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Zeitschriftenartikel zum Thema „Festivals Australia“

Autor: Grafiati

Veröffentlicht am 4. Juni 2021

Zuletzt aktualisiert am 20. Februar 2023

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1

George, Jodie. "Examining the cultural value of festivals." International Journal of Event and Festival Management 6, no. 2 (June 15, 2015): 122–34. http://dx.doi.org/10.1108/ijefm-01-2015-0002.

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Purpose – Within Australia, cultural festivals focusing on music, food and art represent important social and economic opportunities for rural communities. However, tensions may also arise within communities where stakeholder ideologies are at odds regarding the place identity being presented for consumption by tourism practices. Thus, using Mitchell’s model of creative destruction/creative enhancement as a theoretical framework and through qualitative analysis, the purpose of this paper is to critically examine three South Australian festivals from multiple perspectives, to identify what rele

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Quintal, Vanessa, Michael Lwin, Ian Phau, and Abhinav Sood. "Festival Personality and How It Influences Visitor Attitude and Intention." Event Management 24, no. 6 (November 20, 2020): 665–84. http://dx.doi.org/10.3727/152599519x15506259856543.

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This study explores festival personality for its impacts on visitor attitude and intention toward festivals. Two distinct and popular festivals held at a botanic park in Western Australia were selected for the research. A total of 481 local and international visitors participated in the self-administered, pen-and-paper and online surveys. The Excitement personality attribute was unique to the Chili Festival, whereas the Cheerfulness personality attribute was unique to the Tulip Festival. Both festivals embodied the Imagination personality attribute, suggesting the place in which a festival is

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SAUTER, WILLMAR. "Introduction: Festival Culture in Global Perspective." Theatre Research International 30, no. 3 (October 2005): 237–39. http://dx.doi.org/10.1017/s0307883305001483.

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According to the Australia Council, the 152 arts festivals held in that country during the season of 1993–4 had a combined operating expenditure of Australian $58.3 million and were attended by 2.2 million visitors. At the same time, these festivals provided 32,000 paid engagements for Australian artists. Considering this massive expansion of festivals in terms of artistic arena, national marketplace and international industry, the scholarly interest in this phenomenon has taken new directions. To study the productions seemed not to be enough, nor was it satisfactory to survey audience attenda

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Hammond, Paula. "Festivals and holidays: Australia Day." Child Care 5, no. 1 (January 2008): 18. http://dx.doi.org/10.12968/chca.2008.5.1.37633.

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Luther, Matt, Fergus Gardiner, Shane Lenson, David Caldicott, Ryan Harris, Ryan Sabet, Mark Malloy, and Jo Perkins. "An Effective Risk Minimization Strategy Applied to an Outdoor Music Festival: A Multi-Agency Approach." Prehospital and Disaster Medicine 33, no. 2 (March 21, 2018): 220–24. http://dx.doi.org/10.1017/s1049023x18000195.

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Specific Event Identifiersa. Event type: Outdoor music festival.b. Event onset date: December 3, 2016.c. Location of event: Regatta Point, Commonwealth Park.d. Geographical coordinates: Canberra, Australian Capital Territory (ACT), Australia (-35.289002, 149.131957, 600m).e. Dates and times of observation in latitude, longitude, and elevation: December 3, 2016, 11:00-23:00.f. Response type: Event medical support.AbstractIntroductionYoung adult patrons are vulnerable to risk-taking behavior, including drug taking, at outdoor music festivals. Therefore, the aim of this field report is to discuss

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Holmes, Kirsten, and Jane Ali-Knight. "The event and festival life cycle – developing a new model for a new context." International Journal of Contemporary Hospitality Management 29, no. 3 (March 20, 2017): 986–1004. http://dx.doi.org/10.1108/ijchm-10-2015-0581.

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Purpose The events and festivals literature relies on theories and models borrowed from tourism studies which may insufficiently account for the unique characteristics of events and festivals. Using four case studies from Australia, United Arab Emirates and the UK, this paper aims to analyse events and festival life cycles using the Tourism Area Life Cycle (TALC) framework (Butler, 1980). Design/methodology/approach The paper is conceptual in that it theorises the range of event and festival life cycle trajectories; however, four event case studies are also used to illustrate this approach. Fi

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Ryan, Robin, Jasmin Williams, and Alison Simpson. "From the ground up: growing an Australian Aboriginal cultural festival into a live musical community." Arts and the Market 11, no. 2 (August 16, 2021): 92–108. http://dx.doi.org/10.1108/aam-09-2020-0038.

