Dissertationen zum Thema „Fiction - people“
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Keller, Abigail Hope. „Quiet People“. The University of Montana, 2009. http://etd.lib.umt.edu/theses/available/etd-06162009-104727/.
Der volle Inhalt der QuelleHumphrey, Joy Marie. „Weird People“. VCU Scholars Compass, 1992. http://scholarscompass.vcu.edu/etd/5075.
Der volle Inhalt der QuelleGriffin, Jeremy. „A Last Resort For Desperate People“. Thesis, Virginia Tech, 2009. http://hdl.handle.net/10919/42170.
Der volle Inhalt der QuelleMaster of Fine Arts
Tripp, Sarah. „Making people up“. Thesis, University of Edinburgh, 2017. http://hdl.handle.net/1842/22044.
Der volle Inhalt der QuelleWinn, Sharon A. „Friends of the people chartists in Victorian social protest fiction /“. Access abstract and link to full text, 1989. http://0-wwwlib.umi.com.library.utulsa.edu/dissertations/fullcit/8913882.
Der volle Inhalt der QuelleScreech, Ben. „Reading otherness in British fiction for young people, 2001-2012“. Thesis, University of the West of England, Bristol, 2018. http://eprints.uwe.ac.uk/33604/.
Der volle Inhalt der QuelleSarland, C. „Young people reading : A study of the cultural, ideological and experimental factors in the interaction between young people and fictional texts“. Thesis, University of East Anglia, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.380977.
Der volle Inhalt der QuelleMadden, Ruth. „River People“. TopSCHOLAR®, 1989. https://digitalcommons.wku.edu/theses/2567.
Der volle Inhalt der QuelleZeilig, Hannah. „Older people and their families in 1920s popular fiction : fictions of age and their importance for social gerontology“. Thesis, King's College London (University of London), 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.313516.
Der volle Inhalt der QuelleSteiner, Christina. „Translated people, translated texts : language and migration in some contemporary African fiction“. Doctoral thesis, University of Cape Town, 2007. http://hdl.handle.net/11427/8100.
Der volle Inhalt der QuelleThis thesis examines contemporary migration narratives by four African writers living in the diaspora and writing in English: Leila Aboulela and Jamal Mahjoub from the Sudan, now living in Scotland and Spain respectively and Abdulrazak Gurnah and Moyez G. Vassanji from Tanzania now residing in the UK and Canada. Focusing on how language operates in relation to both culture and identity, this study foregrounds the complexities of migration as cultural translation. Cultural translation is a concept which locates itself in postcolonial literary theory as well as translation studies. The manipulation of English in such a way as to signify translated experience is crucial in this regard. The thesis focuses on a particular angle on cultural translation for each writer under discussion: translation of Islam and the strategic use of nostalgia in Leila Aboulela's texts; translation and the production of scholarly knowledge in Jamal Mahjoub's novels; translation and storytelling in Abdulrazak Gurnah's fiction; and finally translation between the individual and old and new communities in Vassanji's work. The conclusion of the thesis brings all four writer's texts into conversation across these angles. What emerges from this discussion across the chapter boundaries is that cultural translation rests on ongoing complex processes of transformation determined by idiosyncratic factors like individual personality as well as social categories like nationality, race, class and gender. The thesis thus contributes to the understanding of migration as a common condition of the postcolonial world as well as offering a detailed look at particular travellers and their unique journeys.
Ken, Stephanie Wong. „Human Subjects“. PDXScholar, 2017. https://pdxscholar.library.pdx.edu/open_access_etds/4023.
Der volle Inhalt der QuelleAnyanwụ, Chikwendụ P. K. „Adapting 'A man of the people' to stage : can stage adaptation successfully return Igbo literary fiction to the Igbo people?“ Thesis, Middlesex University, 2010. http://eprints.mdx.ac.uk/7937/.
Der volle Inhalt der QuelleRussell, Emily S. „Embodied citizenship disability in the national imagination /“. Diss., Restricted to subscribing institutions, 2007. http://proquest.umi.com/pqdweb?did=1383482921&sid=1&Fmt=2&clientId=1564&RQT=309&VName=PQD.
Der volle Inhalt der QuelleJohnson, Isabelle. „A HOUSE WITH PEOPLE IN IT: STORIES“. UKnowledge, 2019. https://uknowledge.uky.edu/english_etds/90.
Der volle Inhalt der QuelleNeave, Lucy Ann. „Who we were : a novel and dissertation by publication“. Phd thesis, Canberra, ACT : The Australian National University, 2013. http://hdl.handle.net/1885/155535.
