Auswahl der wissenschaftlichen Literatur zum Thema „Folk Memory Project“
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Zeitschriftenartikel zum Thema "Folk Memory Project"
Li, Jinying. „Memory Resurrected in HD: Collective Digital Video Filmmaking as Production of Counterhistory in the Folk Memory Project“. Camera Obscura: Feminism, Culture, and Media Studies 31, Nr. 1 91 (2016): 175–85. http://dx.doi.org/10.1215/02705346-3454485.
Der volle Inhalt der QuellePortelli, Alessandro. „We Are Not Going Back: Migrant Music as the New Folk Music of Italy“. Wrocławski Rocznik Historii Mówionej 10 (18.06.2021): 106–20. http://dx.doi.org/10.26774/wrhm.267.
Der volle Inhalt der QuelleBEREZINA, Elizaveta. „Lacquered History: Soviet Crafts and Problematic Memory of the Communist Past“. Martor. The Museum of the Romanian Peasant Anthropology Review 26 (2021): 47–54. http://dx.doi.org/10.57225/martor.2021.26.03.
Der volle Inhalt der QuelleM. Moore, Nathan. „Folk Tradition at the Creole Red River“. International Journal of Arts, Humanities & Social Science 04, Nr. 07 (14.07.2023): 7–13. http://dx.doi.org/10.56734/ijahss.v4n7a2.
Der volle Inhalt der QuellePernin, Judith. „Performance, Documentary, and the Transmission of Memories of the Great Leap Famine in the Folk Memory Project“. China Perspectives 2014, Nr. 4 (25.11.2014): 17–26. http://dx.doi.org/10.4000/chinaperspectives.6572.
Der volle Inhalt der QuelleZito, Angela. „The Act of Remembering, the Xianchang of Recording“. Film Quarterly 69, Nr. 1 (2015): 20–35. http://dx.doi.org/10.1525/fq.2015.69.1.20.
Der volle Inhalt der QuelleMarcoline, Anne. „George Sand and Music Ethnography in Nineteenth-Century France“. Nineteenth-Century Music Review 12, Nr. 2 (10.09.2015): 205–25. http://dx.doi.org/10.1017/s1479409815000300.
Der volle Inhalt der QuelleLukin, Michael, und Edwin Seroussi. „“Nign 3” from Beregovskii’s Jewish Folk Tunes Without Words: An Intro- duction to the Study of Hassidic Music in its Ukrainian Context“. Ethnomusic 16, Nr. 1 (2020): 141–57. http://dx.doi.org/10.33398/2523-4846-2020-16-1-141-157.
Der volle Inhalt der QuelleGil, Roger, und Eberhard Bons. „Judith 5:5-21 ou le récit d’Akhior: les mémoires dans la construction de l’identité narrative du peuple d’Israël“. Vetus Testamentum 64, Nr. 4 (22.09.2014): 573–87. http://dx.doi.org/10.1163/15685330-12341176.
Der volle Inhalt der QuelleKępiński, Marcin. „„Czterej pancerni” jako socrealistyczna bajka magiczna“. Kultura i Społeczeństwo 53, Nr. 3 (21.09.2009): 145–77. http://dx.doi.org/10.35757/kis.2009.53.3.8.
Der volle Inhalt der QuelleDissertationen zum Thema "Folk Memory Project"
Lu, Jiejing. „Écritures documentaires de l’histoire dans la Chine contemporaine : Hu Jie, Folk Memory Project, Mao Chenyu“. Electronic Thesis or Diss., Paris 3, 2023. http://www.theses.fr/2023PA030027.
Der volle Inhalt der QuelleThis dissertation wishes to contribute to the studies about the independent documentary film creations in contemporary China which confront national history. In an intellectual and artistic context, where the exhumation and transmission of the buried facts are repressed or bereft of public representation, we would like to observe three exemplary cases in this regard : HU Jie, Folk Memory Project, and MAO Chenyu. Our study will try to characterise the different propositions and the principal gestures in their experimentations of documentary writing style.For HU Jie, the principal gesture is also the seminal gesture of classical documentary filmmaking : to establish the facts. Based on collected testimonials and archival footage, HU Jie explores in his practice how the subjects of his films and the historical facts would come to shape intelligibly. Folk Memory Project is an ongoing participatory documentary experience that engages amateur filmmakers or citizens to go back to their families’ rural villages, and film elders’ memories about difficult times. The project sees its practice as creation, investigation, transmission, but also intimate introspection. In the case of MAO Chenyu, who centers his work in the rural region and China’s peasantry, with his innovative approach that explores perpetually about the possible articulation between cinema and other practices, his work provides an ethnographic thinking to history writing.These three practices all participate to the critical approach of history writing in sounds and images, which reclaims history's collective and plurality becoming
Lessard, Guillaume. „Harmonium : un projet artistique progressif et spirituel occulté par un récit d’affirmation nationale“. Thèse, 2015. http://hdl.handle.net/1866/13665.
