Auswahl der wissenschaftlichen Literatur zum Thema „Fiction, Romance, Historical Fiction"“
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Zeitschriftenartikel zum Thema "Fiction, Romance, Historical Fiction""
Cronin, Michael G. „‘Ransack the histories’: Gay Men, Liberation and the Politics of Literary Style“. Review of Irish Studies in Europe 5, Nr. 1 (25.05.2022): 73–88. http://dx.doi.org/10.32803/rise.v5i1.2971.
Der volle Inhalt der QuelleLevin, David, und Emily Miller Budick. „Fiction and Historical Consciousness. The American Romance Tradition“. Journal of American History 76, Nr. 4 (März 1990): 1231. http://dx.doi.org/10.2307/2936598.
Der volle Inhalt der QuelleDerrick, Scott, und Emily Miller Budick. „Fiction and Historical Consciousness: The American Romance Tradition.“ American Literature 62, Nr. 2 (Juni 1990): 326. http://dx.doi.org/10.2307/2926925.
Der volle Inhalt der QuelleTiao, Wang. „The Ethics of Romance: Edward Bellamy and American Historical Fiction“. Interlitteraria 22, Nr. 2 (16.01.2018): 312. http://dx.doi.org/10.12697/il.2017.22.2.9.
Der volle Inhalt der QuelleMarkova, M. V. „Georgette Heyer, history, and historical fiction“. Voprosy literatury, Nr. 1 (05.02.2024): 198–203. http://dx.doi.org/10.31425/0042-8795-2024-1-198-203.
Der volle Inhalt der QuelleBoccardi, Mariadele. „Postmodernism and the past : A romance“. Recherches anglaises et nord-américaines 36, Nr. 1 (2003): 111–17. http://dx.doi.org/10.3406/ranam.2003.1673.
Der volle Inhalt der QuellePérez Rodríguez, Eva. „The Unlikely Heroine beyond Family Trauma: Four Women’s Fictions of the Second World War in Greece“. Babel – AFIAL : Aspectos de Filoloxía Inglesa e Alemá, Nr. 31 (16.12.2022): 97–120. http://dx.doi.org/10.35869/afial.v0i31.4299.
Der volle Inhalt der QuelleMujahid Hussain. „Interrelationships Between Urdu Fiction And Travelogue“. Tasdiqتصدیق۔ 2, Nr. 1 (13.01.2021): 29–41. http://dx.doi.org/10.56276/tasdiq.v2i1.20.
Der volle Inhalt der QuelleLeane, Elizabeth, und Stephanie Pfennigwerth. „Antarctica in the Australian imagination“. Polar Record 38, Nr. 207 (Oktober 2002): 309–12. http://dx.doi.org/10.1017/s003224740001799x.
Der volle Inhalt der QuelleNovaes, Priscila Borges de, und Adriana de Borges Gomes. „As relações interseccionais entre literatura e história no romance Essa Gente, de Chico Buarque“. IPOTESI – REVISTA DE ESTUDOS LITERÁRIOS 26, Nr. 2 (30.12.2022): 46–53. http://dx.doi.org/10.34019/1982-0836.2022.v26.39077.
Der volle Inhalt der QuelleDissertationen zum Thema "Fiction, Romance, Historical Fiction""
Jagodzinski, Mallory Diane. „Love is (Color) Blind: Historical Romance Fiction and Interracial Relationships in the Twenty-First Century“. Bowling Green State University / OhioLINK, 2015. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1440101084.
Der volle Inhalt der QuelleLewis, Cassandra. „Sunshowers in Winter: A Novel“. Scholarship @ Claremont, 2017. http://scholarship.claremont.edu/cmc_theses/1584.
Der volle Inhalt der QuelleRosales, Lauren N. „"Dismissed outright": creating a space for contemporary genre fiction within neo-Victorian studies“. Diss., University of Iowa, 2018. https://ir.uiowa.edu/etd/6259.
Der volle Inhalt der QuelleWaage, Fred. „The Birth Spoon“. Digital Commons @ East Tennessee State University, 2015. http://amzn.com/1939289572.
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Buitendach, Samantha Angelique. „Selling translation rights in trade publishing : case studies of Dutch translations of Afrikaans fiction in the Netherlands and Belgium“. Diss., University of Pretoria, 2005. http://hdl.handle.net/2263/66256.