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PurposeThe purpose is to review the formation, event management, performance development and consumption of South East Australia’s inaugural 2018 Giiyong Festival with emphasis on the sociocultural imaginary and political positionings of its shared theatre of arts.Design/methodology/approachA trialogue between a musicologist, festival director and Indigenous stakeholder accrues qualitative ethnographic findings for discussion and analysis of the organic growth and productive functioning of the festival.FindingsAs an unprecedented moment of large-scale unity between First and non-First Nations

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Alonso-Vazquez, Marisol, and Christina Ballico. "Eco-friendly practices and pro-environmental behaviours: the Australian folk and world music festival perspective." Arts and the Market 11, no. 2 (July 2, 2021): 76–91. http://dx.doi.org/10.1108/aam-10-2020-0046.

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PurposeThe coronavirus disease 2019 (COVID-19) pandemic has once again brought to our attention one of the three main pillars of sustainability–the environment. It has also brought into sharp relief the fragility of the live music festival sector, whose success hinges fundamentally on the capacity for both travel and mass gatherings to occur. Considering this intersection of environmental sustainability and the live music festival sector, this paper–which reports on events occurring long before the global pandemic took hold–examines the ways in which eight Australian folk and world music festi

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Bachman, Jarrett R. "Music Festivals and Regional Development in Australia." Event Management 16, no. 3 (October 1, 2012): 267–68. http://dx.doi.org/10.3727/152599512x13461660017475.

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Semple, Anne-Louise. "Music festivals and regional development in Australia." Australian Geographer 44, no. 2 (June 2013): 220–21. http://dx.doi.org/10.1080/00049182.2013.799054.

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Goldsworthy, Anna. "Music Festivals and Regional Development in Australia." Musicology Australia 37, no. 1 (January 2, 2015): 99–100. http://dx.doi.org/10.1080/08145857.2014.968962.

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Phipps, Peter. "Indigenous Festivals in Australia: Performing the Postcolonial." Ethnos 81, no. 4 (February 6, 2015): 683–96. http://dx.doi.org/10.1080/00141844.2014.989876.

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Rihova, Ivana. "Music Festivals and Regional Development in Australia." Tourism Management 36 (June 2013): 119. http://dx.doi.org/10.1016/j.tourman.2012.11.014.

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Lee, Seeun. "Music festivals and regional development in Australia." Annals of Leisure Research 17, no. 2 (October 17, 2013): 243–44. http://dx.doi.org/10.1080/11745398.2014.845930.

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McKnight, David. "Australian Film and the Cultural Cold War." Media International Australia 111, no. 1 (May 2004): 118–30. http://dx.doi.org/10.1177/1329878x0411100112.

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This article examines whether, and in what way, anti-communism was a factor in the slow development of an Australian film industry in the 1950s and early 1960s and in the kind of film culture developed in Australia, particularly through film festivals. In particular it examines the activities of the Australian Security Intelligence Organisation (ASIO) towards left and liberal filmmakers and film lovers. It briefly examines the effect of anti-communism on the struggle for Australian content by Actors' Equity in the early years of television.

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Gibson, Chris, Gordon Waitt, Jim Walmsley, and John Connell. "Cultural Festivals and Economic Development in Nonmetropolitan Australia." Journal of Planning Education and Research 29, no. 3 (December 21, 2009): 280–93. http://dx.doi.org/10.1177/0739456x09354382.

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Markwell, Kevin, and Gordon Waitt. "Festivals, Space and Sexuality: Gay Pride in Australia." Tourism Geographies 11, no. 2 (May 13, 2009): 143–68. http://dx.doi.org/10.1080/14616680902827092.

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Hutton, Alison, Jamie Ranse, Naomi Verdonk, Shahid Ullah, and Paul Arbon. "Understanding the Characteristics of Patient Presentations of Young People at Outdoor Music Festivals." Prehospital and Disaster Medicine 29, no. 2 (February 21, 2014): 160–66. http://dx.doi.org/10.1017/s1049023x14000156.

