Thematische Bibliographien / Fictions, Theory of

Auswahl der wissenschaftlichen Literatur zum Thema „Fictions, Theory of“

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Veröffentlicht am 4. Juni 2021
Zuletzt aktualisiert am 30. Juli 2024

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Zeitschriftenartikel zum Thema "Fictions, Theory of"

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Bannet, Eve Tavor. „Pluralist Theory-Fictions and Fictional Politics“. Philosophy and Literature 13, Nr. 1 (1989): 28–41. http://dx.doi.org/10.1353/phl.1989.0089.

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Proudfoot, Diane. „Sylvan's Bottle and other Problems“. Australasian Journal of Logic 15, Nr. 2 (03.07.2018): 95. http://dx.doi.org/10.26686/ajl.v15i2.4858.

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According to Richard Routley, a comprehensive theory of fiction is impossible, since almost anything is in principle imaginable. In my view, Routley is right: for any purported logic of fiction, there will be actual or imaginable fictions that successfully counterexample the logic. Using the example of ‘impossible’ fictions, I test this claim against theories proposed by Routley’s Meinongian contemporaries and also by Routley himself (for what he called ‘esoteric’ works of fiction) and his 21st century heirs. I argue that the phenomenon of impossible fictions challenges even today’s modal Meinongians.
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Morris, Raphael. „Interpretive Context, Counterpart Theory and Fictional Realism without Contradictions“. Disputatio 11, Nr. 54 (01.12.2019): 231–53. http://dx.doi.org/10.2478/disp-2019-0018.

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Abstract Models for truth in fiction must be able to account for differing versions and interpretations of a given fiction in such a way that prevents contradictions from arising. I propose an analysis of truth in fiction designed to accommodate this. I examine both the interpretation of claims about truth in fiction (the ‘Interpretation Problem’) and the metaphysical nature of fictional worlds and entities (the ‘Metaphysical Problem’). My reply to the Interpretation Problem is a semantic contextualism influenced by Cameron (2012), while my reply to the Metaphysical Problem involves an extension and generalisation of the counterpart-theoretic analysis put forth by Lewis (1978). The proposed analysis considers interpretive context as a counterpart relation corresponding to a set of worlds, W, and states that a sentence φ is true in interpretive context W iff φ is true at every world (w∈W). I consider the implications of this analysis for singular terms in fiction, concluding that their extensions are the members of sets of counterparts. In the case of pre-existing singular terms in fiction, familiar properties of the corresponding actual-world entities are salient in restricting the counterpart relation. I also explore interpretations of sentences concerning multiple fictions and those concerning both fictional and actual entities. This account tolerates a plurality of interpretive approaches, avoiding contradictions.
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Mikkonen, Kai. „Minimal Departure and Fictional Narrative Situations“. Storyworlds: A Journal of Narrative Studies 13, Nr. 2 (Dezember 2021): 71–96. http://dx.doi.org/10.1353/stw.2021.a925851.

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Abstract: Readers understand fictional worlds at least to some extent by drawing on background knowledge of their own world. Some theories of fiction, however, hold that such realistic expectations, or processes of naturalization, are the default attitude in experiencing fictions. Thus, what Marie-Laure Ryan has called the principle of minimal departure (MD) states that readers understand fictional worlds and their components by drawing on background knowledge of their own world, unless otherwise indicated. This article is a critical examination of the relevance of the principle of MD and a contextualization of other theoretical notions of readerly attitude, including Thomas Pavel's principles of maximal departure (MxD) and optimal departure (OD) and Kendall L. Walton's principle of charity, within the broader framework of fictional verisimilitude and believability. The question of relevance will be discussed in relation to the idea of the contract of fiction by which is meant the knowledge that one is reading fiction. The analytic sections of this article focus on the question of fictional narrative situation, which in Ryan's possible-worlds theory functions as the trademark of fiction—as narrators and narratees (or narrative audiences) are exempted from the operations of MD. The "impossible" narrative situations that serve as examples include Jorge Luis Borges's loosely autobiographical story "Funes el memorioso" (1942) and two nineteenth-century French fictions: Guy de Maupassant's short story "La nuit" (1887) and a passage from Émile Zola's roman à thèse, Lourdes (1894).
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Hansom, Paul, Christine Brooke-Rose und Lars Ole Sauerberg. „Fictional Theories and Theoretical Fictions“. Contemporary Literature 34, Nr. 4 (1993): 797. http://dx.doi.org/10.2307/1208813.

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6

Ilyas, Safa. „Psychological Effects of Sadaat Hasan Manto’s Fiction on Youth of Lahore, Punjab, Pakistan“. Media and Communication Review 1, Nr. 2 (26.12.2021): 19–37. http://dx.doi.org/10.32350/mcr.12.06.

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This study aims to look at the idea that Manto straightforwardly expounded on man and woman’s intimate relationships. Reading fiction, dramatizations and books are similarly impacted personalities of the readers as visual screenplays, Manto's fiction engravings in all accessible mediums of print and electronic although quotes from his fictions likewise broadly tune in and share in online communities. This persistence of his work accessibility and appreciation touched the researcher to deal with his fiction to check its psychological effects on the youth of Lahore. This inquiry is strengthened by the reader-response theory to identify the youth perception and understandings about his fictions and Uses and Gratification for the resolutions and intentions of youth to escalate his work. The quantitative survey method utilized, and data collected with Purposive sampling, 500 respondents were chosen, the findings of the study showed, that Manto's fictions make anxiety and eroticism in youth along with this his fictions create mindfulness about social taboo`s and social associations.
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Ilyas, Safa. „Psychological Effects of Sadaat Hasan Manto’s Fiction on Youth of Lahore, Punjab, Pakistan“. Media and Communication Review 1, Nr. 2 (26.12.2021): 19–37. http://dx.doi.org/10.32350/mcr.12.06.

