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Erofeeva, E. V., und I. A. Obukhova. „Constructing the Image of Feminism in Russian Media: A Corpus Study“. SibScript 25, Nr. 1 (14.03.2023): 35–46. http://dx.doi.org/10.21603/sibscript-2023-25-1-35-46.
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As any social movement, feminism finds its reflection in the media. Media are a full-fledged institution capable of shaping public consciousness, targeting particular social groups, setting standards of mass behavior, and determining the main directions of social development. This research featured Russian news about feminism in terms of event structure. It covered news headlines published in Russian media in 2014-2021 and retrieved via the Smi2.ru media aggregator. Feminism-related headlines were automatically extracted from a dataset of 8,954 headlines. The subcorpus was analyzed in the Semograph Information System, which made it possible to classify texts, obtain frequency data on certain classes, and establish connections between them. The frequency data analysis was represented as a graphical model of the news space in the field of feminism using the SciVi visualizer. The event and thematic analyses revealed a three-level classification. The media usually informed about events where participants belonged to various social groups that protested against something, e.g., people or performances. The news informed about the actions and reactions of media people and about art sphere. The article introduces a graphical model that shows the links between event components in the headlines. It demonstrated three main areas of action in the field of feminism: art, media, and feminist movements. Each of these fields has its own core and structure. The media sphere appeared to be closed on itself; the art-related news agenda focused mostly on social matters; the field of feminist movements was associated with counteracting and involved descriptions of radical actions. When informing about feminism, the media construct an alternative reality that differs from the real issues that feminism aims at resolving.
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Wang, Xiaopei. „Comparison and Analysis of Feminism in China and the West: A Case Study of the 1950s“. Communications in Humanities Research 1, Nr. 1 (21.12.2021): 111–15. http://dx.doi.org/10.54254/chr.iceipi.2021246.
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1950 is a very special period for the development of feminism in both China and the West. The Peoples Republic of China was just established and the West was experiencing the second wave of feminist. However, the feminism in these two areas developed in different ways, that Chinses feminism is the state feminism while the West is liberal feminism. This kind of difference results from the different social environment, especially the political policy in China and the West. The Communist Party of China took feminism as a tool to consolidate socialist construction, so it launched the feminist movement from top to bottom. The second feminism in the West is a bottom-up movement for women to fight for their own rights and interests, and they use magazines and other mass media as a means of struggle. By comparing the difference of the feminism in China and the West, the flaws of these two kinds of development of feminism could also be shown.
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Wang, Xiaopei. „Comparison and Analysis of Feminism in China and the West: A Case Study of the 1950s“. Communications in Humanities Research 1, Nr. 1 (21.12.2021): 111–15. http://dx.doi.org/10.54254/2753-7064/1/iceipi_246.
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1950 is a very special period for the development of feminism in both China and the West. The Peoples Republic of China was just established and the West was experiencing the second wave of feminist. However, the feminism in these two areas developed in different ways, that Chinses feminism is the state feminism while the West is liberal feminism. This kind of difference results from the different social environment, especially the political policy in China and the West. The Communist Party of China took feminism as a tool to consolidate socialist construction, so it launched the feminist movement from top to bottom. The second feminism in the West is a bottom-up movement for women to fight for their own rights and interests, and they use magazines and other mass media as a means of struggle. By comparing the difference of the feminism in China and the West, the flaws of these two kinds of development of feminism could also be shown.
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Josephine, Josephine, und Gregorius Genep Sukendro. „Representasi Feminisme dalam Film Seri Marvel (Analisis Semiotika John Fiske pada Film Serial She-Hulk: Attorney at Law)“. Koneksi 7, Nr. 2 (05.10.2023): 481–90. http://dx.doi.org/10.24912/kn.v7i2.21612.
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The film is one form of popular mass media which is packaged in such a way that the message it carries can be conveyed. A Film is a popular form of mass media that is widely used by the public. A film's story is packaged in such a way that the message it conveys is conveyed. The film's values can have cognitive, affective, and conative effects on the audience. She-Hulk: Attorney at Law, a 2022 Marvel Cinematic Universe production, is no exception. What is interesting to examine is how the film portrays feminism. The goal of this research is to determine the meaning of the semiotic code in relation to feminism at three levels: reality, representation, and ideology. This study employed descriptive qualitative methods, with John Fiske's semiotic theory approach, such as the codes of television. The result of this research shows that the values of feminism at the reality level are shown through appearance, costume, make-up, behavior, dialogue, and expression code. At the representation level, the values of feminism are shown through camera, lighting, music and sound, conflict, and action. Liberal feminism is the ideological value of feminism that is represented, for which women can claim equality with men based on essential human capitalism as a moral reasoning agent. Film merupakan salah satu bentuk media massa populer yang dikemas sedemikian rupa agar pesan yang dibawa dapat tersampaikan. Pesan-pesan dan nilai-nilai yang terkandung dalam film dapat mempengaruhi penonton baik secara kognitif, afektif dan konatif. Tak terkecuali film seri produksi Marvel Cinematic Universe pada tahun 2022 berjudul She-Hulk: Attorney at Law. Yang menjadi menarik untuk diteliti adalah bagaimana representasi feminisme ditampilkan melalui film tersebut. Tujuan dari penelitian berikut adalah mencari tahu arti kode-kode semiotika tentang feminisme pada level realitas, level representasi dan level ideologi. Analisis ini dilakukan dengan metode kualitatif deskriptif, dengan pendekatan teori semiotika John Fiske, dan menggunakan teori kode televisi. Hasil penelitian ini merepresentasikan beberapa nilai feminisme pada level realitas berdasarkan penampilan, kostum, riasan wajah, tingkah laku, dialog, dan kode ekspresi. Pada level representasi nilai-nilai feminisme direpresentasikan melalui kamera, pencahayaan, musik dan suara, konflik, narasi, dan aksi. Serta level ideologi, yang memuat nilai-nilai feminisme direpresentasikan adalah aliran feminisme liberal, hal ini mengartikan bahwa perempuan dapat menuntut hak yang sama dengan laki-laki dalam argumen moral yang dapat dibenarkan dari esensi kapitalis laki-laki.
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Montana, Andrea Yovanny, und Ahmad Junaidi. „Pengaruh Instagram @Feminist Terhadap Perubahan Pandangan Standar Kecantikan Wanita Indonesia“. Kiwari 1, Nr. 1 (01.03.2022): 54. http://dx.doi.org/10.24912/ki.v1i1.15503.
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The daily life of Indonesian people have been affected a lot by social media. Communication is more often done through social media than in person, especially during the pandemic. This makes social media have a big influence on people's perceptions. Social media that has a big influence on Indonesian society because of the large number of enthusiasts is Instagram. Instagram @FEMINIST is an account that discusses feminism issues. One of the worrying issues of feminism is about women's beauty standards. The purpose of this study is to determine the effect of Instagram @FEMINIST on changes in the views of Indonesian women's beauty standards. Quantitative methods is the method this study uses. The population in this study are followers of the @FEMINIST Instagram account. The sample taken is 100 respondents. Data was obtained by distributing questionnaires using a Likert scale with the indicators of Media Exposure and Body Image theory. The results of the Hypothesis Testing obtained using IBM SPSS version 22.0 For Windows obtained a significance value of 0.000 <0.05 with a t-count of 6.461 > 1.984 so it can be concluded that the hypothesis test or t-test is acceptable. So H0 is rejected and H1 is accepted, which shows that Instagram @FEMINIST exposure has a positive effect on the view of Indonesian women's beauty standards. Kehidupan sehari-hari masyarakat Indonesia telah banyak dipengaruhi media sosial. Komunikasi lebih sering dilakukan melalui media sosial dibandingkan secara langsung, terutama saat masa pandemi. Hal ini membuat media sosial memiliki pengaruh besar terhadap persepsi masyarakat. Media sosial yang berpengaruh besar pada masyarakat Indonesia karena banyaknya peminat adalah Instagram. Instagram @FEMINIST merupakan akun yang membahas mengenai isu-isu feminisme. Salah satu isu feminisme yang mengkhawatirkan adalah tentang standar kecantikan wanita. Tujuan penelitian adalah untuk mengetahui pengaruh instagram @FEMINIST terhadap perubahan pandangan standar kecantikan wanita indonesia. Penelitian ini menggunakan metode kuantitatif. Populasi dalam penelitian ini adalah followers dari akun instagram @FEMINIST. Sampel yang diambil berjumlah 100 responden. Data diperoleh dengan menyebarkan kuesioner yang menggunakan skala likert dengan indikator teori Terpaan Media dan Body Image. Hasil Uji Hipotesis yang didapat menggunakan IBM SPSS versi 22.0 For Windows diperoleh nilai signifikansi sebesar 0,000 < 0,05 dengan t hitung 6,461 > 1,984 kesimpulannya adalah uji t uji hipotesis atau uji hipotesis dapat diterima. Hasilnya H0 ditolak dan H1 diterima, yang bermaksud Terpaan Instagram @FEMINIST berpengaruh positif terhadap pandangan standar kecantikan wanita Indonesia.
