Zeitschriftenartikel: „Feminism and architecture“

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Coleman, Debra, Elizabeth Danze, Carol Henderson und Courtney Mercer. „Architecture and Feminism“. Journal of Aesthetics and Art Criticism 57, Nr. 4 (1999): 483. http://dx.doi.org/10.2307/432164.

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2

Hills, H. „Feminism, Architecture, and the Poor Rich Man“. Oxford Art Journal 21, Nr. 2 (01.01.1998): 194–99. http://dx.doi.org/10.1093/oxartj/21.2.194.

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3

Burns, Karen. „Ex libris: Archaeologies of Feminism, Architecture and Deconstruction“. Architectural Theory Review 15, Nr. 3 (Dezember 2010): 242–65. http://dx.doi.org/10.1080/13264826.2010.524706.

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4

Ahrentzen, Sherry. „The Space between the Studs: Feminism and Architecture“. Signs: Journal of Women in Culture and Society 29, Nr. 1 (September 2003): 179–206. http://dx.doi.org/10.1086/375675.

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5

Escobedo, Frida. „‘Architecture is forever unfinished’“. Journal of Visual Culture 20, Nr. 1 (April 2021): 48–59. http://dx.doi.org/10.1177/14704129211000638.

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In this interview, the celebrated Mexican architect Frida Escobedo explains the intricacies of her design practice and her longstanding interests in Minimalism, Mexican Modernism, and the socio-political concerns facing architecture. The interview provides an insightful mid-career look at one of the most creative and compelling architects working in the world today. Escobedo and Gardner engage in a lively discussion that ranges from design theory to feminism in contemporary architecture. The interview was conducted at Harvard University on 12 December 2019.

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Faliha, Almira Muthi, und Yeptadian Sari. „Tinjauan Konsep Feminisme Pada Bangunan Natasha Skin Care Bandung Sebagai Pusat Kecantikan“. Journal of Architectural Design and Development 2, Nr. 1 (30.06.2021): 90. http://dx.doi.org/10.37253/jad.v2i1.4368.

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The rapid development of the times makes technology more sophisticated, it makes information and communication sources accepted quickly, because of the role of the internet. Its influence on society can have both good and bad impacts for the continuity of life patterns in social interaction. The bad impact that is often experienced by women is usually a feeling of insecurity in their appearance when interacting socially, this problem makes women have to try to find ways so that they can be confident by looking attractive according to their expectations. Therefore, we need a place of beauty center that applies the concept of feminism architecture with feminine characteristics. The case study that will be discussed in this research is Natasha Skin Care, which is located on Jl. Supratman No. 84 Bandung, while the method used is descriptive qualitative. The results of this study can be said that the Natasha Skin Care building is almost close to the application of the concept of feminist architecture according to several criteria, namely in the selection of materials on the facade, the color of the interior and exterior and a clear division of space between public and private spaces.

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Beenish Fatima. „Disscussions Of Postmodernism & Feminism“. Dareecha-e-Tahqeeq 3, Nr. 1 (21.03.2022): 62–75. http://dx.doi.org/10.58760/dareechaetahqeeq.v3i1.36.

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Postmodernism is a broad movement that developed in the late 20th century across the different fields of life e.g arts, Philosophy, architecture and criticism. It is an intellectual stance or a mode of discourse that rejects the possibility of reliable knowledge. Feminism is a range of different political movements, ideologies and social movements that share a common goal: to define, establish and achieve the political, economic, personal and social equality of genders. This research article comprises of basic and ideological discourse on post modernism and feminism in Urdu literature. In this article the evolution of feministic theory has been observed, keeping in view the philosophical discourse shaped on universal level and the historical perspective of women.In addition ,a brief review of another important post modern theory New Historicism has also been stated in this article.

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Prasetyo, Priambudi Dwi, und Ari Widyati Purwantiasning. „Kajian Konsep Arsitektur Maskulin Pada Bangunan Museum Guggenheim, Bilbao“. Journal of Architectural Design and Development 2, Nr. 2 (16.12.2021): 166. http://dx.doi.org/10.37253/jad.v2i2.5354.

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Architecture is closely related to masculine traits due to the intervention of experts in the modern era. Existence became greatly reduced because of the feminism movement in architecture that had taken the attention of activists of architectural practice. Therefore, to bring back insights on the concept of masculine architecture, this research was conducted. In this study, qualitative descriptives were used as a method, as was the concept of masculine architecture that was not expected to be measured through quantitative data. In this method is very focused on the literature data due to the current conditions that can not make a direct visit to the site of the case study. The preferred case study is the Guggenheim museum in Bilbao, Spain. In data collection of course refers to the principles of masculine architecture. These principles include natural impressions on elements, color selection, industrial-style ornaments, and the use of steel materials. Some of these principles are further identified in the architectural elements that are considered capable of displaying a masculine architectural impression on this Guggenheim museum building. The result of this identification proves that every principle of masculine architecture is able to be presented very well to the building elements of this Guggenheim museum. In addition, we also find about the implementation strategy that is considered optimal to bring the impression of masculine architecture to a museum building, while still presenting something innovative but still has its own characteristics.

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Asadpour, Ali. „DEFINING THE CONCEPTS & APPROACHES IN VERNACULAR ARCHITECTURE STUDIES“. Nature: National Academic Journal of Architecture 7, Nr. 2 (02.12.2020): 241. http://dx.doi.org/10.24252/nature.v7i2a8.

