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Thematische Bibliographien / Folk literature. Southern African / Zeitschriftenartikel

Zeitschriftenartikel zum Thema „Folk literature. Southern African“

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Autor: Grafiati

Veröffentlicht am 26. Juli 2024

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1

Thomas, Ada C. M. „From Zora Neale to Missionary Mary: Womanist Aesthetics of Faith and Freedom“. Religions 14, Nr. 10 (12.10.2023): 1285. http://dx.doi.org/10.3390/rel14101285.

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In this essay, I discuss the art of Missionary Mary Proctor, a contemporary folk artist from Tallahassee, Florida, in the context of the literary aesthetics of the renowned twentieth-century anthropologist and writer Zora Neale Hurston. In comparing these Southern-born African American women artists, I argue that both are rooted in an aesthetic praxis deriving from their shared womanist ethics. My goal in this inquiry is to highlight the faith-based aesthetic traditions of African American women and reveal the manner in which discourses of freedom intertwine with literary and visual aesthetics and faith-based practices in African American folk art and literature. To that end, I analyze the prevalence of themes of liberation within the spiritual discourses of Southern African American women artists such as Missionary Mary Proctor and theorize the manner in which a landscape of Black female liberation is envisioned within their works.

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2

Adams, Katherine. „Du Bois, Dirt Determinism, and the Reconstruction of Global Value“. American Literary History 31, Nr. 4 (2019): 715–40. http://dx.doi.org/10.1093/alh/ajz036.

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Abstract W. E. B. Du Bois wrote extensively about African-American cotton growers and the Southern Black Belt, beginning with the sociological studies he conducted while at Atlanta University. Over time, his approach to these subjects became increasingly literary and experimental. He made the region—and specifically its dirt—a medium for analyzing the history and dynamics of racial capitalism, and for imagining forms of value not grounded in the violent extraction and mystification of black labor power. In doing so Du Bois countered the blame narrative developed by white southerners like Alfred Holt Stone, who attributed soil exhaustion and economic stagnation to the “monstrocity” of self-possessed black labor. He dismantles racist figures of black encumbrance, nomadism, and decay in which antebellum theories of climate determinism were retooled to promote new forms of racial exploitation. This essay analyzes Du Bois’s dirt poetics in The Souls of Black Folk (1903) and The Quest of the Silver Fleece (1911). Drawing from Ernesto Laclau’s work on the rhetoricity of Marxist social movements, it examines the revolutionary forms of radical contingency that Du Bois discovers at the intersection of linguistic and economic value.

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3

Ferris, William. „Southern Literature and Folk Humor“. Southern Cultures 1, Nr. 4 (1995): 431–55. http://dx.doi.org/10.1353/scu.1995.0043.

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4

Ibrahim, H. „Real Folks: Race and Genre in the Great Depression / Darkening Mirrors: Imperial Representation in Depression-Era African American Performance / The Angelic Mother and the Predatory Seductress: Poor White Women in Southern Literature of the Great Depression“. American Literature 86, Nr. 4 (01.01.2014): 836–38. http://dx.doi.org/10.1215/00029831-2811658.

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5

Vuuren, Helize van. „Southern African Literatures“. Journal of Literary Studies 13, Nr. 1-2 (Juni 1997): 190–209. http://dx.doi.org/10.1080/02564719708530167.

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6

Baderoon, Gabeba. „Southern African Literatures“. Comparative Literature Studies 43, Nr. 1-2 (01.01.2006): 171–73. http://dx.doi.org/10.2307/25659510.

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7

Baderoon, Gabeba. „Southern African Literatures“. Comparative Literature Studies 43, Nr. 1-2 (01.01.2006): 171–73. http://dx.doi.org/10.2307/complitstudies.43.1-2.0171.

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8

Kunene, Daniel P. „Southern African Literatures (review)“. Research in African Literatures 37, Nr. 1 (2006): 135–37. http://dx.doi.org/10.1353/ral.2006.0033.

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9

Richards, Phillip M. „Sulaand the discourse of the folk in African American literature“. Cultural Studies 9, Nr. 2 (Mai 1995): 270–92. http://dx.doi.org/10.1080/09502389500490381.

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10

Skinner, Douglas Reid, D. B. Ntuli und C. F. Swanepoel. „Southern African Literature in African Languages: A Concise Historical Perspective“. World Literature Today 69, Nr. 2 (1995): 422. http://dx.doi.org/10.2307/40151332.

