Auswahl der wissenschaftlichen Literatur zum Thema „Female musician“
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Zeitschriftenartikel zum Thema "Female musician"
Johansson, Wictor. „Women Who Play Accordion or Female Accordionists?“ Puls - musik- och dansetnologisk tidskrift 7 (01.05.2022): 72–95. http://dx.doi.org/10.62779/puls.v7i.19285.
Der volle Inhalt der QuelleIvaldi, Antonia, und Susan O'Neill. „Talking ‘Privilege’: barriers to musical attainment in adolescents’ talk of musical role models“. British Journal of Music Education 26, Nr. 1 (März 2009): 43–56. http://dx.doi.org/10.1017/s0265051708008267.
Der volle Inhalt der QuelleJocson-Singh, Joan. „Vigilante feminism as a form of musical protest in extreme metal music“. Metal Music Studies 5, Nr. 2 (01.06.2019): 263–73. http://dx.doi.org/10.1386/mms.5.2.263_1.
Der volle Inhalt der QuelleNavei, Nyamawero. „The Lioness of African Music: Cultural Interpretation of Wiyaala’s Stage Costume Art“. International Journal of Cultural and Art Studies 7, Nr. 1 (30.04.2023): 49–63. http://dx.doi.org/10.32734/ijcas.v7i1.10463.
Der volle Inhalt der QuelleMorgan, Frances. „Pioneer Spirits: New media representations of women in electronic music history“. Organised Sound 22, Nr. 2 (12.07.2017): 238–49. http://dx.doi.org/10.1017/s1355771817000140.
Der volle Inhalt der QuelleGómez-Rodríguez, Rosa, Belén Díaz-Pulido, Carlos Gutiérrez-Ortega, Beatriz Sánchez-Sánchez und María Torres-Lacomba. „Prevalence, Disability and Associated Factors of Playing-Related Musculoskeletal Pain among Musicians: A Population-Based Cross-Sectional Descriptive Study“. International Journal of Environmental Research and Public Health 17, Nr. 11 (04.06.2020): 3991. http://dx.doi.org/10.3390/ijerph17113991.
Der volle Inhalt der QuelleMorucci, Valerio. „Music, patronage and reform in 16th-century Italy: new light on Cardinal Carlo Borromeo“. Early Music 47, Nr. 4 (November 2019): 499–513. http://dx.doi.org/10.1093/em/caz071.
Der volle Inhalt der QuelleJeon, Harim, und Julie Ra. „Anna Magdalena Bach, a Female Musician in Modern Period“. Journal of the Musicological Society of Korea 25, Nr. 2 (30.11.2022): 11–35. http://dx.doi.org/10.16939/jmsk.2022.25.2.11.
Der volle Inhalt der QuelleMarková, Lucie. „Women in a Men’s Collective in the 1970s and 1980s“. History in flux 3, Nr. 3 (22.12.2021): 177–97. http://dx.doi.org/10.32728/flux.2021.3.8.
Der volle Inhalt der QuelleKwon, Youngji, und Kiwon Hong. „Analysis on Policy Discourse of Female Traditional Musician in Joseon Era“. Journal of Region & Culture 6, Nr. 3 (30.09.2019): 29–53. http://dx.doi.org/10.26654/iagc.2019.6.3.029.
Der volle Inhalt der QuelleDissertationen zum Thema "Female musician"
Jordan, Meggan. „10X THE TALENT = 1/3 OF THE CREDIT: HOW FEMALE MUSICIANS ARE TREATED DIFFERENTLY IN MUSIC“. Master's thesis, University of Central Florida, 2006. http://digital.library.ucf.edu/cdm/ref/collection/ETD/id/2289.
Der volle Inhalt der QuelleM.A.
Department of Sociology
Sciences
Applied Sociology
Weliver, Phyllis. „Singing angel or musical demon? : representations of female musicians in Victorian literature“. Thesis, University of Sussex, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.299032.
Der volle Inhalt der QuelleBenard, Charlène. „Le « metal à chanteuse », un genre musical ? Une enquête sur la construction médiaculturelle d’un genre musical par le gender. Le cas du metal symphonique en France“. Electronic Thesis or Diss., Paris 3, 2023. https://bsnum.sorbonne-nouvelle.fr/files/original/1338/6773/These_en_cours_de_traitement.pdf.