Der volle Inhalt der QuelleBachert, Sara-Lois. „Points of Interest: Essays on People, Places and Perceptions“. TopSCHOLAR®, 1989. http://digitalcommons.wku.edu/theses/1873.
Der volle Inhalt der QuelleWilliams, Andreá N. Andrews William L. „Our kind of people social status and class awareness in post-reconstruction African American fiction /“. Chapel Hill, N.C. : University of North Carolina at Chapel Hill, 2006. http://dc.lib.unc.edu/u?/etd,380.
Der volle Inhalt der QuelleTitle from electronic title page (viewed Oct. 10, 2007). "... in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of English." Discipline: English; Department/School: English.
Gorton, Ceri Martha. „"The things that attach people" : a critical literary analysis of the fiction of Barbara Kingsolver“. Thesis, University of Nottingham, 2009. http://eprints.nottingham.ac.uk/10758/.
Der volle Inhalt der QuelleHogue, Alex. „I, (Post)Human: Being and Subjectivity in the Quest to Build Artificial People“. University of Cincinnati / OhioLINK, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1468574783.
Der volle Inhalt der QuelleRiehs, Daniel. „Make Your Data Work for You: True Stories of People and Technology“. Thesis, Boston College, 2006. http://hdl.handle.net/2345/422.
Der volle Inhalt der QuelleTechnology should enhance the human experience. Instead, it often alienates people from aspects of life that are considered most important. Artists are separated from their works, friends are separated from each other, and human ingenuity is filtered though computers before it can impact the world. These five short stories focus mainly on alienations inherent to communications and media technology, but also touch on database management and copyright concerns. Some take place in the present day; others present views of the future. All five stories use fiction to explore the truth of humanity's absurd relationship to technology
Thesis (BA) — Boston College, 2006
Submitted to: Boston College. College of Arts and Sciences
Discipline: College Honors Program
Clark, Ann Christine. „Historical fiction for children and young people : changing fashions, changing forms, changing representations in British writing, 1934-2014“. Thesis, University of Newcastle upon Tyne, 2016. http://hdl.handle.net/10443/3215.
Der volle Inhalt der QuelleApplebaum, Noga. „Control Shift : Interfaces of Technology and Children's Literature through the Dimension of Science Fiction Written For Young People“. Thesis, Roehampton University, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.515290.
Der volle Inhalt der QuelleChapman, Elizabeth L. „Provision of LGBT-related fiction to children and young people in English public libraries : a mixed-methods study“. Thesis, University of Sheffield, 2015. http://etheses.whiterose.ac.uk/11802/.
Der volle Inhalt der QuelleElder, Catriona, und catriona elder@arts usyd edu au. „Dreams and nightmares of a 'White Australia' : the discourse of assimilation in selected works of fiction from the 1950s and 1960s“. The Australian National University. Faculty of Arts, 1999. http://thesis.anu.edu.au./public/adt-ANU20050714.143939.
Der volle Inhalt der QuelleWright-Brough, Freya K. „Constructing digital narratives: Negotiating totality and infinity with people from refugee backgrounds“. Thesis, Queensland University of Technology, 2019. https://eprints.qut.edu.au/124078/1/Freya_Wright-Brough_Thesis.pdf.
Der volle Inhalt der QuelleStafford, Lucy J. „Fact vs fiction : an 'imagined contact' study aimed at reducing the impact of stigma about psychosis in young people“. Thesis, University of Surrey, 2015. http://epubs.surrey.ac.uk/808631/.
Der volle Inhalt der QuelleChachere, Karen A. De Santis Christopher C. „Visually white, legally black miscegenation, the mulatoo, and passing in American literature and culture, 1865-1933 /“. Normal, Ill. : Illinois State University, 2004. http://wwwlib.umi.com/cr/ilstu/fullcit?p3128271.
Der volle Inhalt der QuelleTitle from title page screen, viewed Jan. 10, 2005. Dissertation Committee: Christopher C. De Santis (chair), Ronald Strickland, Cynthia A. Huff, Alison Bailey. Includes bibliographical references (leaves 178-193) and abstract. Also available in print.
Curtin, Amanda. „Ellipsis: a novel and exegesis“. Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2006. https://ro.ecu.edu.au/theses/337.
Der volle Inhalt der QuelleRobertson, Pixi. „Steel Riders : a novel for young adult readers and, An hermeneutical examination of Steel Riders“. Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2006. https://ro.ecu.edu.au/theses/326.
Der volle Inhalt der QuelleMurphy, Jill Marie. „Translingual literature: The bone people and Borderlands“. CSUSB ScholarWorks, 2005. https://scholarworks.lib.csusb.edu/etd-project/2755.
