Auswahl der wissenschaftlichen Literatur zum Thema „France Collections“
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Zeitschriftenartikel zum Thema "France Collections"
Ben Azzouna, Nourane. „« L’Orient » entre la France et l’Allemagne. Les collections d’arts de l’Islam au Musée des arts décoratifs de Strasbourg“. Source(s) – Arts, Civilisation et Histoire de l’Europe, Nr. 12 (19.10.2022): 13–34. http://dx.doi.org/10.57086/sources.219.
Der volle Inhalt der QuelleFranche, Dominique. „Les collections de l'Institut Pierre Mendès France“. Matériaux pour l'histoire de notre temps 63, Nr. 1 (2001): 185–88. http://dx.doi.org/10.3406/mat.2001.403303.
Der volle Inhalt der QuelleSanz, Pascal. „Distributed collections and central repository in France“. Library Management 26, Nr. 1/2 (Januar 2005): 49–56. http://dx.doi.org/10.1108/01435120510572860.
Der volle Inhalt der QuelleCharbonnier, Sylvain, Alessandro Garassino, Denis Audo und Dominique Chabard. „Fossil crustaceans in the historical collections of the Muséum d’Histoire naturelle d’Autun, France“. Neues Jahrbuch für Geologie und Paläontologie - Abhandlungen 299, Nr. 2 (26.02.2021): 171–84. http://dx.doi.org/10.1127/njgpa/2021/0963.
Der volle Inhalt der QuelleLaroche, Marie-Charlotte. „Pour un inventaire des collections océaniennes en France“. Journal de la Société des océanistes 100, Nr. 1 (1995): 33–39. http://dx.doi.org/10.3406/jso.1995.3204.
Der volle Inhalt der QuelleAngleviel, Frédéric. „Collectes, collectionneurs et collections en France : 1774-1911“. Outre-mers 88, Nr. 332 (2001): 113–27. http://dx.doi.org/10.3406/outre.2001.3884.
Der volle Inhalt der QuelleSimon, Jonathan. „Mineralogy and mineral collections in 18th-century France“. Endeavour 26, Nr. 4 (Dezember 2002): 132–36. http://dx.doi.org/10.1016/s0160-9327(02)01467-9.
Der volle Inhalt der QuelleFlamerie de Lachapelle, Guillaume. „“Libre à de plus audacieux de pousser plus loin la fidélité”: Traduire les passages obscènes dans la “Collection des Universités de France” entre 1920 et 1945“. Philologus 162, Nr. 1 (01.06.2018): 137–56. http://dx.doi.org/10.1515/phil-2018-0006.
Der volle Inhalt der QuelleRuffoni, Alexandre, Tibor Kovács und Jacques Le Doaré. „Discovery of Besdolus bicolor (Navás, 1909) in France, and complements to the description of its vibrational duet (Plecoptera, Perlodidae)“. Bulletin de la Société entomologique de France 129, Nr. 2 (2024): 119–29. http://dx.doi.org/10.32475/bsef_2319.
Der volle Inhalt der QuelleELLAYAH, Pamela. „Les classiques anglophones dans l'édition française contemporaine“. Ondina - Ondine, Nr. 9 (29.12.2023): 69–81. http://dx.doi.org/10.26754/ojs_ondina/ond.202396202.
Der volle Inhalt der QuelleDissertationen zum Thema "France Collections"
Querrien, Armelle. „L'archéologie dans les musées et collections publiques de France“. Paris 10, 1986. http://www.theses.fr/1986PA100114.
Der volle Inhalt der QuelleArchaeology has found a place in the movement creating museums that followed the French revolution and napoleon's conquests. Very soon, a gaff became evident between the research and presentations of classical and extra national archaeology supported by the state on the one hand and national archaeology supported by "societes savantes" and local councils on the other hand. Besides, as for back as the end of the 19 th century the presentation of museums did not keep place with the result of research; this phenomenum was reinforced in world wars. Despite all the efforts made during the past few years, the evaluation drawn around the year 1980 shows the health of the problems experienced by museums which have archaeological collections. However the potentialities that the latter offer to research and the diffusion of its results are enormous. Moreover the success encountered among the population and its leaders keeps increasing nowadays and the public touched by museums is growing larger. Therefore a propitious context presents itself for the recival of the too long underprivileged institution: the museum. Tome 1: Ist part: archaeology and the history of museums 2sd part: archaeology in French museums and public collections. Status (regulations) collections - typology of museums - staff - financial and material means - acquisitions - diffusion, research 3rd part: the public of museums. General data and survey on the people attending archaeological exhibitions. Tome II: index of archaeological museums and public collections in France
Allano, Mylène. „Peintures italiennes en Bretagne : collections d'aujourd'hui, goûts d'hier“. Rennes 2, 2005. http://www.theses.fr/2005REN20002.
