Auswahl der wissenschaftlichen Literatur zum Thema „Film sonore“
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Zeitschriftenartikel zum Thema "Film sonore"
Plavša, Dušan, und Dusan Plavsa. „La naissance de la musique de film avant l'apparition de l'art du film sonore“. International Review of the Aesthetics and Sociology of Music 20, Nr. 2 (Dezember 1989): 221. http://dx.doi.org/10.2307/836730.
Der volle Inhalt der QuelleHéon-Morissette, Barah. „Rien dans les mains… Light Music de Thierry De Mey“. Circuit 22, Nr. 1 (30.04.2012): 41–50. http://dx.doi.org/10.7202/1008967ar.
Der volle Inhalt der QuelleLaberge, Yves. „La double réception du film Métropolis de Fritz Lang“. Cinémas 8, Nr. 3 (31.10.2007): 31–52. http://dx.doi.org/10.7202/024757ar.
Der volle Inhalt der QuelleCauche, Robin. „La trame sonore du film Baby Driver : une esthétique de musicalisation intensifiée“. Volume !, Nr. 18 : 1 (01.04.2021): 101–17. http://dx.doi.org/10.4000/volume.9086.
Der volle Inhalt der QuelleMottet, Jean. „Entre présent et possible : la difficile recomposition du paysage de la banlieue dans le film de Mathieu Kassovitz, La Haine“. Cinémas 12, Nr. 1 (31.10.2007): 71–86. http://dx.doi.org/10.7202/024868ar.
Der volle Inhalt der QuelleBlümlinger, Christa. „L’attrait de plans retrouvés“. Cinémas 24, Nr. 2-3 (22.05.2014): 69–96. http://dx.doi.org/10.7202/1025149ar.
Der volle Inhalt der QuelleDallaire, Frédéric. „« Just allow the space to tell us what we should be… what we should be doing » : l’expérience cinématographique de la musique improvisée“. Revue musicale OICRM 5, Nr. 1 (09.04.2018): 92–102. http://dx.doi.org/10.7202/1044445ar.
Der volle Inhalt der QuelleGauducheau, Nadia, und Frédérique Cuisinier. „Inférences sur les états mentaux d’autrui dans différents contextes : études auprès d’enfants âgés de 8 à 10 ans“. Bulletin de psychologie 56, Nr. 466 (2003): 625–33. http://dx.doi.org/10.3406/bupsy.2003.15251.
Der volle Inhalt der QuelleGille, Quentin. „Maurice Gianati, Laurent Mannoni (dir.), Alice Guy, Léon Gaumont et les débuts du film sonore“. 1895, Nr. 69 (01.04.2013): 172–76. http://dx.doi.org/10.4000/1895.4626.
Der volle Inhalt der QuellePór, Katalin. „Tester des attractions, penser le film musical. Le studio de la Paramount à Astoria (1929-19311)“. Hors dossier 26, Nr. 2-3 (05.04.2017): 201–18. http://dx.doi.org/10.7202/1039372ar.
Der volle Inhalt der QuelleDissertationen zum Thema "Film sonore"
McCann, Mark. „Penser l'écran sonore les théories du film parlant /“. Click here to access, 2006. http://thesis.library.adelaide.edu.au/public/adt-SUA20070320.161033/index.html.
Der volle Inhalt der QuelleSousa, Dias António de. „L'objet sonore : situation, évaluation et potentialités : un paradigme pour la création d'outils de composition musicale“. Paris 8, 2005. http://www.theses.fr/2005PA082612.
Der volle Inhalt der QuelleWe propose a study on the composition potentialities resulting from the conjunction of the object sound concept and the progressive transfer of musical technologies to the digital media. Beginning with the sound object of Schaeffer, through the writings of other authors (Bayle, Smalley, Wishart), we arrive at the concept of digital sound object of Vaggione, which articulates this conjunction. Two consequences result: the statement of the enlargement of musical writing and a compositional attitude based upon the idea of a work as the result of an interface to a musical database (adapted from Manovich). Finally we describe the software and the works which guided us to two concrete results: a software for external patches management (KITTy) and the music for the “found footage” documentary Nature Morte which would not have been possible without the reflection and consequences presented here
Teichner, Noah. „Le “canned” vaudeville et la mise en conserve médiatique aux États-Unis, du phonographe au film sonore : étude média-archéologique des courts métrages Vitaphone au format son-sur-disque (1926-1930)“. Electronic Thesis or Diss., Paris 8, 2021. http://www.theses.fr/2021PA080071.
