Dissertationen zum Thema „Folk art, middle east“
Geben Sie eine Quelle nach APA, MLA, Chicago, Harvard und anderen Zitierweisen an
Machen Sie sich mit Top-31 Dissertationen für die Forschung zum Thema "Folk art, middle east" bekannt.
Neben jedem Werk im Literaturverzeichnis ist die Option "Zur Bibliographie hinzufügen" verfügbar. Nutzen Sie sie, wird Ihre bibliographische Angabe des gewählten Werkes nach der nötigen Zitierweise (APA, MLA, Harvard, Chicago, Vancouver usw.) automatisch gestaltet.
Sie können auch den vollen Text der wissenschaftlichen Publikation im PDF-Format herunterladen und eine Online-Annotation der Arbeit lesen, wenn die relevanten Parameter in den Metadaten verfügbar sind.
Sehen Sie die Dissertationen für verschiedene Spezialgebieten durch und erstellen Sie Ihre Bibliographie auf korrekte Weise.
Archer, Amanda. „The folk arts of Oaxaca: integrating the pre-Columbian roots of the traditional folk arts of Oaxaca, Mexico into the middle school art curriculum“. [Denver, Colo.] : Regis University, 2008. http://165.236.235.140/lib/AArcherPartI2008.pdf.
Der volle Inhalt der QuelleThomas, Jenna Caye. „Visions of the East: Influence of the Levant on the Italian Renaissance“. Kent State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=kent1448533555.
Der volle Inhalt der QuelleGraves, Margaret Susanna. „Worlds writ small : four studies on miniature architectural forms in the medieval Middle East“. Thesis, University of Edinburgh, 2010. http://hdl.handle.net/1842/5489.
Der volle Inhalt der QuelleLic, Agnieszka. „Christian stucco decoration in southern Mesopotamia and the Persian Gulf region, sixth to ninth centuries“. Thesis, University of Oxford, 2017. http://ora.ox.ac.uk/objects/uuid:23636a63-9682-4a2a-b27b-49f2f3df59ac.
Der volle Inhalt der QuelleHosseinioun, Mishana. „The globalisation of universal human rights and the Middle East“. Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:8f6bdf79-2512-4f32-840a-3565a096ae8d.
Der volle Inhalt der QuelleGhiabi, Maziyar. „Drugs, addiction and the state in Iran : the art of managing disorder“. Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:c2cbaeb6-502b-4383-b975-2812602f1efa.
Der volle Inhalt der QuelleBadawi, H. „The potential for installations to create new directions for Saudi Arabian art“. Thesis, Coventry University, 2011. http://curve.coventry.ac.uk/open/items/0fcc12b6-5baf-4892-a1d2-f06776a58cc5/1.
Der volle Inhalt der QuelleMiller, Aimee H. „Goddesses of Color: Interfaith Altars“. Scholarship @ Claremont, 2016. http://scholarship.claremont.edu/scripps_theses/773.
Der volle Inhalt der QuelleCornet, Catherine. „In Search of an Arab Renaissance : artists, Patrons and Power in Egypt and the Middle East (2001-2013)“. Paris, EHESS, 2016. http://www.theses.fr/2016EHES0091.