Der volle Inhalt der QuelleBritanny is wealthy of an underestimated inheritance, constituated of about a thousand Italian paintings that cover the large period from the XIIIth century to the XIXth century. Those pictures, that can be mostly found in museums but also in some religious buildings and town halls are a legacy from a past going before the French Revolution - a time in which emigrants and Clergy's possessions were seized to be given to the public domain. In fact, it is from the XVIIth century on, and under the boost of engraving that Britanny has been discovering Italian painting. Nevertheless, it is necessary to wait for the XIXth century and the forming of a new generation of private collectors for the picture acquisition to spread. The increasing practice of donation and, at the same time, the blossoming museums, enriched the public collections, and the State's sendings and depositings
Ghadie, Heba Alah. „Les traducteurs dans les collections littéraires en France (1821-1852): Identités réelles et discursives“. Thèse, Université d'Ottawa / University of Ottawa, 2013. http://hdl.handle.net/10393/30225.
Der volle Inhalt der QuelleQuerrien, Armelle. „L'Archéologie dans les musées et collections publiques en France“. Lille 3 : ANRT, 1987. http://catalogue.bnf.fr/ark:/12148/cb376006152.
Der volle Inhalt der QuelleMarion, Michel. „Collections et collectionneurs de livres au XVIIIe siècle“. Paris 4, 1994. http://www.theses.fr/1994PA040157.
Der volle Inhalt der QuelleIn the Bibliotheque Nationale, in Paris, auction books catalogues are kept and also preserved: they are the basement of the present thesis. Book collectors, in their social condition, marriages, parents and locations, especially in the head town, are presented. Estates and royalties are evaluated too. Collections themselves are also presented, so in their global part than in their secular variations. Foreign editorial production, knowledge of European and nexs, which collectors used to study production are the aim of an analysis, so too the public auctions: books are very expensive. So we may say that collecting books is an advantage that only few could have
Trébosc, Delphine. „Confronter l'art : les collections de raretés de la Renaissance française“. Paris 1, 2004. http://www.theses.fr/2004PA010573.
Der volle Inhalt der QuelleMeyer, Anne-Doris. „Le "musée personnel" de la collection privée au Musée public : parcours de l'objet d'art en France au XIXème siècle“. Strasbourg 2, 2001. http://www.theses.fr/2001STR20001.
Der volle Inhalt der QuelleHenry-Virly, Vanessa. „Les intailles et les camées dans les collections en France au XVIIIème siècle“. Rennes 2, 2010. http://www.theses.fr/2010REN20044.
Der volle Inhalt der QuelleSince the fourth millennia B. C. , cameos and intaglios have been made and used as ornaments, as talismans, or as means of political propaganda. Private individuals and administrations have also used them as seals, and from the very outset, these engraved stones have been sought after by collectors. Eighteenth-century France is no exception to this demand. This thesis sets out to determine the role and status of cameos and intaglios in the collections of the period, to identify the individuals who collected them and to evaluate the part personal taste or social conventions played in the constitution of such collections. The study of the press, publications and auction catalogues from this era in France, reveals that engraved gemstones are considered as objets d’art, as research tools and as a medium for social representation. Aside from the Répertoire of F. Lugt which catalogues 33 auctions of this type, there has been few publications in this area of the history of collections. Research carried out in this thesis has resulted in the discovery of several hundred collectors of glyptic art. Potentially, each of these individuals may now be the subject of further study using the research tools and resources developed as an integral part of this thesis. The uses to which these tools may be put is demonstrated in the analysis of several collectors including: Mariette, Caylus, the Princess Palatine and the Countess de Verrue. This thesis is the first investigation of its kind in this field and aims to contribute to the development of research on cameos and intaglios in eighteenth-century France
Rolland, Frédéric. „Les collections privées de films de cinéma en support argentique en France“. Versailles-St Quentin en Yvelines, 2009. http://www.theses.fr/2009VERS008S.
