Auswahl der wissenschaftlichen Literatur zum Thema „Fine Arts Museum of the South at Mobile“
Geben Sie eine Quelle nach APA, MLA, Chicago, Harvard und anderen Zitierweisen an
Inhaltsverzeichnis
Machen Sie sich mit den Listen der aktuellen Artikel, Bücher, Dissertationen, Berichten und anderer wissenschaftlichen Quellen zum Thema "Fine Arts Museum of the South at Mobile" bekannt.
Neben jedem Werk im Literaturverzeichnis ist die Option "Zur Bibliographie hinzufügen" verfügbar. Nutzen Sie sie, wird Ihre bibliographische Angabe des gewählten Werkes nach der nötigen Zitierweise (APA, MLA, Harvard, Chicago, Vancouver usw.) automatisch gestaltet.
Sie können auch den vollen Text der wissenschaftlichen Publikation im PDF-Format herunterladen und eine Online-Annotation der Arbeit lesen, wenn die relevanten Parameter in den Metadaten verfügbar sind.
Zeitschriftenartikel zum Thema "Fine Arts Museum of the South at Mobile"
Sharpe, Tom. „CING 3. Royal Institution of South Wales. Swansea“. Geological Curator 4, Nr. 6 (Juli 1986): 349. http://dx.doi.org/10.55468/gc277.
Der volle Inhalt der QuelleO'Connor, Maureen Sarah. „Education in Motion: The Virginia Museum of Fine Arts Artmobile, 1953 – 1994“. Museum and Society 17, Nr. 1 (10.03.2019): 19–36. http://dx.doi.org/10.29311/mas.v17i1.2780.
Der volle Inhalt der QuelleGill, David W. J., und Christopher Chippindale. „South Italian Pottery in the Museum of Fine Arts, Boston Acquired Since 1983“. Journal of Field Archaeology 33, Nr. 4 (Januar 2008): 462–72. http://dx.doi.org/10.1179/009346908791071150.
Der volle Inhalt der QuelleGoodwin, Hannah. „American Sign Language and Audio Description on the Mobile Guide at the Museum of Fine Arts, Boston“. Curator: The Museum Journal 56, Nr. 3 (Juli 2013): 369–70. http://dx.doi.org/10.1111/cura.12036.
Der volle Inhalt der QuelleMuravchick, Rose E. „Objectifying the Occult: Studying an Islamic Talismanic Shirt as an Embodied Object“. Arabica 64, Nr. 3-4 (13.09.2017): 673–93. http://dx.doi.org/10.1163/15700585-12341464.
Der volle Inhalt der QuelleWay, Jennifer. „Narrative Failures“. Anthropos 114, Nr. 2 (2019): 547–62. http://dx.doi.org/10.5771/0257-9774-2019-2-547.
Der volle Inhalt der QuelleCooney, Lynne. „Made Visible: Contemporary South African Fashion and Identity curated by Kathryn Gunsch Museum of Fine Arts, Boston February 2–May 14, 2019“. African Arts 53, Nr. 3 (August 2020): 89–91. http://dx.doi.org/10.1162/afar_r_00541.
Der volle Inhalt der QuellePetrova, Natalia Yu, Galina Yu Kolganova und Marina A. Titova. „THE STANDARD HASSUNA POTTERY OF THE YARIM TEPE I SETTLEMENT FROM THE COLLECTION OF THE PUSHKIN STATE MUSEUM OF FINE ARTS“. Rossiiskaia arkheologiia, Nr. 1 (01.01.2023): 25–40. http://dx.doi.org/10.31857/s0869606323010154.
Der volle Inhalt der QuelleMirza, Romana. „Contemporizing Modesty“. Fashion Studies 1, Nr. 2 (2019): 1–17. http://dx.doi.org/10.38055/fs010204.
Der volle Inhalt der QuelleVargyas, Zsófia. „Adalékok Marczibányi István (1752–1810) műgyűjteményének történetéhez“. Művészettörténeti Értesítő 71, Nr. 1 (24.05.2023): 45–78. http://dx.doi.org/10.1556/080.2022.00003.