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Harinanda, Salsabila Astri, und Ahmad Junaidi. „Representasi Feminisme Pada Film Disney Live-Action Mulan“. Koneksi 5, Nr. 2 (29.09.2021): 269. http://dx.doi.org/10.24912/kn.v5i2.10299.
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Film is a mass media that presents a story in audio-visual form. This research aims to see how are the representation of feminism in the Disney Live-Action Mulan film. The method used is descriptive qualitative research methods with semiotic as data analysis techniques. Data are collected using the methods of documentation, observation, and literature study. The signs of the film were analyzed using Roland Barthes' semiotic model two-stage of signification, which are the denotation, connotation, and myth stages. This film shows the discrimination that happened in women due to patriarchal ideology. The results of this study indicate that the Disney Live-Action Mulan film dominantly represents the flow of liberal feminism, existentialism feminism, and radical-libertarian feminism through its main character, Hua Mulan. Hua Mulan's feminist behavior can be seen from her that are opposing discrimination and standards as a woman, performing male roles, able to be a leader, takes risks and being responsible, independent, able to gets recognition, and proving that she is able to give honor to her family. This film has a meaning that a woman can give honor to her family by being herself, and can have the right to be treated equally and also the right to determine and be responsible for her way of life.Film merupakan salah satu jenis media massa yang menampilkan cerita dengan bentuk audio visual. Penelitian ini bertujuan untuk melihat bagaimana representasi feminisme pada film Disney Live-Action Mulan. Metode yang digunakan adalah metode penelitian kualitatif deskriptif dengan teknik analisis data semiotika. Data yang dikumpulkan menggunakan metode dokumentasi, observasi, dan studi pustaka. Tanda-tanda dari film dianalisis dengan menggunakan model semiotika signifikasi dua tahap Roland Barthes yaitu tahap denotasi, konotasi, dan mitos. Film ini memperlihatkan diskriminasi yang terjadi pada perempuan yang disebabkan ideologi patriarki. Film Disney Live-Action Mulan secara dominan merepresentasikan aliran feminisme liberal, feminisme eksistensialisme, dan feminisme radikal-libertarian lewat tokoh utamanya yaitu Hua Mulan. Perilaku feminisme Hua Mulan terlihat dari perilakunya yang melawan diskriminasi serta standar sebagai perempuan, mampu melakukan peran laki-laki, menjadi pemimpin, berani mengambil resiko dan bertanggung jawab, independen, mendapat pengakuan dan membuktikkan bahwa ia mampu memberi kehormatan untuk keluarganya. Film ini dapat memiliki makna bahwa seorang perempuan dapat memberikan kehormatan pada keluarganya dengan menjadi dirinya sendiri, dan dapat memiliki hak untuk diperlalukan secara setara dan hak untuk menentukan dan bertanggung jawab atas jalan hidupnya sendiri.
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Gustema, Nurul Huda, und Dr Wening Sahayu. „Feminism Values in the Posters of Yogyakarta’s Students Demonstration: The #Gejayanmemanggil“. Lingua Cultura 14, Nr. 1 (31.07.2020): 23–29. http://dx.doi.org/10.21512/lc.v14i1.6234.
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The research aimed to examine feminism values on the posters of Yogyakarta’s students’ demonstration the #Gejayanmemanggil. Data collection technique was conducted by reading and note-taking techniques. From social media (Instagram), read the posters for several times, made a reduction for the data, and analyzed the feminism values which were reflected in the data based on the discourse or textual aspects. In the findings, the use of feminist languages, which contained the feminism values was revealed, in order to correlate it with the previous studies and theories. It was affected by the positive and negative meanings of the words and their impact on the audience. Discourse analysis was the proper way to examine the hidden ideologies of discourse. It revealed the discursive structures and manipulative language of the speakers or writers. The results reveal that the posters on the demonstration #Gejayanmemanggil contain feminism values as reflected in the feminist languages which support the ideology. Therefore, based on the findings of the research which conducts a discourse analysis in examining mass communication, language has enormous powers in appealing to emotions, manipulating someone’s thoughts and behavior, as well as misrepresenting the realities.
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Tally, Margaret J. „Mass Media and the Shaping of American Feminism, 1963-1975“. Journal of American Culture 27, Nr. 3 (September 2004): 345–46. http://dx.doi.org/10.1111/j.1537-4726.2004.141_15.x.
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Winarti, Rinni. „Tantangan Peran Wanita dalam Demokrasi di Masa Sekarang dan Yang Akan Datang“. Jurnal Iman dan Spiritualitas 3, Nr. 2 (07.09.2023): 307–18. http://dx.doi.org/10.15575/jis.v3i2.28035.
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Sekarang masalah feminisme banyak bermunculan, baik di media maupun melalui seminar-seminar membahas isu-isu perempuan dan gender seperti hubungan yang setara, kesehatan reproduksi, hingga ketimpangan gender di berbagai sektor. Sehingga penulis merasa penting untuk mengambil tema ini sebagai pilihan pembahasan yang dituangkan dalam sebuah penelitian. Perselisihan gerakan feminisme dan anti-feminsme menuntut hak perempuan dalam persamaan tersebar luas dibanyak negara di dunia termasuk Indonesia dan Jerman. Feminisme adalah gerakan yang berfokus pada perjuangan hak-hak perempuan dan kesetaraan gender. Feminisme adalah serangkaian gerakan sosial, politik, dan ideologi yang memiliki tujuan yang sama, yaitu untuk mencapai kesetaraan gender di berbagai aspek kehidupan, termasuk politik, ekonomi, pribadi, dan sosial. Gerakan ini berangkat dari pemahaman bahwa masyarakat cenderung memprioritaskan perspektif laki-laki dan bahwa perempuan seringkali diperlakukan secara tidak adil dalam masyarakat tersebut. Penelitian ini membahas gerakan anti feminisme, yang muncul sebagai tanggapan terhadap perkembangan gerakan feminisme di Indonesia dan Jerman dalam beberapa dekade terakhir. Studi penelitian memilih negara Inonesia dan Jerman, karena gerakan anti feminism di Indonesia mewakili dari kaum muslim, dan Jerman mewakili dari kaum liberal. Gerakan anti feminisme mengkritik gagasan-gagasan feminis dan berusaha untuk menentang perubahan sosial yang diusulkan oleh gerakan feminisme. Ketidaksetujuan mereka bukan tanpa alasan, karena konsep feminisme dianggap sebagai hal yang kontroversial dan melanggar hubungan alami antara laki-laki dan perempuan. Penelitian ini akan mengeksplorasi akar penyebab gerakan anti-feminisme, argumen-argumen yang dikemukan oleh para pendukungnya, tantangan yang dihadapi oleh gerakan feminism, serta implikasi sosial dan politik dari gerakan anti-feminisme.
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., Rully, Abdul Basit und Muji Prabella. „FEMINISM IN ‘AFTER 11’ AN ADVERTISIMENT OF BUKALAPAK“. Profetik: Jurnal Komunikasi 13, Nr. 1 (05.09.2020): 168. http://dx.doi.org/10.14421/pjk.v13i1.1963.
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Abstrak. Perkembangan era digital saat ini telah memperlihatkan transformasi nyata dari perubahan ruang periklanan. Iklan dalam bentuk film telah menjadi bagian dari media massa sebagai salah satu media representasi yang merupakan cerminan dari masyarakat. Bukalapak melalui YouTube, membalut makna feminisme dalam kemasan film AFTER 11 yang sekaligus merupakan iklan untuk membangun pandangan agar masyarakat lebih berdaya. Dengan memperlihatkan figur perempuan seorang ibu yang tidak hanya berkiprah di ranah domestik, namun dapat melakukan aktifitas ataupun pekerjaan yang bersifat maskulin. Karakter perempuan yang menyadari kebebasannya membuat menarik untuk menguak dan menelitinya dari sisi feminisme, dengan menggunakan analisis semiotika Roland Barthes yang memaparkan denotasi, konotasi dan mitos. Kesimpulan dari penelitian ini menunjukan bahwa ada ideologi feminisme yang ingin dibawa oleh Bukalapak melalui media iklan dalam film AFTER 11, bahwa perempuan saat ini dapat beraktifitas sebebas-bebasnya tanpa perlu khawatir dan mampu berperan ganda dalam memenuhi kebutuhan anaknya, selain itu juga Bukalapak ingin mendobrak stereotip menjadi pengusaha harus dengan modal yang besar dan biasanya hal ini hanya dapat dilakukan oleh kaum kapitalis, namun dengan Bukalapak, UKM atau individu, ataupun hanya seorang ibu rumah tangga, dapat berdaya dan tangguh.Abstract. The development of the digital era today has shown a real transformation of the changing advertising space. Advertising in the form of films has become part of the mass media as one of the media representations that are a reflection of society. Bukalapak through YouTube, wrapped the meaning of feminism in the AFTER 11 film packaging which is also an advertisement to broaden views so that people are more empowered. By showing a female figure as a mother who not only takes part in the domestic sphere, but also carry out activities or jobs that are masculine. The character of women who realize their freedom makes it interesting to uncover and examine it from the side of feminism, using Roland Barthes's semiotic analysis which presents denotations, connotations and myths. The conclusion of this study shows that there is an ideology of feminism that Bukalapak wants to bring through the advertising media in the film AFTER 11, that women today can work as freely as possible without worrying and being able to play a dual role in meeting their children's needs, besides that Bukalapak also wants to break stereotypes being an entrepreneur must be with big capital and usually this can only be done by the capitalists, but with Bukalapak, UKM or individual, or just a housewife, can be empowered and resilient.
