aimoin used his sources. He made a clear distinction between the distant past and the past which still survived in the living memories of his contemporaries; this borderline seems to have been 987–988. For his Historia Francorum, he relied wholly on written sources, which he quotes and dates as precisely as possible. In the Miracula Sancti Benedicti, he often had to rely on oral testimony. He has no problems with testimony of miracles having occurred in his own days, for which he can find living witnesses whose testimony he can evaluate. For miracles that occurred in earlier times, he has to rely on the memory of his monastic community. Sometimes, a story he describes can be localised at a particular place within his monastery, or at a precise locality, in which case he evaluates the evidence. If relics ought to have been available where a miracle was allegedly performed, Aimoin is clearly distrustful. If he can choose between oral tradition and written documentation, he prefers the latter. We cannot know whether he decided not to include stories of miracles for which he found the evidence wanting; we do know that, to complete his collection, he elevated certain ‘events’ to the level of miracles. Aimoin had high critical standards and doubted anything he had not witnessed; when dealing with the distant past, he always gave a reference wherever possible. He was not afraid to state his ignorance about events for which he had no sources. In Aimoin, we have an example of an early eleventh-century historian who would have earned the esteem of all but the severest of his modern colleagues.
5
„III. Gesta Francorum? – ethnische Terminologie in der Historiographie der Kreuzfahrerstaaten“. In Erster Kreuzzug und Ethnogenese, 75–102. Göttingen: V&R Unipress, 2015. http://dx.doi.org/10.14220/9783737004329.75.
Der volle Inhalt der Quelle
6
Shawcross, Teresa. „The Rise of Vernacular Greek Historiography in the Late Medieval Eastern Mediterranean“. In The Chronicle of Morea, 220–37. Oxford University PressOxford, 2009. http://dx.doi.org/10.1093/oso/9780199557004.003.0011.
Der volle Inhalt der QuelleAnnotation:
Abstract Within the historiographical output of those territories of the eastern Mediterranean under western occupation, the Copenhagen manuscript of the Chronicle of Morea (H) was not the first text to present the encounter between conquerors and conquered as resulting in the negotiation of a new identity. An antecedent of sorts had already been provided over two hundred years previously. In the course of the twelfth century, the establishment and subsequent fate of the Crusader States in Syria and the Holy Land had been recorded not only by westerners whose presence in the area was more or less temporary, but also by a few permanent residents. Of the extant works produced by the latter, one of the earliest was the Gesta Francorum Iherusalem Peregrinantium or Historia Hierosolymitana by Fulcher of Chartres, a participant in the First Crusade who settled in Palestine as chaplain to Baudouin I, the lord of Edessa and first of the crusader kings at Jerusalem, dying there in old age c.1127. In his account of the foundation of the Kingdom of Jerusalem, the Principality of Antioch, and the Counties of Edessa and Tripoli, Fulcher was concerned to stress the coming together of diverse ethnic elements in the foreign land which the crusaders had made their own. Thus, he drew attention in the penultimate pages of his Historia to a process of assimilation, noting that, as the incomers became more rooted in the locality and their descendants multiplied, the old homelands had been forgotten (‘obliti sumus nativitatis nostrae loca’, III.xxxvii.3). Those who had emigrated to the Levant, he explained, no longer spoke of their birthplaces, while the new generations had no first-hand knowledge of the West.