Dissertationen zum Thema „France In motion pictures“
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Van, Liew Maria. „Democratic women : gender, national discourse and the cinema of post-Franco Spain /“. Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 1997. http://wwwlib.umi.com/cr/ucsd/fullcit?p9820983.
Strauss, Angela L. „The economic impact of film tourism on small communities“. Th author, 2003. http://www.worldcatlibraries.org/wcpa/oclc/55215981?page=frame&url=http%3A%2F%2Fwww.uwstout.edu%2Flib%2Fthesis%2F2003%2F2003straussa.pdf&title=&linktype=digitalObject&detail=.
"December, 2003". "A research paper submitted in partial fulfillment of the requirements for the Master of Science Degree with major in Global Hospitality; Approved: 3 semester credits (signature) professor Lynnette Brouwer; The Graduate School, University of Wisconsin-Stout." Description based on 2005 edition printed on Aug. 2, 2007 from http://www.worldcatlibraries.org/wcpa/oclc/55215981?page=frame&url=http%3A%2F%2Fwww.uwstout.edu%2Flib%2Fthesis%2F2003%2F2003straussa.pdf&title=&linktype=digitalObject&detail= Bibliography p. 36-40. Also available online (viewed 2 Aug. 2007) at address: http://www.worldcatlibraries.org/wcpa/oclc/55215981?page=frame&url=http%3A%2F%2Fwww.uwstout.edu%2Flib%2Fthesis%2F2003%2F2003straussa.pdf&title=&linktype=digitalObject&detail=
Noble, Fiona. „Post-transition transitions : childhood, performance and immigration in post-Franco Spanish cinema“. Thesis, University of Aberdeen, 2015. http://digitool.abdn.ac.uk:80/webclient/DeliveryManager?pid=227226.
Emerson, John. „The representation of the colonial past in French and Australian cinema, from 1970 to 2000 /“. Title page, contents and abstract only, 2002. http://web4.library.adelaide.edu.au/theses/09PH/09phe536.pdf.
Lehin, Barbara. „Cinema and society : Thatcher's Britain and Mitterand's France“. Thesis, University of Warwick, 2003. http://wrap.warwick.ac.uk/1249/.
Oscherwitz, Dayna Lynne. „Representing the nation cinema, literature and the struggle for national identity in contemporary France /“. Access restricted to users with UT Austin EID Full text (PDF) from UMI/Dissertation Abstracts International, 2001. http://wwwlib.umi.com/cr/utexas/fullcit?p3034944.
Phillips, Alastair. „City of darkness, city of light : the representation of Paris in the 1930s French films of the German émigrés“. Thesis, University of Warwick, 1999. http://wrap.warwick.ac.uk/110873/.
Trippe, William Micah. „Where are the urban mechanics? : the case of the French city film 1926-1930“. Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610501.
Ward, Glenn. „Journeys into perversion : vision, desire and economies of transgression in the films of Jess Franco“. Thesis, University of Sussex, 2011. http://sro.sussex.ac.uk/id/eprint/6928/.
Langlois, Suzanne 1954. „La résistance dans le cinéma français de fiction (1944-1994) /“. Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=42073.
Walkley, Sarah Elizabeth. „To what extent can France continue to defend the cultural exception in the digital age? : an analysis of cultural diversity in the French film industry“. Thesis, University of Warwick, 2016. http://wrap.warwick.ac.uk/80230/.
Norrie, Kathleen Margaret. „Family patterns in French films of the 1930s and of the Occupation“. Thesis, University of Stirling, 1995. http://hdl.handle.net/1893/24388.
Vaughan, Michael Hunter. „From camera to code : Godard, Resnais and the problem of representation in film theory“. Thesis, University of Oxford, 2008. http://ora.ox.ac.uk/objects/uuid:d8752498-1a8c-48ec-b774-b3e9f1e410ea.
Peters, Claire Isla MacLeod. „Le Paris de la mémoire : traces of the Holocaust and the Algerian War in the 'city of light'“. Thesis, University of Birmingham, 2013. http://etheses.bham.ac.uk//id/eprint/4714/.
Koch, Anna. „Characters as social beings : social performance in the French and Czechoslovak New Waves“. Thesis, University of Oxford, 2017. http://ora.ox.ac.uk/objects/uuid:21a0725e-0028-4ddb-9c9d-4eee40148cc3.
Bellego, Christophe. „Three empirical essays on movie admissions in the french motion picture industry“. Thesis, Paris 1, 2016. http://www.theses.fr/2016PA01E060.