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Mendelman, Lisa. „Who Are We? Feminist Ambivalence in Contemporary Literary Criticism“. American Literary History 32, Nr. 1 (04.12.2019): 190–200. http://dx.doi.org/10.1093/alh/ajz051.
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Abstract Feminism exists in a perpetual identity crisis—with a vexed past, an unstable present, and an uncertain future. A scholar interested in this charged identity must manage such existential conditions in order to enable their transformative ambitions. Historicizing Post-Discourses (2017), Bodies of Information (2019), and Selling Women’s History (2017) take up this cognitive and corporeal challenge and largely meet it. In these three books, feminism’s endemic ambivalence becomes a resource for literary and cultural criticism. Focused on popular, digital, and material cultures in the twentieth- and twenty-first-century US, these volumes dramatize the merits and drawbacks of irresolution and resist a definitive conclusion about what feminism, both past and present, necessarily means for contemporary scholarship. Instead, we get alternative archives and, hopefully, better practices. Analyzing mass media, data visualizations, and consumer products, these studies engage new materials to flesh out the gendered, racialized human body at their common center. They rethink feminist historiography and demonstrate the myriad ways in which the sense of an ending continually renews and unsettles feminism’s search for a useable past. These works aim to create strategic alliances: they drive at embodied, material concerns, foreground questions of pedagogy and other modes of public interchange, and embrace a style of advocacy that rejects such extreme position-taking and instead embraces ambivalence.
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Song, Yitian. „Research on Male Gaze in Mass Media Opinion Guidance from the Perspective of Feminism“. BCP Business & Management 31 (05.11.2022): 313–17. http://dx.doi.org/10.54691/bcpbm.v31i.2598.
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This paper is a study and analysis of the gender consciousness embedded in the mass media in the news reports. Social media provides women with an open and inclusive discourse field in the way of autonomous and interactive expression, which also produces female discourse different from that in the context of mass media. In the process of civilization construction, the role composition of mass media not only reflects many social problems, but also participates in the construction of people's social cognition. From the perspective of mass media, we can get a glimpse of the current situation of gender. To be specific, from the perspective of the brand new social and cultural phenomenon and concept of "male gaze", this paper will take criminal news released by the official media as real case, and further analyze and criticize the potential gender opinion guidance in the press release of China’s official media based on the change of social gender consciousness and the awakening of feminism.
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Blake, Stephanie. „Book Review: Mass Media and the Shaping of American Feminism, 1963-1975“. Journal of Communication Inquiry 29, Nr. 1 (Januar 2005): 88–91. http://dx.doi.org/10.1177/019685990502900107.
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Whelehan, Imelda. „‘The Bloodless Revolution’: Feminism, Publishing and the Mass Media in Weldon'sBig Women(1997)“. Women: A Cultural Review 19, Nr. 1 (April 2008): 37–48. http://dx.doi.org/10.1080/09574040801919963.
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Nwachukwu, Charles, und Onyebuchi Udochukwu Joel. „Jadesola Osiberu’s Isoken: A Filmic Postulation for Feminism“. Studies in Media and Communication 7, Nr. 1 (29.05.2019): 49. http://dx.doi.org/10.11114/smc.v7i1.4306.
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While other media of mass communication such as Television, Radio and Print have to contend, largely, with the expectations of informing, educating and entertaining, film ascends over all these to find a niche in “expressing”. Film, therefore, can set out for the singular purpose of expression. This study intends to analytically expose those indicators and determinants of feminism locked in within the film content of Isoken, a 2017 Nollywood movie produced and directed by Jadesola Osiberu. These components should lend evidence to the central argument in this paper that this particular film displays a strong tendency towards feminist sentiments.The Feminism Theory is, aptly, adopted to buttress the standpoint here. A theoretical study, it utilizes the qualitative research approach, relying on personal analysis and interpretation of the film. It found that a good number of elements exist within the film content to suggest that ISOKEN leans sufficiently towards feminism. These include Isoken's defiance of communal and family values, the predominantly female cast as well as the brazen usurpation of certain privileged roles that the Nigeria society had hitherto reserved for men, amongst others.The study concludes that both the scriptwriter and the director have succeeded in focusing on the female gender and putting forward female related issues. Wittingly or unwittingly, they have also ended up producing a film that is clearly within the sphere of feminism. Thus, this paper has added to the activity level in that particular aspect of knowledge, whilst also increasing available stock.
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Suryanto, Nathan, und Nigar Pandrianto. „Tinjauan Semiotika Desakralisasi Posisi Laki-Laki dalam Film ‘Seperti Dendam, Rindu Harus Dibayar Tuntas’“. Koneksi 8, Nr. 1 (13.03.2024): 41–50. http://dx.doi.org/10.24912/kn.v8i1.21694.
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This research will discuss the desacralisation of men in the film 'Seperti Dendam, Rindu Harus Dibalas Tuntas'. The film tells of various social conflicts, including discrimination against women and making women mere objects. But on the other hand, the women in the film have a heroic nature and have the same strength as men. Therefore, this film is interesting to study in seeing the desacralisation of the position of men throughout the film. This research uses the theoretical basis of mass media, mass communication, feminism and semiotics. This research uses a qualitative approach with data collection methods of observation, documentation and interviews. As a result, the film contains many scenes that show the desacralisation of men. To strengthen the desacralisation, the film shows the discriminatory side towards women. The film shows that women can fight back and have the same power as men. The film is also very much related to feminist views, with a rebuttal to misogynist views. Penelitian ini akan membahas mengenai desakralisasi terhadap kaum laki-laki dalam film ‘Seperti Dendam Rindu Harus Dibalas Tuntas’. Film tersebut menceritakan berbagai konflik sosial termasuk diskriminasi terhadap kaum perempuan dan menjadikan perempuan sebagai objek belaka. Namun di sisi lain, kaum perempuan pada film tersebut memiliki sifat yang heroik dan memiliki kekuatan yang sama dengan kaum laki-laki. Oleh karenanya, film ini menjadi menarik untuk diteliti dalam melihat desakralisasi terhadap posisi kaum laki-laki yang ada sepanjang film. Penelitian ini menggunakan landasan teori media massa, komunikasi massa, feminisme dan semiotika. Penelitian ini menggunakan pendekatan kualitatif dengan metode pengumpulan data observasi, dokumentasi dan wawancara. Hasilnya, film banyak mengandung adegan-adegan yang menunjukkan desakralisasi kaum laki-laki. Untuk memperkuat desakralisasi tersebut, film menunjukkan sisi diskriminatif terhadap kaum perempuan. Film menunjukkan bahwa perempuan dapat melawan dan memiliki kekuatan yang sama dengan laki-laki. Film ini juga sangat berkaitan dengan pandangan feminisme dengan bantahan terhadap pandangan misoginis.
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Azizah, Isnawati Nurul, und Marini. „Analisis Narasi Media Pada Film Asma Amr M Salama“. Komsospol 1, Nr. 2 (21.09.2022): 116–45. http://dx.doi.org/10.47637/komsospol.v1i2.588.
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Film is one form of mass communication that is popular in Indonesia. Film is the result of a creative process combined with today's technology. Film, which is part of the mass media, is a medium of communication. Asma Amr Movie. Salama is a film that depicts the existence of Egyptian women and their struggle against the stigma of discrimination. This research is a qualitative research with descriptive method. This study also uses a qualitative approach and constructivism paradigm as well as narrative analysis by Tzvetan Todorov. The conclusion is the narrative of the story can be seen. There is an element of feminism, so the researcher sees a conformity with the theory by Tzvetan Todorov.
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Luo, Yajingyue. „A Study of the Image of Women in Film Themes from a Feminist Perspective“. Communications in Humanities Research 3, Nr. 1 (17.05.2023): 1099–103. http://dx.doi.org/10.54254/2753-7064/3/2022883.
