Auswahl der wissenschaftlichen Literatur zum Thema „Folk art, middle east“
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Zeitschriftenartikel zum Thema "Folk art, middle east"
Nabok, Maryna. „Ukrainian National Dumas: National Perceptions in the Process of Intercultural Communication“. PSYCHOLINGUISTICS 24, Nr. 2 (03.10.2018): 198–217. http://dx.doi.org/10.31470/2309-1797-2018-24-2-198-217.
Der volle Inhalt der QuelleRumyantsev, V. P. „The Six-Day War of 1967: Folk Myths and “Battles of Historians”“. Izvestiya of Altai State University, Nr. 6(116) (18.12.2020): 57–61. http://dx.doi.org/10.14258/izvasu(2020)6-09.
Der volle Inhalt der QuelleZh.D., Ramadanova. „Art as a reflection of the genetic cultural code (on the example of Kazakh folk dance)“. Bulletin of the Karaganda university History.Philosophy series 107, Nr. 3 (30.09.2022): 169–81. http://dx.doi.org/10.31489/2022hph3/169-181.
Der volle Inhalt der QuelleAbdullayeva, Sevda, und Samira Gasimova. „XVII century Azerbaijani culture through the eyes of european travelers“. Grani 24, Nr. 2 (28.02.2021): 41–45. http://dx.doi.org/10.15421/172113.
Der volle Inhalt der QuelleMagomedov, Amirbek J., und Madina A. Omarkadieva. „TRADITIONAL CRAFTS OF DAGESTAN IN THE CONTEXT OF HISTORICAL AND CULTURAL RELATIONS WITH THE REGIONS OF RUSSIA, COUNTRIES OF THE CAUCASUS AND THE MIDDLE EAST“. History, Archeology and Ethnography of the Caucasus 18, Nr. 2 (23.06.2022): 284–305. http://dx.doi.org/10.32653/ch182284-305.
Der volle Inhalt der QuelleNorris, H. T. „The Near and Middle East - Ann Parker and Avon Neal: Hajj paintings: folk art of the great pilgrimage. xxvii, 164 pp. Washington and London: Smithsonian Institution Press, 1995. £38.95.“ Bulletin of the School of Oriental and African Studies 60, Nr. 3 (Oktober 1997): 553–54. http://dx.doi.org/10.1017/s0041977x00032699.
Der volle Inhalt der QuelleKoudal, Jens Henrik. „Musikkens betydning på en større gård i mellemkrigstiden“. Kulturstudier 4, Nr. 1 (29.05.2013): 6. http://dx.doi.org/10.7146/ks.v4i1.8138.
Der volle Inhalt der QuelleJawad, Rana, Daniel Béland und Emmanuele Pavolini. „State of the Art: ‘The People’ and Their Social Rights: What Is Distinctive About the Populism-Religion-Social Policy Nexus?“ Social Policy and Society 20, Nr. 2 (11.01.2021): 267–81. http://dx.doi.org/10.1017/s1474746420000664.
Der volle Inhalt der QuelleAkritidis, Dimitris, Andrea Pozzer und Prodromos Zanis. „On the impact of future climate change on tropopause folds and tropospheric ozone“. Atmospheric Chemistry and Physics 19, Nr. 22 (28.11.2019): 14387–401. http://dx.doi.org/10.5194/acp-19-14387-2019.
Der volle Inhalt der QuelleZavidovskaia, Ekaterina Alexandrovna, und Polina V. Rud. „Popular Religion in Early Republican China Based on Vasilii Alekseev’s Materials from to the Peter the Great Museum of Anthropology and Ethnography RAS (fund No. 2054)“. Written Monuments of the Orient 6, Nr. 2 (09.02.2021): 3–21. http://dx.doi.org/10.17816/wmo56798.
Der volle Inhalt der QuelleDissertationen zum Thema "Folk art, middle east"
Archer, Amanda. „The folk arts of Oaxaca: integrating the pre-Columbian roots of the traditional folk arts of Oaxaca, Mexico into the middle school art curriculum“. [Denver, Colo.] : Regis University, 2008. http://165.236.235.140/lib/AArcherPartI2008.pdf.
Der volle Inhalt der QuelleThomas, Jenna Caye. „Visions of the East: Influence of the Levant on the Italian Renaissance“. Kent State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=kent1448533555.
Der volle Inhalt der QuelleGraves, Margaret Susanna. „Worlds writ small : four studies on miniature architectural forms in the medieval Middle East“. Thesis, University of Edinburgh, 2010. http://hdl.handle.net/1842/5489.