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Abstrak_ Makalah ini membahas arsitektur vernakular dalam hal konsep dan pendekatan dalam studi. Keragaman definisi, sikap, dan preferensi telah menghasilkan berbagai pendekatan dalam beberapa dekade terakhir. Mengenali perbedaan ini dapat membantu untuk mendapatkan pemahaman yang lebih dalam tentang kondisi saat ini dan cakrawala masa depan dalam penelitian. Tujuan dari penelitian ini termasuk mengidentifikasi dan mengkategorikan pendekatan dominan terhadap arsitektur vernakular. Metode penelitian yang digunakan adalah kualitatif dan deskriptif. Hasil penelitian mengidentifikasi lima kecenderungan yang dianggap arsitektur vernakular sebagai objek estetika, fenomena biologis (jenis dan evolusi), substansi material-fisik (penjelasan fisik), realitas budaya-sosiologis, dan akhirnya sebagai fenomena antropologis. Pendekatan-pendekatan ini merepresentasikan perpindahan dari dokumentasi ke interpretasi, objektivitas ke subjektivitas, dan primitif ke biasa dalam studi. Fenomenologi, hermeneutika, semiotik, studi gender, dan feminisme menetapkan cakrawala baru bagi penelitian arsitektur vernakular. Evolusi sikap dapat dijelaskan di bawah perubahan paradigma penelitian dari positivisme ke post-positivisme dan fenomenologi.Kata kunci: Arsitektur Vernakular; Desain Iklim; Budaya; Sosiologi; Tipologi. Abstract_ This paper addresses vernacular architecture in terms of concepts and approaches in studies. The diversity of definitions, attitudes, and preferences has led to a variety of approaches in recent decades. Recognizing these differences can help to obtain a deeper understanding of today's conditions and future horizons in research. The objectives of this study included identifying and categorizing the dominant approaches toward vernacular architecture. The research used a qualitative and descriptive method. The results identified five tendencies considered vernacular architecture as an object of aesthetics, a biological phenomenon (types and evolution), a material-physical substance (physical explanations), a cultural-sociological reality, and finally as an anthropological phenomenon. These approaches represented the movement from documentation to interpretation, objectivity to subjectivity, and primitive to ordinary in the studies. Phenomenology, hermeneutics, semiotics, gender studies, and feminism set new horizons for vernacular architectural research. The evolution of attitudes can be explained under the change in research paradigms from positivism to post-positivism and phenomenology.Keywords: Vernacular Architecture; Climatic Design; Culture Sociology; Typology.

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Moeini, Seyed Hossein Iradj. „Salvation by Design?: An Iranian Experiment with the Pedagogy of Feminism-informed Architecture“. International Journal of Design Education 14, Nr. 1 (2019): 43–53. http://dx.doi.org/10.18848/2325-128x/cgp/v14i01/43-53.

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MacÃas GonzÃ¡lez, Gizelle Guadalupe, und Maria Nuria Salan Ballesteros. „Profile of female students of engineering universities in Mexico and Spain“. New Trends and Issues Proceedings on Humanities and Social Sciences 3, Nr. 1 (28.06.2017): 121–26. http://dx.doi.org/10.18844/prosoc.v3i1.1758.

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Gender studies in higher education have emerged in parallel to reflections and rising feminist movement. The main objectives of academic feminism are related to women's visibility improvement as well as soft skills developersâ€™ roles. But a gap in TECH studies can be detected. Women studies in higher education are mostly related to life and social sciences,behavioral, journalism and information, business and management and law, in contrast to engineering, architecture,manufacturing, construction, ICT or any kind of TECH studies. Thus, the main objective of this work is related to survey design in order to develop a qualitative research to inquire about TECH higher education, female population profile, both at UdGCUALTOS (Guadalajara, Mexico) and UPC (Barcelona, Spain).This profile can provide some influent identity elements, related to perceptions and expectations of women-TECH, deemed appropriate from their professions as engineers. From these results, it should be possible to draw gender alternatives for future generations in TECH environments.Keywords: Gender studies, women students, engineering, higher education, expectations.

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Nesiah, Vasuki. „Decolonial CIL: TWAIL, Feminism, and an Insurgent Jurisprudence“. AJIL Unbound 112 (2018): 313–18. http://dx.doi.org/10.1017/aju.2018.82.

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In advancing a Third World Approaches to International Law (TWAIL) analysis of customary international law (CIL) and its dominant doctrinal conceits, B.S. Chimni shows how the jurisprudence of custom has been co-constitutive with colonization and capitalism. He contends that CIL's most fundamental assumption—the “supposed distinction between ‘formal’ and ‘material’ sources of CIL”—privileges Western states while legitimizing CIL as a neutral and universal body of law. In dialogue with Chimni, this essay extends the conversation in two directions. First, I show that there are important resonances between Chimni's deconstruction of the distinction between “formal” and “material” sources of CIL, and a feminist critique of the public/private distinction in international law. Chimni describes his approach as postmodern. I argue that its analysis of the conceptual architecture of the dominant doctrine and its systematic exclusions is also, at its core, a feminist approach to international law. Second, and inspired by Chimni's critique, I explore insurgent jurisprudential traditions that challenge the hierarchies, inequalities, and biases in received doctrine regarding the sources of CIL. Chimni's decolonial approach acknowledges CIL's imperial past, and prepares the ground for democratizing and pluralizing sources by paying attention to a so-called opinio juris communis that incorporates the interests of those critical of, or oppressed by, the dominant world order. Building on this ground, I draw on the Panchsheel principles, first nations’ conceptions of sovereignty and citizenship, and practices of fugitive freedom by maroon communities to begin to supply content and form to a counterrepertoire of custom.

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Samuel, Flora. „The Representation of Mary in the Architecture of Le Corbusier's Chapel at Ronchamp“. Church History 68, Nr. 2 (Juni 1999): 398–416. http://dx.doi.org/10.2307/3170863.

