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Dissertationen zum Thema „Feminism and mass media“

Autor: Grafiati

Veröffentlicht am 4. Juni 2021

Zuletzt aktualisiert am 1. August 2024

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1

Dobbs, Rhonda R. „The three musketeers : social process theories, feminism and violence in the mass media /“. Thesis, This resource online, 1996. http://scholar.lib.vt.edu/theses/available/etd-02132009-172539/.

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2

Smith, Ashley Lorrain. „Girl Power: Feminism, Girlculture and the Popular Media“. Thesis, University of North Texas, 1999. https://digital.library.unt.edu/ark:/67531/metadc2200/.

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This project is an interrogation of three examples from recent popular culture of girlculture, specifically texts that target young female consumers: the Spice Girls, Scream and Buffy the Vampire Slayer. These examples are fundamentally different than texts from earlier female targeted generic models because they not only reflect the influence of the feminist movement, they work on feminism's behalf. The project's methodology grows out of feminist film theories and cultural studies theories. One chapter is dedicated to each text, and each reading works to reappropriate girlculture texts for a counter-hegemonic agenda by highlighting the moments when each text manages to subvert its mass mediated conservative biases.

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3

Legge, Janet Helen. „Post-feminism in Cosmopolitan and For Him magazine (FHM) : a critical analysis“. Thesis, Rhodes University, 2013. http://hdl.handle.net/10962/d1005956.

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Cosmopolitan and For Him Magazine (FHM) are, at present, both the most widely read and, therefore, the most popular "white" consumer magazines in South Africa. They both appeal to young audiences of between 18 and 34 years of age, approximately, and target middle-class, educated groups of readers. My interest in Cosmopolitan and FHM lies in their ability to influence and shape their readers' actions, values, identities and relationships, in particular with the other gender. My analysis is focused on the cover pages and the Editor's letters of six copies of each magazine, ranging from April to September 2003, providing me with a corpus of 12 cover pages and 12 Editor's letters. I adopt a critical perspective through the use of Fairclough's (1989) Critical Discourse Analysis, supported by Mills (1995) Feminist Stylistics, McLoughlin's (2000) textual analysis of cover pages and Kress & van Leeuwen's (1996) visual analysis tools. By combining these different methodologies my research falls into what is newly termed Feminist Critical Discourse Analysis (Lazar 2005). The cover page analyses used primarily McLoughlin and Kress & van Leeuwen and provides an element of pure genre analysis, while the analysis of the Editor's letters were subject to Fairclough's three inter-related stages of analysis, namely: a Description of the formal textual elements of the letters, an Interpretation which analyses the processes of text production and interpretation, and lastly an Explanation of the socio-historical context. Through an analysis of these magazines, whose interests are being served and how the readers are shaped and positioned by the magazines can be identified. My analyses revealed conflicting discourses within each magazine, however it was Cosmopolitan that revealed more tension and conflict in terms of identifying and representing women, while FHM subscribed, for the most part, uniformly to the "new lad" ideology. However, while Cosmopolitan attempted to show a forward-thinking and emancipatory view of the roles of men and women in society, both magazines covertly sustain patriarchal dominance and hegemonic masculinity. In conclusion, I reveal the need for consumers of the mass media to become more critically aware of the ideologies that are promoted through the differing tools of the media and that only through this critical awareness can any further movement towards equal relations between men and women be made.
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4

Sibielski, Rosalind. „What Are Little (Empowered) Girls Made Of?: The Discourse of Girl Power in Contemporary U.S. Popular Culture“. Bowling Green State University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1277091634.

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5

Di, Guglielmo Antoinette Christine. „Sex and the city: A postmodern reading“. CSUSB ScholarWorks, 2007. https://scholarworks.lib.csusb.edu/etd-project/3239.

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Sex and the City was a television show that aired on Home Box Office from 1998-2004. The tv show succeeded because of feminist's wanting a modern woman's drama rich in episodes about consumption, women's sexuality, financial independence, fashion and contemporary relationship dynamics. The characters captured and perpetuated just that. The modern take on the ideologies that drive women's perception of personal fulfillment, body image, consumerism, social behavior and values and romantic relationship dynamics made this tv show the phenomena that it became.

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6

Mayo, Tilicia L. „Black Women and Contemporary Media: The Struggle to Self-Define Black Womanhood“. Thesis, Connect to resource online, 2010. http://hdl.handle.net/1805/2102.

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Thesis (M.A.)--Indiana University, 2010.
Title from screen (viewed on February 26, 2010). Department of Communication Studies, Indiana University-Purdue University Indianapolis (IUPUI). Advisor(s): Catherine A. Dobris, Ronald M. Sandwina, Kim D. White-Mills, Kristina H. Sheeler. Includes vitae. Includes bibliographical references (leaves 68-70).

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7

Ettler, Justine. „The Best Ellis For Business: A Re-Examination Of The Mass Media Feminist Critique Of American Psycho“. Thesis, The University of Sydney, 2013. http://hdl.handle.net/2123/10020.

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The Best Ellis For Business analyses the mass media feminist critique of Bret Easton Ellis’s third novel, American Psycho (1991), and employs this to challenge the dominant modes of reading Ellis’s work. The thesis identifies the major shifts in literary criticism about American Psycho, both journalistic and scholarly, and discusses them in relation to the novel’s problematic sexualisation of misogynistic violence. In particular, the neutralisation of the mass media feminist critique in scholarly literary criticism is questioned, then contextualised in terms of the backlash, and finally linked to postmodern defences of the novel that ignore the important role played by the reader. The thesis employs a mixture of narratological and theoretical approaches to perform close readings of the sexually violent scenes. The thesis challenges dominant defences of American Psycho such as the ubiquitous defence of the novel as a satire, as well as the equally prevalent defence of the novel as a postmodern classic. The formalist qualities of the novel, which this thesis claims make it a postmodern parody, prevent the novel from ever being read as a straightforward satire. Further, analyses that focus on the novel’s form at the expense of its content tend to fail to account for the reader’s response to the sexualised violence. This thesis raises the oft-ignored but important issue of reader competence, particularly in relation to the marketing practices of Ellis’s corporate publishers. It will also be argued here that the novel’s excessive ambiguity leaves the reader no choice other than to resort to their biographical knowledge of the author in order to make sense of it. Thus, the thesis rereads the novel in relation to Ellis’s biography, as well as in relation to Ellis’s recent revelations about his sexuality and his interview practice.

