Thematische Bibliographien / Fiddlers Fiddlers

Auswahl der wissenschaftlichen Literatur zum Thema „Fiddlers Fiddlers“

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Veröffentlicht am 25. Juli 2024

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Zeitschriftenartikel zum Thema "Fiddlers Fiddlers"

Landry, Rachelle, und Jody Stark. „Learning to Fiddle in a Community of Practice“. MUSICultures 50 (18.03.2024): 249–68. http://dx.doi.org/10.7202/1110021ar.

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<p>This article explores some of the specific dynamics and processes experienced by Canadian old-time fiddlers as they learn to fiddle in a community of practice (CoP). Based on an analysis of interviews with several fiddlers at the Kenosee Lake Kitchen Party fiddling camp, we explore two elements of fiddling that the fiddlers identified as crucial to the development of expertise as an old-time fiddler: a danceable quality and personalizing a tune. Danceability allowed for historical continuity of the community’s practices, while making a tune your own provided a way to introduce new ideas and practices into the CoP, resulting in growth and change.</p>

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GIFFORD, PAUL M. „Henry Ford's Dance Revival and Fiddle Contests: Myth and Reality“. Journal of the Society for American Music 4, Nr. 3 (15.07.2010): 307–38. http://dx.doi.org/10.1017/s1752196310000167.

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AbstractHenry Ford's interest in reviving the dances of his youth and publicizing old fiddlers was a major media phenomenon of the 1920s. The claims of one fiddler became the source of the often repeated, but erroneous, assertion that Ford sponsored a national fiddlers' contest, which in turn has become a part of country music lore. This article, based mostly on archival sources and newspapers, attempts to describe the particular musical and dance traditions that interested Ford, his personal activities and ambitions in this area, his motivations, and the larger popular interest in the subject itself.

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DjeDje, Jacqueline Cogdell. „APPALACHIAN BLACK FIDDLING: HISTORY AND CREATIVITY“. African Music: Journal of the International Library of African Music 11, Nr. 2 (01.12.2020): 77–101. http://dx.doi.org/10.21504/amj.v11i2.2315.

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Discussions on Appalachian music in the United States most often evoke images of instruments such as the fiddle and banjo, and a musical heritage identified primarily with Europe and European Americans, as originators or creators, when in reality, many Europeans were influenced or taught by African-American fiddlers. Not only is Appalachian fiddling a confluence of features that are both African- and European-derived, but black fiddlers have created a distinct performance style using musical aesthetics identified with African and African-American culture. In addition to a history of black fiddling and African Americans in Appalachia, this article includes a discussion of the musicking of select Appalachian black fiddlers.

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Linemburg, Jorge. „Cegos rabequeiros cantadores of Northeast Brazil: Manifestation of the Blind Poet-Singer and Blind Fiddler Archetypes“. Revista Música 23, Nr. 1 (01.09.2023): 415–50. http://dx.doi.org/10.11606/rm.v23i1.208018.

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This article addresses the poetic, musical universe of cegos rabequeiros cantadores [blind singing fiddlers] in Northeast Brazil. These performers expressed themselves through a poetics in which their circumstances as men deprived of vision and their instruments became themes that inspired their artistic creations. Such a manifestation incorporated the archetypes of the blind poet-singer and the blind fiddler, widely diffused both geographically and historically, as do the poetic, musical elements of two traditional figures from the same region: the blind man who begs for alms while singing and the northeastern cantador [singer]. Most of these rabequeiros depended on handouts to survive, begging in exchange for songs accompanied by the rabeca [Brazilian fiddle].

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Grib, Vitalie. „PHENOMENON OF ION DRAGOI – EXPONENTIAL FOR THE ROMANIAN FOLKLORE FROM THE BACAU AREA“. Akademos 60, Nr. 1 (Juni 2021): 130–33. http://dx.doi.org/10.52673/18570461.21.1-60.17.