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AbstractOutdoor music festivals are unique events given that they are, for the most part, bounded and ticketed, and alcohol is served. They frequently have a higher incidence of patient presentations when compared with similar types of mass gatherings. Often, however, single events are reported in the literature, making it difficult to generalize the findings across multiple events and limiting the understanding of the “typical” patient presentations at these mass gatherings. The aim of this paper was to understand the characteristics of young people who have presented as patients to on-site h

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Juewei Shi and Sioh Yang Tan. "Flows of Innovation in Fo Guang Shan Oceania: Transregional dynamics behind the Buddha’s Birthday Festival." Journal of Global Buddhism 23, no. 2 (December 8, 2022): 185–202. http://dx.doi.org/10.26034/lu.jgb.2022.1998.

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Fo Guang Shan (FGS), a transnational Buddhist movement in the Chinese Mahāyāna tradition, has grown rapidly in the last fifty years to become a global network of close to 180 branch temples. For almost thirty years, FGS Oceania has invested heavily in the Buddha’s Birthday Festival annually in the form of weekend-long festivals in public spaces across Australia and New Zealand, involving months of planning and thousands of volunteers to welcome tens of thousands of visitors. FGS Oceania served as an incubator, exporter, and importer of innovations to make the Buddha, Dharma, and Sangha accessi

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Gibson, Chris. "Music Festivals: Transformations in Non-Metropolitan Places, and in Creative Work." Media International Australia 123, no. 1 (May 2007): 65–81. http://dx.doi.org/10.1177/1329878x0712300108.

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This paper addresses the theme of this special issue of MIA in the context of music festivals. It discusses the continuing growth of music festivals as avenues for musical performance, and for regional economic development, and considers what festivals mean for musicians in terms of changing audience demographics and the conditions of work. Festivals are increasingly important for musicians in building audiences and incomes. They have proliferated particularly in rural, coastal and ex-urban parts of Australia, linked to day-tripper and short-stay tourism and the wider socioeconomic transition

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Sölter, Arpad-Andreas. "Festival circus, golden gnomes and cultural diplomacy. The Audi Festival of German films in the context of multicultural festivals in Australia." Studies in Australasian Cinema 9, no. 2 (May 4, 2015): 190–204. http://dx.doi.org/10.1080/17503175.2015.1058647.

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Phillips, Stephen. "Aversive behaviour by koalas (Phascolarctos cinereus) during the course of a music festival in northern New South Wales, Australia." Australian Mammalogy 38, no. 2 (2016): 158. http://dx.doi.org/10.1071/am15006.

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The effects of short-term disturbances that result in changes to movement patterns and/or behaviour of wildlife are poorly understood. In this study the movements of seven koalas were monitored before, during and after a five-day music festival. During the monitoring program koalas occupied home-range areas of 0.6–13 ha with one or more core areas of activity. Aversive behaviour in the form of evacuation of known ranging areas was demonstrated by three koalas that had core areas within 525 m of the approximate centre of the festival area, the associated responses comprising movements that were

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Hutton, Alison, Lynette Cusack, and Lana Zannettino. "Building public policy to support young people in reducing alcohol-related harm when partying at Schoolies Festivals." Australian Journal of Primary Health 18, no. 2 (2012): 96. http://dx.doi.org/10.1071/py11067.

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Mass gatherings such as Schoolies Festivals are often situated in existing communities. Schoolies Festivals are generally unbounded, transient mass gathering events that are situated within various coastal communities around Australia. Mass gatherings are traditionally examined as separate case studies or through using a mass gathering framework to assess patient safety. However, mass gathering frameworks and single case studies do not go far enough to examine events such as Schoolies Festivals. Schoolies Festivals often consist of a bounded ticketed dry zone for night time activities, surroun

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D. Andersson, Tommy, Henrik Jutbring, and Erik Lundberg. "When a music festival goes veggie." International Journal of Event and Festival Management 4, no. 3 (October 11, 2013): 224–35. http://dx.doi.org/10.1108/ijefm-06-2013-0015.

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Purpose – The purpose of this study is first to describe and discuss an innovative strategy, pursued by a music festival, to reduce the environmental impact by allowing only vegetarian food in the festival area. A second aim is to discuss the effects of the vegetarian strategy for the festival in terms of branding and communication impacts. A third aim is to assess the effect on the ecological footprint of the festival from the vegetarian food strategy. Design/methodology/approach – Festival visitors’ food consumption was surveyed in 2010 (719 responses) and again in 2012 when only vegetarian

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Boaden, Sue. "Art information networks in Asia and the Pacific." Art Libraries Journal 11, no. 4 (1986): 4–7. http://dx.doi.org/10.1017/s0307472200004855.