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8

Le, Masurier Megan. „Fair go : Cleo magazine as popular feminism in 1970s Australia“. Phd thesis, Department of Media and Communications, 2007. http://hdl.handle.net/2123/7777.

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9

Klokow, Nicole Ann. „Hijacking feminism: representations of the new woman in South African television advertising practice“. Thesis, Nelson Mandela Metropolitan University, 2005. http://hdl.handle.net/10948/381.

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This study examines the extent to which feminism has been appropriated by the consumer culture. As the relationship between consumerism and patriarchy continues to dominate global economic and social practices, this appropriation points to a denial of the social and political importance of the feminist movement. An acknowledgement of our own complicity in the perpetuation of a sexist, racist and classist ideology – along with an understanding of the complicity of the media – is crucial in explaining relations of domination within our society (Thompson 1990). A study of television advertising practice allows us to “explore meaning as a social product, enmeshed in webs of power” (Jordan and Wheedon 1995:543). Consumer ‘freedom’ is the compulsory freedom (Slater 1997), as we buy as many symbols as products. This study shows that for all the ‘strides’ feminism has made, media images of women are largely traditional, prescriptive (although an ironic distance is often implied) or overtly sexualised. Feminism is never mentioned, as women’s gains are presented as ahistorical in a ‘post-feminist’ world. Third wave feminism is an attempt to embrace all feminisms and feminists, working to inject some substance and truth behind advertising’s feminist veneer.

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10

Ling, Qi. „Televising feminism: the Chinese television industry, female television professionals, and neoliberal empowerment“. Diss., University of Iowa, 2018. https://ir.uiowa.edu/etd/6179.

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Television drama is a crucial site where notions of gender, as well as other cultural issues, are formed. Since 2010, the Chinese television industry has shown a growing interest in representing feminism-inflected content, most evident in cashing in on serials centering on a strong female character. These women-centric dramas mark a departure from previous constructions of gender, women, and feminism due to their narrative centrality of women, portrayal of strong female leads, expansion of women’s spheres of action, and endorsement of female power and independence. This dissertation explores the phenomenon, examining what feminist discourses are being represented by juxtaposing them with the social context of gender in China and interrogating how they are shaped by industrial practices. The factors at play in the serial production that have surfaced in this study mainly include female television professionals, textual and narrative conventions, considerations of audience profile, and party-state cultural leadership. Based on textual analysis and interviews with professionals associated with several representative women-centric television dramas, this dissertation found that these social and industrial forces collaboratively shaped the feminist discourses into various forms including the post-feminist and neoliberal feminist tendency, a common-ground form of feminism shared by various sections of society, and a vision of gender that combines traditional feminine roles and a powerful presence in the public sphere. The research raises issues about the role of the television industry in cultivating public understandings of feminism and the relationship between televisual forms of feminism and feminist politics.

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11

Clennett-Sirois, Laurence. „Women blogging in Québec, Canada : surfing between ideals and constraints“. Thesis, University of Sussex, 2013. http://sro.sussex.ac.uk/id/eprint/46815/.

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This thesis explores online practices of women in Québec, a culturally and historically distinct province in Canada that is undergoing rapid social and technological transformations, and analyses the discourses that emerge. It zeroes in on blogging, as a facilitator for exploring, constructing and challenging gendered identities. It draws on and contributes to a growing body of literature that investigates and legitimises women's online writings, an area that remains under analysed. This online ethnography was accomplished through face-to-face interviews with 23 Frenchspeaking women bloggers, home visits and an analysis of their blogs. Using feminist critical discourse analysis, the thesis analyses how informants locate themselves inside and outside traditional and mainstream discourses of femininities. It first explores how participants discuss their blogs using domestic metaphors, thereby linking their online expressions to ideas and ideals of the home. Second, it reveals how bloggers share a common concern with putting forward a favourable self, emphasising personal qualities such as education, respect, affability, and impressive online networks. Third, it analyses self-improvement narratives in participants' interviews and blog entries, examining recurring discussions of personality, values and views; body size and image; emotional and mental health; and professional and homemaking skills. The last chapter underlines how blogging provides women with opportunities for networking, a place to discuss challenges and with a means to claim time for themselves. The thesis draws out the complex engagements in an activity they find pleasurable despite working within mainstream gender role constraints and still facing a digital divide. In both discourse and practice, participants seem at ease with blogging but remain highly influenced by traditional discourses. This gives rise to a sense of contradiction where they feel like they exist, have a public life and make a contribution but also exhibit a sense of compulsion and regulation. They break out of the limits of normative femininities perhaps – at the same time creating new 'women's worlds' – even as the use of blogging reinstates and produces conservative forms of self-management.

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12

Murtagh, Madeleine Josephine. „Intersections of feminist and medical constructions of menopause in primary medical care and mass media: risk, choice and agency“. Title page, table of contents and abstract only, 2001. http://web4.library.adelaide.edu.au/theses/09PH/09phm9851.pdf.

