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Thematische Bibliographien / Folk concepts / Bücher

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Bücher zum Thema „Folk concepts“

Autor: Grafiati

Veröffentlicht am 28. Juni 2021

Zuletzt aktualisiert am 14. Februar 2022

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1

Hansen, Sandra, Christian Schwarz, Philipp Stoeckle und Tobias Streck, Hrsg. Dialectological and Folk Dialectological Concepts of Space. Berlin, Boston: DE GRUYTER, 2012. http://dx.doi.org/10.1515/9783110229127.

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2

Curran, Douglas. In advance of the landing: Folk concepts of outer space. New York: Abbeville Press, 1985.

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3

The symphonic works of Leoš Janáček: From folk concepts to original style. Frankfurt am Main: Peter Lang, 2016.

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4

Hansen, Sandra. Dialectological and folk dialectological concepts of space: Current methods and perspectives in sociolinguistic research on dialect change. Berlin: De Gruyter, 2012.

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5

Myers, Doug. Mele hula, music from our region. Melbourne: Boite, 1985.

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6

Svec, Henry Adam. American Folk Music as Tactical Media. NL Amsterdam: Amsterdam University Press, 2017. http://dx.doi.org/10.5117/9789462984943.

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American folk music has long presented a problematic conception of authenticity, but the reality of the folk scene, and its relationship to media, is far more complicated. This book draws on the fields of media archaeology, performance studies, and sound studies to explore the various modes of communication that can be uncovered from the long American folk revival. From Alan Lomax's cybernetic visions to Bob Dylan's noisy writing machines, this book retrieves a subterranean discourse on the concept of media that might help us to reimagine the potential of the networks in which we work, play, and sing.

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7

Viana, Luis Díaz. Literatura oral, popular y tradicional: Una revisión de términos, conceptos y métodos de recopilación. Valladolid: Castilla Ediciones, 1997.

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8

Ramas de identidad: Historia y conceptos de la cultura y el arte popular. Guadalajara, Jalisco: Universidad de Guadalajara, 2003.

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9

Du Bois, W. E. B. The souls of Black folk. Boulder, Colo: Paradigm, 2004.

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10

Du Bois, W. E. B. The souls of Black folk. New York: Dover, 1994.

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11

Du Bois, W. E. B. The souls of Black folk. New York: Modern Library, 2003.

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12

Du Bois, W. E. B. The souls of Black folk. New York: Gramercy Books, 1994.

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13

Du Bois, W. E. B. The souls of Black folk. New York, N.Y., U.S.A: Penguin Books, 1996.

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14

Du Bois, W. E. B. The souls of black folk. New York: Vintage Books/Library of America, 1990.

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15

Du Bois, W. E. B. The Souls of Black Folk. New York: Penguin USA, Inc., 2009.

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16

Du Bois, W. E. B. The Souls of Black Folk. Sioux Falls: NuVision Publications, 2004.

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17

Du Bois, W. E. B. The souls of Black folk. New York: Modern Library, 1996.

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18

Du Bois, W. E. B. The souls of Black folk. New York, N.Y., U.S.A: Penguin Books, 1989.

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19

Du Bois, W. E. B. The souls of Black folk. New York: Penguin Books, 1995.

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20

Du Bois, W. E. B. The souls of Black folk. New York: Knopf, 1993.

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21

Du Bois, W. E. B. The souls of Black folk. Oxford: Oxford University Press, 2007.

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22

Du Bois, W. E. B. The souls of Black folk. New Brunswick, N.J: Transaction Publishers, 1998.

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23

Du Bois, W. E. B. The souls of Black folk. Boston: Bedford Books, 1997.

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24

Du Bois, W. E. B. The souls of Black folk. New York: Bantam Books, 1989.

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25

Singh, Rani. The Harry Smith project live: Concert film. Los Angeles: Shout Factory LLC, 2006.

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26

Campo, Alberto, und Valentina Rossetto. Musica 90: Vent'anni di suoni e ritmi dal mondo. Torino: U. Allemandi, 2010.

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27

Lister, Craig. Ye greate concerte of 1874: Dramatic and sacred music from an old folks' concert. St. Louis, Mo: Saint Louis Early Music Ensemble, 1994.

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28

Du Bois, W. E. B. The souls of Black folk: Authoritative text, contexts, criticism. New York: W.W. Norton, 1999.

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29

Territoires musicaux mis en scène. Montréal: Presses de l'Université de Montréal, 2011.