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As former colonial links and reliance on a technologically-developed ‘West’ recede into the past, Asian and Pacific countries, including Australia, are becoming increasingly aware of one another as neighbours. Circulation of exhibitions, artists’ visits, cultural festivals, government and UNESCO activities, and art publishing, provide a network for sharing art and art information between countries in this region. Among art libraries, those in Australia and New Zealand participate in the network represented by ARLIS/ANZ; the IFLA Section of Art Libraries and its global role offers scope for fur

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Hughes, Caitlin Elizabeth, and Vivienne Louisa Moxham-Hall. "The Going Out In Sydney App: Evaluating the Utility of a Smartphone App for Monitoring Real-World Illicit Drug Use and Police Encounters Among Festival and Club Goers." Substance Abuse: Research and Treatment 11 (January 1, 2017): 117822181771141. http://dx.doi.org/10.1177/1178221817711419.

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Gaining accurate information on illicit drug use and policing in real-world settings is a challenge. This study examines the utility of a smartphone app (‘Going Out In Sydney’) to prospectively follow up illicit drug use and policing encounters at music festivals and licensed entertainment precincts in Sydney, Australia. In all, 38 regular festival and licensed entertainment venue attendees used the app to log nights out over a 3-month period, including (1) where they went (eg, festival, nightclub), (2) the prevalence of illicit drug use, and (3) the incidence and nature of police encounters.

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Janssen, Marty, Sylvester Okeke, Carolyn Murray, Margy Ewing, Heng Lu, Christopher Bourne, and Limin Mao. "STI testing among young people attending music festivals in New South Wales, Australia: exploring the client segmentation concept in the ‘Down to Test’ program." Sexual Health 18, no. 5 (2021): 405. http://dx.doi.org/10.1071/sh21101.

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Background The ‘Down to Test (DTT)’ campaign is a sexually transmissible infection (STI) social marketing intervention delivered through outdoor music festival activations and supported by digital media communications in New South Wales, Australia. This paper investigates whether and how the tailored messages reached the intended audience. Methods Data was collected through three annual rounds of online surveys post campaign exposure, targeting young people (aged 15–29years) attending 14 music festivals in NSW from October 2017 to March 2020. Descriptive statistics, principal component analysi

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Goh, Talisha. "FROM THE OTHER SIDE: FEMINIST AESTHETICS IN AUSTRALIAN MUSICOLOGY." Tempo 74, no. 292 (March 6, 2020): 21–29. http://dx.doi.org/10.1017/s0040298219001141.

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AbstractThe rise of new musicology and feminist music criticism in the 1980s prompted a rethinking of gender in Australian art music spheres and resulted in over a decade of advocacy on behalf of women music makers. Local musicological publications began to cover feminist concerns from the late 1980s, with a focus on composing women. Catalysed by the proliferation of feminist musicology internationally in the 1990s, a series of women's music festivals were held around Australia from 1991–2001 and accompanied by conferences, symposia and special-issue publications. Aesthetic concerns were at th

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Brien, Donna Lee. "Celebration or Manufacturing Nostalgia? Constructing Histories of World Expo '88." Queensland Review 16, no. 2 (July 2009): 73–87. http://dx.doi.org/10.1017/s1321816600005122.

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Brisbane's World Expo '88 changed people's lives, and the memories of Expo '88 are revered more than 20 years on from the event itself. We are very much looking forward to celebrating the anniversary of this very special event with the people of Brisbane, and recreating the unique atmosphere and sense of wonder that Expo '88 created in Brisbane. (Malcolm Snow, South Bank Corporation CEO, in Hoey 2008a)World Expo ‘88, also widely known as ‘Expo '88’ and locally simply as ‘Expo’, was held in Brisbane from April to October 1988, as a key event of the national Bicentennial celebrations commemorati

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FitzGibbon, Sean I., Amber K. Gillett, Ben J. Barth, Brendan Taylor, and William A. Ellis. "Do koalas really get the blues? Critique of ‘Aversive behaviour by koalas (Phascolarctos cinereus) during the course of a music festival in northern New South Wales, Australia'." Australian Mammalogy 39, no. 1 (2017): 108. http://dx.doi.org/10.1071/am16016.

