Thematische Bibliographien / Feminism and mass media

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Auswahl der wissenschaftlichen Literatur zum Thema „Feminism and mass media“

Autor: Grafiati
Veröffentlicht am 4. Juni 2021
Zuletzt aktualisiert am 1. August 2024

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Zeitschriftenartikel zum Thema "Feminism and mass media"

1

Erofeeva, E. V., und I. A. Obukhova. „Constructing the Image of Feminism in Russian Media: A Corpus Study“. SibScript 25, Nr. 1 (14.03.2023): 35–46. http://dx.doi.org/10.21603/sibscript-2023-25-1-35-46.

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As any social movement, feminism finds its reflection in the media. Media are a full-fledged institution capable of shaping public consciousness, targeting particular social groups, setting standards of mass behavior, and determining the main directions of social development. This research featured Russian news about feminism in terms of event structure. It covered news headlines published in Russian media in 2014-2021 and retrieved via the Smi2.ru media aggregator. Feminism-related headlines were automatically extracted from a dataset of 8,954 headlines. The subcorpus was analyzed in the Semograph Information System, which made it possible to classify texts, obtain frequency data on certain classes, and establish connections between them. The frequency data analysis was represented as a graphical model of the news space in the field of feminism using the SciVi visualizer. The event and thematic analyses revealed a three-level classification. The media usually informed about events where participants belonged to various social groups that protested against something, e.g., people or performances. The news informed about the actions and reactions of media people and about art sphere. The article introduces a graphical model that shows the links between event components in the headlines. It demonstrated three main areas of action in the field of feminism: art, media, and feminist movements. Each of these fields has its own core and structure. The media sphere appeared to be closed on itself; the art-related news agenda focused mostly on social matters; the field of feminist movements was associated with counteracting and involved descriptions of radical actions. When informing about feminism, the media construct an alternative reality that differs from the real issues that feminism aims at resolving.
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2

Wang, Xiaopei. „Comparison and Analysis of Feminism in China and the West: A Case Study of the 1950s“. Communications in Humanities Research 1, Nr. 1 (21.12.2021): 111–15. http://dx.doi.org/10.54254/chr.iceipi.2021246.

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1950 is a very special period for the development of feminism in both China and the West. The Peoples Republic of China was just established and the West was experiencing the second wave of feminist. However, the feminism in these two areas developed in different ways, that Chinses feminism is the state feminism while the West is liberal feminism. This kind of difference results from the different social environment, especially the political policy in China and the West. The Communist Party of China took feminism as a tool to consolidate socialist construction, so it launched the feminist movement from top to bottom. The second feminism in the West is a bottom-up movement for women to fight for their own rights and interests, and they use magazines and other mass media as a means of struggle. By comparing the difference of the feminism in China and the West, the flaws of these two kinds of development of feminism could also be shown.
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Wang, Xiaopei. „Comparison and Analysis of Feminism in China and the West: A Case Study of the 1950s“. Communications in Humanities Research 1, Nr. 1 (21.12.2021): 111–15. http://dx.doi.org/10.54254/2753-7064/1/iceipi_246.

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1950 is a very special period for the development of feminism in both China and the West. The Peoples Republic of China was just established and the West was experiencing the second wave of feminist. However, the feminism in these two areas developed in different ways, that Chinses feminism is the state feminism while the West is liberal feminism. This kind of difference results from the different social environment, especially the political policy in China and the West. The Communist Party of China took feminism as a tool to consolidate socialist construction, so it launched the feminist movement from top to bottom. The second feminism in the West is a bottom-up movement for women to fight for their own rights and interests, and they use magazines and other mass media as a means of struggle. By comparing the difference of the feminism in China and the West, the flaws of these two kinds of development of feminism could also be shown.
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4

Josephine, Josephine, und Gregorius Genep Sukendro. „Representasi Feminisme dalam Film Seri Marvel (Analisis Semiotika John Fiske pada Film Serial She-Hulk: Attorney at Law)“. Koneksi 7, Nr. 2 (05.10.2023): 481–90. http://dx.doi.org/10.24912/kn.v7i2.21612.

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The film is one form of popular mass media which is packaged in such a way that the message it carries can be conveyed. A Film is a popular form of mass media that is widely used by the public. A film's story is packaged in such a way that the message it conveys is conveyed. The film's values can have cognitive, affective, and conative effects on the audience. She-Hulk: Attorney at Law, a 2022 Marvel Cinematic Universe production, is no exception. What is interesting to examine is how the film portrays feminism. The goal of this research is to determine the meaning of the semiotic code in relation to feminism at three levels: reality, representation, and ideology. This study employed descriptive qualitative methods, with John Fiske's semiotic theory approach, such as the codes of television. The result of this research shows that the values of feminism at the reality level are shown through appearance, costume, make-up, behavior, dialogue, and expression code. At the representation level, the values of feminism are shown through camera, lighting, music and sound, conflict, and action. Liberal feminism is the ideological value of feminism that is represented, for which women can claim equality with men based on essential human capitalism as a moral reasoning agent. Film merupakan salah satu bentuk media massa populer yang dikemas sedemikian rupa agar pesan yang dibawa dapat tersampaikan. Pesan-pesan dan nilai-nilai yang terkandung dalam film dapat mempengaruhi penonton baik secara kognitif, afektif dan konatif. Tak terkecuali film seri produksi Marvel Cinematic Universe pada tahun 2022 berjudul She-Hulk: Attorney at Law. Yang menjadi menarik untuk diteliti adalah bagaimana representasi feminisme ditampilkan melalui film tersebut. Tujuan dari penelitian berikut adalah mencari tahu arti kode-kode semiotika tentang feminisme pada level realitas, level representasi dan level ideologi. Analisis ini dilakukan dengan metode kualitatif deskriptif, dengan pendekatan teori semiotika John Fiske, dan menggunakan teori kode televisi. Hasil penelitian ini merepresentasikan beberapa nilai feminisme pada level realitas berdasarkan penampilan, kostum, riasan wajah, tingkah laku, dialog, dan kode ekspresi. Pada level representasi nilai-nilai feminisme direpresentasikan melalui kamera, pencahayaan, musik dan suara, konflik, narasi, dan aksi. Serta level ideologi, yang memuat nilai-nilai feminisme direpresentasikan adalah aliran feminisme liberal, hal ini mengartikan bahwa perempuan dapat menuntut hak yang sama dengan laki-laki dalam argumen moral yang dapat dibenarkan dari esensi kapitalis laki-laki.
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Montana, Andrea Yovanny, und Ahmad Junaidi. „Pengaruh Instagram @Feminist Terhadap Perubahan Pandangan Standar Kecantikan Wanita Indonesia“. Kiwari 1, Nr. 1 (01.03.2022): 54. http://dx.doi.org/10.24912/ki.v1i1.15503.