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11

Stec, Loretta. „Teaching a Seminar in “Southern African Literature”“. Safundi 5, Nr. 4 (Oktober 2004): 1–5. http://dx.doi.org/10.1080/17533170400605406.

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12

Killick, D. J. B. „Southern African Botanical Literature 1600–1988 (SABLIT)“. South African Journal of Botany 56, Nr. 5 (Oktober 1990): 590–92. http://dx.doi.org/10.1016/s0254-6299(16)31029-8.

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13

Baderoon, Gabeba. „Southern African Literatures (review)“. Comparative Literature Studies 43, Nr. 1 (2006): 171–73. http://dx.doi.org/10.1353/cls.2006.0022.

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14

Godwin, Denise A. „Discovering the African folk-tale in translation“. South African Journal of African Languages 11, Nr. 4 (Januar 1991): 109–18. http://dx.doi.org/10.1080/02572117.1991.10586902.

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15

Dreiser, P. „Conjuring the Folk: Forms of Modernity in African America“. American Literature 74, Nr. 1 (01.03.2002): 170–71. http://dx.doi.org/10.1215/00029831-74-1-170.

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16

Felisilda, Violeta. „RURAL LIFE IMAGERY REPRESENTATIONS IN SELECTED FOLK SONGS“. Journal Sampurasun : Interdisciplinary Studies for Cultural Heritage 2, Nr. 2 (28.02.2017): 158. http://dx.doi.org/10.23969/sampurasun.v2i2.167.

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Pedagogical materials in teaching regional literature are needed in Philippine classrooms. However, the number of studies on regional literature that students and teachers can make use of is very limited. To cater to such academic demand, this study selected four folk songs of Southern Leyte, Philippines to determine the rural life imagery that they portray. The formalism approach in literary analysis was used in this study. The chosen folk songs were “AwitsaBukid” (Song of the Mountain), “Barutu” (Boat), “Alibangbang” (Butterfly), and “May BalayGamaysaBungtud” (There Was a Hut on the Hill). The textual translation of the lyrics of the folk songs followed the Phonology-Orthography Correspondence: Sound-Letter System on pedagogic grammar for Cebuano Visayan. Coding and triangulation were applied to the data. The findings revealed that the selected folk songs of Southern Leyte had the following rural life imagery representations: “AwitsaBukid” (Song of the Mountain) - farmers working to attain a good harvest, “Barutu” (Boat) - a coffin made out of a sawed-off boat and funeral activities, “Alibangbang” (Butterfly) - a man courting and exploiting a woman then leaving her for another woman, “May BalayGamaysaBungtud” (There Was a Hut on the Hill) - a socialite mother living in a shanty on a hill. The literary analysis showed that the selected folk songs of Southern Leyte have representations of rural life imagery.

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Walker, Timothy. „The role and practices of the curandeiro and saludador in early modern Portuguese society“. História, Ciências, Saúde-Manguinhos 11, suppl 1 (2004): 223–37. http://dx.doi.org/10.1590/s0104-59702004000400011.

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This paper will explore the role and practices of magic-using folk healers - curandeiros and saludadores - in early modern Portuguese society. The article will examine the ambivalent place of the folk healer as a figure both central to and marginal in Portuguese popular culture. In considering some of the services offered by unlicensed popular healers and their recourse to the unorthodox magical means inherent in popular curing, the paper will investigate curandeiros' and saludadores' illicit sources of power. Further, this work will examine the prominence of men as folk healers in southern Portugal during the seventeenth and eighteenth centuries. Finally, by looking at the notoriety of Luso-African folk healers, the paper will assess the importance of race as a factor in the culture of Portuguese magical curing.

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18

Davison, Patricia. „Southern African Beer Pots“. African Arts 18, Nr. 3 (Mai 1985): 74. http://dx.doi.org/10.2307/3336359.

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19

Solomon, Anne. „Rain Stories: Interpreting Water Beings in the Folklore of the Southern African Khoisan and Their Descendants“. Фолклористика : часопис Удружења фолклориста Србије 4, Nr. 1 (2019): 193–210. http://dx.doi.org/10.18485/folk.2019.4.1.7.

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20

Ndakalako-Bannikov, Martha. „Elephants, emotions and compassion in southern African literature“. Journal of Southern African Studies 46, Nr. 1 (06.12.2019): 185–87. http://dx.doi.org/10.1080/03057070.2020.1696030.