Der volle Inhalt der QuelleSymphonic metal is a subgenre of metal music, which has the particularity of presenting a majority groups lead by female singers (80% on average). This feature is common to both this predominantly male culture, and to popular music more broadly, as the great majority of female musicians tend to be singers. This dissertation aims to measure the role played by women and by singers in the shaping of a musical genre, through a cultural approach of metal culture and of its situation in France, from the genre’s inception in 1996 to the present day.As the most hated genre of music in France, metal must rely mainly on its own networks in order to subsist and foster in this country: its press and local live scenes. Through the analysis of these two elements, this study considers promotional and evaluative media discourses on metal recordings and the production of concerts in France, from foreign bands touring around the country to the grassroots production of local events. Its aim is to consider not only the role female singers play as performers and creators, but also their involvement in the life of a scene often considered as masculine: their position, both central and negotiated, tends to limit the situation of domination. Through a complementary, comprehensive approach based on a questionnaire and interviews, this thesis also discusses the notions of “feminine taste” and of the “feminization” of a genre and a scene
Pan, Li-Ming. „The image and social status of female musicians in Taiwan“. Thesis, University of Nottingham, 2014. http://eprints.nottingham.ac.uk/27887/.
Der volle Inhalt der QuelleAu, Wai-man Vivian, und 歐慧敏. „The queer female stardom emerging from transnational Chinese singing contests“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2012. http://hub.hku.hk/bib/B50162755.
Der volle Inhalt der Quellepublished_or_final_version
Comparative Literature
Master
Master of Philosophy
Reis, Silvanio. „Chiquinha Gonzaga, Brazilian Musical Trailblazer“. Diss., Temple University Libraries, 2019. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/560254.
Der volle Inhalt der QuelleD.M.A.
Previous literature on the life and music of the Brazilian composer Francisca Edwiges Neves Gonzaga (1847-1935) reveals her as a historical figure of cultural and musical significance. Her contributions to society include political leadership in Brazilian campaigns for the abolition of slavery and artistic copyright. She also became the first female conductor in Brazil and shaped the music of Carnaval as it is known today in Brazil. However, her music is not well-known outside of Brazil, and her piano music has not received the attention that it merits. In addition to a closer look at her compositions for piano, this monograph offers biographical and musical details of Gonzaga’s unique career, including her role as a female composer amidst a patriarchal society; her pioneering synthesis of traditional Brazilian and European classical style, and a discussion of her place among her better-known Brazilian contemporaries, Ernesto Nazareth and Heitor Villa-Lobos. The last chapter presents interviews with living musicians—a pianist, a traditional folk artist and a musicologist—who have each continued the traditions of Gonzaga’s music to the present day.
Temple University--Theses
Lambeth, Dawn. „A woman's place is in the groove: an examination of female jazz musicians, 1900 to the present“. Thesis, Boston University, 1994. https://hdl.handle.net/2144/27700.
Der volle Inhalt der QuellePLEASE NOTE: Boston University Libraries did not receive an Authorization To Manage form for this thesis. It is therefore not openly accessible, though it may be available by request. If you are the author or principal advisor of this work and would like to request open access for it, please contact us at open-help@bu.edu. Thank you.
2031-01-02
Kerns, Nancy Jane. „Gretchen Cryer and Nancy Ford| Elevating the Female Voice in American Musical Theater“. Thesis, University of Hawai'i at Manoa, 2019. http://pqdtopen.proquest.com/#viewpdf?dispub=13421232.
Der volle Inhalt der QuelleGretchen Cryer and Nancy Ford, along with most other female creators of musicals, remain in the shadows, in spite of an increased focus by the media on women’s contributions to society. The messages of Cryer and Ford’s dramatic themes and songs have not been fully understood by many critics and audience members. Scholarly and popular writings on women in theater remain scarce, and literature on Cryer and Ford contains errors and promotes misunderstandings.
In this thesis, I argue that Gretchen Cryer and Nancy Ford, a writer and composer of musical theater respectively, tackled contemporary issues in their Broadway and off Broadway musicals, introduced new theatrical forms and musical genres to the stage, and have built a distinguished collaborative career and earned a meritorious position in musical theater heritage by incorporating these issues, in particular, those which pertain to women or those which affect women, into their works. I seek to correct and build upon extant writings and information from media resources. My thesis is the first monograph to detail the lives and works of Cryer and Ford, and to assess their contributions to the musical theater genre. My detailed case studies dissect several Cryer and Ford musicals, which speak directly to prominent images and ideas of the time, and reveal how their works emphasize the importance of interpersonal communication, and endorse humanism and, in particular, feminism. Cryer and Ford are trailblazers for other female musical writers, for whom they have advocated, and for whom I provide a comprehensive overview.
