Dissertationen zum Thema „Fantasy in art – Exhibitions“
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Dulude, Marc. „Fantasme de calvitie“. Thèse, Chicoutimi : Université du Québec à Chicoutimi, 2003. http://theses.uqac.ca.
Der volle Inhalt der QuelleKientzel, Paula. „Artifacts and fantasy“. Diss., Columbia, Mo. : University of Missouri-Columbia, 2007. http://hdl.handle.net/10355/4895.
Der volle Inhalt der QuelleThe entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on March 28, 2008) Includes bibliographical references.
Li, Vivian Yan. „Art negotiations : Chinese international art exhibitions in the 1930s“. Connect to resource, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1209143379.
Der volle Inhalt der QuelleMolid, Mats. „Fantasy : genrens bildmässiga särdrag“. Thesis, Konstfack, Institutionen för Bildpedagogik (BI), 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-558.
Der volle Inhalt der QuelleForstrom, Melissa. „Interpretation and visitors in two Islamic art exhibitions“. Thesis, University of Westminster, 2017. https://westminsterresearch.westminster.ac.uk/item/q3610/interpretation-and-visitors-in-two-islamic-art-exhibitions.
Der volle Inhalt der QuelleHatcher, Lynn A. „Exhibition in the curriculum preparing students to complete the artistic cycle /“. Atlanta, Ga. : Georgia State University, 2009. http://digitalarchive.gsu.edu/art_design_theses/49/.
Der volle Inhalt der QuelleTitle from title page (Digital Archive@GSU, viewed July 13, 2010) Melanie Davenport, committee chair; Kevin Hsieh, Melody Milbrandt, committee members. Includes bibliographical references (p. 45-46).
Fuller, Michele. „Reviewing medium: paint as flesh“. Thesis, Nelson Mandela Metropolitan University, 2011. http://hdl.handle.net/10948/d1008590.
Der volle Inhalt der QuelleAsquith, Wendy. „Haiti and art : curating the nation for international exhibitions“. Thesis, University of Liverpool, 2015. http://livrepository.liverpool.ac.uk/2027099/.
Der volle Inhalt der QuelleKamata, Mayumi. „Chinese art exhibitions in Japan, ca 1900 to 1931“. Connect to resource, 2001. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1233600845.
Der volle Inhalt der Quelle이윤영 und Yoon Yung Lee. „The Joseon Fine Art Exhibition under Japanese colonial rule“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hdl.handle.net/10722/196493.
Der volle Inhalt der Quellepublished_or_final_version
Fine Arts
Master
Master of Philosophy
Zhang, Linzhi. „Contemporary art and the exhibitionary system : China as a case study“. Thesis, University of Cambridge, 2019. https://www.repository.cam.ac.uk/handle/1810/289428.
Der volle Inhalt der QuelleCook, Shashi Chailey. „"Redress : debates informing exhibitions and acquisitions in selected South African public art galleries (1990-1994)" /“. Thesis, Rhodes University, 2009. http://eprints.ru.ac.za/1631/.
Der volle Inhalt der QuelleMillhouse, Llewellyn David. „Fantasy in Public“. Thesis, Griffith University, 2018. http://hdl.handle.net/10072/380458.
Der volle Inhalt der QuelleThesis (PhD Doctorate)
Doctor of Philosophy (PhD)
Queensland College of Art
Arts, Education and Law
Full Text
Palmer, Daniel. „Exhibiting practice : retrospective survey exhibitions of conceptual art, 1989-2000“. Thesis, Kingston University, 2007. http://eprints.kingston.ac.uk/20221/.
Der volle Inhalt der QuelleBorchardt-Hume, Achim. „The history of the Esposizione Quadriennale d'Arte Nazionale 1927-1943 : sixteen years of aesthetic pluralism under Facist patronage“. Thesis, University of Essex, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.248636.
Der volle Inhalt der QuelleMorrison, Ann Katherine 1929. „Canadian art and cultural appropriation : Emily Carr and the 1927 exhibition of Canadian West Coast Art - Native and Modern“. Thesis, University of British Columbia, 1991. http://hdl.handle.net/2429/31244.
Der volle Inhalt der QuelleArts, Faculty of
Art History, Visual Art and Theory, Department of
Graduate
Holland, Nicole Murphy. „Worlds on view visual art exhibitions and state identity in the late Cold War /“. Diss., [La Jolla] : University of California, San Diego, 2010. http://wwwlib.umi.com/cr/ucsd/fullcit?p3397171.