Der volle Inhalt der QuelleDissertation (MIT)--University of Pretoria, 2017.
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Hughes, Helen Muriel. „Changes in historical romance, 1890s to the 1980s : the development of the genre from Stanley Weyman to Georgette Heyer and her successors“. Thesis, University of Bradford, 1988. http://hdl.handle.net/10454/4224.
Der volle Inhalt der QuelleAlmeida, Marcos Vinícius Lima de. „A lógica do espectro: romance histórico, necromancia e o lugar do morto“. Pontifícia Universidade Católica de São Paulo, 2018. https://tede2.pucsp.br/handle/handle/21322.
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Under the premise that our history is constituted under the impact of catastrophes, and that in this context, writing a historical novel will never be a neutral gesture, this paper proposes to investigate the historical novel in contemporary Brazilian fiction, from the perspective of theory and literary creation. This work proposes a hypothesis for the hypothesis of the hypothesis of Lukács (2011), Jameson (2007), Perry Anderson (2007), Linda Hutcheon (1991), Esteves (2010) and Weinhardt (2011) and Bastos (2007). the reading of the contemporary historical novel. From two key notions, 1) what will be defined in this work as a spectrum logic, 2) and writing as a burial rite, the central premise of this work is to look at history as a fundamentally necromantic practice. These notions are tested, or developed, from the critical reading of two contemporary works: O marechal de costas, by José Luiz Passos (2016) and De mim já nem se lembra, by Luiz Ruffato (2015). If the sign (sema) is a tomb and the writing of history and the relationship with the past is a kind of burial rite (as Jeanne-Marie Gagnebin asserts, in the wake of Michel de Certeau), which separates the past from the present world of the living dead of the world), the past not properly elaborated, not buried, returns as specter: and haunts and defiles the present. In this sense, it is possible to read the contemporary historical novel as a kind of attempt to burial the specters of the past that haunt the present. In the practical section, this work presents a novel, a historical fiction, freely inspired by the figure of Januário Garcia Leal
Sob a premissa que nossa história se constitui sob impacto de catástrofes, e que, nesse contexto, escrever um romance histórico nunca será um gesto neutro, esse trabalho se propõe a investigar o romance histórico na ficção contemporânea brasileira, da perspectiva da teoria e da criação literária. Sem abandonar totalmente as concepções de Lukács, (2011), Jameson (2007), Perry Anderson (2007), Linda Hutcheon (1991), Esteves (2010) e Weinhardt (2011) e Bastos (2007), esse trabalho propõe uma hipótese para a leitura do romance histórico contemporâneo. A partir de duas noções chave, 1) aquilo que será definido nesse trabalho como lógica do espectro, 2) e a escrita enquanto rito de sepultamento, a premissa central deste trabalho é olhar para a história enquanto prática fundamentalmente necromante. Essas noções são testadas, ou desenvolvidas, a partir da leitura crítica de duas obras contemporâneas: O Marechal de costas, de José Luiz Passos (2016) e De mim já nem se lembra, de Luiz Ruffato (2015). Se o signo (séma) é um túmulo e a escrita da história e a relação com o passado uma espécie de rito de sepultamento (como afirma Jeanne-Marie Gagnebin, na esteira de Michel de Certeau), que separa o passado do presente (o mundo dos mortos do mundo vivos), o passado não devidamente elaborado, não enterrado, retorna como espectro: e assombra e contamina o presente. Nesse sentido, é possível ler o romance histórico contemporâneo como uma espécie de tentativa de sepultamento dos espectros do passado que assombram o presente. Na seção prática, esse trabalho apresenta um romance, uma ficção histórica, livremente inspirada da figura de Januário Garcia Leal
Brook, Madeleine E. „Popular history and fiction : the myth of August the Strong in German literature, art, and media“. Thesis, University of Oxford, 2011. http://ora.ox.ac.uk/objects/uuid:cb7df46e-ab52-4f27-a084-41d7fab5b54e.
Der volle Inhalt der QuelleVasconcelos, Arlene Fernandes. „A verdade dispensa a verossimilhanÃa: o fato e a ficÃÃo no romance historico As Minas de Prata, de Jose de Alencar“. Universidade Federal do CearÃ, 2011. http://www.teses.ufc.br/tde_busca/arquivo.php?codArquivo=6038.