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In the Fondation Le Corbusier in Paris there is a little guide for pilgrims that was given to the architect when he began work on the pilgrimage chapel of Notre Dame du Haut Ronchamp (1955), probably the most influential yet contentious building of the twentieth century (fig. 1). Within the guide, the section on the cult of Mary has been heavily underlined and in the margin is the word “feminism,” written by Le Corbusier, a very unusual departure for a man of his times. In this article I will examine the role of Mary in the work of Le Corbusier and discuss the way in which she is interpreted in the architecture of Ronchamp.

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Ashford, Chris. „Gender, Sexuality and the Law School“. Amicus Curiae 2, Nr. 3 (16.06.2021): 450–73. http://dx.doi.org/10.14296/ac.v2i3.5310.

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This article will focus on exploring gender and sexuality within the law school. Largely silent from Twining’s ‘grand tour’, these two areas are now key parts of the law school landscape, having become firmly established as key elements of law school discourse and legal scholarship in the years since Blackstone’s Tower was published. The Blackstone’s Tower of Twining’s imagination was, Twining suggested, ‘holding up a mirror to a familiar world’, and it was a world that made only passing reference to gender and no reference to sexuality. Feminism is mentioned twice in 244 pages, whilst queer—still emergent within legal scholarship in 1994—is not referenced at all. A once radical and vital text can perhaps appear antiquated to today’s readers. Yet, this should not be regarded as a criticism of the text but rather a reflection of how the law school and legal scholarship has transformed since 1994. Whether in the number of gender and/or sexuality and law courses that now permeate through the UK law school, or the extraordinary growth first of feminist scholarship and more recently queer scholarship, the law school has been profoundly impacted by socio-legal shifts in gender and sexuality research. This is scholarship that does not merely serve as ‘another’ theory or an addendum to jurisprudence, for these theories have offered the ability to reshape the very architecture of the law school and to re-imagine Blackstone’s Tower for what it is and what it can be. This article seeks to explore that journey and offer a glimpse of future possibilities. Keywords: legal education; gender; sexuality; queer; feminism; gay; pedagogy; LGBTQ; teaching.

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Rosner, Victoria. „Architecture and Feminism. Debra Coleman , Elizabeth Danze , Carol HendersonDesiring Practices: Architecture, Gender, and the Interdisciplinary. Duncan McCorquodale , Katerina Rüedi , Sarah WigglesworthThe Sex of Architecture. Diana Agrest , Patricia Conway , Leslie Kanes WeismanStud: Architectures of Masculinity. Joel Sanders“. Signs: Journal of Women in Culture and Society 25, Nr. 3 (April 2000): 981–86. http://dx.doi.org/10.1086/495507.

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Hill, Clareese. „Survival Praxis through Hood Feminism, Negritude and Poetics“. Architecture and Culture 9, Nr. 2 (23.03.2021): 238–48. http://dx.doi.org/10.1080/20507828.2021.1879460.

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Borthwick, Mamah, und Alice T. Friedman. „Frank Lloyd Wright and Feminism: Mamah Borthwick's Letters to Ellen Key“. Journal of the Society of Architectural Historians 61, Nr. 2 (01.06.2002): 140–51. http://dx.doi.org/10.2307/991836.

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Eleven recently discovered letters in the Royal Library in Stockholm, written by Mamah Bouton Borthwick and Frank Lloyd Wright to Ellen Key, the Swedish social theorist and feminist reformer, between 1911 and 1914, shed new light on Key's influence, not only on the couple's image of themselves as radical reformers, but also on the design and concept of Taliesin, the house that Wright built as a residence, workshop, and retreat for them in 1913. These letters reveal that Borthwick, a client and neighbor of Wright's in Oak Park, discovered Key's writings soon after she and Wright abandoned their families and fled to Europe in 1909; from that point until August 1914, when Borthwick was murdered by a deranged servant at Taliesin, both she and Wright became avid disciples of Key's philosophy, and looked to her for guidance and support. It has long been known that Key's many publications on subjects such as marriage, divorce, birth control, children's education, and individual freedom, were read with interest by Wright and Borthwick, and that Borthwick was named Key's "only authorized translator" in English. The letters, analyzed in the context of close readings of Key's most significant and widely read texts, offer new insights into the meaning of Key's writings for the couple, revealing an explicit connection between Key's ideas and Taliesin, which Borthwick describes as having been "founded on Ellen Key's ideal of love." The texts provide further evidence of the feminist influence on Wright's emerging ideas about individual responsibility, artistic freedom, the family, and household life.

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Gilley, Sheridan. „Victorian Feminism and Catholic Art: the Case of Mrs Jameson“. Studies in Church History 28 (1992): 381–91. http://dx.doi.org/10.1017/s0424208400012572.

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Now Church History’, wrote John Henry Newman in 1843, ‘is made up of these three elements—miracles, monkery, Popery’, so that anyone sympathetic to the subject must sympathize with these. Much the same, however, could be said of Christian art. The young Southey on a visit to Madrid stood incredulous before a series of paintings depicting the life of St Francis. ‘I do not remember ever to have been so gready astonished’, he recalled. ‘“Do they really believe all this, Sir?” said I to my companion. “Yes, and a great deal more of the same kind”, was. the reply.’ The paradox was that works of genius served the ends of a drivelling superstition, a dilemma resolved in the 1830s by the young Augustus Pugin, who decided that the creation of decent Christian architecture presupposed the profession of Catholic Christianity. The old Protestant hostility to graven images was in part a revulsion from that idolatrous popish veneration of the Virgin and saints which had inspired frescos, statues, and altar-pieces in churches and monasteries throughout Catholic Europe; but what on earth did a modern educated Protestant make of the endless Madonnas, monks, and miracles adorning the buildings which he was expected as a man of cultivation to admire? At the very least, he required a sympathetic instruction in the meaning of the iconography before his eyes, and some guidance about its relation to the rest of what he believed. The great intermediary in this process was Ruskin; but there was at least one odier interpreter of Catholic art celebrated in her day, Mrs Anna Brownell Jameson, whose most popular works, Sacred and Legendary Art, Legends of the Monastic Orders, and Legends of the Madonna, told the Englishman what he could safely think and feel amid the alien aesthetic allurements of Catholicism.