Der volle Inhalt der QuelleKato, Megumi Humanities & Social Sciences Australian Defence Force Academy UNSW. „Representations of Japan and Japanese people in Australian literature“. Awarded by:University of New South Wales - Australian Defence Force Academy. School of Humanities and Social Sciences, 2005. http://handle.unsw.edu.au/1959.4/38718.
Der volle Inhalt der QuelleWalker, Gore Clare Helen. „Plotting disability : physical difference, characterisation, and the form of the novel, 1837-1907“. Thesis, University of Cambridge, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.709332.
Der volle Inhalt der QuelleGlasheen, Chemutai Agnes. „‘I am the Mau: short stories for young people’ AND the role of fiction in raising human rights awareness with an African perspective“. Thesis, Curtin University, 2020. http://hdl.handle.net/20.500.11937/80629.
Der volle Inhalt der QuelleMasters, Allison. „The sort . . . of people to which I belong Elizabeth Gaskell and the middle class /“. Diss., [Missoula, Mont.] : The University of Montana, 2009. http://etd.lib.umt.edu/theses/available/etd-06172009-112406.
Der volle Inhalt der QuelleBalster, Lori Maria Tarkany. „Cassie Dates Melvin: Or, How Two People Struggle to Save Their Town Despite a Few Small Obstacles Such as Killer Philodendrons (an Excerpt from Book Two in a Series)“. University of Dayton / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=dayton1280259112.
Der volle Inhalt der QuelleStevens, Hannah. „The best way to kill a butterfly and other stories ; and, In their absence : investigating the phenomenon of missing people through short stories and flash fiction“. Thesis, University of Leicester, 2017. http://hdl.handle.net/2381/43085.
Der volle Inhalt der QuelleAlbertan-Coppola, Marianne. „Être pauvre au siècle des Lumières : représentations de la pauvreté dans la fiction romanesque du XVIIIe siècle“. Thesis, Paris 10, 2020. http://www.theses.fr/2020PA100109.
Der volle Inhalt der QuelleWhile poverty generated many debates and publications in the 18th century, the poor remained forgotten in History until the works of J.-P. Gutton, D. Roche, A. Farge at the end of the 20th century. In the literary field, it has not given rise to many studies, unlike its counterpart, wealth. However, the character of the poor experienced a real boom in the Age of Enlightenment, in the theater and especially in the novel. Looking through the hundreds of novels that make room for poverty, a first observation is essential. If the picaro remains an important figure at the turn of the century and will remain dotted throughout the century, it gradually gives way to more nuanced representations until at the end creating a form of fascination. How did we go from the stereotypical vision of poverty that prevailed in the 17th century to the valuation of the miserable, even the sordid, which took place at the end of the 18th? Such a change is not the result of a sudden rupture but of a slow evolution: a movement seems to take shape, which starts from the romances-memories of the beginning of the century whose authors give an increased place to the money and carry an unique look at the needy, developed in the middle of the century through figures anchored in the social reality of their time, such as the Nephew of Rameau or Margot the Ravaudeuse, to achieve this raw image of the destitute offered by a Retif or a Mercier, which triumphs at the end of the century
Cahill, Rebecca E. „The relationship between political environment and size of a library's collection of GLBTQ fiction for young adults“. Connect to this title online, 2004. http://hdl.handle.net/1901/124.
Der volle Inhalt der QuelleTitle from PDF title page (viewed on May 21, 2006). Includes bibliographical references (p. 22-23, 28-33).
Bloss, Hazel Ruth. „'Die Zeit der innern Weltumseglungen': representation of the people and examination of the self in the works of Berthold Auerbach (1812-1882) and Wilhelm Heinrich Riehl (1823-1897)“. Thesis, University of Oxford, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.491575.
Der volle Inhalt der QuelleAdams, Megan. „"A Border is a Veil Not Many People Can Wear": Testimonial Fiction and Transnational Healing in Edwidge Danticat's The Farming of Bones and Nelly Rosario's Song of the Water Saints“. Scholar Commons, 2010. http://scholarcommons.usf.edu/etd/3436.
Der volle Inhalt der QuelleTait, Michelle Louise. „Navigating terragraphica : an exploration of the locations of identity construction in the transatlantic fiction of Ama Ata Aidoo, Paule Marshall and Caryl Phillips“. Thesis, Stellenbosch : Stellenbosch University, 2012. http://hdl.handle.net/10019.1/71769.