Der volle Inhalt der QuelleThis dissertation reads the discourses, practices, and materialities of filmic and phonographic vaudeville through the broader history of “canned” media. Warner Bros.’ short films produced with the sound-on-disc Vitaphone process play a central role in this study which covers a period ranging from the beginnings of the phonograph industry and the institutionalization of vaudeville in the late 19th century to the introduction of electroacoustic technology in film and sound media during the second half of the 1920s. After studying vaudeville’s infrastructure as a mass media institution and its aesthetic capacities as a medium, the neglected role of the term “canned” in media history is reconsidered through practices of early phonography and trade press discourses on “canned” music and “canned” vaudeville. This leads to a contextualization of filmic vaudeville within the media landscape of the 1920s—the decline of big-time vaudeville and the rise of stage presentations in movie theatres—and an analysis of Vitaphone shorts’ production, distribution, and reception. The material possibilities afforded by the Vitaphone sound-on-disc technology and multi-camera set-up are then outlined and examined in relation to debates regarding sound and image scale. These technical considerations lay the groundwork for an in-depth investigation of approaches to address and diegetisation in the restored Vitaphone shorts from 1926-1930. The films’ means of addressing the spectator and of representing both the audience and the space of performance are put in perspective through examples of phonographic vaudeville dating back to the turn of the 20th century
Djankoff, Christine Gamita M. „Essai d'anthropologie visuelle & sonore d'un "rite élémentaire" - Film de recherche "La joie du feu" : ethnographie de la permanence d'une praxie ontologique pyrobate & de la croyance afférente en Europe orientale“. Paris 7, 2003. http://www.theses.fr/2003PA070095.
Der volle Inhalt der QuelleNowadays in Europe, the "Nestinari" from Bulgaria, the "Anestenarides" from Northern Greece dance on burning charcoals, enlightened by the same enthusiasm as the pyrobates from septentrional Spain and the "Nyungwes of Tété" from Southern Africa : its "elementary rite of walking or dancing on fire was discussed through the perspectives of its origins, of its sociopsychological and obviously neurophysiological mechanisms — in connection with the belief of the incombustibility and insensitivity of the human body - , of its individual and collective behaviours , of its historical evolution, as well as its social meanings. This point of view relies on a zetetic methodological and philosophical tradition, related to the ethnological domain. The point was to give rise to a "transverse synergy" in order to directly involve the parallelism of the various branches of the social sciences considering the rite: and the "way of communication" as a whole, while building gradually a conception in a pilot matter thanks to visual anthropology. Its interest can thus be summarised as follows : - Allowing to deepen a assumablely not described cultural event, - Determining more accurately the influence of the social environment throughout the unfolding of this event. This research includes in its analysis the realisation of an audio-visual document in the anthropological range, the portrait of a "Nestinarka", included and argued in this digitally formatted work
Valencia, Brandon. „Sonoran“. Digital Commons at Loyola Marymount University and Loyola Law School, 2017. https://digitalcommons.lmu.edu/etd/308.
Der volle Inhalt der QuelleSchuster, Mariana Mignot. „Cartografia da paisagem sonora do curta-metragem De Lá pra Cá“. reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2013. http://hdl.handle.net/10183/77089.
Der volle Inhalt der QuelleThe sound and image build a narrative film. Sound effects, dialogue, music and silence ‐ along with the image ‐ compose and transmit meaning to film in its entirety. With the short film De Lá pra Cá, of the filmmaker Frederico Pinto, as object of study this work makes a map of the sounds that compose its soundtrack and verifies its role in film narrative based on the concept of Soundscape in two of its dimensions, acoustics and Psychoacoustics. The objective is to verify how the Soundscape influences the drama and narrative of the film. Methodologically, after mapping the sound of the short film De Lá pra Cá, we identified the existing Soundscapes in the film and their roles in narrative construction. The mapping and analysis decompose the sounds of the film in its different attributes, allowing its understanding on several levels. The analysis and subsequent interpretation of the mapping of sounds of the De Lá pra Cá film allowed to conclude that it’s made by different Soundscapes, with a predominance of hi‐fi,and at times opposed by the lo‐fi. The Soundscape gives rhythm, triggers emotions, evokes feelings, generates tensions, having an important narrative role.