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Film, as an essential mass media resource, has a significant social, political, economic, and cultural impact. This essay will examine the process and reasons for the transformation of female representations on the screen by combining cultural notions and ideals of female roles in Chinese and Western film works. At the same time, it examines the role of film in society from a feminist standpoint. This study investigates the genesis and transition of feminism, as well as the development trend of the female image, through literature research, case analysis, and comparative description. It can be found that China has increasingly acknowledged the influence of Western feminist ideals in the long process of creating the image of women through network resources, historical documents, and other information transmission methods, resulting in a significant change in the image of female characters in Chinese films.
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Siklosi, Kate. „‘Dream’, ‘Spellbound’ and ‘Skin’“. Explorations in Media Ecology 20, Nr. 2 (01.06.2021): 227–31. http://dx.doi.org/10.1386/eme_00087_1.
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With these pieces, I’m exploring the rich history of wimmin’s handicraft as a feminist poetic praxis. In today’s saturated, technomediatic world, domesticity and handcraft often get left out of discussions of ‘media ecologies’. What happens when we incorporate the feminist practices of care, fragility, uniqueness, domesticity and craft into an increasingly digitized and mass-produced means of publishing and sharing literary work? Using found objects, Letraset and thread, these ‘offline’ poetic works explore an unmediated intimacy with poetic materials; in the tactility of hand-to-object care and contact, an oft overlooked ethics of intimacy and vulnerable surfaces. With these pieces I am also thinking alongside the work of feminist theorist Sara Ahmed who thinks of feminism as ‘a fragile archive, a body assembled from shattering, from splattering, an archive whose fragility gives us responsibility: to take care’. Against the masculinist impulse for permanence and enduring legacy in poetics, these pieces make space for radical openness: working with transient and precarious materials and media not only quells the ego, but allows for a greater responsiveness to and engagement with the world and the conditions that shape it.
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Kay, Jilly Boyce. „Speaking Bitterness“. Feminist Media Histories 1, Nr. 2 (2015): 64–89. http://dx.doi.org/10.1525/fmh.2015.1.2.064.
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This article explores the six-part television debate series No Man's Land, which was broadcast on ITV in Britain in 1973. It argues that the program is a historically significant example of the public orientation of the women's liberation movement and its engagement with, rather than straightforward hostility toward, the mass media. The program was produced by women who were active in the women's liberation movement; it was presented by the feminist Juliet Mitchell; and its studio audience was populated by, among others, many women who were aligned with the movement. The format of No Man's Land mixed short documentary films that were explicitly concerned with the structural oppression of women and discussion with a studio audience in response to the themes of these films. The article reflects on how television texts such as No Man's Land tend to be absent from existing popular and academic histories; it suggests that dominant understandings of the relationship between the mass media and the women's liberation movement as mutually antagonistic frequently function to close off the spaces where such texts might be considered. Through close analysis of the program and its reviews in print media, it considers the problems and possibilities of and constraints on early second-wave feminists who appropriated and operated within mass-media—and specifically televised—forms. It also points to the importance of socialist feminism as a discursive context for British television in the early 1970s.
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Huda Abdullah Abdulateef Al-Hassani. „Adapting the Grimms: Going Against Patriarchy in Singh’s Movie Mirror Mirror“. Journal of the College of Education for Women 33, Nr. 3 (28.09.2022): 36–52. http://dx.doi.org/10.36231/coedw.v33i3.1618.
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Many cinematic adaptations were produced for the Grimms’ “Little Snow-White” (1812) including Mirror Mirror movie (2012), the contemporary version adapted by Taresm Singh. Singh’s version was able to depict the modern reality of women and went against patriarchy by embracing feminist ideologies of the fourth-wave feminism. Therefore, he challenged the ideologies of the mainstream cinema dominated by the patriarchal élite’s capitalist mode of production that still adhere to the stereotyped patriarchal image of women’s ‘victimization,’ ‘objectification’ and ‘marginalization,’ which did not represent women’s modern reality anymore. This paper, however, is a qualitative study aimed to prove that the feminist ideologies could only be retained after a cultural transformation process from the patriarchal élite culture to the popular culture of mass media after the World War II, which noticeably affected women’s image in the cinema. And thus, this paper is an analytical study of Mirror Mirror that used the analytical textual and production approaches to popular culture along with the Marxist and feminist film theories to unfold the feminist ideologies prevailed in the movie. The study has concluded that the cultural transformation from the patriarchy into the popular culture of mass media led to the emergence of counter-cinema or cinefeminism that encouraged the reversing of the traditional gender roles in cinema. It has also shown that class conflict and economic power caused by the cultural transformation helped in redefining women’s role and place in society. Thereby maintaining the feminist ideologies of the fourth-wave’s ‘women’s empowerment’ positively affected women and girls to reflect their modern reality
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Mudita Aryacetana und Santi Delliana. „Women's Image Exploitation in Television News of Aisha Weddings“. Proceedings Of International Conference On Communication Science 2, Nr. 1 (10.11.2022): 195–211. http://dx.doi.org/10.29303/iccsproceeding.v2i1.102.
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Women's images in the media are exciting. When the role of women in society shifts, the media will shape public perception. Verbal exploitation has ended. Aisha Weddings presents women as commercial products by selling early marriage, unregistered marriage, and polygamy in the media. This study aims to show the depiction of the exploitation of the image of women in Aisha Weddings on television. The approach used is qualitative with a critical paradigm, and Roland Barthes' semiotic analysis method consists of Denotation, Connotation, and Myth. The results of this study indicate that Aisha Weddings uses the image of women in the mass media in 3 categories, namely the image of the pillar that the image of women is considered the main object in forming a harmonious family, the image of the contest that women can meet the needs of their husbands both physically and mentally as a wife, and the image of association that women are considered to have unstable emotional and thinking aspects. The phenomenon of exploitation carried out by Aisha Weddings is included in the sexualization of news by using image objects and writing down articles or photo captions whose contents corner the image of women in society and pornography using female adolescent models as supporting images. There are three streams of Feminism contained in the news of Aisha Weddings on television, namely Liberal Feminism marked by Aisha Weddings forming the image of young women to get married immediately to have a better and secure future, Marxist Feminism marked by Aisha Weddings forming a class system in marriage making men feel more in control of women's lives. Existentialist Feminism is characterized by women having only two roles, namely the role of mother and wife.
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Bado, Danti Atikasuri. „WOMEN REPRESENTATION IN INDONESIAN AND AMERICAN MARRIAGE MOVIES“. Journal of Literature, Linguistics, & Cultural Studies 1, Nr. 1 (31.10.2022): 286–305. http://dx.doi.org/10.18860/lilics.v1i1.2387.
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Feminism has been a big issue in society since long ago. Furthermore, it is frequently discussed in the mass media. Not only that, but the issue of feminism is also often incorporated into literary works such as novels, narratives, and films. Many movies have brought gender equality matter as an element of their story. One of the ways to know that is by analyzing their discourse and language style in representing women. Therefore, the researcher used the feminist stylistics analysis theory by Mills (2005). The research was conducted on two movies from Indonesia and America with romantic genre and marriage life. The two movies titled “Surga Yang Tak Dirindukan” and “The Other Woman”. This research using the qualitative research method and constructivism, aims to get a detailed and newest result. Based on many previous types of research, this research aims to give the latest update on women’s representation in Indonesian and American marriage movies using an analysis of the language style used in the movies. The researcher also hopes to find differences and similarities in the language style used to represent women in those two movies. Research results found that women are represented differently in Indonesian and American marriage movies.
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Nascimento, Daniela De Almeida. „(Con)figurações femininas nos desvãos da ordem patriarcal: uma leitura feminista de A vida sonhada das boas esposas, de Possidónio Cachapa / (Con)figurations in the Patriarchal Breaks: A Feminist Reading of A vida sonhada das boas esposas, by Possidónio Cachapa“. Revista do Centro de Estudos Portugueses 41, Nr. 65 (27.12.2021): 127. http://dx.doi.org/10.17851/2359-0076.41.65.127-143.