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Instrumental musical folklore, especially playing and listening songs, was and remains in the repertoire of professional musicians, fiddlers. Among them, the fiddlers-violinists have a special role in the preservation, promotion and development of popular instrumental music. We refer to those who are faithful to local traditions both in terms of interpretive style and repertoire. A virtuoso of the bow is the great Moldavian fiddler from the Bacau area Ion Dragoi. He left us a rich legacy of songs, which became models of inspiration, but also samples for the training of young violinists. The analysis of Ion Dragoi’s interpretive manner will allow us to achieve a further systematization of the particularities of violin performance specific to the folk space of historical Moldova.

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Min, Wah Wah, Kathiresan Kandasamy und Balasubramaniyan Balakrishnan. „Crab Species-Specific Excavation and Architecture of Burrows in Restored Mangrove Habitat“. Journal of Marine Science and Engineering 11, Nr. 2 (01.02.2023): 310. http://dx.doi.org/10.3390/jmse11020310.

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Burrowing crabs are considered to be ecosystem engineers, playing a vital role in mangrove ecosystems through bio-geochemical transformation. This process depends on the size and shape of burrows. The present study analyzes the architecture of burrows constructed by crabs in a restored mangrove habitat. Fourteen crab species were found to construct burrows of 13 different shapes, with a predominance of I-, J-, and L-shapes. Sesarmids were larger in size than fiddlers, and made burrows with wider openings mostly in the Rhizophora zone. Fiddlers constructed complex burrows with a vertical position, and made longer and deeper burrows in contrast to sesarmids, which formed simple burrows with a horizontal position, digging shorter and shallower burrows in Avicennia or open zones. The sesarmids had smaller burrows without branching in mangrove zones, whereas the fiddlers had larger burrows with or without branching in open and Avicennia zones. The burrows of fiddler crabs, especially Austruca occidentalis and A. annulipes, had separate openings and passages for exit and entry as an adaptation against predators. The present work identified Austruca occidentalis and A. annulipes as the most potent bioturbating crab species in restored mangrove habitats due to their efficiency in soil excavation and formation of large-sized burrows.

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Yaremko, Bohdan. „The artistic background of Demyan Lyndyuks' ('Popychyn') - representa- tive of Kosmach fiddle tradition“. Ethnomusic 14, Nr. 1 (2018): 132–41. http://dx.doi.org/10.33398/2523-4846-2018-14-132-141.

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The article describes the background of historical Gutshul traditional fiddler Demyan Lyndyuk ('Popychyn') (1919-1959), from the Kosmach village of Kosiv region of Ivano-Frankivsk. The historical research were undertaken on the ground of historical data, received at 2006 from the Demyans' niece Maria Ivasyuk, as well as from Kovalivka vilage Ivan Sokoluik-the-fiddler, who made the valuable contribu- tion unto research, and played from memory two tunes by D. Lyndyuk, which he recollected as they were played by Demyan himself. Appended to the article the transcription of one of these Demyan Popychyn tunes, prepared by Lviv Music Academy post-graduate Yarema Pavliv at 2018. This tune is the virtuoso stanza of Gutsulka suite, composed of four stanzas, the tunes unfolding by varaitive conbina- torics principle of four related or contrasting, finely embellished melodic motives. This piece, and moreover, the second one, 'Song Tune', are characteristic of Demyan Lyndyuks' performing manner, marked by inventive and exqusite melodic style, cheracteristic of Gutsul regional tradition. As appears, Demyan Lyndyuk ('Popy- chyn') were one of the most prominent representatives of the latter, the father- founder of which were Vasyl Vandzaruk, followed by fully-fledged fiddlers and teachers Dmytro Gudymyak, Vasyl Pozhodzhuk, Ivan Menyuk, Mykhaylo Slochak, Kyrylo Lyndyuk, and, in contemporary tradition, Ivan Sokolyuk. Among these names the proud of the place belongs to Fiddler Demyan Lyndyuk ('Popychyn'), who made outstandng contribution into frourishing of Gutsul instrumental and vocal musicianship. The life of this fiddler were short, but very intense and deserved to be preserved by grateful memory of coming generations of outstanding fiddlers of Kosmach-Shepit tradition of kosiv region.

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Anderson, Robert, und Peter Cooke. „Island Fiddlers“. Musical Times 129, Nr. 1739 (Januar 1988): 22. http://dx.doi.org/10.2307/964976.