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Includes bibliographical references (leaves 254-288). Examines language used by general practitioners and in mass media to ask 'what are the implications of constructions of menopause for health care practice and public health for women at menopause?'. Presents the findings of qualitative analysis of semi-structured interviews with nine general practitioners working in rural South Australia and qualitative and quantitative analyses of 345 south Australian newspaper articles from 1986 to 1998.

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13

Behrmann, Erika M. „Simulated Social Justice? Paradoxical Discourse and Decision-Making Within Educational Video Games Designed For Social Change“. Bowling Green State University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1491499376185639.

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14

Blankenship, Sara K. „Still on the Sidelines: the Female Experience in Sports Media“. Thesis, University of North Texas, 2014. https://digital.library.unt.edu/ark:/67531/metadc699891/.

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This qualitative study aims to analyze the lived reality of women working in sports media today. Through systematic analysis of 12 in-depth interviews, the findings of this study suggest that the adoption of technological advancements in news media and all associated outlets have created a leveling effect for women due to the demand for highly skilled individuals who can handle the digital demand of modern news production. This study suggests that longtime gender disparities in sports media are experiencing a bit of a reprieve due to the massive digital audience and the need for professionals who can deliver information quickly and efficiently and with accuracy. However, the persistent symbolic annihilation of women as well as hegemonic hiring practices that emphasize aesthetic appeal have created a difficult path for women to move off the sidelines and into roles with more creative and analytical breadth, even with a rapidly increasing demand for jobs in the media industry.

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15

Van, Antwerpen Lee-Anne. „An investigation of the continued relevance of Faludi's Backlash (1992) for the negotiation of gender identity, in the wake of the "Lara Croft" phenomenon“. Thesis, Nelson Mandela Metropolitan University, 2010. http://hdl.handle.net/10948/1129.

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In the 1990s, Susan Faludi’s Backlash: The Undeclared War Against Women (1992) was arguably of signal importance in the thematization of the limits imposed by the media on the negotiation of gender identity. However, the utilization of Faludi’s various analyses, in the interest of rendering social critique, has become progressively more problematic during the first decade of the 21st century. This is because her analyses engage neither with the development of media technologies subsequent to the early 1990s, nor with the way in which such technological developments now engage audiences on a greater multiplicity of levels than before, in a manner that consequently stands to inform their subjectivity to a degree hitherto unimagined. (A good example of the latter would, of course, be the proliferation of interactive exchanges on the World Wide Web). As such, in the light of such technological developments, this treatise is orientated around an investigation of the continued relevance of Faludi’s Backlash (1992) for the negotiation of gender identity in the contemporary era. In particular, its focus falls on West’s film Lara Croft: Tomb Raider (2001), which is considered against the backdrop of the Lara Croft: Tomb Raider phenomenon, which encompasses sequels to the film, online interactive sites, graphic novels, figurines, and video games, among other products. This investigation draws on the reception theory of, on the one hand, Adorno and Horkheimer, and, on the other hand, Stuart Hall.

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16

Darmon, Keren. „Representing SlutWalk London in mass and social media : negotiating feminist and postfeminist sensibilities“. Thesis, London School of Economics and Political Science (University of London), 2017. http://etheses.lse.ac.uk/3547/.

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When SlutWalk marched onto the protest scene, with its focus on ending victim blaming and slut shaming, it carried the promise of a renewed feminist politics. Focusing on SlutWalk London, this study examines representations and selfrepresentations of the protest in British national newspapers, blogs and Tumblr posts to explore how this promise has been negotiated in the contemporary media space. Building on the notion that contemporary media culture is characterised by a postfeminist sensibility, this study asks: how and to what extent is SlutWalk London represented as a feminist intervention in this culture? In particular, how do representations of the protest, by the media and by activists themselves, reproduce or challenge a postfeminist sensibility? Following Rosalind Gill, the thesis conceptualises the elements of postfeminist sensibility as: choice; individualism and empowerment; natural difference; irony and knowingness; and a view of feminism as passé or ‘done wrong’. The elements of feminist sensibility are conceptualised as: equality; solidarity and politicisation; intersectionality; anger and hope; and a view of feminism as current and relevant. To explore representations and self-representations of SlutWalk, texts and images from newspapers and social media platforms, as well as interviews with organisers and participants, are analysed using content, discourse and thematic analyses. The findings reveal that protestors’ self-representations (on social media and in interviews) are characterised more consistently by a feminist sensibility, while newspaper representations of protestors and of the SlutWalk protest display a more mixed picture of both postfeminist and feminist sensibilities. This indicates a process of negotiation between feminist and postfeminist sensibilities in social and mass media, and suggests that, while contemporary media culture maintains an overall postfeminist sensibility, SlutWalk is nevertheless represented in some spaces by a feminist sensibility. In particular, news items are characterised more consistently by a feminist sensibility, which marks a significant achievement; however, columns (especially by female, feminist authors) show a more postfeminist sensibility. This discrepancy highlights some surprising barriers facing feminist protestors seeking to intervene in the postfeminist media culture and fulfil their feminist promise.

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17

Saulino, Catherine Lynn. „Room to breathe? : feminist expression and the political economy of the Oxygen network /“. Diss., Connect to a 24 p. preview or request complete full text in PDF format. Access restricted to UC campuses, 2002. http://wwwlib.umi.com/cr/ucsd/fullcit?p3069219.

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18

DONKOR, DORCAS A. „The Rise of Cyberfeminism in Africa: Pepper Dem Ministries’ Take on Ghana“. Ohio University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1597260157867617.

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19

Tajdin, Wafa Mohamed. „Sexy sports: a reception study of the National Broadcasting Corporation (NBC) Olympics website coverage of women's beach volleyball at the 2008 Beijing Olympics“. Thesis, Rhodes University, 2010. http://hdl.handle.net/10962/d1002941.