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21

Glorie, Ingrid. „Southern African Literatures (Michael Chapman)“. Tydskrif vir Letterkunde 41, Nr. 1 (18.04.2018): 182–84. http://dx.doi.org/10.17159/2309-9070/tvl.v.41i1.4968.

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22

Gray, Stephen. „Opening Southern African Studies Post-Apartheid“. Research in African Literatures 30, Nr. 1 (März 1999): 207–15. http://dx.doi.org/10.2979/ral.1999.30.1.207.

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23

Gray, Stephen. „Opening Southern African Studies Post-Apartheid“. Research in African Literatures 30, Nr. 1 (1999): 207–15. http://dx.doi.org/10.1353/ral.2005.0090.

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24

Dorsey, David, und Robin Malan. „Ourselves in Southern Africa: An Anthology of Southern African Writing“. World Literature Today 64, Nr. 3 (1990): 512. http://dx.doi.org/10.2307/40146801.

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25

Quintero, Genevieve Jorolan, und Connie Makgabo. „Animals as representations of female domestic roles in selected fables from the Philippines and South Africa“. Scholarship of Teaching and Learning in the South 4, Nr. 1 (28.04.2020): 37. http://dx.doi.org/10.36615/sotls.v4i1.121.

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South Africa and the Philippines are home to a number of indigenous groups whose cultures and traditions have not been tainted by centuries of colonization. This paper compares the pre-colonial literature of cultural communities in two countries, where one is part of a continent (South Africa) while the other is an archipelago (the Philippines). Despite the differences in their geographical features, the two countries share common experiences: 1) colonized by European powers; 2) have a significant number of indigenous communities; 3) a treasury of surviving folk literature. Published African and Philippine folktales reveal recurring images and elements. One of these is the use of animals as characters, performing domestic tasks in households, and representing gender roles. This paper compares how animal characters portray feminine characteristics and domestic roles in selected fables from South Africa and the Philippines, specifically on the commonalities in the roles of the female characters. The research highlights the relevance of recording and publishing of folk literature, and the subsequent integration and teaching thereof within basic and higher education curricula.Key words: Indigenous, Cultural communities, fables, folk literature, Philippine folk tales, South African folk talesHow to cite this article:Quintero, G.J. & Makgabo, C. 2020. Animals as Representations of Female Domestic Roles in selected fables from the Philippines and South Africa. Scholarship of Teaching and Learning in the South. v. 4, n. 1, p. 37-50. April 2020. Available at:https://sotl-south-journal.net/?journal=sotls&page=article&op=view&path%5B%5D=121This work is licensed under the Creative Commons Attribution 4.0 International License.To view a copy of this license, visit http://creativecommons.org/licenses/by/4.0/

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26

Yenika-Agbaw, Vivian. „Folk literature and the preservation of culture: New approaches to African storytelling“. Bookbird: A Journal of International Children's Literature 49, Nr. 3 (2011): 25–32. http://dx.doi.org/10.1353/bkb.2011.0051.

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27

Rattray, Ryan D., und Ben-Erik Van Wyk. „The Botanical, Chemical and Ethnobotanical Diversity of Southern African Lamiaceae“. Molecules 26, Nr. 12 (18.06.2021): 3712. http://dx.doi.org/10.3390/molecules26123712.

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The Lamiaceae is undoubtedly an important plant family, having a rich history of use that spans the globe with many species being used in folk medicine and modern industries alike. Their ability to produce aromatic volatile oils has made them valuable sources of materials in the cosmetic, culinary, and pharmaceutical industries. A thorough account of the taxonomic diversity, chemistry and ethnobotany is lacking for southern African Lamiaceae, which feature some of the region’s most notable medicinal and edible plant species. We provide a comprehensive insight into the Lamiaceae flora of southern Africa, comprising 297 species in 42 genera, 105 of which are endemic to the subcontinent. We further explore the medicinal and traditional uses, where all genera with documented uses are covered for the region. A broad review of the chemistry of southern African Lamiaceae is presented, noting that only 101 species (34%) have been investigated chemically (either their volatile oils or phytochemical characterization of secondary metabolites), thus presenting many and varied opportunities for further studies. The main aim of our study was therefore to present an up-to-date account of the botany, chemistry and traditional uses of the family in southern Africa, and to identify obvious knowledge gaps.