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Bradtke, Elaine. „Louisiana Fiddlers“. Folklore 125, Nr. 3 (02.09.2014): 360–75. http://dx.doi.org/10.1080/0015587x.2014.922785.

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SLOTTOW, STEPHEN P. „Ornamentation in Irish Fiddling: Eileen Ivers as a Case Study“. Journal of the Society for American Music 1, Nr. 4 (November 2007): 485–510. http://dx.doi.org/10.1017/s1752196307070435.

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AbstractThis article is a study of ornamentation in the fiddling of Eileen Ivers. Ivers grew up in the Bronx, studied with Limerick-born fiddler Martin Mulvihill, and has since become one of the most well-known of contemporary Irish fiddlers. Although Ivers is known primarily for her Irish fusion playing style, her more traditional core style is reflected in this article, which is based on a series of interview-lessons. The types of ornaments and their placement, combination, function, and effect in Ivers's performance of Irish dance music are discussed.

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Dissertationen zum Thema "Fiddlers Fiddlers"

Bidgood, Lee. „Czech Bluegrass Fiddlers and their Negotiations of Past and Present“. Digital Commons @ East Tennessee State University, 2013. https://dc.etsu.edu/etsu-works/1035.

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Excerpt: Proc ty housle? ("Why the fiddle?") - "Fiddlers are all bad here - Why not write about the banjo or something else that Czechs are good at?"These questions about my ethnographic fieldwork came from musician colleagues with whom I working in researching bluegrass music in the Czech Republic, during a jam circle around a table. While these colleagues were mainly banjo and guitar players, these critiques of Czech fiddling are common even among Czech fiddlers, who are in many cases not as accomplished (in technical skill or musicality) as are their banjo-playing and mandolin-picking compatriots.

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Dellow, Rebecca. „'Fiddlers' Tunebooks' : vernacular instrumental manuscript sources, 1860-c1880 : paradigmatic of folk music tradition?“ Thesis, University of Sheffield, 2018. http://etheses.whiterose.ac.uk/22115/.

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Fiddlers’ Tunebooks are handwritten manuscript books preserving remnants of a largely amateur, monophonic, instrumental practice. These sources are vastly under-explored academically, reflecting a wider omission in scholarship of instrumental music participated in by ‘ordinary’ people in nineteenth-century England. The tunebooks generate interest amongst current folk music enthusiasts, and as such can be subject to a “burden of expectation”, in the belief that they represent folk music tradition. Yet both the concepts of tradition and folk music are problematic. By considering folk music from both an inherited perspective and a modern scholarly interpretation, this thesis examines the place of the tunebooks in notions of English folk music tradition. A historical musicological methodology is applied to three post-1850 case-study manuscripts drawing specifically on source studies, archival research and quantitative analysis. The study explores compilers’ demographic traits and examines content, establishing the existence of a heterogeneous repertoire copied from contemporary textual sources directly into the tunebooks. This raises important questions regarding the role played by publishers and the concept of continuous survival in notions of tradition. A significant finding reveals the interaction between aural and literate practices, having important implications in the inward and outward transmission and in wider historical application. The function of both the manuscripts and the musical practice is explored and the compilers’ acquisition of skill and sources is examined. This results in the ‘re-discovery’ of Musical Circulating Libraries, and identifies a binary route to skill acquisition, largely defined by environment. Acknowledging the contention surrounding terms such as folk, popular and tradition, and the subtle interaction of aurality and literacy, this study concludes that the manuscripts contribute to wider historical discourse and do have a place in notions of folk music tradition, moreover that their textual nature provides a unique perspective from which to observe the process.

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Payne, Laura Ruth. „The identity of the fiddlers of the Isle of Man in the twenty-first century“. Thesis, University of Liverpool, 2012. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.703118.

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Olson, Ted. „Foreword“. Digital Commons @ East Tennessee State University, 2015. https://www.amzn.com/1621900975.