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Novas-Ferradás, María, María Carreiro-Otero und Cándido López-González. „Galician Female Architects—A Critical Approach to Inequality in the Architectural Profession (1931–1986)“. Arts 9, Nr. 1 (04.03.2020): 33. http://dx.doi.org/10.3390/arts9010033.

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The remoteness of Galicia, a cultural and linguistic bridge between Portugal and Spain, did not prevent it from playing a significant role in the history of female architects in the Iberian Peninsula. Nine Galician pioneers have carved the path since the first generation of Spanish female architects outlined the precedents during the Second Spanish Republic (1931–1939). They were also present in an initial period, even if housewifization theories were intensively fueled by the dictatorship (1939–1975); likewise during the continuity period in the transition to democracy (1975–1982), and the second wave of feminism. However, it would not be until progressive democratic institutionalization (1982–1986) that more women gained access to architectural studies in university (consolidation period); but what is the legacy of these pioneers? Are Galician female architects ‘in transition’ yet? Based on data primarily collected by research group MAGA and released publications, this piece explores how, despite their achievements, their recognition is still superficial. And even if the number of undergraduate students reached quantitative equality, female practitioners continue to leave architecture and these numbers are increasing. Towards a critical approach to inequality in the profession, this article researches the history—and stories—of Galician female architects to examine how far we are from effective equality in the Galician architectural world.

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Younés, Samir. „NATURE AND THE CITY: A CO-EVOLUTIONARY PROJECT“. JOURNAL OF ARCHITECTURE AND URBANISM 38, Nr. 3 (08.10.2014): 198–204. http://dx.doi.org/10.3846/20297955.2014.966985.

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Architects who understand the need to build enduringly are faced with the almost complete absence of international agreements with respect to a planetary ecological project. The coming environmental changes will probably occur long before the small measures that can be implemented by some building industries on a regional level have even the slightest effect. Meanwhile, the health of the planet in positive feedback. Any project that aims for a wise ecological dwelling on this planet needs to consider short-term sustainable measures in comparison with long-term enduring practices. Might schools of thoughts such as traditional architecture, Gaia theory, Earth System Science, deep ecology, eco-feminism, converge on a co-evolutionary partnership between the natural and the human?

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Bruce, Margaret. „A view from the interior: feminism, women and design“. Design Studies 12, Nr. 1 (Januar 1991): 63–64. http://dx.doi.org/10.1016/0142-694x(91)90016-p.

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Petrushikhina, Svetlana V. „THE QUESTION OF FEMALE BODY IN ARCHITECTURAL THEORY IN THE LATE 20TH CENTURY“. Articult, Nr. 2 (2021): 91–96. http://dx.doi.org/10.28995/2227-6165-2021-2-91-96.

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This article is devoted to the phenomenon of female body in the foreign theory of architecture in the 1980‑s–90‑s. The works of D. Agrest, E. Grosz, D. Bloomer and D. Fausch are examined in the present paper. There are two perspectives on the problem of female corporeality: poststructuralist and phenomenological. Jennifer Bloomer and Diane Agrest adopt a poststructuralist critical strategy in which the notion of the feminine is considered as the “Other” of the logocentric architectural discourse. Elisabeth Gross notes that women have always been displaced from the realm of architecture. This is indicated not only by the absence of female architects, but also by the fact that the inherent attributes of female corporeality have been completely disregarded. Diane Agrest suggests that these attributes were appropriated by male architects. The phenomenological perspective on the female corporeality is reflected in Deborah Fausch's concept of “feminist architecture”. “Feminist architecture” brings back the value of concrete, sensual bodily experience in the perception of architecture. The subject's perceptual experience through the body allows the semantic dimension to unfold in the building.

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Jover Biboum, Margarita, Rubén García Rubio und Carlos Ávila Calzada. „Adrian Parr, a polyhedral relationship with water“. ZARCH, Nr. 15 (27.01.2021): 188–95. http://dx.doi.org/10.26754/ojs_zarch/zarch.2020154932.

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Adrian Parr is a transdisciplinary scholar who brings the design disciplines into conversation with the humanities, social sciences, and science. Rather than work within the clearly defined boundaries of a specialized discipline, her writings and movies create ethical montages consisting of theoretical criticism, poetics, imagery, and sound. The daughter and niece of two of Australia's most well-known contemporary artists, she has a sensitivity toward the affective potential of thought and ethical reflection. Her writings encompass a journey through the notebooks of Leonardo da Vinci, Deleuze, feminism, contemporary art, sustainability culture, urbanism, climate change, policy, collective memory, trauma theory, and Marxist thinking. Her films set out to humanize the water and sanitation statistics driving national and international policy. In this interview Adrian Parr talks about the environmental and water problems in different parts of the world under a vision in which humanism, education, ethics, awareness and leadership play a transcendental role.

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Beckman, Karen. „Terrorism, Feminism, Sisters, and Twins: Building Relations in the Wake of the World Trade Center Attacks“. Grey Room 7 (April 2002): 24–39. http://dx.doi.org/10.1162/152638102760104563.

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Vallerand, Olivier. „Messing up the Domestic: Queer Bodies Expanding Architectures“. Somatechnics 10, Nr. 3 (Dezember 2020): 397–415. http://dx.doi.org/10.3366/soma.2020.0329.