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It is imperative that the reported results of scientific studies are based on sound data analyses and unbiased interpretation, especially where they may be used to guide government policy and regulation. A recent paper by Phillips (2016) evaluated the behavioural response of radio-collared koalas to an inaugural large music festival held in 2010 in northern New South Wales. The study concluded that six of seven koalas showed an aversive response. However, we regard the paper as misleading because it contains serious errors in the examination of koala home ranges and in the subsequent assessmen

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Sorbello, Cav, and Eliane Karsaklian. "RESIDUAL IMPACTS OF COO IN CULTURAL FESTIVALS: A CASE STUDY OF ITALIAN WEEK IN AUSTRALIA." Journal of International Management Studies 16, no. 1 (May 1, 2016): 45–60. http://dx.doi.org/10.18374/jims-16-1.6.

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Healey, Amy, Krista J. Siefried, Mary Ellen Harrod, Erica Franklin, Amy Peacock, Monica J. Barratt, and Jonathan Brett. "Correlates of higher‐risk drug‐related behaviours at music festivals in New South Wales, Australia." Drug and Alcohol Review 41, no. 2 (November 18, 2021): 320–29. http://dx.doi.org/10.1111/dar.13404.

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Hall, Nina L., and Ros Taplin. "Solar Festivals and Climate Bills: Comparing NGO Climate Change Campaigns in the UK and Australia." VOLUNTAS: International Journal of Voluntary and Nonprofit Organizations 18, no. 4 (November 16, 2007): 317–38. http://dx.doi.org/10.1007/s11266-007-9050-8.

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Gabaccia, Donna R. "Global Geography of ‘Little Italy’: Italian Neighbourhoods in Comparative Perspective." Modern Italy 11, no. 1 (February 2006): 9–24. http://dx.doi.org/10.1080/13532940500489510.

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Between 1870 and 1970 the migration of 26 million people from Italy produced an uneven geography of Little Italies worldwide. Migrants initially clustered residentially in many lands, and their festivals, businesses, monuments and practices of everyday life also attracted negative commentary everywhere. But neighbourhoods labelled as Little Italies came to exist almost exclusively in North America and Australia. Comparison of Italy's migrants in the three most important former ‘settler colonies’ of the British Empire (the USA, Canada, Australia) to other world regions suggests why this was the

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Marcus, Julie. "What's at Stake? History Wars, the NMA and Good Government." Cultural Studies Review 10, no. 1 (September 13, 2013): 134–48. http://dx.doi.org/10.5130/csr.v10i1.3548.

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I want to place the fate of the National Museum of Australia (NMA) in the context of some of the political strategies that underpin the electoral placidity and public acceptance of a government so radically reshaping Australian democratic institutions. A national museum that reaches and engages with a national constituency can be an important place for the vigorous public debate that democracy requires. In such a place, political doctrines and dogmas, cultural fantasies and assumptions, historical interpretations and good old common-sense may all be scrutinised as well as confirmed. Such a pla

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Weller, Sally. "Consuming the City: Public Fashion Festivals and the Participatory Economies of Urban Spaces in Melbourne, Australia." Urban Studies 50, no. 14 (April 30, 2013): 2853–68. http://dx.doi.org/10.1177/0042098013482500.

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Hackett, Lisa J. "The neo-pin ups: Reimagining mid-twentieth-century style and sensibilities." Australasian Journal of Popular Culture 9, no. 1 (March 1, 2020): 7–23. http://dx.doi.org/10.1386/ajpc_00012_1.

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Pin Up style has made a comeback with dozens of pin up competitions featuring at retro car festivals and events across Australia. A sub-culture has grown up around this phenomenon, with boutiques, celebrities and online influencers celebrating its aesthetic. I refer to this group as ‘neo-pin ups’ to differentiate them from the pin ups of the mid-twentieth century. Despite heralding the style and beauty of 1940s and 1950s pin ups, these neo-pin ups bear little resemblance to their mid-century counterparts. Researchers such as Madeleine Hamilton have investigated the era of the original Australi

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Dutch, Martin J., and Kristy B. Austin. "Hospital in the Field: Prehospital Management of GHB Intoxication by Medical Assistance Teams." Prehospital and Disaster Medicine 27, no. 5 (July 19, 2012): 463–67. http://dx.doi.org/10.1017/s1049023x12000994.