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Resumo: Fundamentando a investigação no feminismo decolonial (LUGONES, 2020; VÈRGES, 2019), o propósito deste trabalho é empreender uma discussão acerca do modo como se apresentam personagens femininas e as relações de gênero no século XXI no romance português contemporâneo A vida sonhada das boas esposas (2019), de Possidónio Cachapa. As personagens femininas constituem o fio condutor de uma narrativa situada em um Portugal cosmopolita contemporâneo que, embora interligado pelas tecnologias das redes sociais, mantém resquícios de ditames que remetem aos ideais de família nuclear propagados pelo Estado Novo (1933-1974). Assim, discurso e poder patriarcal perpassam e são determinantes das relações sociais da narrativa, sobretudo as que envolvem a protagonista Madalena que, apenas após a morte do marido, percebe-se como sujeito e passa a experimentar a vida desse novo lugar, a partir do qual estabelece relacionamentos próprios e não mais circunscritos ao seu papel social de esposa. Considera-se o feminismo como pressuposto filosófico do romance uma vez que a narrativa aponta, por meio das figurações femininas, para modelos existenciais múltiplos. Trata-se, portanto, de uma inscrição de modelos existenciais diversos no lugar da tradicional identidade feminina única, fixa e presa aos papéis de gênero estabelecidos por uma ordem patriarcal que, não obstante, ainda apresenta vestígios de um pensamento colonial.Palavras-chave: feminino; figuração; feminismo; Possidónio Cachapa.Abstract: Supporting the investigation in Decolonial Feminism (LUGONES, 2020; VÈRGES, 2019), this work aims to lead a discussion about how female characters as well as gender relations in the 21st century are presented in the contemporary Portuguese novel A vida sonhada das boas esposas (2019), by Possidónio Cachapa. The female characters compose the thread of a narrative placed in a cosmopolitan and contemporary Portugal that, while connected by the social media technologies, shows traces of the Novo Estado (1933-1974) diktat ideals about nuclear families. Therefore, the patriarchal discourse and power are determining of the social relations in the narrative, mainly the ones involving the protagonist Madalena who, only after her husband’s death, realizes she is a subject and comes to experience life in this new place where she establishes her own relationships no longer based on her social wife role. Feminism is considered the philosophical foundation of the novel once it points to multiple existential models through female figuration. Consequently, it is an inscription of diverse existential models instead of the fixed gender roles established by a patriarchal order. Nevertheless, there are still vestiges of a colonial thought.Keywords: female; figuration; feminism; Possidónio Cachapa.
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Nasution, Lia Anggia. „Sejarah Pers Perempuan di Sumut (Studi Analisis Wacana Kritis Perspektif Feminis dalam Konten Koran ‘Perempoean Bergerak’ di Sumut)“. JURNAL SIMBOLIKA: Research and Learning in Communication Study 5, Nr. 1 (27.04.2019): 59. http://dx.doi.org/10.31289/simbollika.v5i1.2293.
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<p>This study has three main objectives. First, to observe the concept of feminism inside Perempoen Bergerak newspaper’s contents that echoed by journalists in 1919-1920. Second, to observe the working process of Perempoen Bergerak’s redaction “kitchen” as well as the relation of women and men that gave birth to this newspaper. Third, to discover the correlations between Perempoen Bergerak newspaper and women’s movement at that time. This study uses critical discourse analysis method with feminist perspective. The model used in this study is a three-dimensional analysis of Norman Fairlough which illustrates that every event using language is a communicative event consisting of three dimensions namely ; text, discourse practice, and sociocultural practice. Moreover, this study also uses feminist perspective and gender. The researcher found an unequal relationship because men still did not value women equally. The Ethical Political policies imposed by the Dutch at that time greatly influenced the social context of this newspaper. Freedom to taste open education, including freedom to organize, spawns and disseminates ideas for the advancement of women through mass media.</p>
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Cimdiņa, Ausma. „Anglicisma gender tulkošana un adaptācija kā kritiskās domāšanas impulss literatūras un kultūras studijās“. Aktuālās problēmas literatūras un kultūras pētniecībā: rakstu krājums, Nr. 25 (04.03.2020): 287–98. http://dx.doi.org/10.37384/aplkp.2020.25.287.
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Nowadays, gender and sexuality have become the object of global interdisciplinary research, and, searching the common grounds for the description of the issue, a brand-new theoretical category of “gender” is being developed in the frames of the Anglophone feminist theoretical discussion. The category acquires its meaning in the frames of the “sex – gender” opposition and is meant as the distinction between a human’s biological self (sex) and the socially constructed conceptions about social roles and functions. Introducing the theoretical concept of “gender” into the international communication outside the Anglophone linguistic space, new theoretical, methodological, translation and adaptation problems have been revealed, especially in the languages, where the category of the grammatical gender is strongly related to the lexical and grammar field and the creation of the “sex – gender” opposition seems to be controversial. “Gender” in the nowadays English language functions as a poly-semantic category – the notions of “sex” and “gender” are used interchangeably or as partial synonyms. Various terminological solutions are being found for the recreation of the category in other languages, taking into consideration the field and contextual meaning. Translating European gender equality political documents into Latvian, the notion “dzimums” is mostly used. Various terms – “dzimums”, “dzimte”, “dzimumsocialitāte”, “dženders” – are used interpreting the works of feminism theoreticians. The mass media do not often translate the term, using the variants “dženders” or “genders”, often in the pejorative meaning, connecting it to some type of genderism ideology, foreign to the Latvian mentality and traditional culture. The aim of the article is to offer an insight into the theoretical discussions about the search for “gender” terminological equivalence outside the Anglophone linguistic space that flourished in the Western academic feminism in the 1980s and 1990s. The article is devoted to the most characteristic problematic cases related to the adaptation of the notion into the vocabulary of the Latvian humanities and social sciences and mass media.
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Diego, Diego. „FEMINISME DALAM COVER KOMIK SRI ASIH SEBAGAI KOMIK KLASIK PERTAMA INDONESIA“. TINGKAP 12, Nr. 2 (01.10.2016): 136. http://dx.doi.org/10.24036/tingkap.v12i2.7553.
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Comic is one of the mass media product that is very popular in the 1950s. Indonesian Comic at beginning was only in form of strip comic in a newspaper and then came on demand from the public for the compiled strip comic. Then, up to the merged comic of Sri Asih, written by RA. Kosasih, and later known as the first comic indonesia which was written and painted by Indonesian native.Before the comic of sri asih arouse, the community were introduced by translated foreign comic that had been popular in their origin country. This research aims to define feminism originate in Sri Asih comic that described with qualitative research methodology. The comic of Sri Asih is analyzed by using Semiotics Charles Pierce which consists of sign, object and interpretation. The result showed that of abuse and violence against womens both in the verbal and nonverbal became the reason for the emergence of feminism in Sri Asih comic besides women situation that occurs in the 1950s and the publisher demands on RA Kosasih to make comic titled superheroes. This research also shows radical cultural feminism in Sri Asih comic as form of fight represented by Sri Asih in achieving the objective of gender equality between man and woman.Keywords: Feminism, Charles Pierce semiotics, Sri Asih Comics
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Bratich, Jack Z. „U.S. Feminism, 1968 and Mediated Collective Intellectuality“. Journal of Communication Inquiry 42, Nr. 3 (17.04.2018): 290–99. http://dx.doi.org/10.1177/0196859918770854.
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In response to the editorial call to examine the legacy of 1968 and critical intellectual formations, this short paper maps some of the feminist intellectual practices in and out of the university system around that era. The paper focuses on intellectuality defined via three features: publication, pedagogy, and peer development; in sum, peer transmission of analysis and know-how. Along the way, we find parallel educational institutions, small scale media production, biopolitical information transmission, and underground support networks. 1968 was a pivotal year for the development of collective intelligence within movements, forged through media ecologies, using academia as a site and resource while not being contained in it. This feminist intellectual production illuminates contemporary feminist mediated intellectuality as part of the “Long ’68.”
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Sydorenko, Olha, Olena Bondarenko und Maryna Sadymaka. „GENDER NARRATIVES IN THE MASS MEDIA:FEMINITIVES vs MASCULINATIVES“. Fìlologìčnì traktati 14, Nr. 1 (2022): 126–34. http://dx.doi.org/10.21272/ftrk.2022.14(1)-13.
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The article describes the trendsin the use of feminitives and masculinatives in media discourse in view of their lexical-semantic and formal-grammatical properties in the context of observing gender-correct speech.The application of the descriptive method made it possible to characterize the formal-grammatical and lexical-semantic properties of feminine and masculine forms; 2) the analysis of dictionary definitions contributed to the establishment of lexical-semantic groups of representatives of social gender in the language of mass media; 3) the modeling method made it possible to determine the lexical-grammatical models of verbalizers of social gender; 4) the contextual-interpretive method made it possible to reveal stereotypical tendencies in the functioning of feminitives and masculinatives.A means of achieving gender-correct communication is gender-sensitive speech -the use of language resources, in particular, feminine vocabulary to designate women by occupation or profession, with the aim of avoiding gender discrimination in media speech in particular. The Ukrainian language has a significant potential for maintaining gender-correct speech: gender lexemes represented by masculine or feminine grammes; bigender -from a grammatical point of view, split into two generic forms, devoid of immanent signs of femininity / masculinity, but able to name both female and male persons by type of activity or profession; agender, which are characterized by the systematic independence of gender characteristics from the grammatical gender, can be expressed by any gender grammes.In the mass media discourse, there is a tendency to activate feminisms, which is a vivid manifestation of the language policy aimed at expanding this lexical-semantic group, establishing a gender culture in the language. At the same time, the use of feminitives in the language of mass media has not become systematic: there are lexical gaps in the names of women's professions, gender asymmetry (grammatical and semantic), which are explained by the situational-pragmatic use of bigender and agender tokens as names of women according to their social roles; there are manifestations of stereotypical ideas about the social roles of men and women.