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Queer space discourse in architecture has often been about reclaiming sexualized spaces or spaces used by LGBT people as being part of architectural history. However, critical practitioners have sought to expand from an understanding based on an essentialist understanding of queer bodies to link instead the experience of built environments to the repression of non-normative/non-compliant bodies. This article discusses projects by J. Mayer H., Andrés Jaque/Office for Political Innovation (OFFPOLINN), and MYCKET that build on a queer understanding of architecture and design to explore relationships between bodies, the materiality of domestic spaces, and communal identities, challenging binary understandings of architectural design spaces and linking them to the configuration of citizenship. J. Mayer H.’s work on data-protection patterns and thermo-sensitive materials uses bodies as material in developing a discourse on privacy stemming in part from queer people's experience of oppressing policies. OFFPOLINN's projects on IKEA and on gay cruising digital environments question the role of architects by underlining the close integration of advertisement, online social networks, and urban and architectural policies in relation to the experience of citizenship and migration. Finally, MYCKET's queer feminist performative architectures attempts to reframe the neutrality of the architectural modernist tradition to celebrate the messiness that comes with thinking of space as designed for a diversity of people. The three practices expand architectural discussions of domesticity beyond an understanding of the house as a container for family life and towards seeing it as a nexus of social and political relations that converge around the body.

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Krásná, Denisa. „Towards Horizontal Relationships: Anarcha Indigenism, Decolonial Animal Ethic, and Indigenous Veganism“. Canada and Beyond: A Journal of Canadian Literary and Cultural Studies 11 (21.10.2022): 31–51. http://dx.doi.org/10.14201/candb.v11i31-51.

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This paper introduces anarcha-Indigenism and a decolonial animal ethic as emerging decolonial frameworks. Anarcha-Indigenism represents an intersection between Indigeneity, anarchism, environmentalism, Indigenous feminism, and other liberation movements as a promising decolonial framework that could initiate transcultural cooperation of diverse justice groups that are committed to change that would ensure the peaceful co-existence of diverse species and ecosystems on Earth. The article introduces anarcha-Indigenism and its primary principles and roots, discusses its potential and analyses some major challenges that anarcha-Indigenism faces. It expands the discussion by introducing Billy-Ray Belcourt?s decolonial animal ethic that connects (de)colonization of Indigenous peoples with (de)colonization of non-human animals. Special attention is paid to perspectives of some prominent Indigenous vegans. Finally, the role of artivism and imagination in decolonization is discussed. The article posits that anarcha-Indigenism needs to include human treatment of non-human animals in the discussion if it strives to establish non-hierarchical interrelations, and that decolonization has to always be at the movement?s core.

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Arias, Daniela, und Zaida Muxí. „Aportaciones feministas a las arquitecturas y las ciudades para un cambio de paradigma“. Hábitat y Sociedad, Nr. 11 (2018): 5–12. http://dx.doi.org/10.12795/habitatysociedad.2018.i11.01.

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Muxí, Zaida, und Daniela Arias Laurino. „Filling History, Consolidating the Origins. The First Female Architects of the Barcelona School of Architecture (1964–1975)“. Arts 9, Nr. 1 (25.02.2020): 29. http://dx.doi.org/10.3390/arts9010029.

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After Francisco Franco’s death, the process of democratisation of public institutions was a key factor in the evolution of the architectural profession in Spain. The approval of the creation of neighbourhood associations, the first municipal governments, and the modernisation of Spanish universities are some examples of this. Moreover, feminist and environmental activism from some parts of Spanish society was relevant for socio-political change that affected women in particular. The last decade of Franco’s Regime coincided with the first generation of women that graduated from the Barcelona School of Architecture (ETSAB). From 1964 to 1975, 73 female students graduated as architects—the first one was Margarita Brender Rubira (1919–2000) who validated her degree obtained in Romania in 1962. Some of these women became pioneers in different fields of the architectural profession, such as Roser Amador in architectural design, Alrun Jimeno in building technologies, Anna Bofill in urban design and planning, Rosa Barba in landscape architecture or Pascuala Campos in architectural design, and teaching with gender perspective. This article presents the contributions of these women to the architecture profession in relation to these socio-political advances. It also seeks—through the life stories, personal experiences, and personal visions on professional practice—to highlight those ‘other stories’ that have been left out of the hegemonic historiography of Spanish architecture.

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Ottaviani, Dorotea, und Cecilia De Marinis. „Listening to Unheard Voices in Urban Public Space. The Cases of Ruskin Square and Plaça d'en Baró“. ZARCH, Nr. 18 (02.09.2022): 172–85. http://dx.doi.org/10.26754/ojs_zarch/zarch.2022186203.

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The paper explores the concept of ‘listening to unheard voices’ in the urban environment as a design intention and strategy that contributes to an inclusive and alternative approach to urban public space, considering and promoting the imperatives of caring that such space should deliver to the city and its inhabitants. The ideas discussed in the paper find their background in the research on the concept of care in feminist urbanism and feminist studies in general, and specifically in relation to the model of the Caring City, promoting a city that places care at its centre, and aims to include a wider selection of citizens in the construction of the public good. Through the analysis of two case studies of public spaces designed by solo-women architecture practices, this paper identifies an alternative relational paradigm which gives space to unheard voices in the urban environment through processes of inclusion and participation. The two cases, Plaça d'en Baró in Santa Coloma de Gramenet (Barcelona, Spain), designed by Catalan architectural collective Equal Saree, and Ruskin Square in the London Borough of Croydon (London, UK) designed by British architectural practice muf architecture/art, have implemented the concept of listening to ‘unheard voices’ offering insights into the contribution of women to the urban environment and how it is transformed, shaped, and used.