Alcala, Galvan Carlos Hugo. „Response of Desert Mule Deer to Habitat Alterations in the Lower Sonoran Desert“. Diss., Tucson, Arizona : University of Arizona, 2005. http://etd.library.arizona.edu/etd/GetFileServlet?file=file:///data1/pdf/etd/azu%5Fetd%5F1424%5F1%5Fm.pdf&type=application/pdf.
Der volle Inhalt der QuelleLanzoni, Pablo Alberto. „Sinfonia fílmica : aproximações entre o discurso cinematográfico e o discurso musical em 'Sal de Prata'“. reponame:Biblioteca Digital de Teses e Dissertações da UFRGS, 2012. http://hdl.handle.net/10183/60369.
Der volle Inhalt der QuelleThis research focuses on the relationship between cinematographic and musical discourses taking as its object the observation of Carlos Gerbase‟s „Sal de Prata‟ (2005) as a film corpus. „Sal de Prata‟ is organized through narrative intertitles that refer to a symphonic structure through their semantic content; they elicit a reflection on the rapprochement and the appropriation between the two events. The thesis discusses the notion of structure in music and movies, including the concept of film editing as it mirrors musical terminology. The discussion is complemented by cinematic biases and film examples which are followed by the introduction of the concept of „film symphony‟ [„sinfonia fílmica‟] as well as its viability as related to „Sal de Prata‟. The soundtrack of the film is discussed, as are its plan organization, its dramatic journey, and the only piece that can be heard in its entirety in the film, the Largo from the Concerto no. 5 in F minor, BWV 1056, by Johann Sebastian Bach. This piece is analyzed under a rhetorical-musical bias and the parallel procedures in film and music are highlighted. This masters‟ thesis aims at a reflection on the multifaceted usage of music in the cinematographic complex, contributing to the construction of this interdisciplinary area of study.
Magalhães, Michelle Agnes. „Musica, futurismo e a trilha sonora de Dziga Vertov“. [s.n.], 2005. http://repositorio.unicamp.br/jspui/handle/REPOSIP/284158.
Der volle Inhalt der QuelleDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Artes
Made available in DSpace on 2018-08-05T15:45:44Z (GMT). No. of bitstreams: 1 Magalhaes_MichelleAgnes_M.pdf: 4441611 bytes, checksum: 2bb1669fdc87df23a2f5e1523d796a6a (MD5) Previous issue date: 2005
Resumo: Este trabalho tem como propósito a apresentação de um pequeno panorama do movimento futurista italiano e russo no que tange ao aspecto musical, bem como uma análise dos elementos futuristas encontrados na música do filme "Entusiasmo, Sinfonia do Donbass" de Dziga Vertov realizado em 1930
Abstract: The present dissertation has the purpose of presenting a resumed panorama of the Italian and Russian futurist movements focused on its musical aspects, as well an analysis of the futurist elements found in the film music of "Enthusiasm, Symphony of Donbass" produced in 1930 by Dziga Vertov
Mestrado
Mestre em Música
More, Noëlie. „Les deux derniers films 'Harry Potter' : marqueurs sonores et thèmes narratifs“. Thesis, Université d'Ottawa / University of Ottawa, 2016. http://hdl.handle.net/10393/34125.
Der volle Inhalt der QuelleBücher zum Thema "Film sonore"
Mannoni, Laurent, und Maurice Gianati. Alice Guy, Léon Gaumont et les débuts du film sonore. New Barnet, Herts, United Kingdom: JL, 2012.
Den vollen Inhalt der Quelle findenMari, Jean-Claude. Quand le film se fait musique: Une nouvelle ère sonore au cinéma. Paris: Harmattan, 2007.
Den vollen Inhalt der Quelle findenCallu, Agnès. Patrimoine sonore et audiovisuel français: Entre archives et témoignages : guide de recherche en sciences sociales. Paris: Editions Belin, 2004.
Den vollen Inhalt der Quelle finden1941-, Abel Richard, Altman Rick 1945- und Domitor Conference (5th : 1998 : Library of Congress), Hrsg. The Sounds of early cinema. Bloomington, IN: Indiana University Press, 2001.