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Arifin, Sharifa, und Muhammad Syukron Anshori. „Studi Semiotik Feminisme pada Film Marlina Si Pembunuh dalam Empat Babak (Analisis Semiotika Roland Barthes)“. Jurnal Indonesia Sosial Sains 3, Nr. 2 (15.02.2022): 191–200. http://dx.doi.org/10.36418/jiss.v3i2.540.
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Background : Film is one of the modern mass communication media as an information medium that has the ability to convey messages. One of the Indonesian films that carries the theme of feminism is the film Marlina The Murderer in Four Acts which is also directed by a woman, Mouly Surya. Objective : To find out more about the signs of feminism that exist in the two characters Marlina and Novi in the film Marlina The Murderer in Four Acts directed by Mouly Surya. Methods : This study uses a qualitative approach to the theory of semiotic analysis of Roland Barthes. The primary data used is data obtained directly from the object of research, namely the film Marlina The Killer in Four Acts and secondary data obtained from scientific sources that can support this research. significant two stages and their mythical elements. Results : This film tells the story of a woman who struggles against the patriarchal system where she gets violence and sexual harassment and the resistance of women in this film is very different from the stereotype in general where women are described as gentle figures. Conclusion: The results of this study show signs of feminism with two female characters with different characters but able to fight, this film indicates feminism but has an element of masculinity. In this film, it is legal to use masculine attributes to seize the goals of feminism, which in this study femininity cannot be limited by symbols and attributes.
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Nurrahmad, Taufiq, und M. Yoserizal Saragih. „URGENSITAS PUBLIC RELATION DALAM MEMPERJUANGKAN AKSI FEMINISME MELALUI MEDIA JURNALISTIK ONLINE DI KOTA MEDAN“. Jurnal Indonesia : Manajemen Informatika dan Komunikasi 4, Nr. 3 (10.09.2023): 1092–97. http://dx.doi.org/10.35870/jimik.v4i3.317.
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Public relations is a group of people who pay attention to the same things, have the same goals, and the same interests. Public is a collection consisting of a small number and can also be a large number. Public relations is always related to communication. Communication is an important aspect of life. This study aims to educate that the problem of femenism is a big and complicated problem. Public relations and journalists must take part in this movement where public relations as spokespersons and journalists who are a forum for liaison between public relations and the community both through mass media, online media, and most interestingly through social media. This research was conducted through observation to find out the direct situation of how the people of Medan responded to public relations efforts in handling feminism actions and cases in the city of Medan. The process of data collection and information collection is carried out in the form of primary and secondary data collection. Primary data were obtained from field observations in the form of direct visits to the research location by conducting direct interviews with resource persons, namely Mr. Heriyono and Mrs. Nuri and several UINSU students. Secondary data is obtained from: articles, literature, theses, scientific journals, and scientific reports related to public relations and feminist action through online media. The data obtained from the results of this study were collected, then processed and analyzed using descriptive qualitative research methods
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Anindya, Annisa, und Defhany Defhany. „Feminisme dan Stereotip Gender dalam Iklan Produk Kecantikan“. JESS (Journal of Education on Social Science) 3, Nr. 2 (31.10.2019): 113. http://dx.doi.org/10.24036/jess/vol3-iss2/159.
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Submission of patriarchal cultural ideologies makes inequality in gender identity. The ideology states that gender should have certain characteristics that are perpetuated from time to time. A stereotype of gender identity was formed which was then displayed in various social interactions, including in the mass media, especially advertising. Gender bias, inequality of women's representation, and women objectification are found in advertisements, especially for beauty products. Feminism is the rationale for this study related to the objectification of these women. But this research will explain how women are forever not only objects, but also begin to show themselves as subjects.
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Navarro, Celina, und Òscar Coromina. „Discussion and mediation of social outrage on Twitter: The reaction to the judicial sentence of "La Manada"“. Communication & Society 33, Nr. 1 (07.01.2020): 93–106. http://dx.doi.org/10.15581/003.33.37295.
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In recent years, digital feminism has been prominent in the international public sphere and the massive release of individual testimonies of violence against women has had an important presence on social media. In Spain, the reaction to the judicial sentence of the La Manada case, which only convicted the five men accused of abuse, rather than rape, provoked a public outrage that was negotiated on social networks and was later displayed in mass demonstrations across the country. The aim of this study is to analyze the reaction that took place on Twitter on the day of the ruling of the sentence (26 April 2018) and how the dominant frames were initiated and stabilized on Twitter. With a sample of almost 500.000 tweets, the posts achieving most retweets per hour and the most salient media objects (including hashtags, visual content and links) have been analyzed based on the framing theory. Media objects have been explored through flowcharts allowing the visualization of the evolution of the dominant messages. The results show a hegemonic conversation on Twitter against the ruling of the court with a high presence of feminist demands. Furthermore, the analysis of the evolution of the main frames shows that the different Twitter affordances allow rapidity in the negotiation of the dominant messages. This paper contributes to the understanding of the articulation of framing from a complex perspective including media objects such as images and URLs that broaden the layers of meaning of the Twitter discourse on collective actions.
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Kim, Sumi. „Feminist Discourse and the Hegemonic Role of Mass Media“. Feminist Media Studies 8, Nr. 4 (Dezember 2008): 391–406. http://dx.doi.org/10.1080/14680770802420303.
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Medrado, Andrea Meyer, und Ana Paula Muller. „Maternal Rights Digital Activism and Intersectional Feminism: an Analysis of the Independent Media Platform “Cientista Que Virou Mãe”“. Brazilian Journalism Research 14, Nr. 1 (30.04.2018): 174–201. http://dx.doi.org/10.25200/bjr.v14n1.2018.1055.
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This article seeks to obtain a deepened understanding of the phenomenon of maternal rights digital activism, drawing from an analysis of Cientista Que Virou Mãe (CQVM or Scientist who became a mother, in Portuguese), a blog which became an independent media platform. By doing this, we hope to fill an important research gap as little is written on the relationships between motherhood, feminism and the media. Based on preliminary evidence, we also wish to suggest that the CQVM platform can be located within the context of digital activism, arguing that the latter has lots to benefit from incorporating the perspectives of intersectional feminism. In order to achieve this, our study has a netnographic inspiration, analyzing one particular event that was significant in the history of the CQVM platform as it echoed the voices of black mothers. Neste artigo, buscamos compreender o ativismo digital materno a partir da análise de um blog que passou a operar como uma plataforma de mídia independente: o Cientista Que Virou Mãe (CQVM). Gostaríamos de apresentar os indícios que revelam que esta plataforma atua como importante iniciativa de ativismo digital materno. Tanto nos estudos feministas, como nos estudos de comunicação e mídia, este recorte, mais voltado para a análise das relações entre maternidade, feminismo e mídia, é relativamente pouco trabalhado. Após localizarmos a plataforma CQVM dentro do contexto do ativismo digital materno, destacamos que tal fenômeno pode ser beneficiado por uma maior incorporação das perspectivas do feminismo interseccional. Para demonstrar esse ponto, adotamos uma abordagem de inspiração (n)etnográfica, analisando um evento marcante na história da plataforma, o qual trouxe à tona as vozes das mulheres e mães negras. El objetivo de este artículo es conducirnos una comprensión más profunda del fenómeno del activismo digital materno, a partir de un análisis de Cientista Que Virou Mãe (CQVM, La Cientista que se Convirtió en Madre, traducido al español), un blog que se convirtió en una plataforma de medios independientes. A partir de aqui, esperamos llenar una brecha de investigación importante ya que se escribe poco sobre las relaciones entre la maternidad, el feminismo y los medios. También deseamos sugerir que la plataforma CQVM se pueda ubicar dentro del contexto del activismo digital, argumentando que este último tiene mucho que beneficiarse al incorporar las perspectivas del feminismo interseccional. Para cumplir con este propósito, nuestra investigación adopta una inspiración (n)etnográfica, analizando un evento particular que fue significativo en la historia de la plataforma CQVM ya que se manifestaron más fuertemente las voces de las madres negras.
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Baskynbayeva, Nazym, Aliya Massalimova, Aliya Omirbekova, Aizhan Kuderina und Zharkynbek Abikenov. „Trends in the Transformation of Gender Stereotypes: Representation of Women’s Image in the Modern Media Space of Kazakhstan“. Changing Societies & Personalities 8, Nr. 2 (19.07.2024): 443. http://dx.doi.org/10.15826/csp.2024.8.2.282.