Der volle Inhalt der QuelleDissertationen zum Thema "Fine Arts Museum of the South at Mobile"
Eames, Brittany A. „Uncommon historical object appraisals| appraising the south street museum collection“. Thesis, Sotheby's Institute of Art - New York, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=1554301.
Der volle Inhalt der QuelleAs the global pattern of severe weather intensifies, complex disaster-related appraisals are becoming increasingly more common. Post-disaster appraisals are particularly challenging due to several key factors: (1) the large number of objects in each appraisal, (2) the diversity of the objects and (3) the limited time frame for completion. Due to these complicating factors the methodologies that were once central to the structure of valuation are crumbling and new metrics are being formed to accommodate these labyrinthine post-disaster jobs. By way of a single case study undertaken post-Hurricane Sandy, this document explores the process of redesigning appraisal methodologies, of approaching uncommon historical objects found often in these now less exceptional cases, of identifying "value signifiers" for those objects and ultimately of reimagining the very core of what it means to appraise fine art.
DIRKS, STEFANIE. „An Appalachian Arts Project: A New Model to Promote Communal Art Interaction“. University of Cincinnati / OhioLINK, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1211923981.
Der volle Inhalt der QuelleBücher zum Thema "Fine Arts Museum of the South at Mobile"
Virginia Museum of Fine Arts. Cosmologies from the tree of life: Art from the African American South. Richmond, VA: VMFA, Virginia Museum of Fine Arts, 2019.
Den vollen Inhalt der Quelle findenMuseum of Fine Arts, Boston. From the South Seas: Oceanic art in the Teel collection. Boston: MFA Publications, 2006.
Den vollen Inhalt der Quelle findenCivic Fine Arts Center (Sioux Falls, S.D.) und South Dakota Art Museum, Hrsg. Art for a new century: Civic Fine Arts Center, Sioux Falls, South Dakota Art Museum, Brookings : October 29- December 10, 1989. Sioux Falls, S.D: The Center, 1989.
Den vollen Inhalt der Quelle findenGascoigne, Rosalie. Rosalie Gascoigne, Colin McCahon: Sense of place : Ivan Dougherty Gallery, Sydney, College of Fine Arts, the University of New South Wales : the Ian Potter Gallery, Melbourne, the University of Melbourne Museum of Art. Paddington, NSW: Published for the Ivan Dougherty Gallery, College of Fine Arts, by the University of New South Wales, 1990.
Den vollen Inhalt der Quelle findenA New World Imagined Art Of The Americas. MFA Publications, 2010.
Den vollen Inhalt der Quelle findenKonferenzberichte zum Thema "Fine Arts Museum of the South at Mobile"
Belyaevskaya, Olga, Elena Malachevskaya und Anastasia Yasenovskaya. „The investigation of ancient Erebuni mural painting fragments from the collection the Pushkin State Museum of Fine arts“. In Antiquities of East Europe, South Asia and South Siberia in the context of connections and interactions within the Eurasian cultural space (new data and concepts). Institute for the History of Material Culture Russian Academy of Sciences, 2019. http://dx.doi.org/10.31600/978-5-907053-34-2-219-220.
Der volle Inhalt der QuellePhạm, Thị Thủy Chung. „Religious Object” Exhibition in the Context of Cultural Change and Covid-19 Social Distancing (Case studies of Khmer’s Nagar boat in the South of Vietnam) | Trưng bày hiện vật tôn giáo trong bối cảnh biến đổi văn hóa và giãn cách xã hội do Covid-19 (Trường hợp ghe ngo của người Khmer ở Nam Bộ, Việt Nam)“. In The SEAMEO SPAFA International Conference on Southeast Asian Archaeology and Fine Arts (SPAFACON2021). SEAMEO SPAFA, 2021. http://dx.doi.org/10.26721/spafa.pqcnu8815a-30.
Der volle Inhalt der Quelle