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This study aims to look at the idea that Manto straightforwardly expounded on man and woman’s intimate relationships. Reading fiction, dramatizations and books are similarly impacted personalities of the readers as visual screenplays, Manto's fiction engravings in all accessible mediums of print and electronic although quotes from his fictions likewise broadly tune in and share in online communities. This persistence of his work accessibility and appreciation touched the researcher to deal with his fiction to check its psychological effects on the youth of Lahore. This inquiry is strengthened by the reader-response theory to identify the youth perception and understandings about his fictions and Uses and Gratification for the resolutions and intentions of youth to escalate his work. The quantitative survey method utilized, and data collected with Purposive sampling, 500 respondents were chosen, the findings of the study showed, that Manto's fictions make anxiety and eroticism in youth along with this his fictions create mindfulness about social taboo`s and social associations.
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Chakravorty, Mrinalini. „The Dead That Haunt Anil's Ghost: Subaltern Difference and Postcolonial Melancholia“. PMLA/Publications of the Modern Language Association of America 128, Nr. 3 (Mai 2013): 542–58. http://dx.doi.org/10.1632/pmla.2013.128.3.542.

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Anil's Ghost, Michael Ondaatje's haunting novel about the Sri Lankan civil war, probes paradoxes that arise in postcolonial fictional representations of transnational violence. What is conveyed by novels of war and genocide that cast the whole of a decolonial territory as a “deathworld”? The prism of death in Anil's Ghost requires readers of this text to relinquish settled notions of how we as humans understand our finitude and our entanglements with the deaths of others. Postcolonial fictions of violence conjoin historical circumstance with phantasmatic expressions to raise important questions about mourning, collective agency, and the subalternity of postcolonial societies. Advancing a theory about “postcolonial crypts” in fiction, I argue that postcolonial fictions' attention to violence transforms notions about the value of human life appraised through a dominant human rights framework.
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Chander, Manu Samriti, und Eugenia Zuroski. „Refusing Eighteenth-Century Fictions: Introduction“. Eighteenth-Century Fiction 36, Nr. 1 (01.01.2024): 1–5. http://dx.doi.org/10.3138/ecf.36.1.1.

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In this introductory essay, we take issue with David Hume’s distinction between “fiction” and “belief” by arguing that the relationship between these categories depends as much on existing structures of authority and power as it does on individual judgment or feeling. We then describe the objectives of the two-part ECF special issue “Refusing 18th-Century Fictions”: to provide critical analyses of how particular eighteenth-century fictions attained the status of material realities that continue to condition lived worlds in the twenty-first century, and to prompt ongoing and future efforts to imagine and materialize realities beyond racial capitalism and settler colonialism.
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Chander, Manu Samriti, und Eugenia Zuroski. „Refusing Eighteenth-Century Fictions: Introduction“. Eighteenth-Century Fiction 36, Nr. 2 (01.04.2024): 203–7. http://dx.doi.org/10.3138/ecf.36.2.203.

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In this introductory essay, we take issue with David Hume’s distinction between “fiction” and “belief ” by arguing that the relationship between these categories depends as much on existing structures of authority and power as it does on individual judgment or feeling. We then describe the objectives of the two-part ECF special issue “Refusing 18th-Century Fictions”: to provide critical analyses of how particular eighteenth-century fictions attained the status of material realities that continue to condition lived worlds in the twenty-first century, and to prompt ongoing and future efforts to imagine and materialize realities beyond racial capitalism and settler colonialism.
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Dissertationen zum Thema "Fictions, Theory of"

1

Watson, Lauren Pamela. „Contingencies and masterly fictions : deconstructive dialogues in/between Dickens, contemporary fiction and theory“. Thesis, Lancaster University, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.444642.

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O'Rawe, Catherine Geraldine. „Fictions of theory and theories of fiction : umorismo, metaphor and epiphany in the narrative of Luigi Pirandello“. Thesis, University of Cambridge, 2001. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.621235.

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Kelly, Alexandra. „Fingo, fingere, finxi, fictum a philosophical treatment of fiction /“. Diss., Connect to the thesis, 2004. http://hdl.handle.net/10066/711.

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Gough, Noel Patrick, und noelg@deakin edu au. „Intertextual turns in curriculum inquiry: fictions, diffractions and deconstructions“. Deakin University. School of Social and Cultural Studies in Education, 2003. http://tux.lib.deakin.edu.au./adt-VDU/public/adt-VDU20040517.163306.