Der volle Inhalt der QuelleENGLISH ABSTRACT: Seeking to navigate and explore diasporic identity, as reflected in and by transatlantic narrative spaces, this thesis looks to three very different novels birthed out of the Atlantic context (at different points of the Atlantic triangle and at different moments in history): Our Sister Killjoy or Reflections from a Black-eyed Squint (1977) by Ama Ata Aidoo, The Chosen Place, The Timeless People (1969) by Paule Marshall and Crossing the River (1993) by Caryl Phillips. Recognising the weight of location – cultural, geographic, temporal – on the literary construction of transatlantic identity, this thesis traces the way in which Aidoo, Marshall and Phillips use fictional texts as tools for grappling with ideas of home and belonging in a world of displacement, fracture and (ex)change. Uncovering the impact of roots, as well as routes (rupta via) on the realisation of identity for the diasporic subject, this study reveals and wrestles with various narrative portrayals of the diasporic condition (a profoundly human condition). Our Sister Killjoy presents identity as inherently imbricated with nationalism and pan-Africanism, whereas The Chosen Place presents identity as tidalectic, caught in the interstices between western and African subjectivities. In Crossing the River on the other hand, diasporic identification is constructed as transnational, fractal and perpetually in-process. This study argues that in the absence of an established sense of terra firma the respective authors actively construct home through narrative, resulting in what Erica L. Johnson has described as terragraphica. In this way, each novel is perceived and explored as a particular terragraphica as well as a fictional lieux de mémoire (to borrow Pierre Nora’s conception of “sites of memory”). Using the memories of transatlantic characters as (broken) windows through which to view history, as well as filters through which the present can be understood (or refracted), are techniques that Aidoo, Marshall and Phillips employ (although, Aidoo’s use of memory is less obvious). Tapping into various sites of memory in the lives of the fictional characters, the novels themselves become mediums of remembering, not as a means of storing facts about the past, but for the ambivalent purpose of understanding the impact of the past on the present.
AFRIKAANSE OPSOMMING: In ’n poging om diasporiese identiteit te karteer en te ondersoek, betrek hierdie verhandeling drie uiteenlopende romans wat in die Atlantiese konteks, naamlik vanuit die verskillende hoeke van die Atlantiese driehoek en verskillende geskiedkundige Atlantiese momente, ontstaan het. Die drie romans sluit in: Our Sister Killjoy or Reflections from a Black-eyed Squint (1977) deur Ama Ata Aidoo, The Chosen Place, The Timeless People (1969) deur Paule Marshall en Crossing the River (1993) deur Caryl Phillips. Deur die belangrikheid van plek – kultureel, geografies en temporeel – in die literêre konstruksie van transatlantiese identiteit, te beklemtoon, spoor hierdie verhandeling die manier waarop Aidoo, Marshall en Phillips fiktiewe tekste aanwend na om sin te maak van idees oor tuiste en geborgenheid in ’n wêreld van verdringing, skeuring en (ver)wisseling. Deur die impak van die oorsprong op, asook die weg (rupta via) na, die verwesenliking van identiteit vir die diasporiese subjek te toon, onthul en worstel hierdie tesis met verskeie narratiewe uitbeeldings van die diasporiese toestand (’n toestand eie aan die mens). Our Sister Killjoy stel identiteit as inherent vermeng met nasionalisme en pan-Afrikanisme voor, terwyl The Chosen Place identiteit as tidalekties uitbeeld – vasgevang tussen westerse en Afrika-subjektiwiteite. In Crossing the River word diasporiese identifisering egter gekonstrueer as transnasionaal, fraktaal en ewigdurend in ’n proses van ontwikkeling. Hierdie studie voer verder aan dat die onderskeie skrywers tuiste aktief deur narratief konstrueer in die afwesigheid van ’n gevestigde bewustheid van terra firma, of onbekende land of plek. Die gevolg is ’n voortvloeiing van wat deur Erica L. Johnson beskryf word as terragraphica. Vervolgens word elk van die romans gesien en verken as ’n spesifieke terragraphica asook ’n fiktiewe lieux de mémoire, gegrond in Pierre Nora se konsep “sites of memory”. Die benutting van transatlantiese karakters se herhinneringe as (gebreekte) vensters waardeur die geskiedenis bespeur kan word en filters waardeur die hede verstaan (of gerefrakteer) kan word, is die tegnieke wat Aidoo, Marshall en Phillips aanwend – alhoewel Aidoo se gebruik van geheue minder ooglopend is. Deur verskeie terreine van geheue in die lewens van die fiktiewe karakters te betrek, ontwikkel die romans tot mediums van onthou, nie in die sin van feite van die verlede wat gestoor word nie, maar met die dubbelsinnige doel om die impak van die verlede op die hede te verstaan.