Der volle Inhalt der QuelleNo romance histÃrico As minas de prata, de Josà de Alencar, pode-se perceber uma clara preocupaÃÃo com o registro dos fatos histÃricos para alÃm do que està gravado nos livros. Isto Ã: esse romance permite ao leitor fazer contato com grandes vultos histÃricos, mas, principalmente, com personagens menores â pessoas comuns, sem qualquer relevÃncia para a historiografia oficial. Portanto, o contato com o acontecimento nÃo se faz de forma distanciada, mas Ãntima, e o envolvimento do leitor à bem maior, pois se dà na identificaÃÃo que tem com o personagem de ficÃÃo, atravÃs da verdade pessoal do prÃprio personagem, que se revela em suas aÃÃes. Essa constituiÃÃo de um herÃi, com buscas pessoais acima das questÃes de lealdade à pÃtria e ao seu povo, torna EstÃcio, o personagem central da obra, mais prÃximo de personagens problemÃticos da modernidade, apesar de envolto em uma aura Ãpica, e outros personagens servem para acentuar um ou outro aspecto. Um estudo minucioso da obra revela o uso que o autor faz do fato histÃrico como instrumento de nacionalizaÃÃo da literatura brasileira no sÃculo XIX. Alencar pretende criar a consciÃncia histÃrica do povo, aproximando os acontecimentos reais passados do prÃprio leitor, de forma a gravar-lhe no espÃrito o sentimento de nacionalidade. Ao ser transportado para a vida de uma das personagens, o leitor sente-se intimamente ligado a ela, participando dos acontecimentos que se desenrolam, tomando consciÃncia do desenvolvimento polÃtico e social de seu paÃs, descobrindo suas origens, convivendo atà com figuras ilustres do passado, sem o distanciamento que a histÃria oficial impÃe. Essa aproximaÃÃo se dà atravÃs da identificaÃÃo do leitor com as paixÃes que movem os personagens, reveladoras de suas verdades pessoais.
In the historical novel As minas de prata, written by Josà de Alencar, one may notice a clear intent to keep records of historical facts beyond what it was kept in History books. In other words, this novel gives the reader the opportunity to know important historical facts, but, mainly, get to know minor characters â average people, with no relevance to the official historiography. Therefore, the approach to the facts does not happen from a distant perspective, but an intimate one. The reader gets involved in a broader way, since he identifies himself with the fiction characters. Such relationship happens through personal truths the characters convey, revealed through their actions. The making of a hero, with personal pursuits above subjects such as loyalty to motherland and his people, make EstÃcio the main character of the novel, closer to problematic characters of modern times, despite being wrapped in an epic aura and with other characters who serve to enhance other aspects. A meticulous study of the novel reveals the authorâs choice to use a historical fact as an instrument of the nationalization of Brazilian literature in the 19th century. Alencar intended to create peopleâs historical conscience, bridging the gap between the real facts from the past and the reader, in order to engrave in his spirit the nationality pride. By being carried away to the world of one of the characters, the reader feels intimately connected to that character, by participating of the daily life, by being conscious of his countryâs social and political development, by finding his origins, even living with notorious characters from the past â without the detachment that official accounts impose. This approach occurs through the readerâs identification with the passion that moves the characters, revealing their personal truths.
Petit, Aimé. „L'anachronisme dans les romans antiques du XIIe siècle“. Lille : Centre d'études médiévales et dialectales de l'Université de Lille III, 1985. http://catalog.hathitrust.org/api/volumes/oclc/13978956.html.
Der volle Inhalt der QuelleBücher zum Thema "Fiction, Romance, Historical Fiction""
Fletcher, Lisa. Historical romance fiction: Heterosexuality and perfomativity. Aldershot, Hants, England: Ashgate, 2007.
Den vollen Inhalt der Quelle findenBudick, E. Miller. Fiction and historical consciousness: The American romance tradition. New Haven: Yale University Press, 1989.
Den vollen Inhalt der Quelle findenAnthony, Trollope. La Vendée: An historical romance. London: Penguin Books, 1993.
Den vollen Inhalt der Quelle findenAnthony, Trollope. La Vendée: An historical romance. London: Trollope Society, 1998.