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The daily life of Indonesian people have been affected a lot by social media. Communication is more often done through social media than in person, especially during the pandemic. This makes social media have a big influence on people's perceptions. Social media that has a big influence on Indonesian society because of the large number of enthusiasts is Instagram. Instagram @FEMINIST is an account that discusses feminism issues. One of the worrying issues of feminism is about women's beauty standards. The purpose of this study is to determine the effect of Instagram @FEMINIST on changes in the views of Indonesian women's beauty standards. Quantitative methods is the method this study uses. The population in this study are followers of the @FEMINIST Instagram account. The sample taken is 100 respondents. Data was obtained by distributing questionnaires using a Likert scale with the indicators of Media Exposure and Body Image theory. The results of the Hypothesis Testing obtained using IBM SPSS version 22.0 For Windows obtained a significance value of 0.000 <0.05 with a t-count of 6.461 > 1.984 so it can be concluded that the hypothesis test or t-test is acceptable. So H0 is rejected and H1 is accepted, which shows that Instagram @FEMINIST exposure has a positive effect on the view of Indonesian women's beauty standards. Kehidupan sehari-hari masyarakat Indonesia telah banyak dipengaruhi media sosial. Komunikasi lebih sering dilakukan melalui media sosial dibandingkan secara langsung, terutama saat masa pandemi. Hal ini membuat media sosial memiliki pengaruh besar terhadap persepsi masyarakat. Media sosial yang berpengaruh besar pada masyarakat Indonesia karena banyaknya peminat adalah Instagram. Instagram @FEMINIST merupakan akun yang membahas mengenai isu-isu feminisme. Salah satu isu feminisme yang mengkhawatirkan adalah tentang standar kecantikan wanita. Tujuan penelitian adalah untuk mengetahui pengaruh instagram @FEMINIST terhadap perubahan pandangan standar kecantikan wanita indonesia. Penelitian ini menggunakan metode kuantitatif. Populasi dalam penelitian ini adalah followers dari akun instagram @FEMINIST. Sampel yang diambil berjumlah 100 responden. Data diperoleh dengan menyebarkan kuesioner yang menggunakan skala likert dengan indikator teori Terpaan Media dan Body Image. Hasil Uji Hipotesis yang didapat menggunakan IBM SPSS versi 22.0 For Windows diperoleh nilai signifikansi sebesar 0,000 < 0,05 dengan t hitung 6,461 > 1,984 kesimpulannya adalah uji t uji hipotesis atau uji hipotesis dapat diterima. Hasilnya H0 ditolak dan H1 diterima, yang bermaksud Terpaan Instagram @FEMINIST berpengaruh positif terhadap pandangan standar kecantikan wanita Indonesia.
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Harinanda, Salsabila Astri, und Ahmad Junaidi. „Representasi Feminisme Pada Film Disney Live-Action Mulan“. Koneksi 5, Nr. 2 (29.09.2021): 269. http://dx.doi.org/10.24912/kn.v5i2.10299.

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Film is a mass media that presents a story in audio-visual form. This research aims to see how are the representation of feminism in the Disney Live-Action Mulan film. The method used is descriptive qualitative research methods with semiotic as data analysis techniques. Data are collected using the methods of documentation, observation, and literature study. The signs of the film were analyzed using Roland Barthes' semiotic model two-stage of signification, which are the denotation, connotation, and myth stages. This film shows the discrimination that happened in women due to patriarchal ideology. The results of this study indicate that the Disney Live-Action Mulan film dominantly represents the flow of liberal feminism, existentialism feminism, and radical-libertarian feminism through its main character, Hua Mulan. Hua Mulan's feminist behavior can be seen from her that are opposing discrimination and standards as a woman, performing male roles, able to be a leader, takes risks and being responsible, independent, able to gets recognition, and proving that she is able to give honor to her family. This film has a meaning that a woman can give honor to her family by being herself, and can have the right to be treated equally and also the right to determine and be responsible for her way of life.Film merupakan salah satu jenis media massa yang menampilkan cerita dengan bentuk audio visual. Penelitian ini bertujuan untuk melihat bagaimana representasi feminisme pada film Disney Live-Action Mulan. Metode yang digunakan adalah metode penelitian kualitatif deskriptif dengan teknik analisis data semiotika. Data yang dikumpulkan menggunakan metode dokumentasi, observasi, dan studi pustaka. Tanda-tanda dari film dianalisis dengan menggunakan model semiotika signifikasi dua tahap Roland Barthes yaitu tahap denotasi, konotasi, dan mitos. Film ini memperlihatkan diskriminasi yang terjadi pada perempuan yang disebabkan ideologi patriarki. Film Disney Live-Action Mulan secara dominan merepresentasikan aliran feminisme liberal, feminisme eksistensialisme, dan feminisme radikal-libertarian lewat tokoh utamanya yaitu Hua Mulan. Perilaku feminisme Hua Mulan terlihat dari perilakunya yang melawan diskriminasi serta standar sebagai perempuan, mampu melakukan peran laki-laki, menjadi pemimpin, berani mengambil resiko dan bertanggung jawab, independen, mendapat pengakuan dan membuktikkan bahwa ia mampu memberi kehormatan untuk keluarganya. Film ini dapat memiliki makna bahwa seorang perempuan dapat memberikan kehormatan pada keluarganya dengan menjadi dirinya sendiri, dan dapat memiliki hak untuk diperlalukan secara setara dan hak untuk menentukan dan bertanggung jawab atas jalan hidupnya sendiri.
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Gustema, Nurul Huda, und Dr Wening Sahayu. „Feminism Values in the Posters of Yogyakarta’s Students Demonstration: The #Gejayanmemanggil“. Lingua Cultura 14, Nr. 1 (31.07.2020): 23–29. http://dx.doi.org/10.21512/lc.v14i1.6234.