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AbstractIntroductionRecreational use of gamma-hydroxybutyrate (GHB) is increasingly common at mass-gathering dance events in Australia. Overdose often occurs in clusters, and places a significant burden on the surrounding health care infrastructure.ObjectiveTo describe the clinical presentation, required interventions and disposition of patrons with GHB intoxication at dance events, when managed by dedicated medical assistance teams.MethodsRetrospective analysis of all patrons attending St. John Ambulance medical assistance teams at dance events in the state of Victoria (Australia), from Janua

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Gration, David, Maria Raciti, and Gabby Walters. "Back to nature." International Journal of Event and Festival Management 6, no. 3 (October 19, 2015): 282–302. http://dx.doi.org/10.1108/ijefm-02-2015-0008.

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Purpose – The purpose of this paper is to explore festivalgoer/camper perceptions of and responses to the non-urban festival service environment (blended festivalscape). Design/methodology/approach – For this exploratory study a quantitative approach was adopted. A self-administered online survey was administered to recipient members of an Australian non-urban festival e-newsletter database resulting in 398 usable responses from festival campers. Findings – Environmental beliefs held by festival campers’ influenced their perceptions of naturescape, socialscape and overall satisfaction. Festiva

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Murray, Simone, and Millicent Weber. "‘Live and local’?" Convergence: The International Journal of Research into New Media Technologies 23, no. 1 (January 24, 2017): 61–78. http://dx.doi.org/10.1177/1354856516677531.

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Literary festivals throughout the English-speaking world have been enthusiastic adopters of digital technology: uploading podcasts of author talks, posting videos of panel sessions to video-sharing sites such as YouTube, inviting guest bloggers to comment on proceedings and encouraging live-tweeting as a means of reinforcing audience members’ participatory agency. Such innovations serve to expand festivals’ reach to encompass dispersed audiences and, moreover, increase the longevity of previously transient events. They hence provide evidence to justify writers’ festivals’ claims on public fund

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Hutton, Alison, Christine Savage, Jamie Ranse, Deb Finnell, and Joan Kub. "The Use of Haddon’s Matrix to Plan for Injury and Illness Prevention at Outdoor Music Festivals." Prehospital and Disaster Medicine 30, no. 2 (February 27, 2015): 175–83. http://dx.doi.org/10.1017/s1049023x15000187.

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AbstractIntroductionMass-gathering music events, such as outdoor music festivals (OMFs), increase the risk of injuries and illnesses among attendees. This increased risk is associated with access to alcohol and other drugs by young people and an environment that places many people in close contact with each other.AimThe purpose of this report was to demonstrate how Haddon’s matrix was used to examine the factors that contributed to injuries and illnesses that occurred at 26 OMFs using data from the Ranse and Hutton’s minimum data set.MethodsTo help understand the kinds of injuries and illnesse

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Fileborn, Bianca, Phillip Wadds, and Stephen Tomsen. "Sexual harassment and violence at Australian music festivals: Reporting practices and experiences of festival attendees." Australian & New Zealand Journal of Criminology 53, no. 2 (February 14, 2020): 194–212. http://dx.doi.org/10.1177/0004865820903777.

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Despite the well-documented under-reporting of sexual violence, to date, no research has considered reporting practices within the specific context of music festivals. Drawing on 16 in-depth interviews with victim-survivors, this article examines survivors’ experiences of (non)reporting sexual violence in festival settings. We argue that while some barriers to reporting are shared across contexts, others play out in context-specific ways. Our research argues that the liberal, often transgressive culture of music festivals, combined with site-specific policing practices and spatial context, cre

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Moffitt, Sally. "Book Review: Food, Feasts, and Faith: An Encyclopedia of Food Culture in World Religions." Reference & User Services Quarterly 58, no. 4 (October 25, 2019): 264. http://dx.doi.org/10.5860/rusq.58.4.7163.