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Book Summary: Canada's Prince Edward Island is home to one of the oldest and most vibrant fiddling traditions in North America. First established by Scottish immigrants in the late eighteenth century, it incorporated the influence of a later wave of Irish immigrants as well as the unique rhythmic sensibilities of the Acadian French, the Island's first European inhabitants. In "Couldn't Have a Wedding without the Fiddler," renowned musician and folklorist Ken Perlman combines oral history, ethnography, and musical insight to present a captivating portrait of Prince Edward Island fiddling and its longstanding importance to community life. The book draws heavily on interviews conducted with 150 fiddlers and other Islanders, whose memories colorfully brings to life a time not so very long ago when virtually any occasion - wedding, harvest, house warming, holiday, or the need to raise money for local institutions such as schools and church - was sufficient excuse to hold a dance. And in those days, you simply couldn't have a dance without the fiddler!Perlman explores how fiddling skills and traditions were learned and passed down through the generations and how individual fiddlers honed their distinctive playing styles. He also examines the Island's history and material culture, fiddlers' values and attitudes, the role of radio and recordings, the fiddler's repertoire, fiddling contests, and the ebb and flow of the fiddling tradition, including efforts over the last few decades to keep the music alive in the face of modernization and the passing of old-timers. Rounding out the book is a rich array of photographs, musical examples, dance diagrams, and a discography. The inaugural volume in the Charles K. Wolfe American Music Series, Couldn't Have a Wedding without the Fiddler is, in the words of series editor Ted Olson, "clearly among the more significant studies of a local North American music tradition to be published in recent years."

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DeRivera, Catherine E. „Conflict over male searching in fiddler crabs /“. Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 1999. http://wwwlib.umi.com/cr/ucsd/fullcit?p9956458.

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Houser, Letise T. „The importance of horizontal swimming behavior in maintaining patches of larval crabs“. Access to citation, abstract and download form provided by ProQuest Information and Learning Company; downloadable PDF file 1.34 Mb., 156 p, 2006. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&res_dat=xri:pqdiss&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&rft_dat=xri:pqdiss:3200543.

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Kavanagh, John. „Australian foreign policy under Hawke : "New fiddler - same tune" /“. Title page and contents only, 1991. http://web4.library.adelaide.edu.au/theses/09AR/09ark216.pdf.

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How, Martin J. „The fiddler crab claw-waving display : an analysis of the structure and function of a movement-based visual signal /“. View thesis entry in Australian Digital Theses Program, 2007. http://thesis.anu.edu.au/public/adt-ANU20081001.111333/index.html.

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Choi, Kwong-chuen. „The ecology of fiddler crabs (Crustacea: Ocypodidae) at the Mai Po Marshes Nature Reserve, Hong Kong /“. [Hong Kong : University of Hong Kong], 1991. http://sunzi.lib.hku.hk/hkuto/record.jsp?B12971820.

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Howell, Les. „Dancing without a fiddle“. Theological Research Exchange Network (TREN), 1994. http://www.tren.com.

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Bücher zum Thema "Fiddlers Fiddlers"

Southern fiddlers and fiddle contests. Jackson: University Press of Mississippi, 2008.

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McBain, Ed. Fiddlers. London: Orion, 2005.

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Guest, Bill. Canadian fiddlers. Hantsport, N.S: Lancelot Press, 1985.

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Bill, Burge, Hrsg. Louisiana fiddlers. Jackson: University Press of Mississippi, 2009.

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North, Atlantic Fiddle Convention (2008 St John's Newfoundland). Crossing over. Aberdeen: Elphinstone Institute, Univ. of Aberdeen in association with the Dept. of Folklore, MMaP and the School of Music, Memorial University of Newfoundland, 2010.

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Scottish fiddlers and their music. Edinburgh: Hardie Press, 1996.

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Ann, Wheeler Carol. Aerobics for fiddlers. Pacific, MO]: Mel Bay Publications, 1994.

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Herlihy, Dan. Sliabh Luachra music masters. Killarney: Dan Herlihy, 2003.

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Call in the fiddlers. Guelph, Ont: Quigley Pub., 1995.

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Association, Original Michigan Fiddlers'. The Original Michigan Fiddlers' Association: Old time music & dances of yester-year. [Michigan?]: OMFA, 1986.