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This thesis is based primarily on work published in academic refereed journals between 1994 and 2003. Taken as a whole, the thesis explores and enacts an evolving methodology for curriculum inquiry which foregrounds the generativity of fiction in reading, writing and representing curriculum problems and issues. This methodology is informed by the narrative and textual 'turns' in the humanities and social sciences - especially poststructuralist and deconstructive approaches to literary and cultural criticism - and is performed as a series of narrative experiments and 'intertextual turns'. Narrative theory suggests that we can think of all discourse as taking the form of a story, and poststructuralist theorising invites us to think of all discourse as taking the form of a text; this thesis argues that intertextual and deconstructive readings of the stories and texts that constitute curriculum work can produce new meanings and understandings. The thesis places particular emphasis on the uses of fiction and fictional modes of representation in curriculum inquiry and suggests that our purposes might sometimes be better served by (re)presenting the texts we produce as deliberate fictions rather than as 'factual' stories. The thesis also demonstrates that some modes and genres of fiction can help us to move our research efforts beyond 'reflection' (an optical metaphor for displacing an image) by producing texts that 'diffract' the normative storylines of curriculum inquiry (diffraction is an optical metaphor for transformation). The thesis begins with an introduction that situates (autobiographically and historically) the narrative experiments and intertextual turns performed in the thesis as both advancements in, and transgressions of, deliberative and critical reconceptualist curriculum theorising. Several of the chapters that follow examine textual continuities and discontinuities between the various objects and methods of curriculum inquiry and particular fictional genres (such as crime stories and science fiction) and/or particular fictional works (including Bram Stoker's Dracula, J.M. Coetzee's Disgrace, and Ursula Le Guin's The Telling). Other chapters demonstrate how intertextual and deconstructive reading strategies can inform inquiries focused on specific subject matters (with particular reference to environmental education) and illuminate contemporary issues and debates in curriculum (especially the internationalisation and globalisation of curriculum work). The thesis concludes with suggestions for further refinement of methodologies that privilege narrative and fiction in curriculum inquiry.
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Dreshfield, Anne C. „"All are finally fictions": Fan Fiction as Creative Empowerment Through the Re-Writing of "Reality"“. Scholarship @ Claremont, 2013. http://scholarship.claremont.edu/scripps_theses/237.

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This paper examines online fan fiction communities as spaces for identity formation, collaborative creativity, and fan empowerment. Drawing on case studies of a LiveJournal fan fiction community, fan-written essays, possible world theory, and postmodern theories of the hyperreal and simulacrum, this paper argues that writing fan fiction is a definitive, postmodern act that explores the mutable boundaries of reality and fiction. It concludes that fans are no longer passive consumers of popular media—rather, they are engaged, powerful participants in the creation of celebrity representation that can, ultimately, alter reality.
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Cesare, Nicole L. „Intricate Fictions: Cartography and the Contemporary African Novel“. Diss., Temple University Libraries, 2014. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/255972.

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English
Ph.D.
Intricate Fictions: Cartography and the Contemporary African Novel examines the relationship between narrative and mapping practices in recent African novels. Considering the continent's well-documented history as a site of cartographical projection, I ask how its literary output remaps this space in the years following colonial rule. This project responds to calls for increased attentiveness to space in African literature, employing an interdisciplinary methodology that puts critical cartography into conversation with African literary criticism and globalization studies. I trace a trajectory from post-independence novels writing against colonial depictions of the continent to contemporary novels interested in engaging the instability concomitant with globalization and its attendant diasporas, migrations, and challenges to epistemological categories such as the nation. These novels develop what I term dynamic cartography, a mode of space-writing characterized by fluidity, disjunction, and mobility. This study brings to the fore a corpus of works that embody the spatial tensions of the contemporary era, raising provocative questions about our metageographical and cartographical tendencies. As absolute frameworks of time and space give way, new modes of space-writing continue to blur the boundaries between the map and the novel, offering further avenues of analysis. Ultimately, I pursue these avenues in order to contend that as global space becomes increasingly dynamic, so too do the genres that represent that global space. Contemporary African novels, composed with a profound awareness of geographical transformation, are thus also positioned at the forefront of generic transformation.
Temple University--Theses
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Joyce, Laura Ellen. „Luminol theory and the excavation of narrative, &, The dead girl scrolls : unearthed apocalyptic fictions“. Thesis, University of Sussex, 2015. http://sro.sussex.ac.uk/id/eprint/58510/.

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This thesis is concerned with developing a new approach to reading and thinking about culture (especially US culture), which I am proposing to call Luminol Theory. Luminol Theory is a textual reading strategy that draws on both psychoanalysis and depth reading. It reveals what has been occulted and it illuminates the contemporary United States as a crime scene. I argue for the singular importance of Luminol Theory as it provides a dystopian account of contemporary culture in the US. A culture that is haunted, that is characterised by injustice and brutality, and that reads bodies as disposable. I introduce luminol as an agent of forensic enquiry that excavates and illuminates narratives, particularly crime narratives, which have been erased. This interdisciplinary intersection of theory, forensic science, and literary criticism offers a specific, contemporary textual reading strategy. I situate Luminol Theory within its origins in feminism (with particular reference to Tiqqun's theory of the ‘Young-Girl'), psychoanalysis (with particular reference to Kristevan abject-analysis, queer theory, and the field of death studies), and depth reading strategies (working through Paul Ricoeur's ‘hermeneutics of suspicion' and Michel Foucault's ‘genealogy' and ‘archaeology'). Though it draws on each of these fields, Luminol Theory is a new contribution to contemporary literary criticism. The three critical chapters investigate the contemporary Unites States as a crime scene, moving through the exploratory steps that a forensic investigation might take. The first chapter opens with a reading of the crime scene itself by embedding Colorado crime fictions within the violent history of the state. The second chapter discovers artefacts at the scene, reading textual objects for hidden meanings and reading contemporary experimental fiction from the United States as apocalyptic material, through the lens of the Book of Revelation. Just as Revelation literally reveals the cultural anxieties of first millennium Christians and their fears of impending apocalypse so too Skin Horse by Olivia Cronk and Entrance to a Pageant where we all begin to Intricate by Johannes Göransson are apocalyptic texts for the third millennium. The final critical chapter approaches the body of the dead girl at the heart of the crime scene in order to discover the aesthetic coherence between death and femininity and the violence wrought interchangeably by sexual violence and capital. The fourth section of the thesis demonstrates Luminol Theory in practice. This collection of short fictions The Dead Girl Scrolls: Unearthed Apocalyptic Fictions is modelled on the Dead Sea Scrolls. The Dead Sea Scrolls were found serendipitously by shepherds in 1946 in the Qumran caves, West Bank. These scrolls contain a key to ancient languages, cultures, and narratives that were previously hidden. Later forensic analysis of the papyrus scrolls involved using UV light, a blue chemical glow that excavated layers of hidden narrative. By offering a secular version of these sacred texts, The Dead Girl Scrolls operates within a forensic imaginary; that is, it performs an empathetic and creative response to the secular aporia. It does this through offering dead women a central position that refuses to reify, objectify, or fetishise them or their bodies.
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Penazzi, Leonardo. „The fellow (novel) : and Australian historical fiction, debating the perceived past (dissertation) /“. Connect to this title, 2007. http://theses.library.uwa.edu.au/adt-WU2008.0070.