Den vollen Inhalt der Quelle findenDrucker, Johanna. Narratology: Historical romance, sweet romance, science fiction, romantic suspense, supernatural, horror, sensual romance, adventure, thriller, glitz. [New York: J. Drucker], 1994.
Den vollen Inhalt der Quelle finden(Press), Druckwerk, Hrsg. Narratology: Historical romance, sweet romance, science fiction, romantic suspense, supernatural, horror, sensual romance, adventure, thriller, glitz. [New York, N.Y.?]: [J. Drucker?], 1994.
Den vollen Inhalt der Quelle findenSabatini, Rafael. Bellarion Illustrated: Fiction, Historical, Romance. Independently Published, 2021.
Den vollen Inhalt der Quelle findenHistorical Romance Fiction: Heterosexuality and Perfomativity. Ashgate Pub Co, 2008.
Den vollen Inhalt der Quelle findenEliot, George. Adam Bede Illustrated: Fiction, Historical, Romance. Independently Published, 2021.
Den vollen Inhalt der Quelle findenFletcher, Lisa. Historical Romance Fiction: Heterosexuality and Performativity. Taylor & Francis Group, 2016.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Fiction, Romance, Historical Fiction""
Posti, Piia K. „‘I Get to Exist as a Black Person in the World’: Bridgerton as Speculative Romance and Alternate History on Screen“. In History and Speculative Fiction, 123–49. Cham: Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-42235-5_7.
Der volle Inhalt der QuelleSauer, Elizabeth. „Emasculating Romance: Historical Fiction in the Protectorate“. In Prose Fiction and Early Modern Sexualities in England, 1570–1640, 195–213. New York: Palgrave Macmillan US, 2003. http://dx.doi.org/10.1007/978-1-137-09177-2_11.
Der volle Inhalt der QuelleFicke, Sarah H. „House, home and husband in historical romance fiction“. In The Routledge Companion to Romantic Love, 139–49. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003022343-11.
Der volle Inhalt der QuelleTeo, Hsu-Ming. „The Australian Convict Prostitute Romance“. In Conflict and Colonialism in 21st Century Romantic Historical Fiction, 26–49. New York: Routledge, 2024. http://dx.doi.org/10.4324/9781003493792-2.
Der volle Inhalt der QuelleTrenter, Cecilia. „Heritaging and the Use of History in Margit Sandemo’s The Legend of the Ice People“. In History and Speculative Fiction, 203–24. Cham: Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-42235-5_11.
Der volle Inhalt der QuelleRipoll-Fonollar, Mariana. „Suffragette Historical Romances“. In Conflict and Colonialism in 21st Century Romantic Historical Fiction, 115–31. New York: Routledge, 2024. http://dx.doi.org/10.4324/9781003493792-6.
Der volle Inhalt der QuelleMcAlister, Jodi. „This Modern Love: The Virgin Heroine in Historical Romance Fiction“. In The Consummate Virgin, 131–67. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-55004-2_6.
Der volle Inhalt der QuelleHolterhoff, Kate. „Picturing the Past in Robert Louis Stevenson's Historical Romances“. In Illustration in Fin-de-Siècle Transatlantic Romance Fiction, 23–54. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003017684-2.
Der volle Inhalt der QuelleBurge, Amy. „Do knights still rescue damsels in distress?: Reimagining the medieval in Mills & Boon historical romance“. In The Female Figure in Contemporary Historical Fiction, 95–114. London: Palgrave Macmillan UK, 2012. http://dx.doi.org/10.1057/9781137283382_6.
Der volle Inhalt der QuelleRíu, Carmen Perez. „Language, Sexuality and “Necessary Anachronism” in Lorraine Heath's Neo-Victorian Popular Romance Series Scandalous Gentlemen of St. James 1“. In Conflict and Colonialism in 21st Century Romantic Historical Fiction, 92–114. New York: Routledge, 2024. http://dx.doi.org/10.4324/9781003493792-5.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Fiction, Romance, Historical Fiction""
Teodorescu, Camelia. „CULTURAL-HISTORICAL TOURISM OR FICTION TOURISM IN ROMANIA? CASE STUDY: VLAD THE IMPALER OR DRACULA“. In 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017. Stef92 Technology, 2017. http://dx.doi.org/10.5593/sgemsocial2017/14/s04.024.