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The research aimed to examine feminism values on the posters of Yogyakarta’s students’ demonstration the #Gejayanmemanggil. Data collection technique was conducted by reading and note-taking techniques. From social media (Instagram), read the posters for several times, made a reduction for the data, and analyzed the feminism values which were reflected in the data based on the discourse or textual aspects. In the findings, the use of feminist languages, which contained the feminism values was revealed, in order to correlate it with the previous studies and theories. It was affected by the positive and negative meanings of the words and their impact on the audience. Discourse analysis was the proper way to examine the hidden ideologies of discourse. It revealed the discursive structures and manipulative language of the speakers or writers. The results reveal that the posters on the demonstration #Gejayanmemanggil contain feminism values as reflected in the feminist languages which support the ideology. Therefore, based on the findings of the research which conducts a discourse analysis in examining mass communication, language has enormous powers in appealing to emotions, manipulating someone’s thoughts and behavior, as well as misrepresenting the realities.
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Tally, Margaret J. „Mass Media and the Shaping of American Feminism, 1963-1975“. Journal of American Culture 27, Nr. 3 (September 2004): 345–46. http://dx.doi.org/10.1111/j.1537-4726.2004.141_15.x.

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Winarti, Rinni. „Tantangan Peran Wanita dalam Demokrasi di Masa Sekarang dan Yang Akan Datang“. Jurnal Iman dan Spiritualitas 3, Nr. 2 (07.09.2023): 307–18. http://dx.doi.org/10.15575/jis.v3i2.28035.

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Sekarang masalah feminisme banyak bermunculan, baik di media maupun melalui seminar-seminar membahas isu-isu perempuan dan gender seperti hubungan yang setara, kesehatan reproduksi, hingga ketimpangan gender di berbagai sektor. Sehingga penulis merasa penting untuk mengambil tema ini sebagai pilihan pembahasan yang dituangkan dalam sebuah penelitian. Perselisihan gerakan feminisme dan anti-feminsme menuntut hak perempuan dalam persamaan tersebar luas dibanyak negara di dunia termasuk Indonesia dan Jerman. Feminisme adalah gerakan yang berfokus pada perjuangan hak-hak perempuan dan kesetaraan gender. Feminisme adalah serangkaian gerakan sosial, politik, dan ideologi yang memiliki tujuan yang sama, yaitu untuk mencapai kesetaraan gender di berbagai aspek kehidupan, termasuk politik, ekonomi, pribadi, dan sosial. Gerakan ini berangkat dari pemahaman bahwa masyarakat cenderung memprioritaskan perspektif laki-laki dan bahwa perempuan seringkali diperlakukan secara tidak adil dalam masyarakat tersebut. Penelitian ini membahas gerakan anti feminisme, yang muncul sebagai tanggapan terhadap perkembangan gerakan feminisme di Indonesia dan Jerman dalam beberapa dekade terakhir. Studi penelitian memilih negara Inonesia dan Jerman, karena gerakan anti feminism di Indonesia mewakili dari kaum muslim, dan Jerman mewakili dari kaum liberal. Gerakan anti feminisme mengkritik gagasan-gagasan feminis dan berusaha untuk menentang perubahan sosial yang diusulkan oleh gerakan feminisme. Ketidaksetujuan mereka bukan tanpa alasan, karena konsep feminisme dianggap sebagai hal yang kontroversial dan melanggar hubungan alami antara laki-laki dan perempuan. Penelitian ini akan mengeksplorasi akar penyebab gerakan anti-feminisme, argumen-argumen yang dikemukan oleh para pendukungnya, tantangan yang dihadapi oleh gerakan feminism, serta implikasi sosial dan politik dari gerakan anti-feminisme.
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., Rully, Abdul Basit und Muji Prabella. „FEMINISM IN ‘AFTER 11’ AN ADVERTISIMENT OF BUKALAPAK“. Profetik: Jurnal Komunikasi 13, Nr. 1 (05.09.2020): 168. http://dx.doi.org/10.14421/pjk.v13i1.1963.