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Eamvijit, Suriyaporn. „Modernism and the Gender Trouble: Techno-Utopia and Gender Politics in the 20th Century Design“. Journal of Architectural/Planning Research and Studies (JARS) 20, Nr. 1 (26.07.2022): 55–72. http://dx.doi.org/10.56261/jars.v20i1.249560.

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Among prominent figures in the architectural field of the twentieth century, Le Corbusier was undoubtedly the most renowned. His key writing Vers Une Architecture (Towards a New Architecture) was received with praise and has been regarded as the manifesto of modern and contemporary architecture ever since. His projects have become symbols of the end of the old regime and the possibility for a new democratic society. However, his revolutionary mission apparently diminishes gender issues. Although there is extensive research about Le Corbusier’s works, only a few investigated the gender aspects of his works or incorporated his artistic works into the analysis. Among several studies on politics of gender in modernist architecture, what is still lacking is the analysis of Le Corbusier’s works that are not architectural. This paper aims at examining the relationship between Le Corbusier’s architectural as well as his artistic works and gender politics through the lens of Henri Lefebvre’s spatial theory and feminist theories. The paper focuses on the modernist aesthetic, technology, and gender politics in spatial arrangements and designs, especially in the domestic sphere, that are discussed mainly in Le Corbusier’s Towards a New Architecture and his poetry collection Poem of the Right Angle. An analysis of spatial representations in both works reveals how the architect’s obsession with purist functionalism and the glorification of technology propagate the conventional concept of femininity and reduces female subjects to a unit of domestic labor. On the other hand, the paper contrasts the work of Le Corbusier with that of Margarete Schütte-Lihotzky to demonstrate how the very same aesthetics can be a design that favours women when it is appropriated by female professionals who think about equality both in terms of class and gender.

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Schenker, Heath Massey. „Feminist Interventions in the Histories of Landscape Architecture“. Landscape Journal 13, Nr. 2 (1994): 107–12. http://dx.doi.org/10.3368/lj.13.2.107.

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32

Yucel, Sebnem. „Feminist practices: interdisciplinary approaches to women in architecture“. Gender, Place & Culture 19, Nr. 4 (August 2012): 552–53. http://dx.doi.org/10.1080/0966369x.2012.693762.

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33

Kazan, Helene. „An unbound critical lived-built environment“. Journal of Visual Culture 20, Nr. 3 (Dezember 2021): 575–95. http://dx.doi.org/10.1177/14704129211066297.

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Through engaged analysis of entangled research-based practice, this article argues that thresholds of distinction between environmental or conflict-based violence are unbound across Lebanon’s critical lived–built environment. Drawing on the fields of architecture, law, art and cultural production, this investigative scope is engaged through de-colonial, feminist and critical legal theory and method. The analysis in this article is an attempt at dismantling the inherent asymmetric power structures – legal, political and architectural – operating through violent risk, which continue to evade certain frames of accountability. This is done to reveal the complexity of this violent limit condition and its materializations, in the proposal of a progressive methodological imagining and investigation: an unbound critical lived–built environment.

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Ruegamer, Lana, und Polly Wynn Allen. „Building Domestic Liberty: Charlotte Perkins Gilman's Architectural Feminism“. Technology and Culture 31, Nr. 2 (April 1990): 308. http://dx.doi.org/10.2307/3105673.

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35

Lane, Ann J., und Polly Wynn Allen. „Building Domestic Liberty: Charlotte Perkins Gilman's Architectural Feminism“. Journal of American History 76, Nr. 3 (Dezember 1989): 960. http://dx.doi.org/10.2307/2936513.

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36

Strasser, Susan, und Polly Wynn Allen. „Building Domestic Liberty: Charlotte Perkins Gilman's Architectural Feminism.“ American Historical Review 95, Nr. 3 (Juni 1990): 898. http://dx.doi.org/10.2307/2164451.

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37

Rodriguez, Angela Milena. „English Teachers Gendered Identities Constructions in their Doings, Sayings and Relatings“. Colombian Applied Linguistics Journal 24, Nr. 1 (22.04.2022): 105–18. http://dx.doi.org/10.14483/22487085.17903.

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This is a research report of a feminist poststructuralist discourse analysis study carried out in a private University in Tunja, Boyacá, Colombia. This study intended to explore the relation among two EFL university teachers’ pedagogical practices and their gendered identities constructions. Pedagogical practices were framed in the practice architectures: doings, sayings and relatings proposed by Kemmis & Mutton (2012) It was unveiled that doings, sayings and relatings were sites for and outcomes of teachers´ gendered identities construction. Additionally, teachers´ gendered sayings, doings and relatings were interweaved, juxtaposed, complemented, and contrasted sites where teachers performed different masculinities and femininities based on their capacities to adapt, resist, contest and oppose to heteronormative and patriarchal discourses such as gender roles and normative masculine and feminine features. Those gendered constructions were identified to have possible consequences upon students´ English language leaning and gendered identities construction.

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Schalk, Meike, und Karin Reisinger. „Styles of Queer Feminist Practices and Objects in Architecture“. Architecture and Culture 5, Nr. 3 (02.09.2017): 343–52. http://dx.doi.org/10.1080/20507828.2017.1386942.

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39

Moreno Barreneche, Sebastián. „El colectivo Actrices Argentinas: feminismo, identidad política y mediatización“. De Signos y Sentidos, Nr. 23 (04.10.2022): e0017. http://dx.doi.org/10.14409/ss.2022.23.e0017.

