Auswahl der wissenschaftlichen Literatur zum Thema „Films – Hong Kong“
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Zeitschriftenartikel zum Thema "Films – Hong Kong"
Wang, Kai, und Nan Li. „ANALYSIS OF HONG KONG ZOMBIE MOVIES AUDIOVISUAL LANGUAGE IN THE 1980S“. International Journal of Law, Government and Communication 7, Nr. 29 (01.09.2022): 18–26. http://dx.doi.org/10.35631/ijlgc.729002.
Der volle Inhalt der QuelleLu, Xin. „Expression of Hong Kong Directors in the Chinese Main-Melody Film: The Artistic Propaganda“. Asian Journal of Social Science Studies 7, Nr. 7 (01.08.2022): 61. http://dx.doi.org/10.20849/ajsss.v7i7.1246.
Der volle Inhalt der QuelleLiu, Xinyu. „A Probe in the Language Features of Fruit Chan's Films from the Perspective of Audio-visual Characteristics: Taking the Trilogy on Hong Kong's Return to China as an Example“. BCP Social Sciences & Humanities 15 (13.03.2022): 138–43. http://dx.doi.org/10.54691/bcpssh.v15i.380.
Der volle Inhalt der QuelleLu, Xiao. „Hollywood Genre, Cultural Hybridity, and Musical Films in 1950s Hong Kong“. Arts 12, Nr. 6 (08.11.2023): 237. http://dx.doi.org/10.3390/arts12060237.
Der volle Inhalt der QuelleYang, Xinrui. „Postmodern Representations and Reflections in Hong Kong Urban Cinema: A Study on the Works of Heiward Mak Hei-Yan“. Journal of Education, Humanities and Social Sciences 24 (31.12.2023): 726–31. http://dx.doi.org/10.54097/bmzw1726.
Der volle Inhalt der QuelleHongjin He, Hilary. „"Chinesenesses" Outside Mainland China: Macao and Taiwan through Post-1997 Hong Kong Cinema“. Culture Unbound 4, Nr. 2 (01.06.2012): 297–325. http://dx.doi.org/10.3384/cu.2000.1525.124297.
Der volle Inhalt der QuelleChan, Charlene Peishan. „“I Want to be More Hong Kong Than a Hongkonger”“. Lifespans and Styles 6, Nr. 1 (24.05.2020): 13–27. http://dx.doi.org/10.2218/ls.v6i1.2020.4398.
Der volle Inhalt der QuelleChen, Fangyu. „The post-2000 Hong Kong young filmmakers: Embrace, resistance and new chances“. New Cinemas: Journal of Contemporary Film 17, Nr. 2 (01.09.2020): 209–26. http://dx.doi.org/10.1386/ncin_00017_1.
Der volle Inhalt der QuelleDong, Zhaoyang. „Encoding and Decoding: Mapping Social Value Shifts and Social Contexts in Hong Kong Crime Films“. Communications in Humanities Research 9, Nr. 1 (31.10.2023): 44–50. http://dx.doi.org/10.54254/2753-7064/9/20231099.
Der volle Inhalt der QuelleLaukkanen, Tatu-Ilari. „Shanghai gangster films and the politics of change“. Novos Olhares 9, Nr. 1 (10.07.2020): 81–97. http://dx.doi.org/10.11606/issn.2238-7714.no.2020.172000.
Der volle Inhalt der QuelleDissertationen zum Thema "Films – Hong Kong"
Wong, Wai-kit, und 黃蔚潔. „Macau in Hong Kong films“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31952872.
Der volle Inhalt der QuelleWong, Wai-kit. „Macau in Hong Kong films“. Hong Kong : University of Hong Kong, 2000. http://sunzi.lib.hku.hk/hkuto/record.jsp?B22199974.
Der volle Inhalt der QuelleYung, Wai-kei, und 戎偉基. „Pictorial representations of "Hong Kong": a study of 1980s and 90s Hong Kong films“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B31951788.
Der volle Inhalt der QuelleYung, Wai-kei. „Pictorial representations of "Hong Kong" : a study of 1980s and 90s Hong Kong films /“. Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B20059760.
Der volle Inhalt der QuelleLee, Sin-man, und 李善雯. „Adaptation of Hong Kong films in 1990's“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31952689.
Der volle Inhalt der QuelleLee, Sin-man. „Adaptation of Hong Kong films in 1990's“. Hong Kong : University of Hong Kong, 2000. http://sunzi.lib.hku.hk/hkuto/record.jsp?B22199172.