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Abstrak. Perkembangan era digital saat ini telah memperlihatkan transformasi nyata dari perubahan ruang periklanan. Iklan dalam bentuk film telah menjadi bagian dari media massa sebagai salah satu media representasi yang merupakan cerminan dari masyarakat. Bukalapak melalui YouTube, membalut makna feminisme dalam kemasan film AFTER 11 yang sekaligus merupakan iklan untuk membangun pandangan agar masyarakat lebih berdaya. Dengan memperlihatkan figur perempuan seorang ibu yang tidak hanya berkiprah di ranah domestik, namun dapat melakukan aktifitas ataupun pekerjaan yang bersifat maskulin. Karakter perempuan yang menyadari kebebasannya membuat menarik untuk menguak dan menelitinya dari sisi feminisme, dengan menggunakan analisis semiotika Roland Barthes yang memaparkan denotasi, konotasi dan mitos. Kesimpulan dari penelitian ini menunjukan bahwa ada ideologi feminisme yang ingin dibawa oleh Bukalapak melalui media iklan dalam film AFTER 11, bahwa perempuan saat ini dapat beraktifitas sebebas-bebasnya tanpa perlu khawatir dan mampu berperan ganda dalam memenuhi kebutuhan anaknya, selain itu juga Bukalapak ingin mendobrak stereotip menjadi pengusaha harus dengan modal yang besar dan biasanya hal ini hanya dapat dilakukan oleh kaum kapitalis, namun dengan Bukalapak, UKM atau individu, ataupun hanya seorang ibu rumah tangga, dapat berdaya dan tangguh.Abstract. The development of the digital era today has shown a real transformation of the changing advertising space. Advertising in the form of films has become part of the mass media as one of the media representations that are a reflection of society. Bukalapak through YouTube, wrapped the meaning of feminism in the AFTER 11 film packaging which is also an advertisement to broaden views so that people are more empowered. By showing a female figure as a mother who not only takes part in the domestic sphere, but also carry out activities or jobs that are masculine. The character of women who realize their freedom makes it interesting to uncover and examine it from the side of feminism, using Roland Barthes's semiotic analysis which presents denotations, connotations and myths. The conclusion of this study shows that there is an ideology of feminism that Bukalapak wants to bring through the advertising media in the film AFTER 11, that women today can work as freely as possible without worrying and being able to play a dual role in meeting their children's needs, besides that Bukalapak also wants to break stereotypes being an entrepreneur must be with big capital and usually this can only be done by the capitalists, but with Bukalapak, UKM or individual, or just a housewife, can be empowered and resilient.
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Dissertationen zum Thema "Feminism and mass media"

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Dobbs, Rhonda R. „The three musketeers : social process theories, feminism and violence in the mass media /“. Thesis, This resource online, 1996. http://scholar.lib.vt.edu/theses/available/etd-02132009-172539/.

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Smith, Ashley Lorrain. „Girl Power: Feminism, Girlculture and the Popular Media“. Thesis, University of North Texas, 1999. https://digital.library.unt.edu/ark:/67531/metadc2200/.

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This project is an interrogation of three examples from recent popular culture of girlculture, specifically texts that target young female consumers: the Spice Girls, Scream and Buffy the Vampire Slayer. These examples are fundamentally different than texts from earlier female targeted generic models because they not only reflect the influence of the feminist movement, they work on feminism's behalf. The project's methodology grows out of feminist film theories and cultural studies theories. One chapter is dedicated to each text, and each reading works to reappropriate girlculture texts for a counter-hegemonic agenda by highlighting the moments when each text manages to subvert its mass mediated conservative biases.
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Legge, Janet Helen. „Post-feminism in Cosmopolitan and For Him magazine (FHM) : a critical analysis“. Thesis, Rhodes University, 2013. http://hdl.handle.net/10962/d1005956.

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Cosmopolitan and For Him Magazine (FHM) are, at present, both the most widely read and, therefore, the most popular "white" consumer magazines in South Africa. They both appeal to young audiences of between 18 and 34 years of age, approximately, and target middle-class, educated groups of readers. My interest in Cosmopolitan and FHM lies in their ability to influence and shape their readers' actions, values, identities and relationships, in particular with the other gender. My analysis is focused on the cover pages and the Editor's letters of six copies of each magazine, ranging from April to September 2003, providing me with a corpus of 12 cover pages and 12 Editor's letters. I adopt a critical perspective through the use of Fairclough's (1989) Critical Discourse Analysis, supported by Mills (1995) Feminist Stylistics, McLoughlin's (2000) textual analysis of cover pages and Kress & van Leeuwen's (1996) visual analysis tools. By combining these different methodologies my research falls into what is newly termed Feminist Critical Discourse Analysis (Lazar 2005). The cover page analyses used primarily McLoughlin and Kress & van Leeuwen and provides an element of pure genre analysis, while the analysis of the Editor's letters were subject to Fairclough's three inter-related stages of analysis, namely: a Description of the formal textual elements of the letters, an Interpretation which analyses the processes of text production and interpretation, and lastly an Explanation of the socio-historical context. Through an analysis of these magazines, whose interests are being served and how the readers are shaped and positioned by the magazines can be identified. My analyses revealed conflicting discourses within each magazine, however it was Cosmopolitan that revealed more tension and conflict in terms of identifying and representing women, while FHM subscribed, for the most part, uniformly to the "new lad" ideology. However, while Cosmopolitan attempted to show a forward-thinking and emancipatory view of the roles of men and women in society, both magazines covertly sustain patriarchal dominance and hegemonic masculinity. In conclusion, I reveal the need for consumers of the mass media to become more critically aware of the ideologies that are promoted through the differing tools of the media and that only through this critical awareness can any further movement towards equal relations between men and women be made.
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Sibielski, Rosalind. „What Are Little (Empowered) Girls Made Of?: The Discourse of Girl Power in Contemporary U.S. Popular Culture“. Bowling Green State University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1277091634.

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Di, Guglielmo Antoinette Christine. „Sex and the city: A postmodern reading“. CSUSB ScholarWorks, 2007. https://scholarworks.lib.csusb.edu/etd-project/3239.