Der volle Inhalt der QuelleThe Nahda, or "Arab Renaissance" is a powerful returning paradigm in Egypt and the Middle East cultural field since the end of the 19th century. The aim of this dissertation is to assess, through the study of the new paradigm, the autonomy of the arts in Egypt and the Middle East and their relation to power and to interrogate the role of art in identity definition and in the "dialogue" with Islam after 9/11 - and especially after foreign actors have greatly re-shuffled the power relationship. The first case study focuses on "state artists" in Egypt and studies the passage from the Tahtqif, or "culturisation" of Egyptians in the name of Enlightenment and the gradually undermining of state monopoly over identity politics. The second chapter is dedicated to Arab artists and their Gulf patrons: the agency of the "invisible hand" of the global artistic market is discussed, through two case studies in Doha and Sharjah. The third chapter assesses the state narrative against Islamists in Egypt through the figure of comedy actor Adel Imam. The second part is dedicated to the artists in opposition to the state. Chapter I reviews the agency of the artistic sphere in total opposition with the state, with the study of a group of young Muslim filmmakers who intented to contribute to a fann al hadif or "purposeful art". The two following chapters review the works of the "independent scene" that saw the light after the arrival arrival en masse of foreign funding in 2001, while the last case studies centred on Digital artists venture into giving the first hints of a conclusion about a Digital Renaissance that took place after after 2004, and of the adoption of social networks in Egypt. The importance of the arts in the political discourse, its agency in the process of secularization, nationalist debates or international relations in the time of globalisation, is barely mentioned in political science. This dissertation is intended to corroborate the claim that there is much to learn from the art spectrum and from its agency on societal changes and power struggles
Huxley, Margaret. „The signs of the zodiac in the art of the Near and Middle East up to and including the earlier Islamic period“. Thesis, SOAS, University of London, 1985. http://eprints.soas.ac.uk/29029/.
Der volle Inhalt der QuelleMontgomerie, Elizabeth Amber. „Images of rural activities on mosaic pavements in Late Antiquity in the Levant“. Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:06c62da9-7dcf-4b34-96ec-3d5ea425e2cb.
Der volle Inhalt der QuelleWood, Rachel K. L. „After the Achaemenids : exchange, transmission and transformation in the visual culture of Babylonia, Iran and Bactria c.330-c.100 BC“. Thesis, University of Oxford, 2012. http://ora.ox.ac.uk/objects/uuid:0fc15b6c-0436-4d17-81d3-31f69b77313e.
Der volle Inhalt der QuelleHaghani, Fakhri. „The "New Woman" on the Stage: The Making of a Gendered Public Sphere in Interwar Iran and Egypt“. Digital Archive @ GSU, 2008. http://digitalarchive.gsu.edu/history_diss/19.
Der volle Inhalt der QuelleKopsacheili, Maria. „Palaces and elite residences in the Hellenistic East, late fourth to early first century BC : formation and purpose“. Thesis, University of Oxford, 2012. http://ora.ox.ac.uk/objects/uuid:bc2f6cca-dde4-4d98-9981-16cc3deb4c8e.
Der volle Inhalt der QuelleDrake, Suzanne. „L’art contemporain du Moyen-Orient entre traditions et nouveaux défis“. Thesis, Pau, 2014. http://www.theses.fr/2014PAUU1012/document.
Der volle Inhalt der QuelleWe face complexe realities in the countries of the Middle East and they are still often ignored in Europe. The media usually show us societies which are basically Muslim fundamentalist. This image is a shadow of the late colonialisation of the Middle East and is influenced by our own social and economic problems. The differences between countries, and inside the actual countries, are analysed in order to understand artistic development and to include the artists of the Middle East in the world’s Art history. To understand the contemporary works of artists, we used a variety of approaches. Besides the aesthetic analysis and the research of formal influences, we also regarded the political position of the artist, his or her psychology, his or her role in society, but also the place of religion in public life, the value given to contemporary art inside the society and the way it is perceived. The world art markets are globalised, art critics and curators are however influenced by the tastes and judgements of the West, and to complicate the whole matter, a great number of artists who claim to come from a certain place in the Middle East are actually born somewhere else and live in diaspora. We can, in using all these parameters, see the rapid developments in the production of art and its appreciation in the region. This research aims to scrutinize the actual artistic production of six peoples in the region: Egypt, Jordan, Libanon, Palestine, Israel and the Kurds
Esra, Kazem. „BEYOND THE STATED FUNCTION: Showcasing, through everyday objects, social obstacles imposed on Qatari female youth“. VCU Scholars Compass, 2013. http://scholarscompass.vcu.edu/etd/3141.