Der volle Inhalt der QuelleThis study proposes a transdisciplinary point of view: historic, sociologic and musical to Harmonium, a Quebec preeminent progressive folk-rock group of the 1970s. This work is interested in the musical revolution that came with the birth of folk and progressive rock musical scenes in Quebec and in the narrative and symbols associated with the musical work and history of Harmonium. The group’s albums, the written sources of the time (articles in journals and magazines), the documentaries and the public history and memory are all examined and confronted in this research to study the historical narrative. To begin with, the rise of the group is contextualized in the transformations of Quebec’s musical scene in the 1960s-1970s. The history of Harmonium, situated between 1972 and 1978, is then reconstructed using historical sources, scientific articles and biographies. Thereafter, the musical characteristics, themes, values, ideals and messages of the group are examined. Harmonium’s emergence and success is then reinterpreted through the development of the progressive rock international musical scene and the popularization of the counter-culture. Finally, in light of the political ambiguity of Harmonium that the historical sources reveal, the neonationalist reinterpretations of its work and history is analyzed as a narrative process. This narration, which predominates in public history and memory, seems to assimilate the destiny of Quebec’s artists with the destiny of its people and its nation, therefore contributing to the occultation of Harmonium’s progressive, counter-cultural and “authentic” musical quest.
Bücher zum Thema "Folk Memory Project"
The Fold. New York, USA: Broadway Books, 2015.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Folk Memory Project"
Martin, Alexander M. „Memory“. In From the Holy Roman Empire to the Land of the Tsars, 291–311. Oxford University Press, 2022. http://dx.doi.org/10.1093/oso/9780192844378.003.0016.
Der volle Inhalt der QuelleNarsky, I. V. „Folk Dance Ensemble «Samotsvety» as a Place of Memory of its (Former) Participants“. In Rules of the game on a voluntary basis: Authorities and voluntary grassroots organizations in the USSR, 1960s–1990s, 146–62. Perm State University, 2023. http://dx.doi.org/10.17072/978-5-7944-4056-0-146-162.
Der volle Inhalt der QuelleKulavkova, Katica. „New Interpretative Approach to the Mediterranean Cultures“. In Exploring the Commonalities of the Mediterranean Region, 15–24. Turkish Academy of Sciences, 2019. http://dx.doi.org/10.53478/tuba.2020.037.
Der volle Inhalt der QuelleZeitlin, Steve. „The Best Stories versus My Story“. In The Poetry of Everyday Life. Cornell University Press, 2016. http://dx.doi.org/10.7591/cornell/9781501702358.003.0021.
Der volle Inhalt der QuelleKratochvíl, Matěj. „Presence and Absence of Minorities in Folk Music Research Projects in the 20th-Century Czech Lands“. In Music – Memory – Minorities, 36–48. Karolinum Press, Charles University, 2020. http://dx.doi.org/10.2307/jj.3643618.5.
Der volle Inhalt der QuelleSimpson, Juliet. „Imaging the Uncanny Memory“. In W.G. Sebald’s Artistic Legacies. Nieuwe Prinsengracht 89 1018 VR Amsterdam Nederland: Amsterdam University Press, 2023. http://dx.doi.org/10.5117/9789463729758_ch02.
Der volle Inhalt der QuelleCorens, Liesbeth. „The Record Keeper“. In Confessional Mobility and English Catholics in Counter-Reformation Europe, 164–90. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198812432.003.0006.
Der volle Inhalt der QuelleDavis, Susan G. „Under Mt. Cheiron“. In Dirty Jokes and Bawdy Songs, 223–42. University of Illinois Press, 2019. http://dx.doi.org/10.5622/illinois/9780252042614.003.0011.
Der volle Inhalt der QuelleBelsey, Alex, und Alex Belsey. „Autobiography and the Intellectual“. In Image of a Man, 105–50. Liverpool University Press, 2020. http://dx.doi.org/10.3828/liverpool/9781789620290.003.0005.
Der volle Inhalt der QuelleJoslin, Katherine. „Inhabiting Reality“. In The Oxford Handbook of Jane Addams. Oxford University Press, 2022. http://dx.doi.org/10.1093/oxfordhb/9780197544518.013.1.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Folk Memory Project"
Wilson, Gregory, Dimitris Lagoudas und Darren Hartl. „Designing a Morphable Parabolic Reflector Antenna Using Origami-Inspired Discretization and Efficient Global Optimization“. In ASME 2020 Conference on Smart Materials, Adaptive Structures and Intelligent Systems. American Society of Mechanical Engineers, 2020. http://dx.doi.org/10.1115/smasis2020-2431.
Der volle Inhalt der QuelleZyśk, Krystian, Michał Hałoń, Kacper Kaczmarek, Marcin Kasprzyk, Piotr Rodo, Olgierd Skromak und Mateusz Sochacki. „Generation of Artificial Infrared Camera Images for Visual Navigation Simulation“. In ESA 12th International Conference on Guidance Navigation and Control and 9th International Conference on Astrodynamics Tools and Techniques. ESA, 2023. http://dx.doi.org/10.5270/esa-gnc-icatt-2023-091.
Der volle Inhalt der QuelleHajian, George. „Hard Working Covers“. In LINK 2021. Tuwhera Open Access, 2021. http://dx.doi.org/10.24135/link2021.v2i1.87.
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