Der volle Inhalt der QuelleSenkar, Patrik. „HISTORICAL ASPECTS IN NON-FICTION LITERATURE“. In 4th International Multidisciplinary Scientific Conference on Social Sciences and Arts SGEM2017. Stef92 Technology, 2017. http://dx.doi.org/10.5593/sgemsocial2017/hb61/s11.25.
Der volle Inhalt der QuelleWhitlock, Annie. „Historical Fiction and Its Commonplace in Classrooms“. In 2022 AERA Annual Meeting. Washington DC: AERA, 2022. http://dx.doi.org/10.3102/1882947.
Der volle Inhalt der QuelleMcMillian, Rachel. „Historical Fiction: A Critical Policy Analysis of Teaching Hard History“. In 2020 AERA Annual Meeting. Washington DC: AERA, 2020. http://dx.doi.org/10.3102/1582571.
Der volle Inhalt der QuelleSharma, Sumita, Netta Iivari, Marianne Kinnula, Grace Eden, Alipta Ballav, Rocio Fatas, Ritwik Kar et al. „From Mild to Wild: Reimagining Friendships and Romance in the Time of Pandemic Using Design Fiction“. In DIS '21: Designing Interactive Systems Conference 2021. New York, NY, USA: ACM, 2021. http://dx.doi.org/10.1145/3461778.3462110.
Der volle Inhalt der QuelleРогацкина, Марина Леонидовна. „HISTORICAL POEMS BY N. I. RYLENKOV. POEM “GREAT FLUFF ” (1940): TRUTH AND FICTION“. In Международная конференция «Феномен пограничного и трансграничного в истории и культуре». Crossref, 2023. http://dx.doi.org/10.54016/svitok.2023.67.85.036.
Der volle Inhalt der QuelleBrooks, Wanda. „Through the "Black Narrator's Gaze": Depictions of White Supremacy in Historical Fiction Novellas“. In 2023 AERA Annual Meeting. Washington DC: AERA, 2023. http://dx.doi.org/10.3102/2005398.
Der volle Inhalt der QuelleNicoglo, Diana. „Reflection of the events of the “Balkan” period in the Gagauz fiction“. In Patrimoniul cultural: cercetare, valorificare, promovare. Institute of Cultural Heritage, Republic of Moldova, 2021. http://dx.doi.org/10.52603/9789975351379.32.
Der volle Inhalt der QuelleKozmina, E. „GENRE OF THE STORY IN SOVIET SCIENCE FICTION OF THE 1950S-1970S“. In VIII International Conference “Russian Literature of the 20th-21st Centuries as a Whole Process (Issues of Theoretical and Methodological Research)”. LCC MAKS Press, 2023. http://dx.doi.org/10.29003/m3702.rus_lit_20-21/100-103.
Der volle Inhalt der QuelleVasileva, Irina. „ABOUT THE BOUNDARY MARKERS OF THE TRANSITION PERIODS: LYRICAL DIGRESSIONS IN THE FICTION BY ANTON CHEKHOV“. In 50th International Philological Conference in Memory of Professor Ludmila Verbitskaya (1936–2019). St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063183.03.
Der volle Inhalt der QuelleBerichte der Organisationen zum Thema "Fiction, Romance, Historical Fiction""
Pelinka, Darlene. The use of junior historical fiction in the classroom. Portland State University Library, Januar 2000. http://dx.doi.org/10.15760/etd.1598.
Der volle Inhalt der QuelleTabinska, Iryna, und Yaroslav Tabinskyi. Феномен «смислу поміж фактами» у друкованому виданні Reporters: взаємодія тексту та фотоілюстрації. Ivan Franko National University of Lviv, März 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11728.
Der volle Inhalt der QuelleDemchenko, Dmytro. DEMASSIFICATION OF SOCIAL PROCESSES IN THE CONTEXT OF DIGITAL COMMUNICATION (TO THE PROBLEM OF THE DICHOTOMY OF “ELITE-MASS” AS A POLITICAL COMMUNICATION PARADOX). Ivan Franko National University of Lviv, März 2024. http://dx.doi.org/10.30970/vjo.2024.54-55.12171.
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