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30

Prikryl, Daniel J. Lower Elm Fork prehistory: A redefinition of cultural concepts and chronologies along the Trinity River, North-Central Texas. Austin: Texas Historical Commission, 1990.

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31

Vaughan, Theresa. Women, Food, and Diet in the Middle Ages. NL Amsterdam: Amsterdam University Press, 2020. http://dx.doi.org/10.5117/9789462989382.

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What can anthropological and folkloristic approaches to food, gender, and medicine tell us about these topics in the Middle Ages beyond the textual evidence itself? Women, Food, and Diet in the Middle Ages: Balancing the Humours uses these approaches to look at the textual traditions of dietary recommendations for women’s health, placed within the context of the larger cultural concerns of gender roles and Church teachings about women. Women are expected to be nurturers, healers, and the primary locus of food provisioning for families, especially women of the lower social classes, typically overlooked in the written record. This work illuminates what we can know about women, food, medicine, and diet in the Middle Ages, and examines how the written medical tradition interacts with folk medicine and other cultural factors in both understanding women’s bodies and their roles as healers and food providers.

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32

Lister, Craig. Ye greate programme to ye greate concerte at ye St. Louis Mercantile Library, 14 January 1994: (ye singing to commence after the dinner and not before) : an historical recreation of the old folks concert given at the Mercantile Hall on 11 February 1874, produced by the Saint Louis Early Music Ensemble. St. Louis, Mo: The Ensemble, 1993.

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33

Streck, Tobias, Christian Schwarz, Sandra Hansen und Philipp Stoeckle. Dialectological and Folk Dialectological Concepts of Space. De Gruyter, Inc., 2012.

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34

Curran, Douglas. In Advance of the Landing: Folk Concepts of Outer Space. Abbeville Press, 2001.

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35

Curran, Douglas. In Advance of the Landing: Folk Concepts of Outer Space. Abbeville Press, 1986.

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36

(Editor), Andy Clark, und Peter Millican (Editor), Hrsg. Connectionism, Concepts, and Folk Psychology: The Legacy of Alan Turing, Volume II (Mind Association Occasional Series). Oxford University Press, USA, 1997.

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37

Alan, Dundes, Hrsg. Folklore: Critical concepts in literary and cultural studies. London: Routledge, 2005.

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38

(Editor), Andy Clark, und Peter Millican (Editor), Hrsg. Connectionism, Concepts, and Folk Psychology: The Legacy of Alan Turing, Volume II (Mind Association Occasional Series). Oxford University Press, USA, 1999.

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39

Atkin, Albert. Race, Definition, and Science. Herausgegeben von Naomi Zack. Oxford University Press, 2017. http://dx.doi.org/10.1093/oxfordhb/9780190236953.013.5.

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Philosophical concerns about the reality of race often depend on the examination of our ordinary race concepts, and whether the biological sciences might support the existence of those concepts. We can approach these philosophical concerns by looking at how we might define a race concept from both ordinary discourse (the folk definition), and from the viewpoint of the biological sciences (as a subspecies or population cluster). After noting the difficulties with giving a satisfactory definition of race in both domains, we can see more clearly why our race concepts cannot claim any obvious support from the biological sciences.

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40

Gonnerman, Chad, Kaija Mortensen und Jacob Robbins. The Ordinary Concept of Knowledge-How. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198815259.003.0005.

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Some epistemologists appear to maintain that the folk can serve as a source of dialectical advantage in debates between intellectualists and anti-intellectualists about knowledge-how. The common assumption seems to be that the philosophical account that best accords with the folk concept has a dialectical advantage over its competitors such that it ought to enjoy a strong (though defeasible) presumption in its favor. Work in experimental philosophy on the folk concept has thus far been rather conflicted, with some reporting results suggesting that the concept is intellectualist and others that it is anti-intellectualist. This chapter presents results in line with the claim that the folk concept is an epistemological hybrid, embodying both intellectualist and anti-intellectualist factors.

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41

artist, Fuentes Rubí, und Broa Efraín artist, Hrsg. Animal talk: Mexican folk art animal sounds in English and Spanish. 2016.

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42

Spivey, Becky L. Fold and Say: Basic Concept Mini- Books with CD-ROM (Basic Concepts Mini-Books). Super Duper Publications, 2006.

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43

Launay, Jean-Pierre, und Michel Verdaguer. Basic concepts. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780198814597.003.0001.