Der volle Inhalt der QuelleTitle from first page of PDF file (viewed March 30, 2010). Available via ProQuest Digital Dissertations. Vita. Includes bibliographical references.
James, Catherine Elizabeth. „Gravity and fantasy : the art and culture of weight“. Thesis, Birkbeck (University of London), 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.420526.
Der volle Inhalt der QuelleMan, Kam-hung Ricky. „Cartoon Production Centre an urban channel to fantasy world /“. Click to view the E-thesis via HKUTO, 1996. http://sunzi.lib.hku.hk/hkuto/record/B31982992.
Der volle Inhalt der QuelleSutherland, Helen Margaret. „The function of fantasy in Victorian literature, art and architecture“. Thesis, University of Glasgow, 1999. http://theses.gla.ac.uk/5183/.
Der volle Inhalt der QuellePeterson, Megan L. „Telling Stories About Monsters Through Art“. Digital Archive @ GSU, 2011. http://digitalarchive.gsu.edu/art_design_theses/86.
Der volle Inhalt der QuellePetty, Nancy. „African Art in Western Museums: Issues and Perspectives“. Honors in the Major Thesis, University of Central Florida, 2006. http://digital.library.ucf.edu/cdm/ref/collection/ETH/id/992.
Der volle Inhalt der QuelleBachelors
Arts and Sciences
Art History
Floe, Hilary Tyndall. „The Museum of Modern Art, Oxford (1965-1982) : exhibitions, spectatorship and social change“. Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:8ecada55-921a-4e6f-a279-92fd2313d459.
Der volle Inhalt der QuelleLindqvist, Ursula Anna Linnea. „The politics of form : imagination and ideology in 1930s transnational exhibitions and socially engaged poetry /“. view abstract or download file of text, 2005. http://wwwlib.umi.com/cr/uoregon/fullcit?p3190531.
Der volle Inhalt der QuelleTypescript. Includes vita and abstract. Includes bibliographical references (leaves 295-305). Also available for download via the World Wide Web; free to University of Oregon users.
Avgita, Louisa. „The remaking of the Balkans in contemporary art exhibitions : a critical view“. Thesis, City University London, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.580612.
Der volle Inhalt der QuelleGhidini, Marialaura. „Curating Web-based art exhibitions : mapping online and offline formats of display“. Thesis, University of Sunderland, 2015. http://sure.sunderland.ac.uk/6088/.
Der volle Inhalt der QuelleAllison, Martha. „On the Beginning of Contemporary Tibetan Art: The Exhibitions, Dealers, and Artists“. VCU Scholars Compass, 2009. http://scholarscompass.vcu.edu/etd/1751.
Der volle Inhalt der QuelleSutherland, Ann. „Art exhibitions in the national interest: Australian cultural diplomacy, 1918 to 1941“. Thesis, The University of Sydney, 2022. https://hdl.handle.net/2123/29656.
Der volle Inhalt der QuelleSousa, Luis. „Between monument and memorial : the design of the Korean War veterans memorial“. Thesis, Georgia Institute of Technology, 1989. http://hdl.handle.net/1853/23012.
Der volle Inhalt der QuelleEisenbrey, Peter. „Sculpting Fantasy Realism Creatures of the Desert“. Digital Commons @ East Tennessee State University, 2018. https://dc.etsu.edu/honors/466.
Der volle Inhalt der QuelleThorne, Jessica Louise. „The choreography of display : experiential exhibitions in the context of museum practice and theory“. Master's thesis, University of Cape Town, 2003. http://hdl.handle.net/11427/22063.
Der volle Inhalt der QuelleIn this project I examine curatorial processes and the experience of constructing and viewing museum exhibitions. Specifically I have been interested in the way in which certain exhibits facilitate powerful emotional responses from their viewers. I suggest that the curators of these kinds of exhibitions employ strategies which not only choreograph the displays but the viewers' bodies themselves as they move through them. As a case study of an experiential exhibition I focus on the District Six Museum where I have been part of its curatorial team since 1999. The work of curatorship that I have done at the Museum during the period of my registration for this degree constitutes part of this submission.
Manasseh, Cyrus. „The problematic of video art in the museum (1968-1990)“. University of Western Australia. Faculty of Architecture, Landscape and Visual Arts, 2008. http://theses.library.uwa.edu.au/adt-WU2009.0004.