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Sexy Sports: A reception study of the National Broadcasting Corporation (NBC) Olympics website coverage of women’s beach volleyball at the 2008 Beijing Olympics involves an examination of the sporting media and its reportage of the female athlete. The thesis will focus on the reception of the NBC Olympics website coverage of women’s beach volleyball at the 2008 Beijing Olympics by viewing groups constituted by the researcher. The reason for this is that it would be difficult to find naturally constituted audiences for this website, but its reception is never-the-less of research interest. My hypothesis is that the nature of the images and text on the website is overdetermined by the construction of women on other popular texts such as men’s magazines etc. In focusing on the meanings obtained from the content of the website (texts and images), the study will investigate how these meanings are naturalised in specific moments of production as well as through their intertextual relationships with similar texts involved in the glamorisation of female athletes. Specifically the study explores the meanings obtained from the content of the website (texts and images) and how in turn these meanings are naturalised by the consumers of the website. The study will utilise a qualitative research design to unpack the content of the website through the use of qualitative content analysis, focus group interviews and individual in-depth interviews. The research will be informed via a theoretical framework that draws from feminist theory, sport feminism, the concept of intertextuality between media texts, ideology and Stuart Hall’s model of preferred reading. Increasingly mainstream media uses the image of a woman’s body to sell almost anything from men’s razors to margarine and in so far as the reporting of women’s sports is concerned this holds true. Through the research I intend to account for the connotative power of other texts i.e. the men’s magazines and pornography, and how this is likely to be carried through into shaping the meanings that are read off the website. Arguably the production of the NBC texts and images are overdetermined by the existence of similar texts already in transmission in the circuit of culture.

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20

Fotopoulou, Aristea. „Remediating politics : feminist and queer formations in digital networks“. Thesis, University of Sussex, 2012. http://sro.sussex.ac.uk/id/eprint/39666/.

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This thesis examines feminist and queer actors emerging in highly mediated environments and the forms of political organisation and critical knowledge production they engage in. It indicates that older debates around gender and sexuality are being reformulated in digital networks and identifies alternative understandings which are being developed. The study foregrounds a performative conceptualisation and argues that political realities are produced in dynamic configurations of communication media, discourses and bodies. It suggests that network technologies constitute sources of vulnerability and anxiety for feminists and stresses the significance of registering how embodied subjectivities emerge from these experiences. To achieve its aims and to map activity happening across different spaces and scales, the project attended to context-specific processes of mediation at the intersections of online and offline settings. It employed ethnographic methods, internet visualisation, in-depth interviewing and textual analysis to produce the following key outcomes: it registered changing understandings of the political in relation to new media amongst a network of women's organisations in London; it investigated the centrality of social media and global connections in the shaping of local queer political communities in Brighton; it complicated ideas of control, labour and affect to analyse emerging sexual identities in online spaces like nofauxx.com, and offline postporn events; finally, it traced feminist actors gathering around new reproductive technologies, at the crossing fields of grassroots activism and the academy. Today, women's groups and queer activists increasingly use networked communication for mobilisation and information-sharing. In a climate of widespread scepticism towards both representational politics and traditional media, questions about the role of digital networks in enabling or limiting political engagement are being raised. This thesis aims to contribute to these debates by accounting for the ways in which feminist and queer activists in digital networks reformulate the relationship between communication media and politics.

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21

Eldridge, Ying-bei. „Between Feminism and Femininity: Shifting Cultural Representations of Girlhood in the 1960s“. Bowling Green State University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1491585231706109.

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22

McKenna, Libby. „Audience interpretations of the representation of women in music videos by women artists“. [Tampa, Fla] : University of South Florida, 2006. http://purl.fcla.edu/usf/dc/et/SFE0001670.

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23

Van, Niekerk Tanya. „'N Feministiese analise van animasiekarakters vanuit 'n feministiese benadering“. Diss., Pretoria : [s.n.], 2003. http://upetd.up.ac.za/thesis/available/etd-10122004-135247.

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24

KARANTONAKI, AFRODITI. „Female representations on Greek media and Greek women’s (un)employment before and after the Covid-19 pandemic : Examining whether and how media gender stereotypes can affect Greek women’s development in light of a crisis“. Thesis, Malmö universitet, Malmö högskola, Institutionen för konst, kultur och kommunikation (K3), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-39317.

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Women around the world face various kinds of discrimination, which vary from country to country and from culture to culture. Socio-economic crises and global emergencies can accentuate such gender inequalities being particularly detrimental to women. During Covid-19 pandemic women have experienced significant hardships, disproportionately affecting 740 million women worldwide (Rivera, Hsu, Esbry & Dugarova, 2020). According to the United Nations, “across the globe, women earn less, save less, hold less secure jobs, are more likely to be employed in the informal sector. They have less access to social protection and are the majority of single-parent households. Their capacity to absorb economic shocks is, therefore, less than that of men.” Furthermore, the unfair treatment of women is also reinforced by derogatory female stereotypes spread around the media, making it extremely difficult for women to rebound after a crisis (Milford, 2020). In the case of Greece, the pandemic aggravated the economic inequalities faced by women, which could be traced only after one meticulously delves into some formal documents and statistics provided by Greek open data or governmental institutions. Furthermore, the Greek mass media continue to maintain a stiff discriminative stance against women, feeding the Greek mindset with gender stereotypes affecting negatively the way females are evolving within the society, and in particular as entrepreneurs or employees. The outburst of the Covid-19 pandemic added to this, as the immediate reflexes of the Greek power and authority agents was to ‘protect‘ the existing dominant system with all its weaknesses and distortions that it may bear. Under this notion, Greek mass media, did not project the real repercussions of the pandemic, but it kept projecting the same distorted gender representations, as if the pandemic has had exclusively health repercussions. In fact, there is a large gap, with no clear conclusions regarding research on the impact the produced stereotypes by the Greek media have on women’s ability to contribute to any form of development. So, I aim to investigate how Greek women perceive their position and the way they are treated within the society and the working sector, and how the Greek mass media represent the female figure, especially after the pandemic outburst. I interviewed eight women and included extracted information from two magazines, two newspapers, and four television advertisements. I also used statistical data from governmental and other official sources investigating related data before and after the pandemic. Although recent Greek official satistical data indicate that women have been more by the Covid- 19 pandemic compared to men, results have shown that not all women have experienced gender discrimination in the workplace, nor have they been exclusively socio-economically afflicted from the Covid-19 pandemic; they have been negatively affected, though, as everybody else has. Moreover, all participants recognize the extensive stereotyped representation of women on the Greek mass media, which is also evident from the provided media extracts in this study. Furthermore, Greek mothers seem to struggle to balance between family and career, as they are not on the top choices of employers, although female entrepreneurship in Greece is steadily evolving. Finally, the place of residence appears to play a role in the way women are treated, as in large cities, people are more open-minded and less stuck with the old-fashioned gender roles of the Greek culture.