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28

Martin, Kameelah L. „Fear of a Black (Southern) Planet: Kara Walker's Night Conjure“. Southern Cultures 29, Nr. 4 (Dezember 2023): 50–53. http://dx.doi.org/10.1353/scu.2023.a917562.

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Abstract: Black folk have a dubious relationship with landscapes of the American South, where the living dead—Indigenous, enslaved, Confederate, and everyone in between—saturate the natural world with unresolved trauma. Kara Walker has long explored the complexity of race relations during the rise and fall of the plantation economy, and in Night Conjure (2001), she inverts the iconography of Black fright against a white cotton field to envision other ways in which the South begat terror and for whom. Walker picks up the seemingly contradictory relationship between women of African descent and geographic sites of oppression and unbearable cultural memory.

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29

Mohammad Khan, Amir. „Folklore and Folk Songs of Chittagong: A Critical Review“. Advances in Language and Literary Studies 8, Nr. 2 (30.04.2017): 37. http://dx.doi.org/10.7575/aiac.alls.v.8n.2p.37.

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Folk Songs stems from Folklore are very rich in the southern region of Chittagong. In this part of the world Folk Songs play pivotal role in the lifestyle of people as a heart-touching and heavenly connection exists between human, nature and Folk Songs. Folk Songs in this area are special because we found the theme of Nature Conservation in them. We took the southern part of Chittagong (Lohagara, Satkania, Chandanaish and Patiya) as our research area, selected a village namely Chunati in the systematic sampling and more than 100 people were interviewed through focus group discussion and key informant interviews. The sufficient literature review is also done. People in this area love nature a lot. Here music personnel were born from time to time who not only worked for the musical development but also created consciousness among people to love nature and save it. We discussed about the origin of Folk Songs, pattern of Folk Songs to clarify the importance of Folk Songs of Chittagong for its connection to Folklore and at the same time for promoting the idea of Nature Conservation. Of course, this part of studies deserves more attention in the field of research. Our ultimate goal should be to conserve and promote Folk Songs of Chittagong with yearlong heritage that automatically will later enrich Folklore and Nature Conservation.

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30

Cooke, John, und Allan H. Findlay. „Root and Branch: An Anthology of Southern African Literature“. World Literature Today 61, Nr. 3 (1987): 484. http://dx.doi.org/10.2307/40143489.

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31

Woodward, Wendy. „Death and Compassion: The Elephant in Southern African Literature“. Transactions of the Royal Society of South Africa 74, Nr. 2 (08.03.2019): 202–3. http://dx.doi.org/10.1080/0035919x.2019.1586786.

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32

Caraivan, Luiza. „Constructing Womanhood in Zimbabwean Literature: Noviolet Bulawayo and Petina Gappah“. Gender Studies 18, Nr. 1 (01.12.2019): 58–68. http://dx.doi.org/10.2478/genst-2020-0005.

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Abstract Literature written in English in the former British colonies of Southern Africa has attracted the public’s attention after the publication of Michael Chapman’s “Southern African Literaturesˮ (1996). The paper analyses the writings of two Zimbabwean authors - NoViolet Bulawayo (Elizabeth Zandile Tshele) and Petina Gappah – taking into account African feminist discourses.

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33

Skinner, Douglas Reid, und Stephen Gray. „The Penguin Book of Southern African Verse“. World Literature Today 64, Nr. 1 (1990): 178. http://dx.doi.org/10.2307/40146050.

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34

Kunene, Daniel P. „Women Writing Africa: Southern African Region (review)“. Research in African Literatures 36, Nr. 2 (2005): 147–48. http://dx.doi.org/10.1353/ral.2005.0124.

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35

Makgabo, Connie, und Genevieve J. Quintero. „Philippine and South African Experiences on Folk Literature Research: Relevance, Gains, and Challenges“. Journal of Languages and Language Teaching 12, Nr. 2 (22.04.2024): 985. http://dx.doi.org/10.33394/jollt.v12i2.10667.