Der volle Inhalt der QuelleHeinz, Sanda Sue. „The statuettes and amulets of Thonis-Heracleion“. Thesis, University of Oxford, 2015. http://ora.ox.ac.uk/objects/uuid:db17df52-6f5b-41e5-a650-f6ad268b2c60.
Der volle Inhalt der QuelleAmanat, Shayda. „Iran and the Arab World Through A Female Lens: Deconstructing Western Phantasms and Terrors“. Scholarship @ Claremont, 2014. http://scholarship.claremont.edu/scripps_theses/428.
Der volle Inhalt der QuelleDeijl, Aarnoud van der. „Protest or propaganda : war in the Old Testament Book of Kings and in contemporaneous ancient Near Eastern texts /“. Leiden : Brill, 2008. http://catalogue.bnf.fr/ark:/12148/cb41341528z.
Der volle Inhalt der QuelleSeeds, Matthew L. „Discourses in Disanthro Studies“. Kent State University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=kent1511347460756042.
Der volle Inhalt der QuelleHarrison, Tracy Elizabeth. „Visualizing Complexity : A Spatial Analysis of Decorative Geometric Pattern in the Islamic World, 900-1400 AD“. PDXScholar, 2005. https://pdxscholar.library.pdx.edu/open_access_etds/2434.
Der volle Inhalt der Quelle„Visual Ethnography in Three Preschools in Kuwait (Middle East)“. Doctoral diss., 2012. http://hdl.handle.net/2286/R.I.15966.
Der volle Inhalt der QuelleDissertation/Thesis
Ph.D. Curriculum and Instruction 2012
Mason, Deanna. „"The perennial dramas of the East": Representations of the Middle East in the Writing and Art of Dante Gabriel Rossetti and William Holman Hunt“. Thesis, 2009. http://hdl.handle.net/1974/1945.
Der volle Inhalt der QuelleThesis (Ph.D, English) -- Queen's University, 2009-06-16 15:46:17.016
Van, Dijk Renate Marian. „The motif of a bull in the ancient near East : an iconographic study“. Diss., 2011. http://hdl.handle.net/10500/5088.
Der volle Inhalt der QuelleOld Testament and Ancient Near Eastern Studies
M.A. (Ancient Near Eastern Studies)
Pires, Andreia Helena Nascimento. „Female presence in the Middle Eastern and North African art market“. Master's thesis, 2019. http://hdl.handle.net/10071/19877.
Der volle Inhalt der QuelleA presente dissertação visa demonstrar a forte presença de artistas modernas e contemporâneas, e de mulheres no negócio da arte na região do Médio Oriente e Norte de África, bem como fornecer possíveis explicações para o sucesso das mulheres no mercado de arte desta região. O presente estudo começa com um enquadramento histórico sobre a arte da região, com maior foco na influência e no trabalho de artistas femininas modernas e contemporâneas. Posteriormente, são demonstradas as atividades das mulheres no mecenato nos tempos antigos, seguido de um estudo de mulheres de negócios na vanguarda da cena artística da região, terminando esta seção com uma análise dos melhores resultados em leilão de artistas femininas. Finalmente, para fornecer uma melhor perspetiva, encontra-se uma comparação entre as mulheres do Médio Oriente e do Norte de África e do Ocidente no meio artístico, terminando com a apresentação de hipóteses para explicar o sucesso das mulheres no mercado de arte da região. Esta análise foi realizada com o apoio de artigos e entrevistas com agentes importantes do mercado de arte da região: Dr. Salwa Mikdadi, Amirali Ghasemi, Hala Khayat e Myrna Ayad. Foi demonstrado que as mulheres desta região têm uma carreira bem-sucedida nas artes devido à combinação de uma subvalorização de uma carreira neste campo no século XX, tendo sido considerada como uma profissão subvalorizada; e também devido à prevalência de estereótipos desatualizados e conceitos errados no que concerne o estatuto da mulher e uma particular sensibilidade e interesse das mulheres na arte.
Osborne, Bethany Joy. „The Art of Remembering: Iranian Political Prisoners, Resistance and Community“. Thesis, 2014. http://hdl.handle.net/1807/65710.