McLaughlin, Adria Ryan. „Navigating Gender Inequality in Musical Subgenres“. Digital Commons @ East Tennessee State University, 2015. https://dc.etsu.edu/etd/2600.
Der volle Inhalt der QuelleMacRory, Pauline Maeve. „She shoots! She scores! : the musical portrayal of female violence in recent Hollywood film“. Thesis, University of Strathclyde, 1999. http://oleg.lib.strath.ac.uk:80/R/?func=dbin-jump-full&object_id=21400.
Der volle Inhalt der QuelleBücher zum Thema "Female musician"
Weinzierl, Rupert, und Rosa Reitsamer. Female consequences: Feminismus, Antirassismus, Popmusik. Wien: Löcker, 2006.
Den vollen Inhalt der Quelle findenEmerson, Isabelle Putnam. Five centuries of female singers. Westport, CT: Praeger, 2004.
Den vollen Inhalt der Quelle findenGoldin, Claudia Dale. Orchestrating impartiality: The impact of "blind" auditions on female musicians. [Princeton, N.J.]: Industrial Relations Section, Princeton University, 2001.
Den vollen Inhalt der Quelle findenGoldin, Claudia Dale. Orchestrating impartiality: The impact of "blind" auditions on female musicians. Cambridge, MA: National Bureau of Economic Research, 1997.
Den vollen Inhalt der Quelle findenStieven-Taylor, Alison. Rock chicks: The hottest female rockers from the 1960s to now. 2. Aufl. Dulwich Hill, N.S.W: Rockpool Publishing, 2010.
Den vollen Inhalt der Quelle findenStieven-Taylor, Alison. Rock chicks: The hottest female rockers from the 1960s to now. 2. Aufl. Dulwich Hill, N.S.W: Rockpool Publishing, 2010.
Den vollen Inhalt der Quelle findenKrafczyk, Judith, und Sibylle Thomzik. Rocksie!: 9 Jahre female music power in NRW. Mainz: Ventil, 2000.
Den vollen Inhalt der Quelle findenBishop, Carole Maison. Gender and musical performance: The female calypso singer in the Caribbean. St. Michael, Barbados: Women and Development Unit, School of Continuing Studies, UWI, 1995.
Den vollen Inhalt der Quelle findenReddington, Helen. The lost women of rock music: Female musicians of the punk era. 2. Aufl. London: Equinox Pub., 2012.
Den vollen Inhalt der Quelle findenJohn, Gill. Queer noises: Male and female homosexuality in twentieth century music. Minneapolis: University of Minnesota Press, 1995.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Female musician"
Kennerley, David. „Professionalisation and the female musician in early-Victorian Britain“. In The Music Profession in Britain, 1780–1920, 53–71. Abingdon, Oxon ; New York, NY : Routledge, 2018. | Series: Music in nineteenth-century Britain: Routledge, 2018. http://dx.doi.org/10.4324/9781315265001-4.
Der volle Inhalt der QuelleGardner, Abigail. „Introduction“. In Ageing and Contemporary Female Musicians, 1–13. Routledge, London; New York: Routledge, 2019. | Series: Interdisciplinary researches in gender: Routledge, 2019. http://dx.doi.org/10.4324/9781315170411-1.
Der volle Inhalt der QuelleGardner, Abigail. „More than music“. In Ageing and Contemporary Female Musicians, 13–30. Routledge, London; New York: Routledge, 2019. | Series: Interdisciplinary researches in gender: Routledge, 2019. http://dx.doi.org/10.4324/9781315170411-2.
Der volle Inhalt der QuelleGardner, Abigail. „Shirley Collins and Calypso Rose“. In Ageing and Contemporary Female Musicians, 31–48. Routledge, London; New York: Routledge, 2019. | Series: Interdisciplinary researches in gender: Routledge, 2019. http://dx.doi.org/10.4324/9781315170411-3.
Der volle Inhalt der QuelleGardner, Abigail. „‘Tilted’“. In Ageing and Contemporary Female Musicians, 49–68. Routledge, London; New York: Routledge, 2019. | Series: Interdisciplinary researches in gender: Routledge, 2019. http://dx.doi.org/10.4324/9781315170411-4.
Der volle Inhalt der QuelleGardner, Abigail. „Ageing with alt-rock and folk“. In Ageing and Contemporary Female Musicians, 69–86. Routledge, London; New York: Routledge, 2019. | Series: Interdisciplinary researches in gender: Routledge, 2019. http://dx.doi.org/10.4324/9781315170411-5.