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Folkloric studies have accelerated in the Philippines and South Africa because the Academe acknowledged the urgency to collect, preserve, and publish the oral traditions of indigenous communities. Oral traditions embody the history, values, and world views of these indigenous cultures, which need to be preserved for posterity. This paper discusses the relevance, gains, and challenges in conducting folklore research in the Philippines and South Africa, which share similarities, including their colonial pasts and number of indigenous communities. The paper contemplates the relevance of folklore research outputs in different fields thereby contributing to the discourse on the value of folklore research. This qualitative study uses textual analysis to focus on insights related to folklore research, using secondary data including journal articles, book publications, and textual references. The study reveals that although there is extensive research in the field of folklore in both countries, there remain gaps that need to be filled, such as the collection, preservation, and recognition of representative folklore from other regions and cultural communities. South Africa, for instance, has 12 official languages, and the Philippines has 110 ethnolinguistic groups. There are still languages and indigenous oral traditions that are developing, and folk literature that needs to be recorded, preserved, and published. These oral traditions/folk literature play an important role in revealing people’s cultural identities and preserving heritage, which is imperative in nation-building. The findings highlight the importance of continuing research about folklore and the need to preserve indigenous knowledge systems When written down and published, folklore becomes tangible and preserved for posterity, providing present and future generations the opportunity to learn, understand, and appreciate their cultural legacy.

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36

Barrett, Thomas Gregory, und Theophus Smith. „Southern Coup: Recruiting African American Faculty Members at an Elite Private Southern Research University“. American Educational Research Journal 45, Nr. 4 (Dezember 2008): 946–73. http://dx.doi.org/10.3102/0002831208321445.

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Competition for highly qualified African American faculty members among elite universities in the United States remains keen. Two of the most successful research universities at recruiting African American faculty members are located in the Southeast. Employing a conceptual framework grounded in organizational culture and climate literature, in this qualitative study the authors identified sets of tangible, intangible, and non-work-related factors that influenced the decisions of 12 African American faculty members in several disciplines to accept positions at an elite private research university in the Southeast. Study participants identified other factors not included in the original conceptual framework that also played significant roles in their decisions to accept positions at this university. Understanding such factors may assist other elite research universities in developing recruiting strategies to compete more effectively for African American faculty members.

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37

Chireau, Yvonne. „Looking for Black Religions in 20th Century Comics, 1931–1993“. Religions 10, Nr. 6 (25.06.2019): 400. http://dx.doi.org/10.3390/rel10060400.

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Relationships between religion and comics are generally unexplored in the academic literature. This article provides a brief history of Black religions in comic books, cartoons, animation, and newspaper strips, looking at African American Christianity, Islam, Africana (African diaspora) religions, and folk traditions such as Hoodoo and Conjure in the 20th century. Even though the treatment of Black religions in the comics was informed by stereotypical depictions of race and religion in United States (US) popular culture, African American comics creators contested these by offering alternatives in their treatment of Black religion themes.

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38

Slavíčková, Petra. „Hurston's "real Negro theatre": participation observation of African American folk“. Brno Studies in English 41, Nr. 2 (2015): 91–107. http://dx.doi.org/10.5817/bse2015-2-6.

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39

Gaylard, Gerald. „The Postcolonial Gothic: Time and Death in Southern African Literature“. Journal of Literary Studies 24, Nr. 4 (Dezember 2008): 1–18. http://dx.doi.org/10.1080/02564710802220861.

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40

Dattilo, Delia. „Folk Songs: Spaces and Reasons. Ruga, Love, Marriage, Departures“. Tautosakos darbai 59 (02.06.2020): 64–84. http://dx.doi.org/10.51554/td.2020.28367.

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This essay sheds light on habits, behaviours, and social practices by focusing on Southern Italian youth and their songs; more specifically, it deals with Calabria in the years between 1850 and the 1900s. Such samples – relics to us – allow us to infer how men and women of that generation communicated within the archaic and highly hierarchical society in which they lived. Sometimes through singing the youth of Southern Italy found a way to bypass prohibitions and to say what could not be normally said in everyday life. Since it is clearly impossible to hear the performers’ original voices, this essay relies on examples of poetry and songs as they were perceived, interpreted and published by philologists, folklorists and anthropologists during the second half of the 1800s. Literature draws on folk song collectors such as Achille Canale, Raffaele De Leonardis, and Francesco De Simone Brouwer. The songs and poems considered deal with the topics of love and disdain (sdegno), while a smaller group deals with the themes of lontananza and spartenza. A combined analysis of folk songs and local literature (Vincenzo Padula, Luigi Accattatis, Cesare Lombroso, Caterina Pigorini Beri et al.) allows us to better understand a context that was based on phenomena such as wooing strategies, kidnappings, ostentation of violence and other social events featured in folk songs, poetry and sayings.