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25

Cagney-Watts, Helen. „The contradictions of postmodernism : a feminist critique of postmodernism“. Thesis, University of Hull, 1991. http://hydra.hull.ac.uk/resources/hull:6975.

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26

Verma, Tarishi. „The Legitimacy of Online Feminist Activism: Subversion of Shame in Sexual Assault by Reporting it on Social Media“. Bowling Green State University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1617396334881314.

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27

Willhoit, Krystal. „Women's response to media : a naturalistic inquiry /“. free to MU campus, to others for purchase, 1998. http://wwwlib.umi.com/cr/mo/fullcit?p9924942.

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28

Miller, Rachel R. „The Girls' Room: Bedroom Culture and the Ephemeral Archive in the 1990s“. The Ohio State University, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=osu159361168956799.

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29

Vera, Rojas María Teresa. „Mujer moderna hispana. Feminidad y subjetividad moderna en la prensa hispana de Nueva York (1920-1940)“. Doctoral thesis, Universitat de Barcelona, 2016. http://hdl.handle.net/10803/393914.

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Son relativamente pocos los estudios sobre la inmigración hispana en el Nueva York durante el periodo de entreguerras que han abordado la situación de las mujeres hispanas en la colonia hispana en la metrópoli. Sin embargo, son todavía más escasas las investigaciones que han problematizado las disertaciones y representaciones que sobre la feminidad hicieron tanto los medios de comunicación en español como figuras importantes para el asentamiento y constitución de la colonia en la metrópoli —así como para la posterior militancia académica— como los tabaqueros, sindicalistas, líderes comunitarios y escritores puertorriqueños Jesús Colón y Bernardo Vega. Y aunque es indiscutible la labor que estas figuras ejercieron en la defensa de los derechos y la concienciación política, racial y de clase de la colonia, la importancia que ha tenido su legado ha hecho más dificil comprender en qué medida los medios de comunicación de masas y la industria del entretenimiento influyeron en la subjetividad de las mujeres hispanas. A partir de estas consideraciones, y del reconocimiento del papel de la prensa y de la lectura como prácticas de subjetivación y medios de representación, construcción y circulación de los significados atribuidos a la feminidad, esta tesis se pregunta acerca de las formas de subjetivación que intervenían en las experiencias de feminidad de las mujeres hispanas en la metrópoli, todo ello a partir del estudio de tres publicaciones periódicas en español dirigidas a la comunidad hispana de la ciudad de Nueva York durante las décadas de 1920 y 1930: el semanario Gráfico (1927-1931), el diario La Prensa (1913-presente) y la revista cultural Artes y Letras (1933-1939). Tomando como marco de reflexión teórica y metodológica los alcances interdisciplinarios de los estudios culturales, la teoría feminista, los estudios de género y los US Latino/a Studies, esta tesis recorre las tensiones que se producían entre las formas de regulación impuestas por la vida moderna norteamericana y el control y vigilancia con los que los medios de la colonia buscaban normalizar la identidad de las mujeres hispanas. Para ello, se estudiarán crónicas y ensayos, editoriales, avisos publicitarios, reseñas de moda, fotorreportajes de variedades, cartas de las lectoras y consejos de belleza de estas tres publicaciones paradigmáticas para la colonia hispana durante estas décadas con el objetivo de demostrar cómo, a pesar de la vigilancia del comportamiento de las mujeres hispanas en la metrópoli, estas devenían sujetos modernos en los intersticios entre los diferentes discursos que representaban la figura de la mujer moderna norteamericana; las posiciones de lectura que asignaban los discursos acerca de la feminidad; y las tradiciones de género y limitaciones sociales, económicas y raciales de la vida en la colonia. Asimismo, a partir del estudio de diferentes imágenes ―fotografías, tiras cómicas, ilustraciones― reproducidas en los medios estudiados, se sostiene que las mujeres hispanas emergían como sujetos modernos a partir de las nuevas condiciones de visibilidad, las cuales no solo transformaron la percepción del yo y la espectacularización de la feminidad en el espacio público, sino que además modificaron el posicionamiento de las mujeres respecto de las representaciones de la feminidad en ambos contextos culturales.
Framed in the decades of the 1920s and 1930s, this dissertation goes through the tensions between forms of regulation of modern American life and the control exerted by New York Hispanic colonia's press to normalize the identity of Hispanic women, with the aim to explore to which extent these tensions influenced the experiences of femininity of Hispanic women and their formation as modern subjects. An interdisciplinary theoretical and methodological framework, combining approaches from cultural studies, feminist theory, gender studies and US Latino studies, serves to study the essays, editorial pieces, advertisements, fashion reviews, letters to the editor, and beauty advices published in three representative publications: the weekly Grafico (1927-1931), the newspaper La Prensa (1913-present), and the cultural magazine Artes y Letras (1933-1939). Considering that popular culture is a site of struggle and cultural negotiation, this dissertation holds that the cultural practices that defined modern life and identity during these decades had a bearing on the formation of Hispanic women as modern subjects. Thus, despite the surveillance upon their behavior in the metropolis, the dissertation uncovers how these women became modern subjects precisely in the interstices among the different discourses that constructed the modern American woman as an expression of modern American society, the reading positions assigned by discourses about femininity, the Hispanic traditions affecting gender, and the social, economic and racial conditions that restricted their everyday life's experiences in the colonia. Moreover, through the study of different the images —photography, comic strips, illustrations—reproduced in the media under examination, it is argued that Hispanic woman emerged as a modern subject by means of the new conditions of visibility, which not only transformed their self-perception and their appearance in the public space, but also their positioning regarding the representations of femininity in both cultural contexts.