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Sex and the City was a television show that aired on Home Box Office from 1998-2004. The tv show succeeded because of feminist's wanting a modern woman's drama rich in episodes about consumption, women's sexuality, financial independence, fashion and contemporary relationship dynamics. The characters captured and perpetuated just that. The modern take on the ideologies that drive women's perception of personal fulfillment, body image, consumerism, social behavior and values and romantic relationship dynamics made this tv show the phenomena that it became.
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Mayo, Tilicia L. „Black Women and Contemporary Media: The Struggle to Self-Define Black Womanhood“. Thesis, Connect to resource online, 2010. http://hdl.handle.net/1805/2102.

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Thesis (M.A.)--Indiana University, 2010.
Title from screen (viewed on February 26, 2010). Department of Communication Studies, Indiana University-Purdue University Indianapolis (IUPUI). Advisor(s): Catherine A. Dobris, Ronald M. Sandwina, Kim D. White-Mills, Kristina H. Sheeler. Includes vitae. Includes bibliographical references (leaves 68-70).
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Ettler, Justine. „The Best Ellis For Business: A Re-Examination Of The Mass Media Feminist Critique Of American Psycho“. Thesis, The University of Sydney, 2013. http://hdl.handle.net/2123/10020.

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The Best Ellis For Business analyses the mass media feminist critique of Bret Easton Ellis’s third novel, American Psycho (1991), and employs this to challenge the dominant modes of reading Ellis’s work. The thesis identifies the major shifts in literary criticism about American Psycho, both journalistic and scholarly, and discusses them in relation to the novel’s problematic sexualisation of misogynistic violence. In particular, the neutralisation of the mass media feminist critique in scholarly literary criticism is questioned, then contextualised in terms of the backlash, and finally linked to postmodern defences of the novel that ignore the important role played by the reader. The thesis employs a mixture of narratological and theoretical approaches to perform close readings of the sexually violent scenes. The thesis challenges dominant defences of American Psycho such as the ubiquitous defence of the novel as a satire, as well as the equally prevalent defence of the novel as a postmodern classic. The formalist qualities of the novel, which this thesis claims make it a postmodern parody, prevent the novel from ever being read as a straightforward satire. Further, analyses that focus on the novel’s form at the expense of its content tend to fail to account for the reader’s response to the sexualised violence. This thesis raises the oft-ignored but important issue of reader competence, particularly in relation to the marketing practices of Ellis’s corporate publishers. It will also be argued here that the novel’s excessive ambiguity leaves the reader no choice other than to resort to their biographical knowledge of the author in order to make sense of it. Thus, the thesis rereads the novel in relation to Ellis’s biography, as well as in relation to Ellis’s recent revelations about his sexuality and his interview practice.
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Le, Masurier Megan. „Fair go : Cleo magazine as popular feminism in 1970s Australia“. Phd thesis, Department of Media and Communications, 2007. http://hdl.handle.net/2123/7777.

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Klokow, Nicole Ann. „Hijacking feminism: representations of the new woman in South African television advertising practice“. Thesis, Nelson Mandela Metropolitan University, 2005. http://hdl.handle.net/10948/381.

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This study examines the extent to which feminism has been appropriated by the consumer culture. As the relationship between consumerism and patriarchy continues to dominate global economic and social practices, this appropriation points to a denial of the social and political importance of the feminist movement. An acknowledgement of our own complicity in the perpetuation of a sexist, racist and classist ideology – along with an understanding of the complicity of the media – is crucial in explaining relations of domination within our society (Thompson 1990). A study of television advertising practice allows us to “explore meaning as a social product, enmeshed in webs of power” (Jordan and Wheedon 1995:543). Consumer ‘freedom’ is the compulsory freedom (Slater 1997), as we buy as many symbols as products. This study shows that for all the ‘strides’ feminism has made, media images of women are largely traditional, prescriptive (although an ironic distance is often implied) or overtly sexualised. Feminism is never mentioned, as women’s gains are presented as ahistorical in a ‘post-feminist’ world. Third wave feminism is an attempt to embrace all feminisms and feminists, working to inject some substance and truth behind advertising’s feminist veneer.
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Ling, Qi. „Televising feminism: the Chinese television industry, female television professionals, and neoliberal empowerment“. Diss., University of Iowa, 2018. https://ir.uiowa.edu/etd/6179.

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Television drama is a crucial site where notions of gender, as well as other cultural issues, are formed. Since 2010, the Chinese television industry has shown a growing interest in representing feminism-inflected content, most evident in cashing in on serials centering on a strong female character. These women-centric dramas mark a departure from previous constructions of gender, women, and feminism due to their narrative centrality of women, portrayal of strong female leads, expansion of women’s spheres of action, and endorsement of female power and independence. This dissertation explores the phenomenon, examining what feminist discourses are being represented by juxtaposing them with the social context of gender in China and interrogating how they are shaped by industrial practices. The factors at play in the serial production that have surfaced in this study mainly include female television professionals, textual and narrative conventions, considerations of audience profile, and party-state cultural leadership. Based on textual analysis and interviews with professionals associated with several representative women-centric television dramas, this dissertation found that these social and industrial forces collaboratively shaped the feminist discourses into various forms including the post-feminist and neoliberal feminist tendency, a common-ground form of feminism shared by various sections of society, and a vision of gender that combines traditional feminine roles and a powerful presence in the public sphere. The research raises issues about the role of the television industry in cultivating public understandings of feminism and the relationship between televisual forms of feminism and feminist politics.
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Bücher zum Thema "Feminism and mass media"

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Thornham, Sue. Women, feminism and media. Edinburgh: Edinburgh University Press, 2007.

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Zoonen, Liesbet van. Feminist media studies. London: Sage, 1994.

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1951-, Chester Gail, und Dickey Julienne, Hrsg. Feminism and censorship: The current debate. Bridport: Prism Press, 1988.

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Bean, Kellie. Post-backlash feminism: Women and the media since Reagan-Bush. Jefferson, N.C: McFarland & Company, Inc., 2007.