Der volle Inhalt der QuelleLic, Agnieszka. „Christian stucco decoration in southern Mesopotamia and the Persian Gulf region, sixth to ninth centuries“. Thesis, University of Oxford, 2017. http://ora.ox.ac.uk/objects/uuid:23636a63-9682-4a2a-b27b-49f2f3df59ac.
Der volle Inhalt der QuelleHosseinioun, Mishana. „The globalisation of universal human rights and the Middle East“. Thesis, University of Oxford, 2014. http://ora.ox.ac.uk/objects/uuid:8f6bdf79-2512-4f32-840a-3565a096ae8d.
Der volle Inhalt der QuelleGhiabi, Maziyar. „Drugs, addiction and the state in Iran : the art of managing disorder“. Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:c2cbaeb6-502b-4383-b975-2812602f1efa.
Der volle Inhalt der QuelleBadawi, H. „The potential for installations to create new directions for Saudi Arabian art“. Thesis, Coventry University, 2011. http://curve.coventry.ac.uk/open/items/0fcc12b6-5baf-4892-a1d2-f06776a58cc5/1.
Der volle Inhalt der QuelleMiller, Aimee H. „Goddesses of Color: Interfaith Altars“. Scholarship @ Claremont, 2016. http://scholarship.claremont.edu/scripps_theses/773.
Der volle Inhalt der QuelleCornet, Catherine. „In Search of an Arab Renaissance : artists, Patrons and Power in Egypt and the Middle East (2001-2013)“. Paris, EHESS, 2016. http://www.theses.fr/2016EHES0091.
Der volle Inhalt der QuelleThe Nahda, or "Arab Renaissance" is a powerful returning paradigm in Egypt and the Middle East cultural field since the end of the 19th century. The aim of this dissertation is to assess, through the study of the new paradigm, the autonomy of the arts in Egypt and the Middle East and their relation to power and to interrogate the role of art in identity definition and in the "dialogue" with Islam after 9/11 - and especially after foreign actors have greatly re-shuffled the power relationship. The first case study focuses on "state artists" in Egypt and studies the passage from the Tahtqif, or "culturisation" of Egyptians in the name of Enlightenment and the gradually undermining of state monopoly over identity politics. The second chapter is dedicated to Arab artists and their Gulf patrons: the agency of the "invisible hand" of the global artistic market is discussed, through two case studies in Doha and Sharjah. The third chapter assesses the state narrative against Islamists in Egypt through the figure of comedy actor Adel Imam. The second part is dedicated to the artists in opposition to the state. Chapter I reviews the agency of the artistic sphere in total opposition with the state, with the study of a group of young Muslim filmmakers who intented to contribute to a fann al hadif or "purposeful art". The two following chapters review the works of the "independent scene" that saw the light after the arrival arrival en masse of foreign funding in 2001, while the last case studies centred on Digital artists venture into giving the first hints of a conclusion about a Digital Renaissance that took place after after 2004, and of the adoption of social networks in Egypt. The importance of the arts in the political discourse, its agency in the process of secularization, nationalist debates or international relations in the time of globalisation, is barely mentioned in political science. This dissertation is intended to corroborate the claim that there is much to learn from the art spectrum and from its agency on societal changes and power struggles
Huxley, Margaret. „The signs of the zodiac in the art of the Near and Middle East up to and including the earlier Islamic period“. Thesis, SOAS, University of London, 1985. http://eprints.soas.ac.uk/29029/.
Der volle Inhalt der QuelleBücher zum Thema "Folk art, middle east"
Roode, Sigrid van. Desert silver: Nomadic and traditional silver jewellery from the Middle East and North Africa. Amsterdam: KIT Publishers, 2010.
Den vollen Inhalt der Quelle findenAmirsadeghi, Hossein, Layla S. Diba, Maryam Homayoun Eisler und Ashkan Sahihi. Art & patronage: The Middle East. London: Thames & Hudson, 2010.
Den vollen Inhalt der Quelle findenSloman, Paul. Contemporary art in the Middle East. London: Black Dog Pub., 2009.
Den vollen Inhalt der Quelle findenJosenhans, Frauke. Modern art from the Middle East. Herausgegeben von Salisbury, Edward Elbridge, 1814-1901, honoree und Yale University Art Gallery. [New Haven, Conn.]: Yale University Art Gallery, 2015.
Den vollen Inhalt der Quelle findenGallery, Saatchi, Hrsg. Unveiled: New art from the Middle East. [London]: Booth-Clibborn, 2009.
Den vollen Inhalt der Quelle findenRooney, Dawn. Folk pottery in South-East Asia. Singapore: Oxford University Press, 1987.