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Buchteile zum Thema "Fiddlers Fiddlers"

Gurstein, Michael. „Fiddlers on the Wire“. In Doing Business on the Internet, 193–207. London: Springer London, 1999. http://dx.doi.org/10.1007/978-1-4471-0561-9_14.

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Hecht, Stuart J. „Fiddler’s Children“. In Transposing Broadway, 179–200. New York: Palgrave Macmillan US, 2011. http://dx.doi.org/10.1057/9781137001740_7.

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Weis, Judith S. „Fiddler Crabs“. In Encyclopedia of Estuaries, 315. Dordrecht: Springer Netherlands, 2015. http://dx.doi.org/10.1007/978-94-017-8801-4_23.

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Macleod, Joseph. „Violins and Fiddles“. In The Sisters d' Aranyi, 37–45. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003228684-4.

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Goldsmith, Andrew, Mark Halsey und Andrew Groves. „Procurement, Kickbacks and Fiddles“. In Tackling Correctional Corruption, 113–27. London: Palgrave Macmillan UK, 2016. http://dx.doi.org/10.1057/978-1-137-49007-0_7.

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Burrier, Beth. „Fiddler on the Roof“. In Fifty Key Stage Musicals, 114–18. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003009726-20.

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Rousu, Matthew C. „Fiddler on the Roof“. In Broadway and Economics, 45–49. Abingdon, Oxon ; New York, NY : Routledge, 2018. |: Routledge, 2018. http://dx.doi.org/10.4324/9781315168364-24.

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Emsley, Clive. „Fiddles, perks and pilferage“. In Crime and Society in England, 1750–1900, 145–74. Fifth edition. | Abingdon, Oxon ; New York, NY : Routledge, 2017. | Series: Themes in British social history: Routledge, 2018. http://dx.doi.org/10.4324/9781315144719-6.

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Collinson, Francis. „The Fiddle“. In The Traditional and National Music of Scotland, 199–227. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003205845-8.

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Bidgood, Lee. „Learning and Playing Americanness on the Fiddle“. In Czech Bluegrass. University of Illinois Press, 2017. http://dx.doi.org/10.5622/illinois/9780252041457.003.0004.

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Czech fiddlers are criticized for not producing bluegrass as well as their compatriots who are mandolinists or banjoists. The author's own fiddling becomes a point of discussion, raising questions of genre, style, and even ethnic identity as factors that play into a fiddler's approach to the music. Like their American counterparts, Czech fiddlers draw upon a range of styles (bluegrass, old time, western swing, new acoustic, jazz, and classical music) in trying to forge a distinctive yet idiomatic fiddle sound. Through active consumption of media, transcription practices, and community engagement they negotiate the gaps they find between themselves, their abilities, and their musical ideas.

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Konferenzberichte zum Thema "Fiddlers Fiddlers"

Jang, Hyuk Jae, Gil Ju Lee, Mincheol Lee, Dae-Hyeong Kim und Young Min Song. „Bioinspired Camera System with Amphibious and Panoramic Vision“. In Frontiers in Optics. Washington, D.C.: Optica Publishing Group, 2022. http://dx.doi.org/10.1364/fio.2022.fth3d.2.

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The eyes of fiddler crab inspire a novel artificial camera system, which provides amphibious and panoramic features. We integrate the flat and graded index micro-lens with comb-shaped photodiode array mounted on a three-dimensionally spherical structure.

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Vianna, B. S., und T. M. Costa. „DOES CLAW-WAVING DISPLAY HELP THERMOREGULATION IN FIDDLER CRABS?“ In X Congresso Brasileiro sobre Crustáceos. Sociedade Brasileira de Carcinologia, 2018. http://dx.doi.org/10.21826/2178-7581x2018102.

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Pardo, J. C. F., S. Cannicci, P. J. Jimenez, P. Granado und T. M. Costa. „MATERNAL STATUS ELICITS DIFFERENTIAL RESPONSES TO WARMING IN FIDDLER CRABS“. In X Congresso Brasileiro sobre Crustáceos. Sociedade Brasileira de Carcinologia, 2018. http://dx.doi.org/10.21826/2178-7581x2018216.