Der volle Inhalt der QuelleThe vagaries of film preservation (within the film industry) has led to a considerable number of films to vanish. While film and audiovisual archives institutions have multiplied and they have significant funds, there are at the same time in France amateurs, collectors of silver film prints, which sometimes have rare or unique titles in all formats. Beyond release films, specialized for amateur market, face a legal environment often hostile to their passion, their activities and even their existence are unknown. Knowledge of available resources is still desirable in terms of heritage but also functional when the transition process chain engineering manufacturing and distribution of photochemical film to digital began last few years. The digitization of holdings listed should remain incomplete for long and many films will be invisible. Private collectors could further collaborate with institutions and rightholders to the preservation of French cinema
Notteghem, Emilie. „Parcours d’objets de dévotion : mémoire, esthétique, culture (France, XIXème-XXIème siècles)“. Paris 10, 2007. http://www.theses.fr/2007PA100069.
Der volle Inhalt der QuelleWhile cultual obligations are fading away, initiatives from private collectors, associations, sacred art museums to preserve Christian material heritage are growing. First, this study investigates individuals’ ways to distance themselves from Catholicism, in adulthood: objects are used to hold together a biographic and cultural memory. The autonomy of aesthetic from religion neutralizes objects’ cultual value; however they may acquire new ritual functions which extend or transpose domestic use of Christian traditions. Secondly, this study sheds light on religion officers’ position, caught in between two institutional movements of heritage summons – either ecclesiastical or governmental. This analysis leads to the conclusion that it is extremely difficult to work with liturgical objects and quasi-impossible to make non-religious sacred art museums. Museography seems to be helpless to resuscitate as a culture the so-called “shared heritage”
Bücher zum Thema "France Collections"
Collections d'inscriptions oraculaires en France: Collections of oracular inscriptions in France. Taipei: Institut Ricci, 1985.
Den vollen Inhalt der Quelle findenFrance. Lincolnwood (Chicago), Ill: Passport Books, 1997.
Den vollen Inhalt der Quelle findenLaura, Raison, Hrsg. The Southof France: An anthology. London: Cadogan, 1985.
Den vollen Inhalt der Quelle findenLeccese, Powers Alice, Hrsg. France in mind: An anthology. New York: Vintage Books, 2003.
Den vollen Inhalt der Quelle findenRouen (France). Musée des beaux arts, Seine-Maritime (France). Musée départemental des antiquités und Temps des collections (5th : 2016-2017 : Rouen, France), Hrsg. Le temps des collections. Cinisello Balsamo, Milano: Silvana editoriale, 2016.
Den vollen Inhalt der Quelle findenFrance, Institut de. Les collections de l'Institut de France: Bicentenaire de l'Institut de France. [Paris]: Institut de France, 1995.
Den vollen Inhalt der Quelle findenJoly, Marie-Hélène. Musées et collections d'histoire en France: Guide. [Paris?]: Association internationale des musées d'histoire, 1996.
Den vollen Inhalt der Quelle finden(France), Académie d'architecture. Catalogue des collections. [Paris]: Académie d'architecture, 1988.
Den vollen Inhalt der Quelle findenLequeux, Brigitte. Les collections archéologiques dans les musées de France: Répertoire, collections, publications. Paris: Editions du CNRS, 1989.
Den vollen Inhalt der Quelle findenBossan, Enrico. France: Instant présent : contemporary artists from France. [Crocetta del Montello]: Antiga edizioni, 2017.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "France Collections"
Brechenmacher, Frédéric. „Knowing by Drawing: Geometric Material Models in Nineteenth Century France“. In Model and Mathematics: From the 19th to the 21st Century, 53–143. Cham: Springer International Publishing, 2022. http://dx.doi.org/10.1007/978-3-030-97833-4_2.
Der volle Inhalt der QuelleNespoulet, Roland, Laurent Chiotti und Dominique Henry-Gambier. „Old collections and new excavations in a Gravettian key-site: the Abri Pataud (Dordogne, France)“. In Forgotten times and spaces: New perspectives in paleoanthropological, paleoetnological and archeological studies., 229–44. Brno: Masaryk university, 2015. http://dx.doi.org/10.5817/cz.muni.m210-7781-2015-18.
Der volle Inhalt der QuellePrandoni, Marco. „Vive la France, À bas la France! Contradictory Attitude Toward the Appropriation of French Cultural Elements in the Second Half of the Sixteenth Century: the Forewords of »Modern« Poetry Collections“. In Wissenstransfer und Auctoritas in der frühneuzeitlichen niederländischsprachigen Literatur, 179–94. Göttingen: V&R Unipress, 2014. http://dx.doi.org/10.14220/9783737003100.179.
Der volle Inhalt der QuelleRigby, Brian. „The Vivre son temps Collection: Intellectuals, Modernity and Mass Culture“. In France and the Mass Media, 37–58. London: Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-11208-1_4.