Der volle Inhalt der QuelleGardner, Abigail. „Rude Girls“. In Ageing and Contemporary Female Musicians, 87–102. Routledge, London; New York: Routledge, 2019. | Series: Interdisciplinary researches in gender: Routledge, 2019. http://dx.doi.org/10.4324/9781315170411-6.
Der volle Inhalt der QuelleGardner, Abigail. „‘They’re not going to give me Stormzy’“. In Ageing and Contemporary Female Musicians, 103–20. Routledge, London; New York: Routledge, 2019. | Series: Interdisciplinary researches in gender: Routledge, 2019. http://dx.doi.org/10.4324/9781315170411-7.
Der volle Inhalt der QuelleGardner, Abigail. „Afterword“. In Ageing and Contemporary Female Musicians, 121–23. Routledge, London; New York: Routledge, 2019. | Series: Interdisciplinary researches in gender: Routledge, 2019. http://dx.doi.org/10.4324/9781315170411-8.
Der volle Inhalt der QuelleAllen, Paige, und Stacy Wolf. „Women in charge: Female creative teams and Waitress“. In Milestones in Musical Theatre, 171–89. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003256458-11.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Female musician"
Paulo, Avner, Carlos Eduardo Oliveira De Souza, Bruna Guimarães Lima e Silva, Flávio Luiz Schiavoni und Adilson Siqueira. „Black Lives Matter“. In Simpósio Brasileiro de Computação Musical. Sociedade Brasileira de Computação - SBC, 2019. http://dx.doi.org/10.5753/sbcm.2019.10459.
Der volle Inhalt der QuelleŠehović, Lana. „Guest Croatian Female Musicians on Sarajevo Concert Life (1878–1918)“. In Simpozij Umrežavanje glazbom u "dugom 19. stoljeću" (2021 ; Zagreb). Hrvatska akademija znanosti i umjetnosti, Odsjek za povijest hrvatske glazbe, 2023. http://dx.doi.org/10.21857/mnlqgcr57y.
Der volle Inhalt der QuelleDUMITRIU, Leonard. „Šárka, a Legendary Female Character, in Two Lesser Known Czech Operas. Overtures and Compositional Techniques“. In The International Conference of Doctoral Schools “George Enescu” National University of Arts Iaşi, Romania. Artes Publishing House UNAGE Iasi, 2023. http://dx.doi.org/10.35218/icds-2023-0005.
Der volle Inhalt der QuelleLI, JIN-RUI. „ON THE IMAGE OF FEMALE MUSIC IN CHINESE NATIONAL OPERA“. In 2021 International Conference on Education, Humanity and Language, Art. Destech Publications, Inc., 2021. http://dx.doi.org/10.12783/dtssehs/ehla2021/35691.
Der volle Inhalt der QuellePepu, Lindelwa. „Re-Imagining the Role of Female Players in the Making and Restoring of the UHADI Musical Bow“. In Arts Research Africa 2022 Conference Proceedings. Arts Research Africa, 2022. http://dx.doi.org/10.54223/10539/35904.
Der volle Inhalt der QuelleJaśkiewicz, Marta, Piotr Francuz und Emilia Zabielska-Mendyk. „The Effect of Music Harmonics and Level of Expertise on Aesthetic Judgment of Music: An ERP Study“. In Applied Human Factors and Ergonomics Conference. AHFE International, 2020. http://dx.doi.org/10.54941/ahfe100383.
Der volle Inhalt der QuelleZhang, Hui, Wanyi Wei und Yingping Cao. „The effect of congruity between background music language and brand culture on consumer behavior“. In 15th International Conference on Applied Human Factors and Ergonomics (AHFE 2024). AHFE International, 2024. http://dx.doi.org/10.54941/ahfe1005449.
Der volle Inhalt der QuelleWeinberger, Maor, und Dan Bouhnik. „The Emergence of Music Streaming Applications and Its Effect on Changes in Personal Information Management and Privacy Related Issues [Abstract]“. In InSITE 2020: Informing Science + IT Education Conferences: Online. Informing Science Institute, 2020. http://dx.doi.org/10.28945/4523.
Der volle Inhalt der QuelleBerichte der Organisationen zum Thema "Female musician"
Goldin, Claudia, und Cecilia Rouse. Orchestrating Impartiality: The Impact of "Blind" Auditions on Female Musicians. Cambridge, MA: National Bureau of Economic Research, Januar 1997. http://dx.doi.org/10.3386/w5903.
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