Auswahl der wissenschaftlichen Literatur zum Thema „Four Seasons Theatre“
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Zeitschriftenartikel zum Thema "Four Seasons Theatre"
Anderson, Peter. „Breaking All Four Walls: Open-Air Theatre at the Caravan Farm“. Canadian Theatre Review 76 (September 1993): 8–12. http://dx.doi.org/10.3138/ctr.76.002.
Der volle Inhalt der QuelleMolony, Martin G. „Nelson Paine, Experimental Theatre, and Puppetry in Ireland, 1942–1952“. Estudios Irlandeses, Nr. 18 (17.03.2023): 67–78. http://dx.doi.org/10.24162/ei2023-11392.
Der volle Inhalt der QuelleGilbert, Reid. „Bard on the Beach in Vancouver: Twenty Years On“. Canadian Theatre Review 140 (September 2009): 93–94. http://dx.doi.org/10.3138/ctr.140.019.
Der volle Inhalt der QuelleSimas, Richard. „Vancouver’s PuSh 2008 and the Phenomenon of Festivals“. Canadian Theatre Review 138 (März 2009): 43–47. http://dx.doi.org/10.3138/ctr.138.008.
Der volle Inhalt der QuelleEmeljanow, Victor. „Pleasure Gardens. Performing Arts Resources, vol. 21. Edited by Stephen M. Vallillo and Maryann Chach. New York: Theatre Library Association, 1998; pp. 105. $30 cloth; Their Championship Seasons: Acquiring, Processing, and Using Performing Arts Archives. Performing Arts Resources, vol. 22. Edited by Kevin Winkler. New York: Theatre Library Association, 2001; pp. 142. $30 cloth.“ Theatre Survey 45, Nr. 1 (Mai 2004): 133–35. http://dx.doi.org/10.1017/s0040557404290081.
Der volle Inhalt der QuelleLidington, Tony. „New Terms for Old Turns: the Rise of Alternative Cabaret“. New Theatre Quarterly 3, Nr. 10 (Mai 1987): 107–19. http://dx.doi.org/10.1017/s0266464x00008605.
Der volle Inhalt der QuelleMacArthur, Michelle. „The Pedagogy of Grief: Lessons from Making Zoom Theatre During a Pandemic“. Canadian Theatre Review 188 (01.10.2021): 49–53. http://dx.doi.org/10.3138/ctr.188.012.
Der volle Inhalt der QuelleCraven, Ian. „Adaptation, Action, Response: ‘Four Horsemen of the Apocalypse’ at the Citizens Theatre, Glasgow“. New Theatre Quarterly 8, Nr. 31 (August 1992): 203–20. http://dx.doi.org/10.1017/s0266464x00006837.
Der volle Inhalt der QuelleWagner, Anton. „Infinite Variety or a Canadian 'National' Theatre: Roly Young and the Toronto Civic Theatre Association, 1945-1949“. Theatre Research in Canada 9, Nr. 2 (Januar 1988): 157a. http://dx.doi.org/10.3138/tric.9.2.157a.
Der volle Inhalt der QuelleDugan, James. „Gwen Pharis Ringwood at the University of Calgary“. Canadian Theatre Review 136 (September 2008): 62–64. http://dx.doi.org/10.3138/ctr.136.012.
Der volle Inhalt der QuelleDissertationen zum Thema "Four Seasons Theatre"
Olmez, Husniye Nihan. „The Analysis Of Theatre Plays For Children Staged By The State Theatre And Private Theatres In 2008-2009 Theatre Season In Bursa“. Master's thesis, METU, 2009. http://etd.lib.metu.edu.tr/upload/12611061/index.pdf.
Der volle Inhalt der Quelletheatre for young audiences evaluation rubric&rdquo
which was developed by the researcher based on the literature. The study presented the composition of the information gained from the interviews and the characteristics scores of each theatre play. The results revealed that As an outcome, this study documented general information about the existing, required and desired characteristics of theatre plays for children
specific information about the current status of theatre plays for children in Bursa
and also implications and suggestions for parents, educators, playwrights, theatre directors and further studies.
Earle, Jen. „Deployable Architecture: A Seasonal Theatre for the Halifax Commons“. 2012. http://hdl.handle.net/10222/15220.
Der volle Inhalt der QuelleBücher zum Thema "Four Seasons Theatre"
Grand Opera House (London, Ont.), Hrsg. Grand Opera House, London, Ont., season 1899-1900, programme: Friday, December 8th, Otis Skinner and his company, including Miss Nanette Comstock, will present Henry Arthur Jones' new comedy in four acts, entitled "The liars" .. [London, Ont.?: s.n., 1986.
Den vollen Inhalt der Quelle findenGrand Opera House (London, Ont.), Hrsg. Programme, Grand Opera House, London, Ont.: Season 1898-9, Tuesday, May 23rd, engagement of Otis Skinner, presenting Rosemary, a comedy in four acts, by Louis N. Parker and Murray Carson .. [London, Ont.?: s.n., 1986.