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The purpose of the study is to assess the transformation of women’s image in the modern media space of Kazakhstan. Using a mixed research approach, including a literature review, analysis of advertising materials, and expert surveys, the authors determine the role of the media in shaping the image of women. The results demonstrate that despite the growing trend towards diversity in women’s roles, traditional stereotypes persist, especially in the context of traditional gender roles. The findings emphasize the importance of addressing gender inequalities in different sectors, including politics, business, and public participation. The gradual transformation of women’s roles reflects social shifts influenced by globalization, feminism, and technological advances. The study underscores the need for further efforts to combat gender stereotypes and promote diverse portrayals of women in mass media. Despite the progress achieved, continued research, political measures, and initiatives to promote media literacy are needed to create a media landscape that would foster gender equality and expand the rights and opportunities of women in all spheres of social life.
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Intania, Ade Naura, Dwi Ajeng Widarini und Bayquni. „Female Sensuality on Screen“. LONTAR: Jurnal Ilmu Komunikasi 10, Nr. 2 (30.12.2022): 74–83. http://dx.doi.org/10.30656/lontar.v10i2.4759.
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Mass media is one of the important things in human life to get information and entertainment. Mass media, one of which is television, has been around for a long time and has used women as an attraction. Women are used for their bodies and sensuality in television programs to make them more attractive and serve as entertainment content. This study aims to determine the semiotic analysis of the exploitation of women's sensuality and to find out the semiotic representation of the exploitation of women's sensuality in the Tonight Show NET.TV program, especially the episode on February 21, 2020. The method used is Roland Barthes' Semiotics and the theory of Gender, Expression, and Feminism as theory supporting this research. In general, the results of the analysis of this study found that the denotative, connotative, and mythical meanings contained in the NET.TV Tonight Show Program were seen from several signs such as the appearance of female guest stars, facial expressions, and dialogue between the host and guest stars that showed sexual context so that the show is entertaining and funny. This ultimately represents the exploitation or use of women's sensuality even in the form of jokes or chatter. For that, a great awareness is needed not to use women in the mass media industry, as well as educating the public about gender equality.
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Stefiany, Tasya, und Suzy S. Azeharie. „SEMIOTICS STUDY OF BANKING ADVERTISEMENT ON YOUTUBE (A STUDY OF WOMEN’S CONSTRUCTION IN BANKING ADVERTISEMENT)“. International Journal of Application on Social Science and Humanities 1, Nr. 1 (20.02.2023): 809–16. http://dx.doi.org/10.24912/ijassh.v1i1.25947.
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Advertising is mass communication because one way of delivering it is through online media, namely YouTube. There are many advertisements on YouTube, but the author chose banking advertisements from the Bank Tabungan Negara (BTN) entitled "Because Life Is Not Just About Today", Bank Syariah Indonesia (BSI) entitled "United for Indonesia", and Bank Jabar Banten (BJB) entitled "Indonesia Resilient, Indonesia Grows". In these three advertisements, there are depictions of female figures by profession. This study aimed to find out how women construct banking advertisements on YouTube. This study uses a descriptive qualitative research approach with semiotic research methods. The theories that are used in this research are mass communication theory, new media, feminism, and the spiral of silence. The research data were obtained from observations of scenes in advertisements, documentation, and literature studies. The results show that the construction of women in banking advertisements on YouTube is that women do not only do domestic work, namely being housewives, but women are now active in the public sphere and can become various professions. Even a profession that men generally dominate, now women can do that.
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Numan, Haitham. „The Multimodal Framing Demands by Protesters’ Signs in Social Media“. Contemporary Arab Affairs 15, Nr. 3-4 (September 2022): 7–33. http://dx.doi.org/10.1525/caa.2022.15.3-4.7.
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Using the Iraqi Tishreen movement as a case study, this paper applies frame and content analysis to explore the multimodal framing of the 2019 popular protests in Iraq to understand how protesters’ signs framed mass demands on social media. It analyses themes in the signs used by Iraqi protesters during the October 2019 uprising which were later posted on social media. The author collected 2113 posts from social media (Facebook, Twitter, and Instagram), including digital images of people holding protest materials, graphic designs, and placard designs. Images of protesters and their signs were considered material data. The author stopped compiling images after finding duplicates. The images included textual and visual signs as well as icons and symbols. The analysis revealed four major themes and messages intended by the protesters: a willingness to sacrifice for the nation, national unity, feminism, and demands. The theme of the demands is divided into 14 subthemes, such as ending militias, the separation of religion and state, and the rejection of sectarianism. The findings revealed Iraqi political expression on social media and the developments of Arab visual protest culture.
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Lindsay, Angus. „Swallowing the Black Pill: Involuntary Celibates’ (Incels) Anti Feminism within Digital Society“. International Journal for Crime, Justice and Social Democracy 11, Nr. 1 (01.03.2022): 210–24. http://dx.doi.org/10.5204/ijcjsd.2138.
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Involuntary celibates (incels) are part of the online ‘manosphere’ and have been widely discussed in contemporary media in recent years due to their involvement in several offline mass murders. This article presents empirical data that specifically map aspects of the incel worldview: the ‘black pill’. Analysis of online discussion forums demonstrates how incels believe society is ordered through a hetero-patriarchal racial hierarchy and justify their sexlessness through beliefs rooted in biological determinism and victimisation by women and feminism. It is argued that the black pill is a disciplinary device that aids in building a digital counter-public that engenders a collective incel identity. Further, the article argues that the black pill produces a form of ‘stochastic terrorism’ in which users interpret its spectrum of beliefs to enact harms from online gender-based hate speech through terrorist violence in the offline world. As a point of departure, the article argues that incel counter-publics transcend the false distinctions between online and offline; both ‘worlds’ contribute to the (re)production of incel anti-feminism and misogyny.
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Jiaxuan, Qi. „A Study of Framing in Social Media News Report“. Communications in Humanities Research 15, Nr. 1 (20.11.2023): 9–12. http://dx.doi.org/10.54254/2753-7064/15/20230523.
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As Chinese software spreads all over the world, TikTok has been used by most Americans, but recently, one of the states of America that proposals to ban this app for citizen in this state, and the TikTok will against this ban. Despite the vast research by scholar on mass media, little is known about framing in media news reports. Many different news reports have confirmed the necessity of constructing a framework of news. This study aims to determine how framing could better frame a news report and make different influences. For this purpose, this study uses two kinds of news reports from two different media outlets to compare the framework of each report. Besides, the framing of news has the same effect in some aspects, such as the field of feminism and political relations field. Through the application of news framing in these areas, it can be used for research the meaning of framing. Framing of news report can construct different reports form which can create different impacts in publics minds.The results show that different frame constructs explanations which can cause different influence on public.
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Kotliuk, Galyna. „POSTFEMINIST FEMININITY IN POP CULTURE DISCOURSES OF THE 1990s AND 2000s“. CULTURE AND ARTS IN THE MODERN WORLD, Nr. 23 (30.06.2022): 47–56. http://dx.doi.org/10.31866/2410-1915.23.2022.260785.
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The concept of postfeminism has become one of the central and most important concepts in feminist cultural studies continually raising a lot of debates and discussions. As an important social and cultural phenomenon, postfeminism has extensively invaded popcultural and media spaces at the turn of the last century, and by doing so has drastically (re)shaped the very concept of femininity in mass culture of the 1990s and early 2000s. The controversial nature of postfeminism has created a new concept of femininity, which was located outside of both patriarchal and feminist discourses. The purpose of this article is to analyse postfeminist femininity in various popular TV series and films of the time, locate their representations of femininity within the existing contemporary postfeminist discourse and trace its impacts on the modern understanding of womanhood. The research methodology consists of comparative analysis and synthesis methods, which have made it possible to identify the main features and key concepts of postfeminism as socio-cultural phenomenon. The historical and cultural approaches as well as the systemic method have allowed us to understand the influence of postfeminism on pop-culture as well as to trace its multifaceted relations to public media discourses. The elements of critical and content analyses, as well as the complex processes decomposition method, were used for the assessment of postfeminist theory as a concept-methodological basis for the further analysis of media products in their relation to postfeminist discourses. The scientific novelty lies in analysing the unique sensibilities typical for postfeminism and applying this theoretical knowledge to reinvent female images in pop culture discourses, thus offering a new approach to understanding femininity outside the patriarchal narratives as well as second- and third-wave feminism. Conclusions. The findings of the article provide a new perspective on popular and well-known products of the media industry of the 1990s and 2000s, re-read them within the scope of the postfeminist framework, and offer a new angle of interpretation of femininity at the turn of the last century.
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L.A., Omonua, Akpor E.D. und Olley W.O. „Mass Media Coverage of Women and Gender Inequality“. African Journal of Social Sciences and Humanities Research 6, Nr. 4 (23.08.2023): 150–65. http://dx.doi.org/10.52589/ajsshr-fdl6snq3.