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The alliterative Food, Feasts, and Faith: An Encyclopedia of Food Culture in World Religions brings together information about the uses of food and drink within the faith practices of well-known religions with global adherents such as Buddhism, Christianity, Hinduism, Islam, and Judaism as well as lesser-known faith communities and sects such as Candomblé, Rastafari, Santeria, and the indigenous peoples of Africa, Australia, and America. Articles, which follow a standard A to Z arrangement, cover customs (fish on Friday), food stuffs (rice), drink (wine), people (Guru Nanak), festivals (Qingmi

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Loreck, Janice, Sian Mitchell, Whitney Monaghan, and Kirsten Stevens. "Looking Back, Moving Forward." Camera Obscura: Feminism, Culture, and Media Studies 35, no. 2 (September 1, 2020): 159–69. http://dx.doi.org/10.1215/02705346-8359640.

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The Melbourne Women in Film Festival (MWFF) is a four-day event in Melbourne, Australia, that supports and celebrates the work of Australian women filmmakers. Launched in 2017, the festival emerged from our desire as screen academics to increase the visibility of both professional and amateur women filmmakers and their work. Despite a strong history of grassroots and state-supported women’s creative cultures in Australia, women have remained marginal within the domestic screen industry. Women filmmakers are also underrepresented within the global festival circuit. This article traces the curat

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Hutton, A. "(A276) Young People at Mass Gathering Events: Data Collection Tools and Findings." Prehospital and Disaster Medicine 26, S1 (May 2011): s76. http://dx.doi.org/10.1017/s1049023x11002603.

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BackgroundDuring the summer months in Australia, school leavers celebrate their end of school life at Schoolies festivals around the nation. These events are typically described as a mass gathering as they are an organised event taking place within a defined space, which is attended by a large number of people.Discussion and ObservationsTwo research projects were undertaken to understand the Schoolies phenomenon. The first project was to understand the event as a mass gathering. The second to determine what was important to stay safe and healthy at this event from a young person's perspective.

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Kuppers, Petra. "Outsider Histories, Insider Artists, Cross-Cultural Ensembles: Visiting with Disability Presences in Contemporary Art Environments." TDR/The Drama Review 58, no. 2 (June 2014): 33–50. http://dx.doi.org/10.1162/dram_a_00345.

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Disability is highly visible in contemporary performance festivals and art venues. Traveling from the disability performance ensemble work of Theater Hora and Jérôme Bel, to Javier Telléz's installation Artaud's Cave at dOCUMENTA(13) in Kassel, and on to the Australian Back to Back Theatre's Ganesh versus the Third Reich at the Bodies of Work festival in Chicago raises the pressing questions: How and why is disability art and performance becoming so visible? And for whom?

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Eales, Alison. "Music Festivals and Regional Development in Australia. By Chris Gibson and John Connell. Farnham: Ashgate, 2012. 252 pp. ISBN 978-0-7546-7526-6." Popular Music 33, no. 1 (January 2014): 175–77. http://dx.doi.org/10.1017/s0261143013000706.

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Noble, Alistair. "Bendigo International Festival of Exploratory Music (BIFEM) 2015." Tempo 70, no. 275 (December 7, 2015): 94–95. http://dx.doi.org/10.1017/s0040298215000753.

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Each September, contemporary music enthusiasts, composers, scholars and performers from around Australia migrate toward the Victorian regional city of Bendigo for BIFEM, a remarkable music festival now in its third year. The festival has established itself as an annual event of unparalleled significance in Australia – not only as a forum for the presentation of exciting and little-heard music, but as a gathering of like-minded peers. A high proportion of the audience consists of musicians and composers, so informal conversations between concerts are almost as stimulating as the programmed foru

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Whitford, Michelle, and Lisa Ruhanen. "Indigenous Festivals and Community Development: A Sociocultural Analysis of an Australian Indigenous Festival." Event Management 17, no. 1 (April 1, 2013): 49–61. http://dx.doi.org/10.3727/152599513x13623342048149.

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Chirakranont, Rangson, and Sirijit Sunanta. "Craft Beer Tourism in Thailand." Tourism Analysis 26, no. 2 (April 14, 2021): 237–39. http://dx.doi.org/10.3727/108354221x16079839951493.

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The craft beer movement and craft beer tourism are a new global phenomenon that has reached various parts of the world. However, the literature on craft beer tourism mostly focuses on traditional origins of craft beer in Western countries—the US, Australia, and European countries. This research note illustrates how a study of the Thai craft beer movement and craft beer tourism could contribute to the existing body of knowledge. The consumption of non-Western people in non-Western places has been underrepresented in the literature of food and beverage tourism. The craft beer movement has spread

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