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41

Primorac, Ranka. „Dialogues across Boundaries in Two Southern African Thrillers“. Journal of Commonwealth Literature 46, Nr. 1 (März 2011): 157–72. http://dx.doi.org/10.1177/0021989410396043.

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42

ARRAGONI, S., L. P. FERNÁNDEZ, A. CUESTA, M. MAGGI, P. CIANFARRA und F. SALVINI. „Origin of exotic clasts in the Central-Southern Apennines: clues to the Cenozoic fold-and-thrust collisional belt in the Central Mediterranean area“. Geological Magazine 155, Nr. 2 (30.10.2017): 479–505. http://dx.doi.org/10.1017/s0016756817000930.

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AbstractThe Central-Southern Apennines are the result of the collision between Europe and Africa. Despite the volume of existing literature, many problems remain unsolved such as the presence of Tertiary conglomerates containing exotic basement clasts. The lack of basement rocks in the Central-Southern Apennines implies that the origin of these clasts has to be sought in areas where the basement is extensively exposed. These include the Calabro–Peloritani arc and the Sardinia–Corsica block, which in Cenozoic time were connected to the Central-Southern Apennines. In this work we present the results of sedimentary, geochemical and petrographic analyses performed on the exotic basement-derived clasts. These analyses include lithological, major- and minor-element and rare Earth element compositions which are compared to analogous rocks from Calabria and Sardinia basements. Results indicate Eastern Sardinia as the primary source area for the studied conglomeratic units, linking the Central-Southern Apennines sedimentary cover to the Mesozoic carbonates of Eastern Sardinia prior to the opening of Tyrrhenian Sea. The Cilento unit (Campania) was directly fed by an uplifting Cenozoic orogen, and the Filettino, Gavignano (Latium) and Ariano Irpino (Campania) units were produced by the successive reworking of ‘Cilento-like’ sedimentary units. These results may imply that part of the Central-Southern Apennines represented a portion of the European margin of the Tethys.

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M. Moore, Nathan. „Folk Tradition at the Creole Red River“. International Journal of Arts, Humanities & Social Science 04, Nr. 07 (14.07.2023): 7–13. http://dx.doi.org/10.56734/ijahss.v4n7a2.

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Recognized by the National Park Service, the Cane River Creole National Historical Park area of Natchitoches, Louisiana serves as a main intercultural backdrop of history as American, French, Spanish, and Native American traditions once occupied its banks. Franklin D. Roosevelt’s Federal Writers’ Project, a byproduct of the New Deal documented new oral histories from the region. Nineteenth-century folklore from the Natchitoches Cane River area reveals that French, Cajun, and more importantly African influences cast allegories for the spiritual journey they interpreted. My paper uses African oral origin traditions in places like Natchitoches and elsewhere in colonial America to argue on behalf of a “Time Capsule Hypothesis” where forgetting history happens when the past is obscured and the future is apocalyptic. Preservation of landmark heritage sites through the Cane River’s origin folklore, architecture, and ecological history become a new esoteric medium. Reminiscent structures, such as the famous Magnolia and Melrose plantations on the Cane River have preserved a different history that focuses on conservation and cooperation. For us to understand the history of Natchitoches, Louisiana requires a new perspective on historical memory and technological sublime topics merging oral history and esotericism into an ecological time machine of Natchitoches. Creole Catholics emerged from Louisiana archdioceses and Black Christians became free by transforming mythic identities in their present moment to embrace creativity, literature, and technological acumen over their environment.

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Khristenko, Dmitrii N. „“Double-Voice” and the Dynamics of National Identity in Russian and African-American Literature“. Two centuries of the Russian classics 6, Nr. 2 (2024): 224–45. http://dx.doi.org/10.22455/2686-7494-2024-6-2-224-245.

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This review is dedicated to the book by the American researcher, a famous specialist in the field of literary comparative studies, Dale Peterson, “Up from Bondage. The Literatures of Russian and African American ʽSoul’.” D. Peterson’s work represents the first study that draws a parallel between the evolution of Russian and African-American cultural identities in literary works and analyzes the phenomenon of the “folk soul.” The study is distinguished not only by its innovative approach and high scientific significance but also by its careful research of archival materials, manuscripts, and letters from the authors, which creates a solid basis for subsequent theoretical generalizations. Using the concept of the “polyphonic novel” by M. M. Bakhtin and the theory of culturally embedded speech acts he developed, Peterson concludes that the dynamics of development and deep mentality of Russian and African-American literature are similar.