Der volle Inhalt der QuellePriebe, Jessica. „The business of collecting“. In François Boucher and the Art of Collecting in Eighteenth-Century France, 119–42. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003224730-07.
Der volle Inhalt der QuelleFiorelli, Vittoria. „From Private Collection to Shared Heritage“. In Paper Heritage in Italy, France, Spain and Beyond (16th to 19th Centuries), 239–51. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003373971-16.
Der volle Inhalt der Quelle„FRANCE“. In World Directory of Map Collections, 93–104. K. G. Saur, 1986. http://dx.doi.org/10.1515/9783110976007.93.
Der volle Inhalt der QuelleFormoso, Jie. „Collecting the Orient and Eastern Collections at the Bibliothèque Nationale de France (National Library of France)“. In Inside the World's Major East Asian Collections, 229–36. Elsevier, 2017. http://dx.doi.org/10.1016/b978-0-08-102145-3.00022-4.
Der volle Inhalt der QuelleBayard, Françoise. „Collections et collectionneurs en France à l’époque moderne“. In Érudits, collectionneurs et amateurs, 85–102. Presses universitaires de Provence, 2017. http://dx.doi.org/10.4000/books.pup.45573.
Der volle Inhalt der QuelleMathonière, Jean-Michel. „Les cartons à dessins des compagnons du Tour de France“. In Images, sons et matériaux en collections. Éditions du Comité des travaux historiques et scientifiques, 2023. http://dx.doi.org/10.4000/books.cths.18221.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "France Collections"
Vanhée, Alexia. „Les collections vidéo de la Bibliothèque nationale de France : une source pour les archives de la littérature“. In Mémoire audiovisuelle de la littérature. Fabula, 2023. http://dx.doi.org/10.58282/colloques.9216.
Der volle Inhalt der QuelleRocaciuc, Victoria. „Book graphics in the creation of the plastic artist Liudmyla Kozhokar“. In Patrimoniul cultural: cercetare, valorificare, promovare. Institute of Cultural Heritage, Republic of Moldova, 2021. http://dx.doi.org/10.52603/9789975351379.11.
Der volle Inhalt der QuelleNoaillon, E., S. Azogui-Lévy, G. Lescaille, R. Toledo, V. Descroix, P. Goudot und J. Rochefort. „Impact des recommandations de l’ANSM dans la prise en charge en cabinet libéral des collections circonscrites aiguës suppurées de la cavité orale d’origine dentaire : enquête nationale“. In 66ème Congrès de la SFCO. Les Ulis, France: EDP Sciences, 2020. http://dx.doi.org/10.1051/sfco/20206602017.
Der volle Inhalt der QuelleFranco Arce, Samuel. „Someone’s treasure: a legacy for all?“ In SOIMA 2015: Unlocking Sound and Image Heritage. International Centre for the Study of the Preservation and Restoration of Cultural Property, 2017. http://dx.doi.org/10.18146/soima2015.1.03.
Der volle Inhalt der QuelleСhernoutsan, Elena. „TECHNOLOGICAL PROTECTIONISM POLICY: MAIN OPPORTUNITIES AND RISKS (EXAMPLE OF FRANCE)“. In Collection of scientific works of the participants of the XI International Kondratieff Conference. ISOASPSH of N.D. Kondratieff, 2020. http://dx.doi.org/10.46865/978-5-901640-34-0-2020-471-475.
Der volle Inhalt der QuelleRobbe, Marie-France, Sandrine Matton, Fabrice Lamadie, Pascal Devenelle, Eric Vincon und Laurent Laloubere. „Collection of Spent Solid Radioactive Sources“. In 10th International Conference on Nuclear Engineering. ASMEDC, 2002. http://dx.doi.org/10.1115/icone10-22642.
Der volle Inhalt der QuelleMazaré, H., M. Megne Wabo, A. Berroneau, V. Servant, M. Puntous, S. Djabarouti, F. Xuereb und D. Breilh. „GM-034 Optimisation of the blood derived medicines circuit by collecting and analysing non-compliances“. In 22nd EAHP Congress 22–24 March 2017 Cannes, France. British Medical Journal Publishing Group, 2017. http://dx.doi.org/10.1136/ejhpharm-2017-000640.380.
Der volle Inhalt der QuelleAgius, R., J. Vella Szijj und LM Azzopardi. „4CPS-203 Development and validation of a data collection tool to evaluate pharmaceutical interventions in an intensive care unit“. In 28th EAHP Congress, Bordeaux, France, 20-21-22 March 2024. British Medical Journal Publishing Group, 2024. http://dx.doi.org/10.1136/ejhpharm-2024-eahp.307.