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1951-, Meehan Eileen R., und Riordan Ellen, Hrsg. Sex & money: Feminism and political economy in the media. Minneapolis: University of Minnesota Press, 2002.

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Mendes, Kaitlynn. Slutwalk: Feminism, activism and media. New York: Palgrave Macmillan, 2015.

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1957-, Dorer Johanna, und Geiger Brigitte 1957-, Hrsg. Feministische Kommunikations- und Medienwissenschaft: Ansätze, Befunde und Perspektiven der aktuellen Entwicklung. Wiesbaden: Westdeutscher Verlag, 2002.

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1959-, Zoonen Liesbet van, Hrsg. Tussen plezier en politiek: Feminisme en media. Amsterdam: SUA, 1988.

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Hirano, Yōko. Media & feminizumu riterashī: Chinmoku yori teigen o : hihansuru chikara. Tōkyō: Chōeisha, 2001.

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Patricia, Bradley. Mass media and the shaping of American feminism, 1963-1975. Jackson, MS: University Press of Mississippi, 2004.

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Buchteile zum Thema "Feminism and mass media"

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Blackman, Lisa, und Valerie Walkerdine. „Feminism, psychoanalysis and the media“. In Mass Hysteria, 70–78. London: Macmillan Education UK, 2001. http://dx.doi.org/10.1007/978-1-349-91159-2_6.

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Lóránd, Zsófia. „Feminism in the Popular Mass Media“. In The Feminist Challenge to the Socialist State in Yugoslavia, 137–69. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-78223-2_4.

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Steiner, Linda. „Feminist Media Theory“. In The Handbook of Media and Mass Communication Theory, 359–79. Hoboken, NJ, USA: John Wiley & Sons, Inc., 2014. http://dx.doi.org/10.1002/9781118591178.ch20.

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Moody-Ramirez, Mia, und Jannette L. Dates. „A Feminist Reading of Mass Media“. In The Obamas and Mass Media, 35–48. New York: Palgrave Macmillan US, 2014. http://dx.doi.org/10.1057/9781137404930_4.

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Gehmacher, Johanna. „Introduction: Translating and Mediating Feminisms, Travelling Women’s Movements“. In Translation History, 1–41. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-42763-3_1.

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AbstractThis study investigates how the emergence of a transnational civil society in the decades before the outbreak of the First World War was supported by, and entangled with, practices of travel, translation, and mediation in various forms of (mass) media. It takes one activist from the transnational women’s movements of the West as a case study to explore how political activists employed a variety of transnational strategies to foment activism at home and abroad. The introductory chapter takes the example of one activist’s speech at the feminist congress in Paris in 1896—one of the first larger congresses of its kind—and the media reaction to this appearance to sketch the position of a mediator in a transnational civil space. Following on from this, it lays out the contexts, concepts, and the research questions of this book and presents its main protagonist, Käthe Schirmacher (1865–1930). In particular, the chapter discusses theoretical frameworks of translation, feminism, activism, and trust; contextualises travel in a transnational history of women’s movements of the West; and reflects on the advantages and limitations of a case study approach.
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Blackman, Lisa, und Valerie Walkerdine. „Psychoanalysis and feminism“. In Mass Hysteria, 79–89. London: Macmillan Education UK, 2001. http://dx.doi.org/10.1007/978-1-349-91159-2_7.

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Tasker, Yvonne. „Vernacular Feminism“. In Anti-Feminisms in Media Culture, 25–44. New York: Routledge, 2022. http://dx.doi.org/10.4324/9781003090212-2.

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Newton, Kenneth. „Mass Media“. In Developments in British Politics 2, 313–26. London: Macmillan Education UK, 1988. http://dx.doi.org/10.1007/978-1-349-10230-3_15.

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Fog, Agner. „Mass Media“. In Cultural Selection, 156–68. Dordrecht: Springer Netherlands, 1999. http://dx.doi.org/10.1007/978-94-015-9251-2_9.

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Bilton, Tony, Kevin Bonnett, Pip Jones, Tony Lawson, David Skinner, Michelle Stanworth, Andrew Webster, Liz Bradbury, James Stanyer und Paul Stephens. „Mass media“. In Introductory Sociology, 328–53. London: Macmillan Education UK, 2002. http://dx.doi.org/10.1007/978-0-230-21417-0_12.

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Konferenzberichte zum Thema "Feminism and mass media"

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Duissekeyeva, Nurgul, Svetlana Lyausheva, Angela Nagoy, Alexander Rozhkov, Elena Studenikina und Natalya Dubinina. „Dichotomy "Our/Others" in the mass media discourse of feminism“. In Proceedings of the International Conference on Man-Power-Law-Governance: Interdisciplinary Approaches (MPLG-IA 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/mplg-ia-19.2019.5.

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Hemphill, Libby, Ingrid Erickson, David Ribes und Ines Mergel. „Feminism and social media research“. In the companion publication of the 17th ACM conference. New York, New York, USA: ACM Press, 2014. http://dx.doi.org/10.1145/2556420.2558864.

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Huang, Rui. „Feminism Discourse in Different Gender-Temperament Social Media“. In 2022 3rd International Conference on Language, Art and Cultural Exchange（ICLACE 2022). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220706.029.

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Sheng, Qianyuan, und Xiruo Wang. „Bra Purchase Choice Influenced by Feminism“. In 2021 International Conference on Social Development and Media Communication (SDMC 2021). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220105.097.

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Burns, Karen. „Women, Care, and the Settler Nation: The Victorian Country Women’s Association, 1928“. In The 39th Annual Conference of the Society of Architectural Historians Australia and New Zealand. PLACE NAME: SAHANZ, 2023. http://dx.doi.org/10.55939/a5015p7rux.