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Mokhtari, Mohammad, Mazlan Abd Ghaffar, Gires Usup und Zaidi Che Cob. „The ecology of fiddler crab Uca forcipata in mangrove forest“. In THE 2013 UKM FST POSTGRADUATE COLLOQUIUM: Proceedings of the Universiti Kebangsaan Malaysia, Faculty of Science and Technology 2013 Postgraduate Colloquium. AIP Publishing LLC, 2013. http://dx.doi.org/10.1063/1.4858704.

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Fogo, B. R., P. J. Jimenez, J. C. F. Pardo, F. H. C. Sanches und T. M. Costa. „INVESTIGATING THE THERMOREGULATORY ROLE OF SEDIMENTARY HOOD STRUCTURE IN FIDDLER CRABS“. In X Congresso Brasileiro sobre Crustáceos. Sociedade Brasileira de Carcinologia, 2018. http://dx.doi.org/10.21826/2178-7581x2018112.

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Jimenez, P. J., A. F. Quadros, T. M. Costa und S. Cannicci. „LETHAL TEMPERATURES OF INDIAN WEST-PACIFIC AND ATLANTIC EAST-PACIFIC FIDDLER CRABS“. In X Congresso Brasileiro sobre Crustáceos. Sociedade Brasileira de Carcinologia, 2018. http://dx.doi.org/10.21826/2178-7581x2018198.

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Willner, Alexander, Robyn Loughnane und Thomas Magedanz. „FIDDLE: Federated Infrastructure Discovery and Description Language“. In 2015 IEEE International Conference on Cloud Engineering (IC2E). IEEE, 2015. http://dx.doi.org/10.1109/ic2e.2015.77.

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Schiedermeier, Maximilian, Jörg Kienzle und Bettina Kemme. „FIDDLR: streamlining reuse with concern-specific modelling languages“. In SLE '21: 14th ACM SIGPLAN International Conference on Software Language Engineering. New York, NY, USA: ACM, 2021. http://dx.doi.org/10.1145/3486608.3486913.

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Fogo, B. R., F. H. C. Sanches und T. M. Costa. „BEHAVIORAL RESPONSES OF FIDDLER CRAB MALES TO CONSPECIFIC AND HETEROSPECIFICS: A DEAR ENEMY EFFECT HYPOTHESIS“. In X Congresso Brasileiro sobre Crustáceos. Sociedade Brasileira de Carcinologia, 2018. http://dx.doi.org/10.21826/2178-7581x2018111.

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Weis, J., P. Weis und Fengsong Wang. „Developmental Effects of Tributyltin on the Fiddler Crab, UCA Pugulator, and the Killifish, Fundulus Heteroclitus“. In OCEANS '87. IEEE, 1987. http://dx.doi.org/10.1109/oceans.1987.1160633.

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Berichte der Organisationen zum Thema "Fiddlers Fiddlers"

Johnson, Jr, Lyle A. FIDDLER CREEK POLYMER AUGMENTATION PROJECT. Office of Scientific and Technical Information (OSTI), Oktober 2001. http://dx.doi.org/10.2172/789610.

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Goings, Brian C. Gone to Fiddler's Green: Reconnaissance and Security for the Corps. Fort Belvoir, VA: Defense Technical Information Center, Mai 2011. http://dx.doi.org/10.21236/ada545719.

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Mineral resources of the Fiddler Butte (East) Wilderness Study Area, Garfield County, Utah. US Geological Survey, 1989. http://dx.doi.org/10.3133/b1759b.

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Geologic maps of the Fiddler Butte Wilderness Study area and the Fremont Gorge Study Area, Garfield and Wayne counties, Utah. US Geological Survey, 1985. http://dx.doi.org/10.3133/mf1755b.

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Mineral resource potential maps of the Fiddler Butte Wilderness Study Area and the Fremont Gorge Study Area, Garfield and Wayne counties, Utah. US Geological Survey, 1985. http://dx.doi.org/10.3133/mf1755a.

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