Der volle Inhalt der QuelleMedina Calderon, M., C. Viennet, Y. Pellequer, F. Aubin, P. Guillem, K. Mouyabi-Nkombo, T. Lihoreau und G. Rolin. „How to Create a Biological Sample Collection: Requirements and Tips from an Academic Research Example in France“. In Special Session on European Regulations for Medical Devices: What Are the Lessons Learned after 1 Year of Implementation? SCITEPRESS - Science and Technology Publications, 2023. http://dx.doi.org/10.5220/0011924500003414.
Der volle Inhalt der QuelleShahrami, B., F. Najmeddin, S. Mousavi, A. Ahmadi, MR Rouini und M. Mojtahedzadeh. „CP-184 Correlations of vancomycin clearance during intermittent infusion with measured and estimated creatinine clearance in critically ill patients: 6 hour urine collection may be beneficial“. In 22nd EAHP Congress 22–24 March 2017 Cannes, France. British Medical Journal Publishing Group, 2017. http://dx.doi.org/10.1136/ejhpharm-2017-000640.182.
Der volle Inhalt der QuelleBerichte der Organisationen zum Thema "France Collections"
Le Béchec, Mariannig, Aline Bouchard, Philippe Charrier, Claire Denecker, Gabriel Gallezot und Stéphanie Rennes. State of open science practices in france (SOSP-FR). Ministère de l'enseignement supérieur et de la recherche, Januar 2022. http://dx.doi.org/10.52949/5.
Der volle Inhalt der QuelleMartin, Kathi, Nick Jushchyshyn und Claire King. Christian Lacroix Evening gown c.1990. Drexel Digital Museum, 2017. http://dx.doi.org/10.17918/wq7d-mc48.
Der volle Inhalt der QuelleBerube, Paul M., Scott M. Gifford, Bonnie Hurwitz, Bethany Jenkins, Adrian Marchetti und Alyson E. Santoro. Roadmap Towards Communitywide Intercalibration and Standardization of Ocean Nucleic Acids ‘Omics Measurements. Woods Hole Oceanographic Institution, März 2022. http://dx.doi.org/10.1575/1912/28054.
Der volle Inhalt der QuelleKamate, Caroline. Citizen participation: the outlook 20 years after the Toulouse disaster. Foundation for an Industrial Safety Culture, Juni 2024. http://dx.doi.org/10.57071/911pcr.
Der volle Inhalt der QuelleDucci, Jorge, Alvaro Fisher und Mauricio Arredondo. Regional Review of Economic Instruments for Solid Waste Management in Latin America and the Caribbean: The Regional Situation and Case Studies about the Private Participation in Santiago and Recycling. Inter-American Development Bank, Februar 2003. http://dx.doi.org/10.18235/0012206.
Der volle Inhalt der QuelleCobeen, Kelly, Vahid Mahdavifar, Tara Hutchinson, Brandon Schiller, David Welch, Grace Kang und Yousef Bozorgnia. Large-Component Seismic Testing for Existing and Retrofitted Single-Family Wood-Frame Dwellings (PEER-CEA Project). Pacific Earthquake Engineering Research Center, University of California, Berkeley, CA, November 2020. http://dx.doi.org/10.55461/hxyx5257.
Der volle Inhalt der QuelleZareian, Farzin, und Joel Lanning. Development of Testing Protocol for Cripple Wall Components (PEER-CEA Project). Pacific Earthquake Engineering Research Center, University of California, Berkeley, CA, November 2020. http://dx.doi.org/10.55461/olpv6741.
Der volle Inhalt der QuelleReis, Evan. Seismic Performance of Single-Family Wood-Frame Houses: Comparing Analytical and Industry Catastrophe Models (PEER-CEA Project). Pacific Earthquake Engineering Research Center, University of California, Berkeley, CA, Dezember 2020. http://dx.doi.org/10.55461/qmbu3779.
Der volle Inhalt der QuelleReis, Evan. Development of Index Buildings, (PEER-CEA Project). Pacific Earthquake Engineering Research Center, University of California, Berkeley, CA, November 2020. http://dx.doi.org/10.55461/fudb2072.
Der volle Inhalt der QuelleReis, Evan, Yousef Bozorgnia, Henry Burton, Kelly Cobeen, Gregory Deierlein, Tara Hutchinson, Grace Kang et al. Project Technical Summary (PEER-CEA Project). Pacific Earthquake Engineering Research Center, University of California, Berkeley, CA, Dezember 2020. http://dx.doi.org/10.55461/feis4651.
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