At the frontier between entertainment industries and cultural production, vital content provider of digital economy, the motion picture industry raises several interesting questions in the field of economics and marketing. This dissertation tackles three important empirical questions in the motion picture industry using different methods (panel data models, difference-in-differences, and structural econometrics) and brings a new theoretical development about the nested logit model. The first chapter deals with online consumer reviews, also known as electronic word of mouth (eWOM), and focuses on the extent to which prerelease information alters the effect of eWOM on movie sales. The second chapter studies the collateral damages of the French anti-piracy law known as Hadopi on box office performances of movies, by carefully ruling out alternative explanations of the result. The third chapter investigates on seasonality in the French movie industry. The analysis separately identifies and decomposes movie sales into the number and quality of available movies, underlying seasonal demand, weather shocks, and national sales promotion by estimating a three-level nested logit model of weekly demand accounting for congestion on movie theaters' screens. The model is used to identify optimal release periods depending on the types of movie
Viraben, Hadrien. „Le savant et le profane : documenter l'impressionnisme en France, 1900-1939“. Thesis, Normandie, 2018. http://www.theses.fr/2018NORMR095.
In 1946 the publication of John Rewald’s History of Impressionism in New York consecrated the aura of the movement’s scientific historiography, supported by documentary investment. This quality confronted laymen’s narratives, which oral tradition and some witness’s accounts’ reputations dominated. Yet, a close consideration could not agree with the assumption of an exclusive scholarly nature of the document. Since the beginning of the 20th century, varied producers, such as artists, witnesses, heirs, critics, journalists, as well as professional historians, museum curators and academics formed an impressionist documentation. It thus can be interpreted as a quest for factual truth, as much as an appropriation of a research object through its written and visual marks. The equipment of impressionist readings hence gathered are: autographs; memorabilia, movable and physical assets as souvenirs of artists; photographic and cinematographic technologies. Moreover, these documents fit into a broader visual culture which included monuments and commemorative plaques of the public sphere, or motives transformed by pictorial acts into remarkable viewpoints. A historical and critical study of such a writing of history as documentary (de)monstration allows here to look back to its execution’s social and visual contexts, the career issues in which it participated, the goals that had been assigned to it within both scholars’ and laymen’s art discourses
McMahon, Orlene Denice. „Listening to the French new wave : the film music and composers of postwar French art cinema“. Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610716.
Bias, Rebecca H. „From golden age to silver screen French music-hall cinema from 1930-1950 /“. Connect to this title online, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1117225437.
Title from first page of PDF file. Document formatted into pages; contains vii, 216 p. Includes bibliographical references (p. 195-216). Available online via OhioLINK's ETD Center
Cazdyn, Eric M. „Problem cinema : culture, capital and form in Japan /“. Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 1998. http://wwwlib.umi.com/cr/ucsd/fullcit?p9908497.
Chan, Kim-mui Eileen. „Postmodernity and recent Hong Kong cinema /“. Hong Kong : University of Hong Kong, 1995. http://sunzi.lib.hku.hk/hkuto/record.jsp?B18539191.
Carbonaro, Joseph. „Enabling church members to evaluate the moral content of feature films“. Theological Research Exchange Network (TREN), 1997. http://www.tren.com.
Tam, Siu-yan Xavier. „Between penumbrae and shadow contextualizing transnational queer Chinese cinemas /“. Click to view the E-thesis via HKUTO, 2010. http://sunzi.lib.hku.hk/hkuto/record/B44142663.
Wang, Qi. „Writing against oblivion personal filmmaking from the forsaken generation in post-socialist China /“. Diss., Restricted to subscribing institutions, 2008. http://proquest.umi.com/pqdweb?did=1619151901&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Restoule, Jean-Paul. „How "Indians" are read the representation of aboriginality in films by native and non-native directors /“. Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp01/MQ30998.pdf.
Craddolph, Hayden V. „Developing a community of independent film/video producers to foster creation, marketing, and distribution of digital media“. online access from Digital Dissertation Consortium, 2006. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?EP21256.
Yang, Jing. „The construction of the Chinese woman in 1990s American cinema“. Click to view the E-thesis via HKUTO, 2010. http://sunzi.lib.hku.hk/hkuto/record/B43813185.
Lau, Tsz-wan Christal. „Ethics in the production of Hong Kong movies“. Click to view the E-thesis via HKUTO, 2007. http://sunzi.lib.hku.hk/HKUTO/record/B39559105.
Williams, Danielle E. Winn J. Emmett. „Local motion picture exhibition in Auburn, for 1894-1928 a cultural history from a communication perspective /“. Auburn, Ala., 2004. http://repo.lib.auburn.edu/EtdRoot/2004/SUMMER/Communication_and_Journalism/Thesis/willide_31_Williams.pdf.