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The electronic structure of molecules is described, starting from qualitative Molecular Orbital (MO) theory. After the case of simple atoms and molecules, one treats molecular solids and develops the relation between Molecular Orbital theory and band theory. In both cases, one shows that the electronic structure can influence the geometrical structure, through Jahn–Teller effects or Peierls distortion. The effect of interelectronic repulsion, the central problem of Quantum Chemistry, is put in perspective by a synthetic presentation of different approaches: Hartree–Fock Self-Consistent Field with treatment of electron correlation, Valence Bond models, and finally Density Functional Theory methods (DFT). The last section is devoted to quantum tunnelling and its dynamical aspects.

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44

Old Macdonald Had A Farm. Golden Books, 2013.

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45

Turri, John. Primate Social Cognition and the Core Human Knowledge Concept. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780190865085.003.0013.

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The author reviews recent work from armchair and cross-cultural epistemology on whether humans possess a knowledge concept as part of a universal “folk epistemology.” The work from armchair epistemology fails because it mischaracterizes ordinary knowledge judgments. The work from cross-cultural epistemology provides some defeasible evidence for a universal folk epistemology. He argues that recent findings from comparative psychology establish that humans possess a species-typical knowledge concept. More specifically, recent work shows that knowledge attributions are a central part of primate social cognition, used to predict others’ behavior and guide decision-making. The core primate knowledge concept is that of truth detection (across different sensory modalities) and retention (through memory), and may also include rudimentary forms of indirect truth discovery through inference. In virtue of their evolutionary heritage, humans inherited the primate social-cognitive system and thus share this core knowledge concept.

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46

Suleiman, Yasir. Arabic Folk Linguistics. Herausgegeben von Jonathan Owens. Oxford University Press, 2013. http://dx.doi.org/10.1093/oxfordhb/9780199764136.013.0011.

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This article addresses some long-standing issues in Arabic sociolinguistics. The starting point is the concept of diglossia, which has become the port of entry for any discussion of the semiliquid language situation in the Arabic-speaking world. It first outlines the most abiding criticisms against diglossia and then offers thoughts on these as a prelude to discussing Arabic folk linguistics. It is argued that a folk linguistic perspective should be incorporated in studying Arabic in the social world. This perspective is important in developing an insider understanding of the language that may be at odds with the findings of modern linguistics. To aid the process of developing this perspective, the article adopts the terminology and conceptual frameworks Arabic speakers use in describing their language situation wherever possible—hence, the choice of fusha and ‘ammiyya instead of any of their translations into English, including Classical Arabic and vernacular, which Haeri uses.

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47

Snyder, Jean E. Bringing Spirituals to the Concert Stage. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039942.003.0016.

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This chapter focuses on the popularity of Harry T. Burleigh's spirituals in recitals and other concerts. Burleigh published his first solo arrangement of spirituals from 1911 to 1916, at a time when the tide of interest in African American folk music, especially spirituals, was gathering momentum. At least nineteen white American composers joined the stream. Black composers also produced compositions reflecting their folk heritage during these years. From the 1916–1917 concert season, when his solo arrangement of “Deep River” became the hit of the recital season, Burleigh's role as pioneer arranger and interpreter of spirituals began to eclipse his role as recital singer and art song composer. This chapter explores how the recurring controversy over the origins of African American music made Burleigh a spokesman for the uniquely expressive gifts of African Americans who, he argued, had created America's first genuine folk music. In particular, it considers Burleigh's view that the spirituals were the primary artistic contribution of African Americans. It also discusses the influence of Edward MacDowell on Burleigh's movement toward arranging spirituals as art songs.

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48

The Fold. Putnam Juvenile, 2008.

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49

Wu, Ka-ming. Folk Cultural Production with Danwei Characteristics. University of Illinois Press, 2017. http://dx.doi.org/10.5406/illinois/9780252039881.003.0005.

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This chapter examines folk storytelling performances staged in and by various government work units or state-owned enterprises for public relations purposes, with particular emphasis on how the production of folk cultural tradition became intertwined with danwei business promotion in Yan'an. Using the case of northern Shaanxi storytelling, the chapter considers how the practice of folk tradition is linked to work-unit messages and, sometimes, national ideology promotion. It discusses the ways in which folk cultural production today concerns complicated political, commercial, and social relations with work units. It shows how the production of folk tradition is increasingly adapted to danwei public relations events and campaigns, while, at the same time, danwei events also become the spaces wherein traditional folk art forms find new developments, audiences, and visibility in the age of urbanization and marketization.

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50

Folk songs for two: 11 folk songs arranged for two voices and piano : for recitals, concerts and contests. Alfred Publishing Co, 1997.

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