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Diarra, Myriam. „Figures et fictions d'auteur chez Lucien de Samosate“. Thesis, Paris 4, 2017. http://www.theses.fr/2017PA040141.

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Partant du constat de l'omniprésence de Lucien dans son corpus, notre thèse se propose de dresser un panorama des autoreprésentations auctoriales dans l'ensemble de l'œuvre de Lucien de Samosate, mais dans une perspective résolument théorique. En effet, parce qu'il se constitue comme point focal de sa propre œuvre, Lucien a souvent tendance à faire l'objet d'une lecture biographique de la part de la critique. Cette thèse se donne pour objet de redonner à l'autoreprésentation de l'auteur son sens de geste poétique. En choisissant le terme de figure, auquel on donne ici un sens plus restreint qu'à celui de persona, on s'intéressera uniquement aux moments où l'auteur fait explicitement l'objet de son propre discours.La première partie de notre thèse consiste donc en une importante typologie des mises en scène de soi chez Lucien: on part des apparitions les plus explicites de l'auteur en contexte référentiel, dans le corpus oratoire ou biographique, pour traiter ensuite de la partie fictionnelle du corpus. L'un des objectifs de ce travail est en effet de redonner à Lucien sa place de pionnier dans l'invention de l'autofiction.La seconde partie de notre thèse tire les conclusions poétiques de cette typologie, en dégageant aux autoreprésentations de l'auteur une double fonction : d'abord, elles doivent dire l'individu social et intellectuel, mais dans une démarche qui transcende les genres et la séparation traditionnelle entre référentialité et fiction. Ensuite, les figures de l'auteur ont pour fonction de servir de vecteur à un message métapoétique extrêmement riche, qui va de la théorie de la fiction à celle de la réception
The starting point of this PhD thesis was the constatation of Lucian's omnipresence within his own corpus. This phenomenon often led critics to have an excessively biographical approach to this author. The aim of this thesis is thus to give an account of the vast scope of self-representations within Lucian's corpus, in a theoretical perspective, in order to show that the staging of the self can be seen as a poetical gesture. The first part of this work thus consists in a typology of all the auctorial self-representations that can be found within Lucian's œuvre. It ranges from the most explicit forms of authorial presence, in referential works, such as prolaliai and biographies, to the most fictional part of the corpus. The aim of this work is to establish Lucian's position as a pioneer in the invention of autofiction.The second part of this thesis draws the theoretical conclusions of this typology, by showing that authorial self-representations have two main functions : first, they help defining Lucian's social and intellectual identity, beyond generic boudaries ; second, they serve a metaliterary purpose : as vicarious surrogates, Lucian's doubles appear as a powerful means of expressing his aesthetical views
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Pei, Kong-ngai. „Fictional characters and their names a defense of the fact theory /“. Click to view the E-thesis via HKUTO, 2007. http://sunzi.lib.hku.hk/hkuto/record/b4020389x.

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Bücher zum Thema "Fictions, Theory of"

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Del Mar, Maksymilian, und William Twining, Hrsg. Legal Fictions in Theory and Practice. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-09232-4.

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Tremblay, Francis. La fiction en question: Essai. Montréal: Balzac-Le Griot, 1999.

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Harrison, Bernard. Inconvenient fictions: Literature and the limits of theory. New Haven: Yale University Press, 1991.

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Bernard, Harrison. Inconvenient fictions: Literature and the limits of theory. New Haven: Yale University Press, 1991.

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Hinman, Patterson Annette, und O'Neill Marnie H, Hrsg. Reading fictions: Applying literary theory to short stories. Urbana, Ill: National Council of Teachers of English, 2000.

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Mellor, Bronwyn. Reading fictions. Scarborough, W.A: Chalkface Press, 1991.

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Wicks, Ulrich. Picaresque narrative, picaresque fictions: A theory and research guide. New York: Greenwood, 1989.

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Hans, Vaihinger. The philosophy of 'as if": A system of the theoretical, practical and religious fictions of mankind. Mansfield Center, CT: Martino Pub., 2009.

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Campos, Julieta. She has reddish hair and her name is Sabina: A novel. Athens [Ga.]: University of Georgia Press, 1993.

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Cushman, Stephen. Fictions of form in American poetry. Princeton, N.J: Princeton University Press, 1993.