Den vollen Inhalt der Quelle findenWijdan, Ali, Bisharat Suhail, Jordan National Gallery of Fine Arts., Barbican Centre und Royal Society of Fine Arts (Amman, Jordan), Hrsg. Contemporary art from the Islamic world. London: Scorpion Publishing on behalf of The Royal Society of Fine Arts, Amman, 1989.
Den vollen Inhalt der Quelle findenVictoria and Albert museum. Palace and mosque: Islamic art from the Middle East. London: V & A Publications, 2004.
Den vollen Inhalt der Quelle findenEigner, Saeb. Art of the Middle East: Modern and contemporary art of the Arab world and Iran. London: Merrell, 2010.
Den vollen Inhalt der Quelle findenPorter, Venetia. Word into art: Artists of the modern Middle East. London: British Museum Press, 2006.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Folk art, middle east"
Scheid, Kirsten. „Start with the art“. In Routledge Handbook of Middle East Politics, 432–45. New York : Routledge, 2020.: Routledge, 2020. http://dx.doi.org/10.4324/9781315170688-34.
Der volle Inhalt der QuelleAzara, Pedro, und Marc Marín. „Ancient “art” in the white cube?“ In Museums and the Ancient Middle East, 27–37. Milton Park, Abingdon, Oxon: Routledge, 2019. | Series: Routledge research in museum studies; 11: Routledge, 2018. http://dx.doi.org/10.4324/9781351164160-3.
Der volle Inhalt der QuelleAbdul-Dayyem, Mariam. „The Art of Presence“. In Routledge Handbook on Women in the Middle East, 384–93. London: Routledge, 2022. http://dx.doi.org/10.4324/9781315165219-34.
Der volle Inhalt der QuelleLacovara, Peter. „Exhibiting ancient Middle Eastern art in America 1“. In Museums and the Ancient Middle East, 227–42. Milton Park, Abingdon, Oxon: Routledge, 2019. | Series: Routledge research in museum studies; 11: Routledge, 2018. http://dx.doi.org/10.4324/9781351164160-16.
Der volle Inhalt der QuelleScheid, Kirsten. „Art as Material Form and Agent“. In Routledge Handbook on Women in the Middle East, 433–53. London: Routledge, 2022. http://dx.doi.org/10.4324/9781315165219-38.
Der volle Inhalt der QuelleAlraouf, Ali A. „The Trilogy of Heritage, Public Art and Public Spaces: The Case of Fire Station Art and Cultural Development, Doha, Qatar“. In Urban Challenges in the Globalizing Middle-East, 87–105. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-69795-2_7.
Der volle Inhalt der QuelleDunne, Charles W. „Iraq: Policies, Politics, and the Art of the Possible“. In America’s Challenges in the Greater Middle East, 11–29. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9780230119598_2.
Der volle Inhalt der Quelleaamiry-khasawnih, alma. „Women's Participation in Public and Street Art“. In Routledge Handbook on Women in the Middle East, 394–406. London: Routledge, 2022. http://dx.doi.org/10.4324/9781315165219-35.
Der volle Inhalt der QuelleEmberling, Geoff, und Katharyn Hanson. „Cultural Heritage across the Middle East, Ancient and Modern“. In A Companion to Ancient Near Eastern Art, 637–60. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2018. http://dx.doi.org/10.1002/9781118336779.ch26.
Der volle Inhalt der QuelleAltef, Safea. „Cultural Identity in Libyan and Yemeni Social Media Visual Art“. In Media and Democracy in the Middle East, 100–117. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003214625-8.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Folk art, middle east"
Alikhan, Abbas A., und S. M. Farouq Ali. „State-Of-The-Art Of Water Coning Modelling And Operation“. In Middle East Oil Technical Conference and Exhibition. Society of Petroleum Engineers, 1985. http://dx.doi.org/10.2118/13744-ms.
Der volle Inhalt der QuelleAl-Marhoun, Muhammad Ali. „Black Oil Property Correlations - State of the Art“. In SPE Middle East Oil & Gas Show and Conference. Society of Petroleum Engineers, 2015. http://dx.doi.org/10.2118/172833-ms.
Der volle Inhalt der QuelleHisarligil, Hakan. „THE “KELVIN CONJECTURE” IN MEDIVEAL ART IN THE MIDDLE EAST“. In 21st International Academic Conference, Miami. International Institute of Social and Economic Sciences, 2016. http://dx.doi.org/10.20472/iac.2016.021.014.