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Acee, Dana F. „Women in Sha'bi Music: Globalization, Mass Media and Popular Music in the Arab World“. Bowling Green State University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1321368508.

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Ryan, Joelle Ruby. „Reel Gender: Examining the Politics of Trans Images in Film and Media“. Bowling Green, Ohio : Bowling Green State University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1245709749.

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Law, Sarah Astrid Jacqueline. „Ecriture spirituelle : the mysticism of Evelyn Underhill, May Sinclair and Dorothy Richardson“. Thesis, Queen Mary, University of London, 1997. http://qmro.qmul.ac.uk/xmlui/handle/123456789/25545.

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The association of women and mysticism this century is not always perceived as a positive one. In Power, Gender and Christian Mysticism (1995), the feminist philosopher of religion, Grace Jantzen, suggests that the experience of mysticism gradually became defined as an ineffable, private emotional encounter in order to remove it from the sphere of political management of society and religion. She writes of a direct increase of association between mysticism and women, who were permitted to have spiritual experiences, but powerless to speak with authority about their insights. Jantzen's view of this association of women with mysticism is therefore somewhat negative; she warns of mysticism's ability to silence and disempower. But as women mystics, particularly in the medieval period, have spoken and written of their (often vivid and imaginative) experiences with authority, this thesis explores how ideas about mysticism have been addressed by women writers this century. In particular, 1investigate whether the women writers treated in this thesis developed the definition of such spiritual experience in a more affirmative and expressive way than Jantzen suggests. Rather than assuming that mysticism is an unchanging spiritual experience within a strictly religious context, this thesis explores how women writers discovered a creative expression of their inner spirituality through the inspiration of contemporary ideas about mysticism, and how they helped to move these ideas on. I introduce my argument, therefore, by examining constructions of mysticism at the beginning of the twentieth century, when the idea of mysticism was defined and developed both in terms of experiential philosophy and of psychology. In particular, the attention paid to the emotional effects of a "mystical experience" became associated, by William James, with the importance of what he termed the "subliminal realm" of the mind, a realm which would subsequently be defined as the unconscious by Freud, but which James saw as a valid channel for imagination and spirituality As well as drawing attention to the "subliminal realm" and its role in spiritual experience, James first suggested the idea of the "stream of consciousness", a term which became important for much modernist literature, but which James did not link directly with the expression of mysticism. Not all psychological studies of mysticism were as open-minded as James'; I also look at texts which were hostile and eclectic in turn. And James himself was not immune to contemporary prejudice regarding gender. But the period's general interest in the imaginative workings of the mind, flowing from the unconscious into consciousness, and the struggle to express this imaginative process, has led me to the study of its literature in order to explore how such ideas about mysticism were used, by women writers, within a creative context. Evelyn Underhill provides a link between the areas of religious thought and women's fiction writing. Underhill in fact started her writing life as a novelist, exploring those themes of spirituality which she was later, more famously, to address in texts such as Mysticism, in which James' ideas are acknowledged. Importantly, Mysticism was certainly read by two women writers - May Sinclair and Dorothy Richardson - who, while fascinated by mysticism, were equally concerned to develop the novelistic form in order to allow the expression of individual consciousness. They were also interested in the subject of gender to a greater degree than was Underhill. By examining the work first ofMay Sinclair, whose mysticism is chiefly concerned with loss, then of Dorothy Richardson, who was to develop the mystical concepts of vision and illumination, I trace the progression of mysticism's influence in women's writing, an influence which Underhill had to a large extent initiated. Underhill, Sinclair and Richardson were not the only women writers to explore mysticism alongside stylistic innovation and an awareness of gender issues. There was, for example, Virginia Woolf, whose aunt, Caroline Stephen, was a respected Quaker. But rather than continue to explore all the women writing in this period, a task too large for this thesis, I move on to show how ideas about mysticism, gender and writing have developed in later thinkers. In examining the ideas of the feminist critics Cixous, Irigaray, and Kristeva, I show that mysticism, and the ways of articulating what James termed an "ineffable" experience, are even more strongly linked with gender and innovative creative writing in their work, whether "novelistic" in a strict sense or not. I have not anal.vsed the work ofUnderhill. Sinclair, and Richardson solely. in terms of psychoanalytically acute feminist criticism I, although I introduce such Such work is generally available: Jean Radford's examination of PiIbTfi mauc. for example critical ideas where appropriate, and have shown that these writers point towards the critical concepts of later feminist writers and thinkers. My emphasis is on the particular space lor creativity which mysticism develops and towards which psychoanalysis with its emphasis on the talking curehas indicated but paid less attention to than the aetiology and symptoms of madness and hysterical disorders. Rather than continue to pursue this psychoanalytical preoccupation, I have looked at the work of the later feminist critics as experimental mystical writers in their own right, and I suggest that it is mysticism. rather than hysteria or other forms of "madness", which has provided the creative space for gendered exploration of imagination and writing. Just as psychoanalytic criticism seeks to explore those "moments of vision" which madness has been said to facilitate in writers such as Woolf I have set out to show that the insights of mysticism, classed as neither mental illness nor rigorous rationality, have played an essential part in the development of women's fiction-writing, criticism and religious thought this century, allowing, additionally, the closer relationship of these three disciplines. In concluding this thesis therefore, I examine the way in which mysticism has provided a place for "visionary" gendered discourse in contemporary theology, and return to the area of religious thought, where I had begun my research. I examine ways in which there is now an increased awareness of the imagination in feminist theology and, specifically, in mysticism within a feminist theological context. The developments of mysticism's creative space have facilitated this awareness in theology, just as they have in the fiction and criticism through which I have traced its influence. Although the question of what constitutes mysticism and who counts as a mystic may remain open (plurality being one of the emphases of feminist critical thought), the conclusion of this thesis affirms that the space of spiritual creativity developed by mysticism has been one of the major forces to have shaped women's writing and critical thought (both literary and religious) this century.