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Desde una perspectiva semiótica, el artículo estudia las intersecciones entre feminismo, identidad política y mediatización a partir del caso del colectivo Actrices Argentinas, una agrupación feminista integrada por actrices y figuras mediáticas que fue creada en abril de 2018 en el contexto de la votación legislativa que tuvo lugar en Argentina sobre la despenalización de la interrupción voluntaria del embarazo. Con un foco en la construcción discursiva de identidades colectivas en el campo político, el artículo estudia cómo el colectivo Actrices Argentinas tomó forma y se posicionó en la esfera pública argentina mediante el empleo de un conjunto de estrategias discursivas que oscilan entre la articulación de discursos preexistentes y la construcción de una identidad en términos diferenciales.

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Petrovic, Ivana, und Andrej Petrovic. „General“. Greece and Rome 65, Nr. 2 (17.09.2018): 282–97. http://dx.doi.org/10.1017/s0017383518000244.

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I was very excited to get my hands on what was promising to be a magnificent and extremely helpfulHandbook of Rhetorical Studies, and my expectations were matched – and exceeded! This handbook contains no less than sixty contributions written by eminent experts and is divided into six parts. Each section opens with a brief orientation essay, tracing the development of rhetoric in a specific period, and is followed by individual chapters which are organized thematically. Part I contains eleven chapters on ‘Greek Rhetoric’, and the areas covered are law, politics, historiography, pedagogy, poetics, tragedy, Old Comedy, Plato, Aristotle, and closing with the Sophists. Part II contains thirteen chapters on ‘Ancient Roman Rhetoric’, which similarly covers law, politics, historiography, pedagogy, and the Second Sophistic, and adds Stoic philosophy, epic, lyric address, declamation, fiction, music and the arts, and Augustine to the list of topics. Part III, on ‘Medieval Rhetoric’, covers politics, literary criticism, poetics, and comedy; Part IV, on the Renaissance contains chapters on politics, law, pedagogy, science, poetics, theatre, and the visual arts. Part V consists of seven essays on the early modern and Enlightenment periods and is decidedly Britano-centric: politics, gender in British literature, architecture, origins of British Enlightenment rhetoric, philosophy (mostly British, too), science, and the elocutionary movement in Britain. With Chapter 45 we arrive at the modern age section (Part VI), with two chapters on feminism, one on race, and three on the standard topics (law, political theory, science), grouped together with those on presidential politics, New Testament studies, argumentation, semiotics, psychoanalysis, deconstruction, social epistemology, and environment, and closing with digital media. The volume also contains a glossary of Greek and Latin rhetorical terms. As the editor states in his Introduction, the aim of the volume is not only to provide a comprehensive history of rhetoric, but also to enable those interested in the role of rhetoric in specific disciplines or genres, such as law or theatre and performance, to easily find those sections in respective parts of the book and thus explore the intersection of rhetoric with one specific field in a chronological sequence.

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Lima, Luciana, und Verónica Susana Pastuszuk. „El proyecto urbano como experiencia colectiva, colaborativa, situada, perfomática y transdisciplinar.“ Hábitat y Sociedad, Nr. 14 (2021): 159–83. http://dx.doi.org/10.12795/habitatysociedad.2021.i14.09.

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The city we inhabit, the territory we share, it is nowadays under revision, and urbanism is central to these reflections. The experiences of “Territorio Tolosa” (Tolosa Territory), a collective project of urban contemplation and neighborhood transformation, comprised by architects, artists and the local community, which I have coordinated for the past five years. We have run walks around Tolosa, organized workshops, performances and different types of collective practices to re-signify the spaces we inhabit. Our research questions those architectures that support hegemonic ways of producing controlled and a priori spaces, proposing instead open processes to participatory practices, which include walks and collective mapping as ways of thinking about urbanism. In one hand, we want to explore procedures to deconstruct the traditional ways of producing architecture, based on individual skill, in order to promote them as collective processes, collaborative and transdisciplinary. On the other hand, we want to explore deeper into the architectures of delay, proximity and care, to enhance the pre-existing urban landscape and the sensitive encounter between people. Tolosa is neighborhood in La Plata city, Buenos Aires, Argentina. Tolosa will be taken as the research focus, to rethink the neighborhood in the xxi century from feminist perspective.

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Chung, Tae-Young. „Better Theology, Better Space: Incorporating Feminist Characteristics in Church Architecture“. Theology and Mission ll, Nr. 43 (November 2013): 219–48. http://dx.doi.org/10.35271/cticen.2013..43.219.

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43

Herzog, A. „Architectures of Exchange: Feminism, Public Space, and the Politics of Vulnerability“. Feminist Media Histories 1, Nr. 3 (01.07.2015): 66–94. http://dx.doi.org/10.1525/fmh.2015.1.3.66.

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44

Hultzsch, Anne. „Other Practices: Gendering Histories of Architecture“. ZARCH, Nr. 18 (02.09.2022): 30–41. http://dx.doi.org/10.26754/ojs_zarch/zarch.2022186968.

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“To write women back into history”, is an often-used phrase in recent feminist discourse. More and more scholars work to increase the visibility of those women who took charge of design projects in the recent and not so recent past. While crucial, such efforts are, in the paradox way of how privilege works, to an extent counterproductive: presenting these women (and other, historically marginalised figures) as exceptions from the rule – as eccentric trailblazers - implies the majority of their female (or Black, indigenous, queer, other ...) contemporaries had no influence within (white, male) architectural practices. This position paper argues that we also need to look for other practices that enabled women (and others) in greater numbers to gain agency. Writing is one such practice: the recording of experience, critiques, and instructions to appropriate the designed, ascribing meaning to architectures and landscapes. Locating architectural agency in a practice that, while presuming some privilege, was much more open to marginalised groups than that of the architect, enables us to look at the past more inclusively: to write gendered histories that open up spaces for those that were there, in fact.