Den vollen Inhalt der Quelle findenToneelhuis, Hrsg. Zes memo's voor een nieuw seizoen = Six memos for a new season = Six propositions pour une nouvelle saison. Antwerpen: Bebuquin, 2020.
Den vollen Inhalt der Quelle findenGrand Opera House (London, Ont.), Hrsg. Grand Opera House, London, Ont., programme: Season 1897-98 : Friday night and Saturday matinee, the young romantic actor Mr. Donald Robertson and ...Miss Brandon Douglass in the romantic tragedy in four acts The man in the iron mask .. [London, Ont.?: s.n., 1986.
Den vollen Inhalt der Quelle findenGrand Opera House (London, Ont.), Hrsg. Grand Opera House, London, Ont., programme: Season 1898-9, wednesday and Thursday Sept. 21st and 22nd, the beautiful southern actress Miss Lorraine Hollis, supported by the Lorraine Hollis Stock Company, in the society melo-drama in prologue and four acts "The tigress" .. [London, Ont.?: s.n., 1986.
Den vollen Inhalt der Quelle findenIlbon munhŏn sok ŭi Yi Sun-sin p'yosang: The image of Yi Sun-sin in Japanese literature. Sŏul: Minsogwŏn, 2022.
Den vollen Inhalt der Quelle findenPollack, Howard. The Golden Apple. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780190458294.003.0018.
Der volle Inhalt der QuelleJeffs, Kathleen. Staging the Spanish Golden Age. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198819349.001.0001.
Der volle Inhalt der QuelleWilliams, Gareth. The 306. University of Edinburgh, 2024. http://dx.doi.org/10.2218/ed.9781836450597.
Der volle Inhalt der QuelleJeffs, Kathleen. Rehearsal and Translation. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198819349.003.0003.
Der volle Inhalt der QuelleBuchteile zum Thema "Four Seasons Theatre"
Bennett, Michael Y. „Conclusion: For All Seasons—The Particulars and the Universals of Man in Bolt’s A Man for All Seasons“. In Narrating the Past through Theatre, 74–80. New York: Palgrave Macmillan US, 2013. http://dx.doi.org/10.1057/9781137275424_5.
Der volle Inhalt der QuelleSaunders, Graham. „“A Shop Window for Outrage”: Harold Pinter’s Ashes to Ashes, In-Yer Face Theatre and the Royal Court’s 1996 West End Season“. In After In-Yer-Face Theatre, 37–55. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-39427-1_3.
Der volle Inhalt der QuelleWadleigh, Paul. „Staging Mid-Victorian Drama: Four Seasons at Pullman’s Summer Palace“. In Nineteenth Century British Theatre, 51–64. Routledge, 2015. http://dx.doi.org/10.4324/9781315681443-ch-4.
Der volle Inhalt der QuelleBordman, Gerald. „1951-1952“. In American Theatre: A Chronicle of Comedy and Drama, 1930-1969, 300–307. Oxford University PressNew York, NY, 1996. http://dx.doi.org/10.1093/oso/9780195090796.003.0022.
Der volle Inhalt der QuelleBordman, Gerald. „1936-1937“. In American Theatre: A Chronicle of Comedy and Drama, 1930-1969, 138–54. Oxford University PressNew York, NY, 1996. http://dx.doi.org/10.1093/oso/9780195090796.003.0007.
Der volle Inhalt der QuellePrice, Curtis, Judith Milhous und Robert D. Hume. „Opera under Gallini (1785–1790)“. In Italian Opera in Late Eighteenth-Century London, 335–436. Oxford University PressOxford, 1995. http://dx.doi.org/10.1093/oso/9780198161660.003.0006.
Der volle Inhalt der QuelleBordman, Gerald. „1965-1966“. In American Theatre: A Chronicle of Comedy and Drama, 1930-1969, 402–9. Oxford University PressNew York, NY, 1996. http://dx.doi.org/10.1093/oso/9780195090796.003.0036.
Der volle Inhalt der QuellePrice, Curtis, Judith Milhous und Robert D. Hume. „Opera under Taylor and his Trustees (1781–1785)“. In Italian Opera in Late Eighteenth-Century London, 260–334. Oxford University PressOxford, 1995. http://dx.doi.org/10.1093/oso/9780198161660.003.0005.
Der volle Inhalt der QuelleBordman, Gerald. „1872–1873“. In American Theatre, 49–61. Oxford University PressNew York, NY, 1994. http://dx.doi.org/10.1093/oso/9780195037647.003.0004.
Der volle Inhalt der QuelleBordman, Gerald. „1894–1895“. In American Theatre, 365–80. Oxford University PressNew York, NY, 1994. http://dx.doi.org/10.1093/oso/9780195037647.003.0026.
Der volle Inhalt der QuelleBerichte der Organisationen zum Thema "Four Seasons Theatre"
Rogers, Amanda. Cambodian Audience Engagement in the Performing Arts: Cambodian Living Arts 2022 Cultural Season. Swansea University, November 2023. http://dx.doi.org/10.23889/sureport.65084.
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