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Poland, Bailey. „The Impact of Sexist Rhetoric on Women's Participation in News Comments Sections“. University of Findlay / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=findlay1494247181482129.

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Muir, Kathie. „'Tough enough?' : constructions of femininity in news reporting of Jennie George, ACTU president 1995-2000 /“. Title page, table of contents and abstract only, 2004. http://web4.library.adelaide.edu.au/theses/09PH/09phm9531.pdf.

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Schlingmann, Sabine. „"Die Woche" - Illustrierte im Zeichen emanzipatorischen Aufbruchs? Frauenbild, Kultur- und Rollenmuster in Kaiserzeit, Republik und Diktatur (1899-1944) ; eine empirische Analyse /“. Hamburg Kovač, 2007. http://www.verlagdrkovac.de/978-3-8300-3026-3.htm.

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Welling, Paula C. „Limited by Language: Words, Images, and Their Effect on Women“. Ohio University Honors Tutorial College / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1400944034.

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Brooks, Stephanie. „US Media Representations of Transnational Indian Surrogacy: Pre 2016 Surrogacy Conditions and Connections with Global Inequality“. Wright State University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=wright1610386281440116.

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Bly, Elizabeth Ann. „Generation X and the Invention of a Third Feminist Wave“. Cleveland, Ohio : Case Western Reserve University, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=case1259803398.

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Thesis (Ph. D.)--Case Western Reserve University, 2010.
Title from PDF (viewed 2009-12-30). Department of History. Includes abstract. Includes bibliographical references and appendices. Available online via the OhioLINK ETD Center.

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Lau, Allison Sui Me. „The effects of media and social comparison on Asian/Asian American women's body image and acculturation /“. view abstract or download file of text, 2007. http://proquest.umi.com/pqdweb?did=1417808681&sid=1&Fmt=2&clientId=11238&RQT=309&VName=PQD.

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Thesis (Ph. D.)--University of Oregon, 2007.
Typescript. Includes vita and abstract. Includes bibliographical references (leaves 163-170). Also available for download via the World Wide Web; free to University of Oregon users.

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Boehm, Melissa L. H. „"From Harlem to Harlan County:" Print Media's Framing of Poverty in the Congressional Record between 1960 and 1964“. Ohio University / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1320958705.

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Ogwude, Haadiza N. „Popular Nigerian Women's Magazines and Discourses of Femininity: A Textual Analysis of Today's Woman, Genevieve, and Exquisite“. Ohio University / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou161643816575918.

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Albani, Francesca. „Thinness Matters: The Impact of Magazine Advertising on the Contemporary Beauty Ideal“. Connect to this document online, 2005. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1122572653.

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Thesis (M.A.)--Miami University, Dept. of Mass Communication, 2005.
Title from first page of PDF document. Document formatted into pages; contains [1], iii, 80 p. Includes bibliographical references (p. 68-80).

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Choyke, Kelly L. „The Power of Popular Romance Culture: Community, Fandom, and Sexual Politics“. Ohio University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1573739424523163.

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Dako-Gyeke, Phyllis. „Examining the Meaning-Making of Hiv/Aids Media Campaign Messages: A Feminist Ethnography in Ghana“. Bowling Green, Ohio : Bowling Green State University, 2009. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=bgsu1250358866.

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Kincade, Therese Supple. „You've come a long way, baby? : a feminist rhetorical analysis of More magazine /“. View online, 2009. http://repository.eiu.edu/theses/docs/32211131566311.pdf.

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Azanu, Benedine. „Transnational Media Articulations of Ghanaian Women: Mapping Shifting Returnee Identities in an Online Web Series“. Ohio University / OhioLINK, 2017. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1490962935074027.

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Schroeder, Kathleen Mary. „The female voyeur and the possibility of a pornography for women : redefining the gaze of desire“. Thesis, University of South Africa, 2000. http://hdl.handle.net/10500/3079.

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Barak, Katherine Sullivan. „Spinsters, Old Maids, and Cat Ladies: A Case Study in Containment Strategies“. Bowling Green State University / OhioLINK, 2014. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1393246792.

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Phiri, Millie Mayiziveyi. „Media representation of South Africas female politicians : the case of the Mail & Guardian – 2010 to 2011“. Thesis, Stellenbosch : Stellenbosch University, 2014. http://hdl.handle.net/10019.1/86556.