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Buchteile zum Thema "Fictions, Theory of"

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Stephens, Julie. „Feminist fictions“. In Dalit Feminist Theory, 201–10. Abingdon, Oxon ; New York, NY : Routledge, 2020.: Routledge India, 2019. http://dx.doi.org/10.4324/9780429298110-23.

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Currie, Gregory. „Interpreting Fictions“. In On Literary Theory and Philosophy, 96–112. London: Palgrave Macmillan UK, 1991. http://dx.doi.org/10.1007/978-1-349-21613-0_6.

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Greaney, Michael. „Foucauldian Fictions“. In Contemporary Fiction and the Uses of Theory, 83–98. London: Palgrave Macmillan UK, 2006. http://dx.doi.org/10.1057/9780230208070_6.

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Schafer, Burkhard, und Jane Cornwell. „Law’s Fictions, Legal Fictions and Copyright Law“. In Legal Fictions in Theory and Practice, 175–95. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-09232-4_9.

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Bannet, Eve Tavor. „Factitive Fictions and Possible Worlds“. In Postcultural Theory, 113–57. London: Palgrave Macmillan UK, 1993. http://dx.doi.org/10.1057/9780230373143_5.

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Lee, James. „Fictions in Tort“. In Legal Fictions in Theory and Practice, 255–74. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-09232-4_12.

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Moscovitz, Leib. „Rabbinic Legal Fictions“. In Legal Fictions in Theory and Practice, 325–46. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-09232-4_15.

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Schauer, Frederick. „Legal Fictions Revisited“. In Legal Fictions in Theory and Practice, 113–29. Cham: Springer International Publishing, 2015. http://dx.doi.org/10.1007/978-3-319-09232-4_6.

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Beal, Wesley. „Anti-intellectualism, “Theory,” and the Reactionary Impulses of the Campus Novel“. In Campus Fictions, 43–71. Cham: Springer Nature Switzerland, 2024. http://dx.doi.org/10.1007/978-3-031-49911-1_3.

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Brottman, Mikita. „Dark Homecomings: Lacan and Horror Fictions“. In High Theory/Low Culture, 107–38. New York: Palgrave Macmillan US, 2005. http://dx.doi.org/10.1057/9781403978226_6.

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Konferenzberichte zum Thema "Fictions, Theory of"

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Bem, Caroline. „Diptych Theory: Queering the Sense of an Ending in Greta Gerwig’s Little Women“. In Impossible fictions / Fictions impossibles. Fabula, 2023. http://dx.doi.org/10.58282/colloques.11111.

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Louis, Annick. „A Flawless Masterpiece: genre, fictional pleasure and immersion (The Big Bang Theory, Indiana Jones, Pride and Prejudice)“. In Impossible fictions / Fictions impossibles. Fabula, 2023. http://dx.doi.org/10.58282/colloques.11143.

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Jampolsky, Arthur. „Fusion-Vergences: Some Facts and Some Fictions“. In Vision Science and its Applications. Washington, D.C.: Optica Publishing Group, 1997. http://dx.doi.org/10.1364/vsia.1997.sac.1.

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Fusion-vergence mechanisms in normal patients have been adequately described in the literature, but are inadequately described relative to the unique and remarkable sensory-motor adaptations in some frequently seen clinical oculomotor deviations. This presentation will focus on the differences from traditional physiologic notions of the spectrum of normal subjects, and those with heterophoria and intermittent exotropia. Gordon Walls' theory of ocular dominance, and especially exaggerated dominances, will be emphasized.1
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ZHANG, YA-KUN. „AN ANALYSIS OF THE THEME IN THE KILLERS FROM PERSPECTIVE OF ICEBERG THEORY“. In 2021 International Conference on Education, Humanity and Language, Art. Destech Publications, Inc., 2021. http://dx.doi.org/10.12783/dtssehs/ehla2021/35682.

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The Killers was published in 1927 and became one of the classic works of Ernest Hemingway. The whole novel is composed of dialogues and contains profound themes in concise language but contains rich storyline and profound themes. In 1932, Hemingway proposed the famous Iceberg Theory in his documentary work as a metaphor. Then the iceberg theory soon becomes a typical theory with simple art in terms of style which is deleting the dispensable things in the novel. Therefore, the author hopes to use the classic Iceberg Theory, combining with the text, to analyze the two themes in the paper: the violent and chaotic society at the time and the sense of helplessness and despair of people. Many people were confused and puzzled about the society at that time and felt at a loss. In a chaotic society full of violence, no direction in life can be found, so people's life is helpless and desperate. So, people could appreciate the unique literature values of The Killers and further understand the dark side of the society behind it. Using the analytical perspective of Iceberg Theory can provide readers a more accurate understanding of Hemingway's creative methods which is helpful for understanding the connotation of Hemingway's fictions.
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Hassler, Alexis. „There is no game, Pony Island - le glitch vidéoludique ou la narration impossible“. In Impossible fictions / Fictions impossibles. Fabula, 2023. http://dx.doi.org/10.58282/colloques.11273.

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Hicks, Stewart. „From Diagrams to Fictions: Populated Plans and Their Buildings“. In 108th Annual Meeting Proceedings. ACSA Press, 2020. http://dx.doi.org/10.35483/acsa.am.108.27.