Der volle Inhalt der QuelleRobertson, Robert Philip. „Ghostwriting Hong Kong : post-colonial documentary and the western tradition /“. Thesis, Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B20007450.
Der volle Inhalt der QuelleCastillo, Gilbert Gerard. „Gender, Identity, and Influence: Hong Kong Martial Arts Films“. Thesis, University of North Texas, 2002. https://digital.library.unt.edu/ark:/67531/metadc3354/.
Der volle Inhalt der QuelleWONG, Nga Man. „Images of older persons in Hong Kong popular films“. Digital Commons @ Lingnan University, 2003. https://commons.ln.edu.hk/soc_etd/25.
Der volle Inhalt der QuelleLuk, Siu-leng. „The dialogics of representation : Shanghai in contemporary Hong Kong films /“. Click to view the E-thesis via HKUTO, 2004. http://sunzi.lib.hku.hk/HKUTO/record/B38628752.
Der volle Inhalt der QuelleBücher zum Thema "Films – Hong Kong"
Sing, Andy Chan Kai. Hong Kong films after 1997. London: LCP, 2001.
Den vollen Inhalt der Quelle findenLogan, Bey. Hong Kong action cinema. Woodstock, N.Y: Overlook Press, 1996.
Den vollen Inhalt der Quelle findenLogan, Bey. Hong Kong action cinema. London: TitanBooks, 1994.
Den vollen Inhalt der Quelle findenXianggang ying ye xie hui. Xianggang dian ying: Hong Kong films 1989·1990. Xianggang: Xianggang ying ye xie hui, 1991.
Den vollen Inhalt der Quelle findenMeaghan, Morris, Li Siu Leung 1958- und Chan Stephen Ching-kiu, Hrsg. Hong Kong connections: Transnational imagination in action cinema. Durham: Duke University Press, 2005.
Den vollen Inhalt der Quelle finden1955-, Fu Poshek, und Desser David, Hrsg. The Cinema of Hong Kong: History, arts, identity. Cambridge, UK: Cambridge University Press, 2000.
Den vollen Inhalt der Quelle findenWong, Joan. Hong Kong films and cinema in the seventies and eighties. [Derby]: Derbyshire College of Higher Education, 1986.
Den vollen Inhalt der Quelle findenBordwell, David. Planet Hong Kong: Popular Cinema and the Art of Entertainment. Madison, Wisconsin: Irvington Way Institute Press, 2011.
Den vollen Inhalt der Quelle findenLi, Caixia. Shao shi jia zu ying shi wang guo da guan: A marvelous overview of Shawbrother's films and televisions. Beijing: Hai yang chu ban she, 2019.
Den vollen Inhalt der Quelle findenVenuti, Andrea. John Woo e il crime movie di Hong Kong tra eleganza, manierismo, sacrificio ed amicizia virile. Roma: Profondo rosso, 2020.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Films – Hong Kong"
Gorfinkel, Lauren, und Xuezhong Su. „Hong Kong, Films, and the Building of China’s Soft Power: The Cross-Promotion of Chinese Films on Globally Oriented State Television“. In Hong Kong and Bollywood, 265–93. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-349-94932-8_15.
Der volle Inhalt der QuelleLee, Vivian P. Y. „Karmic Redemption: Memory and Schizophrenia in Hong Kong Action Films“. In Hong Kong Cinema Since 1997, 138–59. London: Palgrave Macmillan UK, 2009. http://dx.doi.org/10.1057/9780230245433_7.
Der volle Inhalt der QuelleBettinson, Gary. „Hong Kong Puzzle Films: The Persistence of Tradition“. In The Poetics of Chinese Cinema, 119–45. New York: Palgrave Macmillan US, 2016. http://dx.doi.org/10.1057/978-1-137-55309-6_7.
Der volle Inhalt der QuelleYue, Audrey. „In the Mood for Love: Intersections of Hong Kong Modernity“. In Chinese Films in Focus II, 144–52. London: British Film Institute, 2008. http://dx.doi.org/10.1007/978-1-349-92280-2_19.
Der volle Inhalt der QuelleSham, Ricky Y. H. „Cantonese Cameo: Pre-war Hong Kong Films and /ɿ/ of Early Cantonese“. In Chinese Culture in the 21st Century and its Global Dimensions, 123–39. Singapore: Springer Singapore, 2020. http://dx.doi.org/10.1007/978-981-15-2743-2_8.