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Care has long been a gendered attribute, frequently associated with women but rarely, until very recently, understood as an ethic and action shaping the built environment. This paper proposes using the lens of care to uncover women’s material culture contributions to the built environment. Histories that focus on the formal intersection of architecture and town planning and their professional identities can exclude women makers who, historically had to find other ways to shape built material culture. Under the rubric of care, this paper examines how women makers worked in applied art media across a range of “care” sites through the post-suffrage organisation, the Victorian branch of the Country Women’s Association (CWA). This philanthropic organisation was established in 1928 to advance the rights and care of women, children, and families in regional areas. Through exhibitions, media, touring lecturers and an affiliation with the Victorian Arts and Crafts Society, the CWA Victoria used craft and domestic material culture to democratise craft ideals and ameliorate poor environments in rural homes and towns. It fostered public health, welfare and the comfort and repair of self and communities. Through these means the organisation also provided support for the influx of new arrivals generated from the post-war rural reconstruction schemes of soldier settlement and mass migration from Britain. These larger projects allied the CWA Victoria organisation to a post-war settler identity which reanimated settler myths of land. In early twentieth-century Australia, care of the settler, built environment was gendered and racialised, an event that prompts an intersectional reassessment of the feminist model of care.
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Shi, Jia, Yang Sui, Xuyan Tang und Zimo Wang. „The Role of Social Media in Female Gender Construction Under Feminism“. In 2021 4th International Conference on Humanities Education and Social Sciences (ICHESS 2021). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.211220.178.

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Ao, Yahan, Heying Liu, Yujiao Xi und Runqing You. „From the Rococo to Lolita: The Division of Feminism in China“. In 2021 International Conference on Social Development and Media Communication (SDMC 2021). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220105.108.

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Dziuba, Elena V. „Feminism Conceptual Meanings In Russian And French Media Picture Of The World“. In X International Conference “Word, Utterance, Text: Cognitive, Pragmatic and Cultural Aspects”. European Publisher, 2020. http://dx.doi.org/10.15405/epsbs.2020.08.43.

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Li, Zihan. „Bra in the New Era: A Study from the Perspective of Feminism“. In 2021 International Conference on Social Development and Media Communication (SDMC 2021). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220105.069.

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Kasperovich-Rynkevich, Olga Nikolaevna. „Media economically oriented tecnologies in mass media activity“. In Internationa Extra-murral Online Conference. TSNS Interaktiv Plus, 2020. http://dx.doi.org/10.21661/r-112426.

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This article explores cost-effective mass media technologies. The experience of the use of paid access to the media content of Belarus was studied, the author also made the forecast on its future functioning. The paper provides global media industry trends and focuses on the use of messagers to promote content and increase the target audience of mass media. The research used the methods of content analysis and a written survey. During the study the author revealed that the media economically oriented technologies help to make a profit through distribution of content and formation of a loyal mass media audience.
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Berichte der Organisationen zum Thema "Feminism and mass media"

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Velázquez, A., D. Renó, AM Beltrán Flandoli, JC Maldonado Vivanco und C. Ortiz León. From the mass media to social media: reflections on the new media ecology. Revista Latina de Comunicación Social, März 2018. http://dx.doi.org/10.4185/rlcs-2018-1270en.

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Chornodon, Myroslava. FEAUTURES OF GENDER IN MODERN MASS MEDIA. Ivan Franko National University of Lviv, Februar 2021. http://dx.doi.org/10.30970/vjo.2021.49.11064.

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The article clarifies of gender identity stereotypes in modern media. The main gender stereotypes covered in modern mass media are analyzed and refuted. The model of gender relations in the media is reflected mainly in the stereotypical images of men and woman. The features of the use of gender concepts in modern periodicals for women and men were determined. The most frequently used derivatives of these macroconcepts were identified and analyzed in detail. It has been found that publications for women and men are full of various gender concepts that are used in different contexts. Ingeneral, theanalysisofthe concept-maximums and concept-minimum gender and their characteristics is carried out in the context of gender stereotypes that have been forme dand function in the society, system atizing the a ctual presentations. The study of the gender concept is relevant because it reveals new trends and features of modern gender images. Taking into account the special features of gender-labeled periodicals in general and the practical absence of comprehensive scientific studies of the gender concept in particular, there is a need to supplement Ukrainian science with this topic. Gender psychology, which is served by methods of various sciences, primarily sociological, pedagogical, linguistic, psychological, socio-psychological. Let us pay attention to linguistic and psycholinguistic methods in gender studies. Linguistic methods complement intelligence research tasks, associated with speech, word and text. Psycholinguistic methods used in gender psychology (semantic differential, semantic integral, semantic analysis of words and texts), aimed at studying speech messages, specific mechanisms of origin and perception, functions of speech activity in society, studying the relationship between speech messages and gender properties participants in the communication, to analyze the linguistic development in connection with the general development of the individual. Nowhere in gender practice there is the whole arsenal of psychological methods that allow you to explore psychological peculiarities of a person like observation, experiments, questionnaires, interviews, testing, modeling, etc. The methods of psychological self-diagnostics include: the gender aspect of the own socio-psychological portrait, a gender biography as a variant of the biographical method, aimed at the reconstruction of individual social experience. In the process of writing a gender autobiography, a person can understand the characteristics of his gender identity, as well as ways and means of their formation. Socio-psychological methods of studying gender include the study of socially constructed women’s and men’s roles, relationships and identities, sexual characteristics, psychological characteristics, etc. The use of gender indicators and gender approaches as a means of socio-psychological and sociological analysis broadens the subject boundaries of these disciplines and makes them the subject of study within these disciplines. And also, in the article a combination of concrete-historical, structural-typological, system-functional methods is implemented. Descriptive and comparative methods, method of typology, modeling are used. Also used is a method of content analysis for the study of gender content of modern gender-stamped journals. It was he who allowed quantitatively to identify and explore the features of the gender concept in the pages of periodicals for women and men. A combination of historical, structural-typological, system-functional methods is also implemented in the article. Descriptive and comparative methods, method of typology, modeling are used. A method of content analysis for the study of gender content of modern gender-labeled journals is also used. It allowed to identify and explore the features of the gender concept quantitatively in the periodicals for women and men. The conceptual perception and interpretation of the gender concept «woman», which is highlighted in the modern gender-labeled press in Ukraine, requires the elaboration of the polyfunctionality of gender interpretations, the comprehension of the metaphorical perception of this image and its role and purpose in society. A gendered approach to researching the gender content of contemporary periodicals for women and men. Conceptual analysis of contemporary gender-stamped publications within the gender conceptual sphere allows to identify and correlate the meta-gender and gender concepts that appear in society.
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Butyrina, Maria, und Valentina Ryvlina. MEDIATIZATION OF ART: VIRTUAL MUSEUM AS MASS MEDIA. Ivan Franko National University of Lviv, Februar 2021. http://dx.doi.org/10.30970/vjo.2021.49.11075.