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This essay builds on and reacts to concepts initiated by Dora Epstein Jones in her essay, “Populated Plans.” Published in Log 45, as well as presented at a previous ACSA conference, Jones’ essay identified the emergence of a ubiquitous (in schools of architecture at least) “new” form of drawing that looks like an architectural plan but isn’t due to the inclusion of human figures. This type of drawing is distinct from a traditional plan, according to Jones, because it isn’t strictly “architectural notation—data received from the object,” nor a universalized geometric abstraction best suited for describing a building’s organization. The introduction of busy little people disrupts the universal and particularizes it by depicting scenes of fictional activity, lending the drawing to narrativity and the projection of alternative worlds. This freshly observed and codified instrument is well-suited to representing stories, fiction, and narrative as motive forces in the design of buildings. What kind of architecture do populated plan drawings produce? How do the rules governing their construction and the viewpoint of their projection influence outcomes? The essay draws parallels between fiction architecture and diagram architecture in an unconventional analogy to arrive at a possible answer. Despite the apparent conflict between their foundational underpinnings, fiction and data, respectively, the more comprehensively theorized diagrammatic practice offers useful concepts and frameworks of understanding for the emerging practice. Most importantly, the idea that a building could be the equivalent of a constructed abstraction, as Toyo Ito argues in his “Diagram Buildings” essay, leads to the possibility of a “populated plan building.” Ito outlines the role between data and the material reality of the building in “Diagram Building,” so what is the equivalent relationship between fiction, populated plans, and the buildings they produce?
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Nikolić, Andrijana A. „MOTIVI FANTASTIKE U ROMANU „NA PUTU ZA DARDEL“ SLOBODANA ZORANA OBRADOVIĆA I U PRIPOVJEDNOJ PROZI „ZAPISI IZ HODNIKA VREMENA“ ALEKSANDRA OBRADOVIĆA“. In KNjIŽEVNOST ZA DECU U NAUCI I NASTAVI. University of Kragujevac, Faculty of Education in Jagodina, 2022. http://dx.doi.org/10.46793/kdnn21.113n.

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Slobodan and Aleksandar Obradović (father and son) from Bijelo Polje are authors whose fiction abounds in fantastic motifs ‒ characters’ actions, their ability to travel through time zones, their mythological features and the mission they are devoted to accomplish. Capable inventors, fliers, beings who transcendentally move from place to place require critical judgment ‒ whether contemporary children’s literature is truly in accordance with their age and whether and to what extent a child can identify with or distance from the characters. By combining symbols and fiction, both writers encourage readers to decipher the symbols and teach them the lesson of the story. The writers express their thoughts about important life issues through fictional characters, using narrative polyphony, skillfully avoiding identification with any character. Crossing the line between literary and non-literary is typical for both writers. In addition, parents’ role in child upbringing and their influence on the development of child’s imagination should be considered.
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Canizares, Galo. „Stranger than Fiction: Artificial Intelligence, Media, and the Domestic Realm“. In 105th ACSA Annual Meeting Paper Proceedings. ACSA Press, 2017. http://dx.doi.org/10.35483/acsa.am.105.76.

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Alan Kay’s famous soundbite from a 1971 Xerox PARC (Palo Alto Research Center) meeting presents a bizarre chicken and egg paradox. It goes like this: which came first, the science fiction representation of the objector the desire for specific objects themselves? In other words, is the plethora of technological advancements a direct result of anthropomorphic inevitabilities or are we simply trying to realize objects, vehicles, and environments we saw in science fiction representations in the mid-twentieth century? In this paper, I will argue that media and literature are equally as responsible as engineering for our current architectural reality. With the rise of Web 2.0, advances in graphics visualization, and their attendant cultural shifts, aspects of contemporary urban life increasingly resemble a science fiction. The pervasiveness of app culture and recent factual and fictional examples of artificial intelligence augmenting the built environment suggest that engineering advancements exist as part of a tight feedback loop between consumer expectations—largely influenced by Hollywood—and scientific discoveries. Therefore, in order to fully understand, historicise, or speculate on the future of interactions between humans and machines, we must first unpack the cycle of fiction-to-fact that typically occurs. Taking the domestic realm as an example, we can identify a series of uncanny, artificially intelligent, technologies which reflect human desires for subservience, assistance, and interconnectedness. Here, AI will serve as a case study through which to analyze the effect of fiction on scientific advancements and their subsequent dissemination into the consumer world, ultimately constituting a history based less on fact and more on media, image, and variable levels of reality.
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Cai, Ning, und Jian Zhou. „On Skopos Theory: An Exemplification of Fiction“. In International Conference on Education, Management, Computer and Society. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/emcs-16.2016.17.

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Schiele, Alexandre. „THE NORMAL AND THE EXCEPTIONAL: A COMPARISON OF PU SONGLING’S AND MO YAN’S SURREAL WORLDS“. In 9th International Conference ISSUES OF FAR EASTERN LITERATURES. St. Petersburg State University, 2021. http://dx.doi.org/10.21638/11701/9785288062049.10.

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From a comparison of the surreal worlds of Pu Songling and Mo Yan in their respective auctorial context, this paper argues that although Pu Songling’s short stories integrate surreal elements, contrary to the accepted typology of genres, they fall into realistic and not speculative fiction because the worldview of Imperial China in which he lived not only accepted the supernatural as real, but as foundational to the traditional order. By comparison, Mo Yan’s supernatural stories partly fall within supernatural literature, because post-1949 China espoused a scientific worldview which banishes the supernatural. On a second level, however, both Pu Songling’s and Mo Yan’s surreal fictions are political satires of their times. Yet, even on this point they diverge. While Pu Songling articulates the social and political criticism of his present to surreal elements, Mo Yan casts the surreal as a stand-in for the exceptional situations of his recent past which are the object of his criticisms.
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Berichte der Organisationen zum Thema "Fictions, Theory of"

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Sadowski, Dieter. Board-Level Codetermination in Germany - The Importance and Economic Impact of Fiduciary Duties. Association Inter-University Centre Dubrovnik, Mai 2021. http://dx.doi.org/10.53099/ntkd4304.