Coetzee, Mervyn A. „Blood, race and the construction of 'the coloured' in Sarah Gertrude Millin's God's Stepchildren“. University of the Western Cape, 2011. http://hdl.handle.net/11394/5362.
Der volle Inhalt der QuelleIn this paper I attempt to look critically at the literary construction of one particular 'race', namely the 'Coloureds', in Sarah Gertrude Millin's God's Stepchildren. To this end, the paper draws on the historical background of Millin, and investigates the way in which Millin has consciously and strategically formed, as it were, a 'unique' Coloured identity. Furthermore, the paper explores the proximity or tension between author and narrator in the novel. This tension, I suggest, emerges in response to various pressures in the novel which in turn are based upon the author's social, political and economic background. Evidence to this effect is derived from Millin's biography and other sources. What emerges from the paper is that the concepts 'race' and 'Coloured', as they are employed in this novel, are equally elusive. In attempting to piece together a 'race', the novel communicates Millin's aversion to miscegenation, and discloses characteristics of her 'self'. Ironically, I conclude, she falls prey to the same kinds of prejudices that she projects onto her literary subjects.
Johansson, David. „Project Awaiting : #projectawaiting is about movement:of people with stories;stories in need of time; your time! initiated April 18, 2017 as part of a master's @ sh.se“. Thesis, Södertörns högskola, Journalistik, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-34604.
Der volle Inhalt der QuelleThe master’s project consists of two parts: the journalistic part Project Awaiting (texts) including four journalistic genres and the subsequent Research Report Project Awaiting. These are 23 pages and 32 pages respectively.
Haugen, Hayley Mitchell. „Writing the "self-determined" life representing the self in disability narratives by Leonard Kriegel and Nancy Mairs /“. Ohio : Ohio University, 2006. http://www.ohiolink.edu/etd/view.cgi?ohiou1147369805.
Der volle Inhalt der QuelleBlanc, Marie Thérèse 1960. „Another face of justice : interpretative debates within the Canadian trial novel after 1970“. Thesis, McGill University, 2004. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=84478.
Der volle Inhalt der QuelleEach work reproduces excerpts from the original trial yet also represents a response to the historical trial's unfolding. This adversarial response takes the form of a trial-like narrative (or counternarrative) that engages with the original trial. Consequently each of these works is what I call a 'trial novel' that raises fundamental questions about justice and citizenship.
Chapter One analyzes Atwood's Alias Grace and lays bare the fictional constructs included in a trial narrative. Chapter Two looks at Crosbie's Paul's Case and pits the judicial system's claim to sober neutrality against a more populist version of justice based on affect and revenge. Finally, Chapter Three, which is devoted to Wiebe's novels, studies the conflict of normative universes implicit in trials for treason and posits that rebel nomoi are as coherent as the dominant ones that quash them.
Three communities are implicit in these novels and enter into a debate with one another: at the core of each work is a historical community of persons (the accused, attorneys, the judge, jurors, and members of the Canadian public) mobilized around an actual crime. This original community and its judgment provide the inspiration for the fictional community of the novel, which grapples with its own version of the crime and trial. Finally, an imaginative community of readers deliberates upon the questions raised both by the original trial and by the 'trial novel'.
Anderson, Robyn Lisa, und n/a. „The decolonisation of culture, the trickster as transformer in native Canadian and Maori fiction“. University of Otago. Department of English, 2003. http://adt.otago.ac.nz./public/adt-NZDU20070508.145908.
Der volle Inhalt der QuelleHickman, John. „The fictional onscreen depiction of looked-after young people : 'finding someone just like me'“. Thesis, Northumbria University, 2016. http://nrl.northumbria.ac.uk/31607/.
Der volle Inhalt der QuelleKim, Young-Ho. „People's tradition of religious education /“. Access Digital Full Text version, 1991. http://pocketknowledge.tc.columbia.edu/home.php/bybib/11169321.
Der volle Inhalt der QuelleTypescript; issued also on microfilm. Sponsor: Douglas M. Sloan. Dissertation Committee: William B. Kennedy. Includes bibliographical references: (leaf 139-143).
Blackburn, Alison Carol. „Writing in Other People's Worlds: Two Students Repurposing Extracurricular Fan Fiction Writing to Fulfill Curricular Assignments“. BYU ScholarsArchive, 2017. https://scholarsarchive.byu.edu/etd/6394.
Der volle Inhalt der QuelleWalker, Tonya. „Rich attractive people doing attractive things in attractive places : a monologue from Hell /“. VCU Scholars Compass, 2006. http://scholarscompass.vcu.edu/etd/992.
Der volle Inhalt der Quelle