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Gender inequality has been a prevailing matter in Nigeria for many years. Despite efforts by the government and civil society organizations, gender inequality remains a significant problem. The media has played a crucial role in highlighting this issue and bringing it to the forefront of public discourse. However, the views of mass media coverage of women and gender inequality in Nigeria have become an issue that needs constant attention, bearing in mind that, a balanced society is a free and peaceful society. Anchored on the feminist Theory, the paper adopted the survey method. Findings reveal that the media is paying attention to women and gender equality issues, though it could be argued that more frequent coverage would be beneficial to the people. The paper recommends that media organizations engage themselves in researching gender-hood, to investigate the menace engulfing both genders, as well as proffering solutions to it.
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Subrizi, Carla. „Carol Rama and the Beast: Becoming a Woman and Feminism in the Nineties“. Boletín de Arte, Nr. 40 (19.11.2019): 61–67. http://dx.doi.org/10.24310/bolarte.2019.v0i40.5809.
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In 1996, television publicizes the news of a disease that affects cows, bringing them to death. This fact in a few days has a central place in the mass media information. Carol Rama, however, is interested by other aspects: the suffering and agony of the animal, the poses it takes, the obsessiveness of irrepressible movements. The animal and the woman, the madness of the cow and the individual state towards which Rama does not stop addressing, seem to be joining on a fragile threshold, without finding a balance and which remains in the condition of an identity oscillation. The contribution focuses on the presence of the animal in the work of Carol Rama and especially in the nineties, analyzing how the seduction for the disease of the animal reveals the gaze of a woman sensitive to many issues of the most recent feminist theories.
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Polomoshnov, Andrey F., und Lyudmila A. Rykovskova. „Gender Crisis in Modern Society“. Общество: философия, история, культура, Nr. 12 (20.12.2023): 63–68. http://dx.doi.org/10.24158/fik.2023.12.7.
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The aim of the article is to analyze the transformations of gender culture in modern society. Based on the method of comparative analysis of alternative interpretations of these transformations, the thesis about the cri-sis of gender culture in modern Western society is substantiated. The main factors that contribute to the defor-mation of gender identity, in particular urbanization, the spread of non-traditional religious movements, mass media and mass culture, are outlined. Five key manifestations of gender crisis are identified and analyzed: 1) destructive feminism; 2) gender neutrality; 3) transgenderism and transsexualism; 4) LGBT; 5) virtualization of gender roles. It is argued that Western ideology and practice of gender transformation is a destructive attempt to solve the demographic problem. The authors ascertain that it is necessary to take measures to confront the gender crisis and preserve the humanistic principles of traditional gender identity.
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Karpovets, Maksym, Maria Petrushkevych und Olena Shershnova. „The Specifics of Religious Issues in Ukrainian Gender Electronic Mass Media“. Journal of Education Culture and Society 13, Nr. 2 (27.09.2022): 515–30. http://dx.doi.org/10.15503/jecs2022.2.515.530.
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Aim. The purpose of this study was to analyze religious issues in gender and feminist electronic mass media in Ukraine, taking into account the specifics of their policy, audience, and communication strategy Methodology. The empirical methods were gathered by a grouping of sites and electronic media: the official sites, the convergent scanned print media, and the social network Facebook. Overall, the 21 electronic mass media were analyzed. The main method of this research is a discourse analysis of religious topics. The main identified topics are representation of religions, political issues, gender history of religion, female priesthood, dogma of religion, pedagogical and scientific topics, critique of religion/church, anti-gender and religion, LGBT issues, sexuality, body, and religion. Only a small amount of material and topics are dedicated to religion, which is marginalized in the Ukrainian media. Conclusions. Our main conclusion is that the more analytical analysis in the material, the more tolerant the authors are to religion, but not to religious organizations. The sensitive topics of sexual orientation, sexual violence, pedophilia, and abortion rights related to church activities, are raised in the feminist/gender mass media. Originality. The coverage of religious issues depends on the type of media that presents a particular gender discourse: the more radical Ukrainian media in their visions, the less critical and stereotypical the representation of religion. Most Ukrainian gender media reflect general trends in the representation of religion.
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Wardlow, Holly. „Bobby Teardrops: A Turkish video in Papua New Guinea Reflections on Cultural Studies, Feminism, and the Anthropology of Mass Media“. Visual Anthropology Review 12, Nr. 1 (März 1996): 30–46. http://dx.doi.org/10.1525/var.1996.12.1.30.
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Huang, Zirui, Kejie Wang und Fange Zeng. „Research on the Development Trend of the Entertainment Industry from the Perspective of Feminism“. Communications in Humanities Research 22, Nr. 1 (07.12.2023): 274–78. http://dx.doi.org/10.54254/2753-7064/22/20231790.
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The development of the economy has led to the continuous progress and development of the entertainment industry. Nowadays, a variety of entertainment productions occupies an important place in people's lives. Today, with the increasing status of women, the development of the entertainment industry also regards women's preferences and rights as an important one. This paper examines the development trend of the entertainment industry from a feminist perspective. This article believes that with the continuous growth of female consumer groups, the development of the entertainment industry is bound to consider the preferences of female consumers, to produce products that are more in line with women's preferences. This paper finds that this change is inseparable from the mediating role of mass media. At the same time, the development of the entertainment industry and the improvement of women's status are also complementary and jointly promoted. This also shows the importance of women's development and the important role of women in social development.
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Ren, Jiawen. „The Representation of Females in TV Drama: Taking Nothing But Thirty as Cases“. Communications in Humanities Research 6, Nr. 1 (14.09.2023): 45–49. http://dx.doi.org/10.54254/2753-7064/6/20230050.
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The topic of this thesis is to study the performances of female characters in the TV series Nothing But Thirty. The goal is to see if they deconstruct and reimagine female characters' roles in Chinese film and television works. Today, with advances in mass media technology, feminism has become a public issue. In the wake of the #MeToo movement in 2017, there is an emerging trend in the portrayal of women in film and television. The visible presentation of the female image is inseparable from mainstream ideology. Given that Nothing But Thirty can be considered a female-dominated show, it would be interesting to examine the way women are represented on TV. This will help further promote the study of female representation in film and television.
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Zamzuardi, Yosi. „ANALISIS WACANA KASUS PELECEHAN SEKSUAL TERHADAP PEREMPUAN PADA BERITA ONLINE DALAM PERSPEKTIF ANALISIS SARA MILS“. Dialektika: Jurnal Bahasa, Sastra, dan Pendidikan Bahasa dan Sastra Indonesia 6, Nr. 1 (02.10.2019): 36–53. http://dx.doi.org/10.15408/dialektika.v6i1.9750.
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Abstract : This study discusses the discourse of sexual violence that occurs among women in online media coverage. Good media can display balanced information. Various reports related to sexual harassment often experienced by women can be represented in a discourse differently. At present the exploitation of women is carried out through more intellectual and neatly packaged methods, one of which is through discourse revealed in the mass media. Women in the media are positioned visually prominent , but also marginalized in meaning. If this continues, it will reinforce the existence of gender differences between women and men which has implications for the potential for increasing gender oppression with women as victims. The problem discussed in this study is a critical discourse analysis using the theory of Sara Mils. The discussion of Sara Mills around discourse theory makes the discourse of feminism a vortex of study. In addition, it also addresses women's issues such as how women are displayed in text, images, photos and in the news. The focus of this study is to examine 1) how the text experiences bias in representing women in the text, 2) how the marginalization of women is formed in weakening women's position.Abstrak: Penelitian ini membahas tentang wacana kekerasan seksual yang terjadi di kalangan perempuan dalam pemberitaan media online. Media yang baik dapat menampilkan informasi yang berimbang. Berbagai pemberitaan terkait pelecehan seksual sering dialami perempuan dapat direpresentasikan ke dalam sebuah wacana secara berbeda-beda. Saat ini eksploitasi terhadap perempuan dilakukan melalui cara-cara yang lebih intelektual dan dikemas secara apik, salah satunya melalui wacana yang diungkap dalam media massa. Perempuan dalam media diposisikan yang menonjol secara visual, tetapi juga terpinggirkan dalam makna. Hal tersebut jika terus dibiarkan, akan mempertegas adanya perbedaan gender antara perempuan dengan laki-laki yang berimplikasi pada potensi meningkatnya penindasan gender dengan perempuan sebagai korbannya. Permasalahan yang dibahas dalam penelitian ini adalah analisis wacana kritis menggunakan teori Sara Mils. Pembahasan Sara Mills seputar teori wacana menjadikan wacana feminisme sebagai pusaran kajiannya. Selain itu juga membahas isu-isu perempuan seperti bagaimana perempuan ditampilkan dalam teks, gambar, foto serta dalam berita. Fokus penelitian ini yaitu mengkaji 1) bagaimana teks mengalami bias dalam merepresantasikan perempuan dalam teks, 2) bagaimana marginalisasi perempuan terbentuk dalam pelemahan posisi perempuan.