Der volle Inhalt der QuelleGrobler, Estelle Cornelia. „Ikonografiese studie van Ou Nabye-Oosterse ivoor gedurende die Ystertydperk, 1200 v.C. - 538 v. C“. Diss., 2015. http://hdl.handle.net/10500/18931.
Der volle Inhalt der QuelleThe Bible is widely read but it is difficult to understand the world and culture of the era that it is set in. It is my aim to provide new insight into a few Old Testament verses with their symbolic meaning. When ivory was discovered at Nimrud the discovery elicited huge excitement. The ivory pieces came to tell a story. Through studying the art of the different cultures a picture begins to appear of the palaces and homes of the wealthy in the Levant. The iconography could be “read.” Iconography is the science of interpreting the message the art wants to convey to the viewer. A few images are repeatedly showing up in the Levant during the Iron Age. In this study I am focusing mainly on The Tree of Life, the Winged Disc, the Rosette and Winged Spiritual Beings. I am attempting to discern the meaning behind these images.
Biblical & Ancient Studies
M.A. (Ou Nabye-Oosterse Studies)
Moineau, Claire. „La construction des artistes femmes du Moyen-Orient dans les expocollections du Centre Pompidou : les cas de "elles@centrepompidou" et "Modernités plurielles de 1905 à 1970"“. Thèse, 2018. http://hdl.handle.net/1866/21278.
Der volle Inhalt der QuellePolledri, Claudia. „Photographier la ville, penser l'histoire : Beyrouth dans la représentation photographique artistique contemporaine“. Thèse, 2015. http://hdl.handle.net/1866/12330.
Der volle Inhalt der QuelleThis study focuses on the connection between a medium (photography), a city (Beyrouth), and the events that have marked its recent past. The theme of the relationship between photography and history, with the plurality of meanings that describes it, defines the scope of this study. The link between seeing and knowing, which in Antiquity was the root of historical knowledge (Hartog, Loraux), represents its vanishing point. The photographic and historical relationship with the event constitutes the purpose of this research, the aim of which is to identify in photography a reference to history considered as writing. The argument of this dissertation unfolds in two stages. The first stage requires a series of theoretical analyses, which aim at studying the knowledge potential and the formal nature of photography as a factual representation. Starting with the experimentation of the avant-gardes (Lugon, Braqué), and exploring the twinning of photography and the press, our goal will be to demonstrate the part of readability that belongs to the photographic narratives (Barthes, Lavoie). We will then take into consideration the work accomplished by the historian during the historiographic process, aiming at producing an historical representation of the event (de Certeau, Ricoeur, Ginzburg). In addition to emphasizing the characteristic of visibility, which belongs to historical writing, this will also provide the occasion to produce a comparative study of photography and history through particular notions such as imprint, sign, and evidence. The driving force behind this first part is the notion of event. Broached from the point of view of phenomenology (Zarader, Marion, Dastur, Diano), it will enable us to analyze photography and history according to the genetics of their construction. Beyrouth and its history, shaped by images, are the context in which the second stage is organized. The analysis of the works of Sophie Ristelhueber (Beyrouth photographies, 1984), Robert Frank (Come again, 1991), and Lamia Joreige (Beyrouth, autopsie d’une ville, 2010) are conceived as dialogical spaces between photography, the epistemology of history and the historical events that they represent. The aim is to emphasize the shift they present in moving from chronicle to the writing of history.
Gordon, Lanning Robbyn Ellen Lorraine. „Inverting the lens: insider photography by the Manaja’a family, Humayma, Jordan“. Thesis, 2009. http://hdl.handle.net/1828/2012.
Der volle Inhalt der QuellePŮBALOVÁ, Ludmila. „Přístupy k smrti a k pohřbívání v různých historických epochách lidstva“. Master's thesis, 2008. http://www.nusl.cz/ntk/nusl-49584.
Der volle Inhalt der Quelle