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Volk, Terese M. „Folk Musics and Increasing Diversity in American Music Education: 1900-1916“. Journal of Research in Music Education 42, Nr. 4 (Dezember 1994): 285–305. http://dx.doi.org/10.2307/3345737.

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From 1900 to 1916, the demographic makeup of the United States changed radically due to the heavy influx of people from Southern and Eastern Europe, and the schools, in particular, felt the impact of this immigration. Many music educators, like their colleagues in general education, found themselves facing an increasingly multicultural classroom for the first time. As a result of their efforts to help Americanize their immigrant students, music educators gradually came to know and accept folk songs and dances from many European countries and to make use of musics from these countries in music appreciation classes. Also during this period, some of the musics of Native Americans and African Americans were introduced into the music curriculum. Including these folk musics in the American school music curriculum resulted in an increased musical diversity that perhaps marked the beginnings of multicultural music education in the public schools.

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Willemse, Hein. „Aboriginal Southern African Storytelling and the Shaping of Early Afrikaans Literature“. Journal des Africanistes, Nr. 80-1/2 (01.06.2010): 93–106. http://dx.doi.org/10.4000/africanistes.2375.

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Dodgson-Katiyo, Pauline. „The Story ofSeretse and Ruth:A Southern African Foundational Fiction“. Journal of Literary Studies 25, Nr. 1 (März 2009): 64–79. http://dx.doi.org/10.1080/02564710802261790.

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Rautenbach, Christo, Michael A. Barnes, David W. Wang und James Dykes. „Southern African Wave Model Sensitivities and Accuracies“. Journal of Marine Science and Engineering 8, Nr. 10 (01.10.2020): 773. http://dx.doi.org/10.3390/jmse8100773.

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Numerous studies have identified the complexities of the wave climatology around the South African coast, but limited studies have investigated these complex dynamics in the available literature. Several freely available parameterized wave boundary conditions are produced around southern Africa. However, none of these are fully spectral outputs from global or larger regional spectral wave models. This constraint results in local engineering and scientific organizations, reconstructing their own spectral boundary conditions. For coastal models, this is a reasonable assumption, assuming that the single parameterization is accurate and a representation of a non-multimodal sea state. The South African Weather Service (SAWS) Marine unit recently launched their coupled, operational wave and storm surge forecasting model. The aim of the SAWS Wave and Storm Surge (SWaSS) platform was to provide accurate, high-resolution coastal forecasts for the entire South African coastline. The present investigation thus presents the validation of the spectral wave component of the coupled system, developed in Delft3D. Various wave boundary reconstructions are investigated together with the two most used and well-known whitecapping formulations. Validation is performed with both in situ wave-rider buoy data (at nine locations along the coastline) and regional remotely sensed, along track, altimetry data. Full model performance statistics are provided, and the accuracy of the model is discussed.

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Grant, Lynne. „English Literature in Southern Africa: NELM at 30“. African Research & Documentation 112 (2010): 25–36. http://dx.doi.org/10.1017/s0305862x00020951.

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The National English Literary Museum (NELM) is one of South Africa's greatest treasures (website: http://www.ru.ac.za/nelm). Tucked away in the university town of Grahamstown in the Eastern Cape, NELM collects-all creative writing by southern African authors who write in English, and in the following genres: novels, short stories, plays, essays, poetry, theatre, television and film scripts, autobiography, travel, letters, memoirs and diaries. Critical writing on the authors and their works is also collected, as well as writings on related subjects such as literary history, censorship and literary awards. These materials are collected in all formats: books, study guides, theses, literary manuscripts, press clippings and audio-visual material.

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Grant, Lynne. „English Literature in Southern Africa: NELM at 30“. African Research & Documentation 112 (2010): 25–36. http://dx.doi.org/10.1017/s0305862x00020951.

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The National English Literary Museum (NELM) is one of South Africa's greatest treasures (website: http://www.ru.ac.za/nelm). Tucked away in the university town of Grahamstown in the Eastern Cape, NELM collects-all creative writing by southern African authors who write in English, and in the following genres: novels, short stories, plays, essays, poetry, theatre, television and film scripts, autobiography, travel, letters, memoirs and diaries. Critical writing on the authors and their works is also collected, as well as writings on related subjects such as literary history, censorship and literary awards. These materials are collected in all formats: books, study guides, theses, literary manuscripts, press clippings and audio-visual material.

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