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Thesis (MPhil)--Stellenbosch University, 2014.
ENGLISH ABSTRACT: This study is a feminist investigation of the reporting on the female politicians in the Mail & Guardian using the SADC Protocol on Gender and Development media requirements on content as the yardstick. The Protocol is a regional policy adopted in 2008 by regional governments aimed at achieving gender equity in key sectors by 2015. The Protocol is a regional instrument set up to assist in meeting the Millennium Development Goals (MDGs). The study investigated whether the Protocol’s media requirements were being observed by the Mail&Guardian. The media’s role of providing information can assist the MDGs to be met. These requirements encourage the media in the region to reach gender parity in the use of news sources and writing of news reports that help to reduce gender-based violence and the portrayal of women that is not stereotypic and oppressive. The themes of the study, which were “gender-based violence”, “gender oppression” and “stereotypes against women” were influenced by these requirements. Gender-based violence is a major impediment to development in Africa because of the heavy financial burden it puts on governments and communities to treat victims and offer them shelter and counselling. Gender-based violence affects women’s full productivity in society because it results in death or victims remaining absent from work while they seek treatment. Stereotypes and gender oppression are viewed as dangerous because not only do they deny younger generations role models but they perpetuate the insubordination of women in society. The study linked the themes to female parliamentarians because being legislators and policy makers, they have a strategic and critical role to play in helping to achieve gender equity. There is a perception that female politicians offer different perspectives to issues. The media can be a vehicle through which these female politicians can express their opinions. This is because the media is supposed to offer freedom of expression to all its citizens regardless of gender. In order to examine if the female ideology had a place in the Mail & Guardian a feminist theoretical approach was used. The study employed a triangulation approach in which both the qualitative and quantitative research methodologies were used. The quantitative method was employed to a small extent to quantify the coverage of female politicians. Triangulation in data collection entailed using both the content analysis and in-depth interviews. Findings of the study showed a violation of the Protocol’s media requirements. News reporting about female politicians centred on scandals and controversies and journalists and editors were ignorant of the Protocol’s media requirements.
AFRIKAANSE OPSOMMING: Die studie was ’n feministiese ondersoek na die Mail & Guardian se verslaggewing oor vrouepolitici. Dis gedoen met die interregeringsorganisasie, die Suider-Afrikaanse Ontwikkelingsgemeenskap (SAOG), se Protokol oor Geslag en Ontwikkeling as maatstaf. Die Protokol is ’n beleid wat in 2008 deur die owerhede van die SAOG-lidlande van stapel gestuur is, met die oog op geslagsgelykheid in sleutelsektore teen 2015. Dit dien as instrument en hulpmiddel in die nastreef van bogenoemde. Die studie stel ondersoek in na die handhawing, al dan nie, van die Protokol se mediavereistes deur die Mail & Guardian. Die media se rol as verskaffer van inligting kan die strewe hierna bevorder. Die vereistes moedig die media in die onderskeie streke aan om geslagsgelykheid toe te pas wat betref die gebruik van nuusbronne, die skep van nuusberigte wat bydra tot die vermindering van geslagsgebaseerde geweld en die uitbeeld van vroue wat wegskram van stereotipering en onderdrukking. Die temas van die studie-"geslagsgebaseerde geweld", "geslagsonderdrukking" en “stereotipering van vroue" is gevolglik deur die Protokol se vereistes beïnvloed. Geslagsgebaseerde geweld is ’n wesenlike struikelblok in die pad van ontwikkeling in Afrika, deels weens die swaar finansiële las wat dit plaas op gemeenskaplike en regeringsvlak. Só moet slagoffers dikwels behandeling, skuiling en berading ontvang. Dit het ook ’n besliste impak op vroue se produktiwiteit in die breër samelewing, aangesien slagoffers van geslagsgebaseerde geweld in sommige gevalle afwesig is uit die werksomgewing om behandel te word of-in meer ernstige gevalle-sterf. Stereotipering en onderdrukking word as uiters gevaarlik beskou, aangesien dit nie nét die ondergeskiktheid van vroue laat voortleef nie; maar boonop jonger generasies van rolmodelle ontneem. Die temas van die studie word verbind met vroulike parlementslede weens hul rolle as beleidsopstellers en wetmakers. Dié vroue het strategiese en belangrike verpligtinge om na te kom in die strewe na geslagsgelykheid. Die persepsie bestaan dat vroue-politici dikwels ’n ander, nuwe perspektief op kwessies bied. Die media kan in dié opsig as ’n waardevolle voertuig aangewend word om die perspektiewe tuis te bring. Die media het ook ’n plig om vryheid van uitdrukking te verseker aan alle landsburgers - ongeag hulle geslag. Ten einde te bepaal of die ideologie deur die Mail & Guardian toegepas is, is ’n feministiese teoretiese aanslag gevolg. Die studie het gebruik gemaak van triangulasie, waartydens beide kwalitatiewe en kwantitatiewe navorsingsmetodologieë ingespan is. Die kwantitatiewe metode is gebruik om die mediadekking van vroue-politici te kwantifiseer. Triangulasie is ook tydens die data-insamelingsproses gebruik. Dit het ingesluit die aanwend van inhoudsanalises, asook in-diepte onderhoude. Die bevinding van die studie dui op die oortreding van die Protokol se mediavereistes. Verslaggewing oor vroue-politici is grootliks toegespits op skandale en omstredenheid en beide joernaliste en inhoudsredakteurs blyk onkundig te wees oor die vereistes.

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Rolón-Collazo, Lisette. „Figuraciones : mujeres en Carmen Martín Gaite, revistas feministas y '!Hola!' /“. Madrid : Iberoamericana [u.a.], 2002. http://www.gbv.de/dms/sub-hamburg/355163942.pdf.

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