Den vollen Inhalt der Quelle findenCasadio, Gianfranco. Opera e cinema: La musica lirica nel cinema italiano dall'avvento del sonoro ad oggi. Ravenna: Longo Editore, 1995.
Den vollen Inhalt der Quelle findenCalabretto, Roberto. Lo schermo sonoro: La musica per film. Venezia: Marsilio, 2010.
Den vollen Inhalt der Quelle findenJullier, Laurent. Le son. [Paris]: Cahiers du cinema, 2006.
Den vollen Inhalt der Quelle findenPosadas, Abel. Cine sonoro argentino: 1933-1943. Buenos Aires: El Calafate Editores, 2005.
Den vollen Inhalt der Quelle findenCanada. Multiculturalism and Citizenship Canada., Hrsg. Film, video, and audio productions =: Productions cinématographiques, vidéos et sonores. Ottawa: Multiculturalism and Citizenship Canada = Multiculturalisme et citoyenneté Canada,$cc1992., 1992.
Den vollen Inhalt der Quelle findenChion, Michel. L' audio-vision. Paris: Nathan, 1990.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Film sonore"
Salvi, Paola. „Nervi, legamenti, corde e «fila di réfe». Dai nomi alla figurazione anatomica di Leonardo“. In «La sua chiarezza séguita l’ardore», 581–614. Firenze: Società Editrice Fiorentina, 2023. http://dx.doi.org/10.35948/dilef/978-88-6032-711-6.37.
Der volle Inhalt der QuelleHelffer, Mireille. „Sources sonores et films“. In Mchod-rol, 361–64. Éditions de la Maison des sciences de l’homme, 1994. http://dx.doi.org/10.4000/books.editionsmsh.7366.
Der volle Inhalt der QuelleDemircan, Şeyhmus. „Film ve Dizi Turizmi“. In Turizmde Değişim ve Yeni Arayışlar. Özgür Yayınları, 2023. http://dx.doi.org/10.58830/ozgur.pub286.c1124.
Der volle Inhalt der QuelleDunaway, Finis. „Delivering Bosco“. In Defending the Arctic Refuge, 59–66. University of North Carolina Press, 2021. http://dx.doi.org/10.5149/northcarolina/9781469661100.003.0007.
Der volle Inhalt der QuelleKerner, Aaron Michael, und Jonathan L. Knapp. „Crying: Dreadful Melodramas—Family Dramas and Home Invasions“. In Extreme Cinema. Edinburgh University Press, 2016. http://dx.doi.org/10.3366/edinburgh/9781474402903.003.0006.
Der volle Inhalt der Quelle„Fili ego Salomon a 8“. In Cesario Gussago. Sonate a quattro, sei, et otti, 276–95. Routledge, 2014. http://dx.doi.org/10.4324/9781315056388-28.
Der volle Inhalt der QuelleGarcia, Demian. „Chapitre 3. « Chan-chan bara-bara » : épuration et exagération sonore dans les films de sabre“. In Découpes du chanbara, 87–103. Presses universitaires de Strasbourg, 2023. http://dx.doi.org/10.4000/books.pus.33565.
Der volle Inhalt der QuelleAkyıldız, Yavuz. „Yol Kenarı: Kafkaesk Bir Sinema“. In İletişim Bilimlerinde Son Yaklaşımlar. Özgür Yayınları, 2023. http://dx.doi.org/10.58830/ozgur.pub135.c714.
Der volle Inhalt der QuelleFonseca, Larissa Marques da, und Laura Amaral Coelho de Azevedo. „HIGIENE DO SONO“. In Medicina do estilo de vida. Seven Editora, 2024. http://dx.doi.org/10.56238/medestvida-005.
Der volle Inhalt der QuelleDuyan, Yekta Nurşin. „Televizyon Yıldızlığı: Tuba Büyüküstün’ün Yıldızlık İmajı Üzerine Bir İnceleme“. In Yeni Medya Araştırmaları: Dil, İmaj, Fenomenler, Teknoloji, Dezenformasyon. Özgür Yayınları, 2023. http://dx.doi.org/10.58830/ozgur.pub63.c221.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Film sonore"
Gomes Rocha, Dariane, Gabriel Rodrigues de Oliveira Abreu, Laura Fernanda Santos und Ricardo Prado Abreu Reis. „ANÁLISE DA OPERAÇÃO DO ALARME SONORO DE INCÊNDIO EM EDIFICAÇÕES RESIDENCIAIS“. In XV SIMPÓSIO NACIONAL DE SISTEMAS PREDIAIS. UDESC, 2023. http://dx.doi.org/10.46421/sispred.v3.2968.