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The research is devoted to the study of the phenomenon of mediatization of art on the example of virtual museums. Main objective of the study is to give communication characteristics of the mediatized socio-cultural institutions. The subject of the research is forms, directions and communication features of virtual museums. Methodology. In the process of study, the method of communication analysis, which allowed to identify and characterize the main factors of the museum’s functioning as a communication system, was used. Among them, special emphasis is put on receptive and metalinguistic functions. Results / findings and conclusions. The need to be competitive in the information space determines the gradual transformation of socio-cultural institutions into mass media, which is reflected in the content and forms of dialogue with recipients. When cultural institutions begin to function as media, they take on the features of media structures that create a communication environment localized by the functions of communicators and audience expectations. Museums function in such a way that along with the real art space they form a virtual space, which puts the recipients into the reality of the exhibitions based on the principle of immersion. Mediaization of art on the example of virtual museum institutions allows us to talk about: expanding of the perceptual capabilities of the audience; improvement of the exposition function of mediatized museums with the help of Internet technologies; interactivity of museum expositions; providing broad contextual background knowledge necessary for a deep understanding of the content of works of art; the possibility to have a delayed viewing of works of art; absence of thematic, time and space restrictions; possibility of communication between visitors; a huge target audience. Significance. The study of the mediatized forms of communication between museums and visitors as well as the directions of their transformation into media are certainly of interest to the scientific field of “Social Communications”.
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Shey Wiysonge, Charles, Lilian Dudley und Jimmy Volmink. Do mass media interventions increase uptake of HIV testing? SUPPORT, 2017. http://dx.doi.org/10.30846/1703052.

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Low uptake of HIV testing is one of the main reasons why only one third of people who need antiretroviral medications are currently receiving treatment worldwide. Mass media are sometimes used to promote voluntary HIV counseling and testing and to sustain test seeking behavior. Mass media include television, radio, internet, newspapers, books, posters, and billboards.
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Robinson, John R. Mass Media Theory, Leveraging Relationships, and Reliable Strategic Communication Effects. Fort Belvoir, VA: Defense Technical Information Center, März 2008. http://dx.doi.org/10.21236/ada482173.

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NARYKOVA, N. A., S. V. KHATAGOVA und Yu R. PEREPELITSYNA. PEJORATIVE WORDS IN GERMAN MASS-MEDIA IN NOMINATIONS OF POLITICIANS. Science and Innovation Center Publishing House, April 2022. http://dx.doi.org/10.12731/2077-1770-2021-14-1-3-57-68.

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One of the main functions of mass media is influence on public opinion. So emotionally-painted lexical means are widely used in mass media in relation to leading politicians who are the centre of political arena. They are exposed to the frequent criticism, a negative estimation. The present article is devoted to the consideration of pejorative lexicon which is applied in nominations for heads of states. An empirical material of research were electronic newspapers and editions: Der Spiegel, Die Zeit, Sueddeutsche Zeitung, Der Tagesspiegel, taz, Die Welt, Gegenblende. As the basic methods of research are the following: the componental analysis, the lexico-semantic analysis, the stylistic analysis. The result of research revealed, that in German mass media there is a significant amount of persons names pejorative colouring. They express censure, disrespect, sneer, hatred, antipathy, condemnation, mistrust and so on. There main word-formations for persons nominations are composition, a derivation with using of suffixes and subsuffixes, attributive word-combinations, metaphorically-metonymical way. The materials of the research work can be used in the course of learning German language, at the practical training in oral speech, and also in the course of lexicology, general and aspect lexicography.
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Blanco Castilla, E., M. Quesada und L. Teruel Rodríguez. From Kyoto to Durban. Mass media editorial position about climate change. Revista Latina de Comunicación Social, Juni 2013. http://dx.doi.org/10.4185/rlcs-2013-983en.

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Greenbaum, Steve G. NMR Studies of Mass Transport in New Conducting Media for Fuel Cells. Fort Belvoir, VA: Defense Technical Information Center, Januar 2009. http://dx.doi.org/10.21236/ada502750.

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Roy Haggerty. Transport Visualization for Studying Mass Trasnfer and Solute Transport in Permeable Media. Office of Scientific and Technical Information (OSTI), Januar 2004. http://dx.doi.org/10.2172/836906.

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Adamchak, Susan, Karusa Kiragu, Cathy Watson, Medard Muhwezi, Tobey Nelson, Ann Akia-Fiedler, Richard Kibombo und Milka Juma. The Straight Talk Campaign in Uganda: Impact of mass media initiatives—Summary report. Population Council, 2007. http://dx.doi.org/10.31899/hiv2.1016.

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