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The empirical accounts of the costs and benefits of quasi-parity codetermined supervisory boards, a very special German institution, have long been inconclusive. A valid economic analysis of a particular legal regulation must take the legal specificities seriously, otherwise it will be easily lost in economic fictions of functional equivalence. At its core the corporate actor “supervisory board” has no a priori objective function to be maximised – the corner stone of the theory of the firm – but its objective function will only be brought about a posteriori – should negotiations result in an agreement (E. Fraenkel). With this understanding,the paper presents six recent quasi-experimental studies on the economic (dis) advantageousness of the German codetermination laws that try to follow the rules of causal inference despite the lack of random variation. By and large they refute the hold-up model of codetermination by showing positive or nonnegative effects even on shareholder wealth – and a far-reaching improvement of the well-being of the core workforce. In conclusion, indications are offered that the shareholder primacy movement has only weakened, but not dissolved the “Deutschland AG”.
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Ksepka, Daniel, und Kristin Lamm. Systematics and Biodiversity Conservation. American Museum of Natural History, 2012. http://dx.doi.org/10.5531/cbc.ncep.0024.

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This exercise uses a fictional group of turtles to demonstrate how to implement cladistic methodology. Using a step-by-step guide, students work to find the most parsimonious cladogram for these fictional turtles. Part I involves delineating characters and building a most parsimonious cladogram based on the distribution of character states, while Part II presents additional challenges by introducing homoplasy. This exercise is designed to familiarize students with the concepts of phylogeny and cladistics, expand their skills of phylogenetic analysis, and use phylogenetic information to determine conservation priority.
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Tabinska, Iryna, und Yaroslav Tabinskyi. Феномен «смислу поміж фактами» у друкованому виданні Reporters: взаємодія тексту та фотоілюстрації. Ivan Franko National University of Lviv, März 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11728.

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The article states that with the development of new journalism, the author’s ability to characterize a phenomenon and identify a trend acquires special value. Representatives of Ukrainian new journalism, which is a relatively new genre, are already gradually implementing these tasks. They compose entire books from their reports, offering the reader a condensed version of versatile observations about a certain country, situation, or phenomenon. In contrast to ordinary reportage, fiction is a synthetic genre, in which it is not reported, but told. The authors of the article research Reporters which is the first magazine of new journalism in Ukraine. Their main task is to explain the phenomenon of “meaning between facts”. According to the authors, this phenomenon is simple and unique at the same time, because through people’s stories you can find depths that relate to historical, cultural and geopolitical life. The article analyzes the interaction of text and images, shows how to find meaningful messages in actual data using specific examples. The study singled out accents that relate to the interaction of text and images. Quite often, photography reproduces reality and helps the reader to paint reality in his imagination. Textual forms delve into the plot through human history and detail. In four printed issues of the magazine, the authors of the study analyzed the stories that are particularly relevant today. First of all, this concerns Russian aggression and the insubordination of Ukrainians. Key words: new journalism, non-fiction, text, images, dialog, photojournalism.
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Kamminga, Jorrit, Cristina Durán und Miguel Ángel Giner Bou. Zahra: A policewoman in Afghanistan. Oxfam, Dezember 2020. http://dx.doi.org/10.21201/2020.6959.

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As part of Oxfam’s Strategic Partnership project ‘Towards a Worldwide Influencing Network’, the graphic story Zahra: A policewoman in Afghanistan was developed by Jorrit Kamminga, Cristina Durán and Miguel Ángel Giner Bou. The project is funded by the Ministry of Foreign Affairs of the Netherlands. The graphic story is part of a long-standing Oxfam campaign that supports the inclusion and meaningful participation of women in the Afghan police. The story portrays the struggles of a young woman from a rural village who wants to become a police officer. While a fictional character, Zahra’s story represents the aspirations and dreams of many young Afghan women who are increasingly standing up for their rights and equal opportunities, but who are still facing structural societal and institutional barriers. For young women like Zahra, there are still few role models and male champions to support their cause. Yet, as Oxfam’s project has shown, their number is growing, which contributes to small shifts in behaviour and perceptions, gradually normalizing women’s presence in the police force. If a critical mass of women within the police force can be reached and their participation increasingly becomes meaningful, this can reduce the societal and institutional resistance over time. Oxfam hopes the fictional character of Zahra can contribute to that in terms of awareness raising and the promotion of women’s participation in the police force. The story is also available on the #IMatter website.
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Martínez, Déborah, Cristina Parilli, Carlos Scartascini und Alberto Simpser. Let's (Not) Get Together!: The Role of Social Norms in Social Distancing during COVID-19. Inter-American Development Bank, Februar 2021. http://dx.doi.org/10.18235/0003044.