Der volle Inhalt der QuellePereira, Carlos Eduardo Ribeiro Fontella, und Julio Cesar Boscher Torres. „MEDIÇÃO SONORA NA AVENIDA MONSENHOR FÉLIX EM IRAJÁ“. In IV SIMPÓSIO NACIONAL DE GESTÃO E ENGENHARIA URBANA. ANTAC, 2023. http://dx.doi.org/10.46421/singeurb.v4i00.3609.
Der volle Inhalt der QuelleChiba, Atsushi, Shinya Futagami, Takeshi Meguro und Wen-Chang Wu. „Sono-electroless plating of Ni-W-P film“. In International Congress on Ultrasonics. Vienna University of Technology, 2007. http://dx.doi.org/10.3728/icultrasonics.2007.vienna.1193_chiba.
Der volle Inhalt der QuelleCHIBA, ATSUSHI, MASATO KANOU und WEN-CHANG WU. „SONO-ELECTROLESS PLATING OF Ni-Mo-P FILM“. In Proceedings of the 6th International Conference on ICAMP. WORLD SCIENTIFIC, 2011. http://dx.doi.org/10.1142/9789814322799_0016.
Der volle Inhalt der QuelleCosta, Emiliana, und Fernando Westphal. „SOLUÇÕES DE ATENUAÇÃO SONORA PARA VENTILAÇÃO NATURAL ATRAVÉS DE JANELAS: REVISÃO DE LITERATURA“. In XVIII ENCONTRO NACIONAL DE TECNOLOGIA DO AMBIENTE CONSTRUÍDO. UFRGS, 2020. http://dx.doi.org/10.46421/entac.v18i.766.
Der volle Inhalt der QuelleChiba, Atsushi, Zubraihan Binti Ibrahim und Wen-Chang Wu. „Sono-electroplating of silver film from acetic acid bath“. In International Congress on Ultrasonics. Vienna University of Technology, 2007. http://dx.doi.org/10.3728/icultrasonics.2007.vienna.1195_chiba.
Der volle Inhalt der QuelleLaranja, Andrea Coelho, und Júlia Cometti Saiter. „Análise de poluição sonora urbana em Vitória – ES a partir do uso de smartphones“. In XVII ENCONTRO NACIONAL DE CONFORTO NO AMBIENTE CONSTRUÍDO. ANTAC, 2023. http://dx.doi.org/10.46421/encac.v17i1.3885.
Der volle Inhalt der QuelleGarcez, Bianca da Cunha, Milena Martins de Almeida, Ana Lívia Farias Dib, Gabriela Meller, Gihad Mohamad und Willian Magalhães de Lourenço. „Estratégias de projeto de acústica arquitetônica“. In XVII ENCONTRO NACIONAL DE CONFORTO NO AMBIENTE CONSTRUÍDO. ANTAC, 2023. http://dx.doi.org/10.46421/encac.v17i1.3776.
Der volle Inhalt der QuellePino, Mariana de Carvalho Oliveira, Marcelo Vassoler Dias, Simone Nasser Matos, Helyane Bronoski Borges und Rui Pedro Lopes. „Melodia: Um Jogo Sério para o Ensino Inicial de Teoria Musical a Pessoas com Deficiência Intelectual“. In Anais Estendidos do Simpósio Brasileiro de Games e Entretenimento Digital. Sociedade Brasileira de Computação, 2021. http://dx.doi.org/10.5753/sbgames_estendido.2021.19686.
Der volle Inhalt der QuelleTsui, Bing-Yue, und Jui-Yao Lai. „A study on poly-Si thin-film transistor (TFT) SONOS memory cells with source/drain engineering“. In ESSDERC 2011 - 41st European Solid State Device Research Conference. IEEE, 2011. http://dx.doi.org/10.1109/essderc.2011.6044200.
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