Szaloky, Melinda Terezia. „Mutual images transcendental reflections on cinema and the aesthetic between Kant and Deleuze /“. Diss., Restricted to subscribing institutions, 2009. http://proquest.umi.com/pqdweb?did=1906570811&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Zhu, Ying. „From art to commerce : Chinese cinema in the era of reforms /“. Digital version accessible at:, 2000. http://wwwlib.umi.com/cr/utexas/main.
Ming, Kee-ying Thomas. „An analysis of the filmic : a philosophical grounding for film aesthetics /“. [Hong Kong] : University of Hong Kong, 1993. http://sunzi.lib.hku.hk/hkuto/record.jsp?B15949941.
Tiburzi, Brian M. „The fifth generation Chinese cinema's "great leap forward" /“. online access from Digital Dissertation Consortium, 2007. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?1445180.
Galt, Rosalind. „Redrawing the map of Europe space, history and spectacle in new European cinema /“. [S.l. : s.n.], 2002. http://books.google.com/books?id=kV9ZAAAAMAAJ.
Gulledge, Jim. „A search for myth and metanarrative in films popular among college students an alternative model for Christian evaluation /“. Online full text .pdf document, available to Fuller patrons only, 2004. http://www.tren.com.
Berrien, John P. „The portrayal of the clergy in selected American films from the 1930's to the 1970's“. Theological Research Exchange Network (TREN) Access this title online, 1989. http://www.tren.com.
Luce, Micah. „The cinema and the church experiential [koinonia] in audience and congregation /“. Theological Research Exchange Network (TREN), 2008. http://www.tren.com/search.cfm?p051-0115.
Suen, Pak-kin. „Filming gay representations : male homosexuality in Hong Kong and Taiwanese cinema /“. Hong Kong : University of Hong Kong, 2000. http://sunzi.lib.hku.hk:8888/cgi-bin/hkuto%5Ftoc%5Fpdf?B23242036.
Potter, George Alexander. „Iphone to IMAX: the social implications of screen size“. Thesis, Montana State University, 2008. http://etd.lib.montana.edu/etd/2008/potter/PotterG1208.pdf.
Dawson, Harold. „The commodification of tragedy a critical examination of contemporary film /“. Huntington, WV : [Marshall University Libraries], 2007. http://www.marshall.edu/etd/descript.asp?ref=786.
Falicov, Tamara Leah. „The contemporary Argentine film industry, 1983-1998 : state cultural policy within a global market /“. Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 1999. http://wwwlib.umi.com/cr/ucsd/fullcit?p9956448.
Kunkle, Daniel James. „No brute images the need for a Reformed and transcendental approach to the movies /“. Theological Research Exchange Network (TREN), 2000. http://www.tren.com.
Lee, Tain-dow. „Reforming film study at the level of higher education in Taiwan, the Republic of China /“. The Ohio State University, 1986. http://rave.ohiolink.edu/etdc/view?acc_num=osu1487265143147137.
Schweitzer, Dennis C. „Ton & traum : a critical analysis of the use of sound effects and music in contemporary narrative film /“. Ohio : Ohio University, 2004. http://www.ohiolink.edu/etd/view.cgi?ohiou1108483481.
Lee, Christina H. P. „Beyond the pink : (post) youth iconography in cinema /“. Access via Murdoch University Digital Theses Project, 2005. http://wwwlib.murdoch.edu.au/adt/browse/view/adt-MU20050930.124547.
Yeung, Yuk-ngan. „Gender representation in films“. Hong Kong : University of Hong Kong, 2002. http://sunzi.lib.hku.hk/hkuto/record.jsp?
Tam, Siu-yan Xavier, und 譚兆仁. „Between penumbrae and shadow: contextualizingtransnational queer Chinese cinemas“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2010. http://hub.hku.hk/bib/B44142663.
Athique, Adrian Mabbott. „Non-resident cinema transnational audiences for Indian films /“. Access electronically, 2005. http://www.library.uow.edu.au/adt-NWU/public/adt-NWU20060511.140513/index.html.
Crilly, Shane. „"Gods in our own world" representations of troubled and troubling masculinities in some Australian films, 1991-2001 /“. Connect to this title online, 2004. http://hdl.handle.net/2440/37939.
Thesis (Ph.D.)--School of Humanities, 2004.
Haygood, Ashley. „The rise of controversial content in Film“. Lynchburg, Va. : Liberty University, 2007. http://digitalcommons.liberty.edu.