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Chu, Chao Chao, und Chao Luo. „Research on Urban Feminine Public Space“. Applied Mechanics and Materials 409-410 (September 2013): 362–65. http://dx.doi.org/10.4028/www.scientific.net/amm.409-410.362.

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There have made great progress in urban space research which based on the individual bodily difference in the context of postmodernism. Feminine space also has been focused in the Architecture. In China, women often are regarded as one unit of sub-groups, whose living condition and living space had undergone great changes. Based on the bodily difference, from the view of functional requirements, behavior needs, physical needs and psychological requirements of women, the paper discusses the major existing problems in four aspects, which concluding function layout, transport supply, service facilities and space identify. Combined architecture and geography, sociology, urban planning, the paper uses the method of cognitive map and preference method to explore feminine cognitive pattern and behavior model, thus construct the ideal paradigm of urban feminine public space.

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Velasco, Sherry. „Surveilling Gender through Architecture and Urbanism in Early Modern Spanish-Algerian Spaces“. Letras Femeninas 42, Nr. 2 (01.11.2016): 63–73. http://dx.doi.org/10.14321/letrfeme.42.2.0063.

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Abstract Influenced by feminist perspectives on urban and architectural studies, this essay examines the relationship between premodern Muslim urbanism and gendered relations, an issue that has received little attention in Hispanic cultural studies to date. This discussion will center on two particular features of domestic architecture and city planning typical of sixteenth- and seventeenth-century Algiers: the location and nature of street-facing windows and the communicable rooftops. Focusing primarily on Christian writers such as Antonio de Sosa, Miguel de Cervantes, and Lope de Vega, Velasco explores how their accounts document the ways in which women in Algiers could find unexpected and illicit ways of turning the high windows and the communicable rooftops to their advantage. Despite the constraints presented by an urban design and domestic architecture intended to segregate the sexes and control behavior, women in early modern Algiers (many of whom were recent immigrants from Spain) found ways to utilize their built environment to observe and navigate the world around them, gain access to a public domain commonly reserved for men, and sustain networks with other women in ways that might bypass traditional spatial, social, and personal restrictions and limitations. Through female-only gatherings and other forms of camaraderie that made use of traditional Islamic urbanism, Muslim women in Algiers found ways to challenge long-standing dichotomies of male/female, public/private, interior/exterior, visible/hidden, and chaste/lustful.

47

Wang, David. „Kuhn on architectural style“. Architectural Research Quarterly 13, Nr. 1 (März 2009): 49–58. http://dx.doi.org/10.1017/s1359135509990091.

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By any measure Thomas Kuhn's The Structure of Scientific Revolutions is a landmark in recent influential ideas. The very term ‘paradigm shift’, now common parlance, derives from this 1962 work. Structure redirected its own domain, the philosophy of science, from a logical positivist orientation in its evaluation of scientific progress to one that accommodates a complex mix of sociological, linguistic and psychological factors. Perhaps because of this interdisciplinary inclusiveness, Kuhn's insights have informed theory in many disciplines. A survey of the recent literature includes works in anthropology, comparative literature, criminal justice, art history, education and feminist studies.

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De Sève, Micheline. „Polly Wynn Allen, Building Domestic Liberty : Charlotte Perkins Gilman’s Architectural Feminism“. Recherches féministes 2, Nr. 1 (1989): 155. http://dx.doi.org/10.7202/057548ar.

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49

Roberts, Kate. „Building Domestic Liberty: Charlotte Perkins Gilman's Architectural Feminism. Polly Wynn Allen“. Winterthur Portfolio 25, Nr. 2/3 (Juli 1990): 196–98. http://dx.doi.org/10.1086/496492.

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García Díaz, Lara. „Precarity as a common foundation for `Networks of Subsistence’“. Arte y Políticas de Identidad 19 (30.12.2018): 165–80. http://dx.doi.org/10.6018/reapi.359861.

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El texto crea un análisis teórico que contrasta la literatura relevante sobre temas de precariedad, reproducción social y Commoning, o prácticas sociales de comunización. El propósito del texto es plantear así cómo métodos alternativos de organización creativo social que intentan dar respuesta a la precariedad actual deberían incorporar lo que las economistas feministas Maria Mies y Veronika Benholdt-Thomsen han denominado como `perspectiva de subsistencia’ (1999). Al centrar el estudio en el colectivo de arquitectos españoles Recetas Urbanas y, más concretamente, en su papel en la configuración de la red Arquitecturas Colectivas, el texto propone cómo una `perspectiva de subsistencia’ podría beneficiarse de lo que se ha referido aquí como una `red de subsistencia’. En conjunto, este texto representa una primera aproximación de futuros análisis teóricos sobre las posibilidades de estructuras organizacionales descentralizadas basadas en los Comunes a través de una perspectiva feminista marxista del trabajo reproductivo y las relaciones cotidianas. The paper builds a theoretical analyses contrasting relevant literature around issues of precarity, social reproduction and practices of Commoning. By doing so, the paper raises how alternative methods of creative-social organization responding to precarity should incorporate what feminist economists’ Maria Mies and Veronika Benholdt-Thomsen has coined as `subsistence perspective’ (1999). By drawing on Spanish architect collective Recetas Urbanas (Urban Prescriptions) and, more concretely, their role in the network Arquitecturas Colectivas (Collective Architecture), the paper proposes how a `subsistence perspective’ could beneficiate from, what will be addressed as, a `network of subsistence’. Taken together this text represents a first approximation on future theoretical analyses around the possibilities of decentralized organizational structures based on the Commons through a Marxist Feminist perspective of reproductive work and everyday relations.

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