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While effective preventive measures against COVID-19 are now widely known, many individuals fail to adopt them. This paper provides experimental evidence about one potentially important driver of compliance with social distancing: social norms. We asked each of 23,000 survey respondents in Mexico to predict how a fictional person would behave when faced with the choice about whether or not to attend a friend's birthday gathering. Every respondent was randomly assigned to one of four social norms conditions. Expecting that other people would attend the gathering and/or believing that other people approved of attending the gathering both increased the predicted probability that the fictional character would attend the gathering by 25% in comparison with a scenario where other people were not expected to attend nor to approve of attending. Our results speak to the potential effects of communication campaigns and media coverage of, compliance with, and normative views about COVID-19 preventive measures. They also suggest that policies aimed at modifying social norms or making existing ones salient could impact compliance.
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Howgate, Sandra, Mariah Cannon, Tabitha Hrynick und Vaishnavee Madden. River of Life. Institute of Development Studies, Februar 2024. http://dx.doi.org/10.19088/ids.2024.007.

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This fictional River of Life illustrates one family’s journey in the borough of Ealing. Based on research from the Enabling Early Child Development in Ealing (ECDE) project, it shows some common challenges faced by local families, but more importantly, how families felt support should be, in order to ensure all children get the best start in life. While every family is unique with diverse backgrounds and needs, we hope this tool sparks discussion about how all healing families can be supported whoever they are.
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Fagan, Matt, und Naomi Schwartz. Exploring the Social and Ecological Trade-offs in Tropical Reforestation: A Role-Playing Exercise. American Museum of Natural History, 2018. http://dx.doi.org/10.5531/cbc.ncep.0108.

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This exercise introduces students to the complexities of conservation in rural tropical landscapes. It introduces the concepts of payments for environmental services (PES), trade-offs and synergies between agricultural land-uses and society’s needs, and introduces students to tropical land-uses and common rural stakeholders in the tropics. The module has two main parts. In Part 1, students learn about a new reforestation program in the fictional country of Nueva Puerta and must debate how to direct the reforestation program: towards poverty alleviation, export production, water protection, or habitat connectivity. In Part 2, students break into small groups to negotiate the placement of PES in a tropical land-use simulation game. The land-use simulation is designed to show students some of the realities and limits of tropical conservation. In the final phase of the exercise, students reflect on their experiences through discussion questions. Optionally, they can write a reflective essay and/or vote which real-world reforestation project they are interested in supporting as a class.
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Tyson, Paul. Australia: Pioneering the New Post-Political Normal in the Bio-Security State. Mέta | Centre for Postcapitalist Civilisation, 2021. http://dx.doi.org/10.55405/mwp10en.

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This paper argues that liberal democratic politics in Australia is in a life-threatening crisis. Australia is on the verge of slipping into a techno-feudal (post-capitalist) and post-political (new Centrist) state of perpetual emergency. Citizens in Australia, be they of the Left or Right, must make an urgent attempt to wrest power from an increasingly non-political Centrism. Within this Centrism, government is deeply captured by the international corporate interests of Big Tech, Big Natural Resources, Big Media, and Big Pharma, as beholden to the economic necessities of the neoliberal world order (Big Finance). Australia now illustrates what the post-political ‘new normal’ of a high-tech enabled bio-security state actually looks like. It may even be that the liberal democratic state is now little more than a legal fiction in Australia. This did not happen over-night, but Australia has been sliding in this direction for the past three decades. The paper outlines that slide and shows how the final bump down (covid) has now positioned Australia as a world leader among post-political bio-security states.
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Estrada, Jorge. Ruthless Desires of Living Together in Roberto Bolaño’s 2666: Conviviality between Potestas and Potentia. Maria Sibylla Merian Centre Conviviality-Inequality in Latin America, März 2022. http://dx.doi.org/10.46877/estrada.2022.42.

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A desire to live together is perhaps a key idea in Roberto Bolaño’s narratives. His characters are constantly negotiating their involvement in diverse societies amid the historical catastrophes of the twentieth century, so this desire becomes highly differentiated. It undergoes perspectival shifts and creates “mirror games”, which express scepticism towards universalising forms and trigger reflections on history and modernity. In this working paper, I examine how, in 2666, the cosmopolitan desire of a self-legislating and self-authorizing individual is disassembled and superseded by a convivial framework and a relational subject that is crossed by diverse determining forces. This transition is correlated to Bolaño’s diagnosis of late capitalism, in which a matrix of domination that worked with the logic of potestas is replaced by the channelling of potentia, i.e. an apparatus for capturing a flow of lives whose features only come to light in forensic discourse and project the fictional city of Santa Teresa.
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Blaxter, Tamsin, und Tara Garnett. Primed for power: a short cultural history of protein. TABLE, November 2022. http://dx.doi.org/10.56661/ba271ef5.

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Protein has a singularly prominent place in discussions about food. It symbolises fitness, strength and masculinity, motherhood and care. It is the preferred macronutrient of affluence and education, the mark of a conscientious diet in wealthy countries and of wealth and success elsewhere. Through its association with livestock it stands for pastoral beauty and tradition. It is the high-tech food of science fiction, and in discussions of changing agricultural systems it is the pivotal nutrient around which good and bad futures revolve. There is no denying that we need protein and that engaging with how we produce and consume it is a crucial part of our response to the environmental crises. But discussions of these issues are affected by their cultural context—shaped by the power of protein. Given this, we argue that it is vital to map that cultural power and understand its origins. This paper explores the history of nutritional science and international development in the Global North with a focus on describing how protein gained its cultural meanings. Starting in the first half of the 19th century and running until the mid-1970s, it covers two previous periods when protein rose to singular prominence in food discourse: in the nutritional science of the late-19th century, and in international development in the post-war era. Many parallels emerge, both between these two eras and in comparison with the present day. We hope that this will help to illuminate where and why the symbolism and story of protein outpace the science—and so feed more nuanced dialogue about the future of food.
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