Der volle Inhalt der QuelleEl-Hawary, Mohamed E. „The Smart Grid—State-of-the-art and future trends“. In 2016 Eighteenth International Middle East Power Systems Conference (MEPCON). IEEE, 2016. http://dx.doi.org/10.1109/mepcon.2016.7836856.
Der volle Inhalt der QuelleAyyaswami, Arul, und S. Vishwanathan. „State Of The Art Of Remediation For Petroleum Industries“. In Middle East Health, Safety, Security, and Environment Conference and Exhibition. Society of Petroleum Engineers, 2010. http://dx.doi.org/10.2118/136529-ms.
Der volle Inhalt der QuelleBaig, Farooq Anwar, Ali Alhasawi und Marco Aburto Perez. „The Art of Short Radius Drilling – Best Practices to Consistently Deliver Wells“. In SPE/IADC Middle East Drilling Technology Conference and Exhibition. SPE, 2021. http://dx.doi.org/10.2118/202166-ms.
Der volle Inhalt der QuelleAbdel-Fadil, Reyad, und Laszlo Szamel. „State of the Art of Switched Reluctance Motor Drives and Control Techniques“. In 2018 Twentieth International Middle East Power Systems Conference (MEPCON). IEEE, 2018. http://dx.doi.org/10.1109/mepcon.2018.8635219.
Der volle Inhalt der QuelleNooraldeen, Yasser, Zainab Derbas, Yousif Zainal, Rami Esbai, Khalil AlQassab, Hamza Alkooheji, Mohamed Almal, Kranthi Bandla, Ali AlNowakhda und Sreeharshan Samineni. „Gas Lifted and Naturally Flowing Wells Exception Process via GIS - A State of the Art Surveillance Process“. In SPE Middle East Artificial Lift Conference and Exhibition. Society of Petroleum Engineers, 2018. http://dx.doi.org/10.2118/192499-ms.
Der volle Inhalt der QuelleAl Habsi, Yumna, Ali Anbari, Azzan Al Yaarubi, Richard Leech, Sumaiya Al Bimani und Suryyendu Choudhury. „Unlocking Growth Opportunities Through Saturation Evaluation Behind Complex Completion by Applying State-of-Art Pulsed Neutron Technology“. In SPE Middle East Oil & Gas Show and Conference. SPE, 2021. http://dx.doi.org/10.2118/204783-ms.
Der volle Inhalt der QuelleKhan, Mohammad Rasheed, Shams Kalam, Abdul Asad und Sidqi A. Abu-khamsin. „Development of a Deterministic Total Organic Carbon (TOC) Predictor For Shale Reservoirs“. In Middle East Oil, Gas and Geosciences Show. SPE, 2023. http://dx.doi.org/10.2118/213350-ms.
Der volle Inhalt der QuelleBerichte der Organisationen zum Thema "Folk art, middle east"
Snead, III, und Lawrence R. Wavell's Campaigns in the Middle East: An Analysis of Operational Art and the Implications for Today. Fort Belvoir, VA: Defense Technical Information Center, Mai 1994. http://dx.doi.org/10.21236/ada284720.
Der volle Inhalt der QuelleJackson, G. D. Bedrock geology, northwest part of Nuluujaak Mountain, Baffin Island, Nunavut, part of NTS 37-G/5. Natural Resources Canada/CMSS/Information Management, 2021. http://dx.doi.org/10.4095/314670.
Der volle Inhalt der QuelleLane, L. S., und S. Zhao. Bedrock geology, Mount Huley and Mount Harbottle, Yukon, NTS 116-G/15 and 16. Natural Resources Canada/CMSS/Information Management, 2023. http://dx.doi.org/10.4095/329451.
Der volle Inhalt der QuelleZhang, Hongbin, Shahal Abbo, Weidong Chen, Amir Sherman, Dani Shtienberg und Frederick Muehlbauer. Integrative Physical and Genetic Mapping of the Chickpea Genome for Fine Mapping and Analysis of Agronomic Traits. United States Department of Agriculture, März 2010. http://dx.doi.org/10.32747/2010.7592122.bard.
Der volle Inhalt der QuelleMorriss, Matthew C. Interim Geologic Map of the Vernal NE Quadrangle, Uintah County, Utah. Utah Geological Survey, Juni 2024. http://dx.doi.org/10.34191/ofr-762.
Der volle Inhalt der QuelleAnderson, Zachary W., Greg N. McDonald, Elizabeth A. Balgord und W. Adolph Yonkee. Interim Geologic Map of the Browns Hole Quadrangle, Weber and Cache Counties, Utah. Utah Geological Survey, Dezember 2023. http://dx.doi.org/10.34191/ofr-760.
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