Der volle Inhalt der QuelleSun, Yi. „Defining Hong Kong Cinema Through Distribution: Milkyway Films in the United States“. In Milkyway Image, 91–107. Singapore: Springer Singapore, 2021. http://dx.doi.org/10.1007/978-981-33-6578-0_6.
Der volle Inhalt der Quelle„Hong Kong films“. In Hong Kong Cinema, 99–112. Routledge, 2003. http://dx.doi.org/10.4324/9780203222072-9.
Der volle Inhalt der Quelle„Hong Kong films“. In Hong Kong Cinema, 113–40. Routledge, 2003. http://dx.doi.org/10.4324/9780203222072-10.
Der volle Inhalt der QuelleYiu-Wai, Chu. „Will Our Time Come? Ann Hui’s Fallen City“. In Main Melody Films, 54–79. Edinburgh University Press, 2022. http://dx.doi.org/10.3366/edinburgh/9781474493864.003.0003.
Der volle Inhalt der Quelle„Hong Kong films: the cultural specificity of quasi-national film“. In Hong Kong Cinema, 85–98. Routledge, 2003. http://dx.doi.org/10.4324/9780203222072-8.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Films – Hong Kong"
Chen, Antong. „Hong Kong Action Films’ Aesthetics of Violence“. In 2021 International Conference on Public Art and Human Development ( ICPAHD 2021). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220110.023.
Der volle Inhalt der QuelleYi, Jing, und Guannan E. „Hong Kong Films in the Social Evolution after 1997“. In 2017 International Conference on Art Studies: Science, Experience, Education (ICASSEE 2017). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/icassee-17.2018.68.
Der volle Inhalt der QuelleDai, Nan. „Nostalgic Representation of “Old Shanghai” in Hong Kong and Taiwan Films“. In 8th International Conference on Education, Language, Art and Inter-cultural Communication (ICELAIC 2021). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220306.070.
Der volle Inhalt der QuelleLo, V. C. „Modeling of electromigration-induced resistance change in aluminum thin films“. In Proceedings 1998 IEEE Hong Kong Electron Devices Meeting. IEEE, 1998. http://dx.doi.org/10.1109/hkedm.1998.740203.
Der volle Inhalt der QuelleLi, Xiaoyun. „A Study on Hong Kong Nanyang-themed Films During the Cold War“. In 2021 Conference on Art and Design: Inheritance and Innovation (ADII 2021). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220205.018.
Der volle Inhalt der QuelleLaw, C. W., K. Y. Tong, K. L. Wong, J. H. Li und Kun Li. „Electrical characteristics of MIS capacitors with BST thin films deposited on n-Si(100) by the sol-gel method“. In Proceedings 1998 IEEE Hong Kong Electron Devices Meeting. IEEE, 1998. http://dx.doi.org/10.1109/hkedm.1998.740187.
Der volle Inhalt der QuelleZheng, Ge. „The Spatial Production of Films Illustrated by the Case of Hong Kong Kowloon Walled City“. In Proceedings of the 5th International Conference on Arts, Design and Contemporary Education (ICADCE 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/icadce-19.2019.31.
Der volle Inhalt der QuelleTang, Xulin. „An Analysis of the Impact of the Development of Hong Kong Society on Local Romance Films between 1990-2000“. In 2022 International Conference on Social Sciences and Humanities and Arts (SSHA 2022). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220401.023.
Der volle Inhalt der QuelleLiu, Yuqing. „GHOST FROM THE FUTURE: HONG KONG TEMPORALITIES IN THE FILM ROUGE“. In 9th International Conference ISSUES OF FAR EASTERN LITERATURES. St. Petersburg State University, 2021. http://dx.doi.org/10.21638/11701/9785288062049.22.
Der volle Inhalt der QuelleZhou, Qiang. „The Changes of Hong Kong Police Image in Hong Kong Film from CEPA“. In 3rd International Conference on Contemporary Education, Social Sciences and Humanities (ICCESSH 2018). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/iccessh-18.2018.139.
Der volle Inhalt der QuelleBerichte der Organisationen zum Thema "Films – Hong Kong"
Bhattacharya, Utpal, Amit Kumar, Sujata Visaria und Jing Zhao. Do Women Receive Worse Financial Advice? An Audit Study in Hong Kong, China. Asian Development Bank, Mai 2023. http://dx.doi.org/10.22617/wps230181-2.
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