Der volle Inhalt der QuelleSmith, George Wilson. „Displaying Edinburgh in 1886 : the International Exhibition of Industry, Science and Art“. Thesis, University of Edinburgh, 2015. http://hdl.handle.net/1842/11771.
Der volle Inhalt der QuelleBrown, Carol. „"Museum spaces in post-apartheid South Africa": the Durban Art Gallery as a case study“. Thesis, Rhodes University, 2006. http://hdl.handle.net/10962/d1006231.
Der volle Inhalt der QuelleHögström-Schnee, Linn. „Treading the Timeline : A Study of the Newly Renovated Permanent Art and Design Exhibition at Nationalmuseum, Stockholm“. Thesis, Stockholms universitet, Institutionen för kultur och estetik, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-165547.
Der volle Inhalt der QuelleSchoeber, Felix. „Modernity, nationalism and global marginalisation : representing the nation in contemporary Taiwanese art exhibitions“. Thesis, University of Westminster, 2014. https://westminsterresearch.westminster.ac.uk/item/8yv7y/modernity-nationalism-and-global-marginalisation-representing-the-nation-in-contemporary-taiwanese-art-exhibitions.
Der volle Inhalt der QuelleFrancis-Bongue, Isabel E. „Natural Histories: An Exploration of the Wild, Stories, Fantasy and Sense of Place“. Ohio University Honors Tutorial College / OhioLINK, 2013. http://rave.ohiolink.edu/etdc/view?acc_num=ouhonors1369735768.
Der volle Inhalt der QuelleHoward, Courtney L. „Special Exhibitions, Media Outreach, and Press Coverage at the Metropolitan Museum of Art, the Chicago Art Institute, and the National Gallery of Art“. Ohio University / OhioLINK, 2010. http://rave.ohiolink.edu/etdc/view?acc_num=ohiou1276542794.
Der volle Inhalt der QuelleLinton, Jerry. „Chance images“. Thesis, Kansas State University, 1985. http://hdl.handle.net/2097/9862.
Der volle Inhalt der QuelleAtzmon, Leslie Chandler. „Dream work : the art and science of fin de siècle fantasy imagery“. Thesis, Middlesex University, 2006. http://eprints.mdx.ac.uk/13446/.
Der volle Inhalt der QuelleGrunenberg, Christoph. „The politics of presentation : museums, galleries and exhibitions in New York, 1929-1947“. Thesis, Courtauld Institute of Art (University of London), 1994. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.283893.
Der volle Inhalt der QuelleBlain-Rozgay, Teagan B. „Cairns: A Journey into Art and Nature“. Scholarship @ Claremont, 2015. http://scholarship.claremont.edu/scripps_theses/564.
Der volle Inhalt der QuelleChasse, Sarah Noble. „"A Certain Kinship": The First Exhibitions of American Folk Art, New York, 1924-1932“. W&M ScholarWorks, 2012. https://scholarworks.wm.edu/etd/1539626675.
Der volle Inhalt der QuelleAllee, Jessica. „New Deal Art Now: Reframing the Artifacts of Diversity“. OpenSIUC, 2014. https://opensiuc.lib.siu.edu/theses/1536.
Der volle Inhalt der QuelleHansen, Paul. „The Immaculate Perception project : exhibition creation and reception in a New Zealand regional art museum : thesis presented in partial fulfilment of the requirements for the degree of Master of Philosophy in Museum Studies, Massey University, Palmerston North, New Zealand“. Massey University. School of Maori Studies, 2003. http://hdl.handle.net/10179/249.
Der volle Inhalt der QuelleTabibi, Baharak. „Exhibitions As The Medium Of Architectural Reproduction "“. Master's thesis, METU, 2005. http://etd.lib.metu.edu.tr/upload/12606077/index.pdf.
Der volle Inhalt der QuelleMan, Kam-hung Ricky, und 文錦洪. „Cartoon Production Centre: an urban channel to fantasy world“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1996. http://hub.hku.hk/bib/B31982992.
Der volle Inhalt der QuelleEspezel, Amanda. „Working from the body : subjectivity and the artistic process“. Thesis, Lethbridge, Alta. : University of Lethbridge, Dept. of Art, c2011, 2011. http://hdl.handle.net/10133/3246.
Der volle Inhalt der Quellevi, 56 leaves : col. ill. ; 29 cm
Dulong, Guillaume. „Pour une poétique des effets spéciaux dans les films de fantasy de 1990 à 2010 : un nouvel art de raconter ?“ Phd thesis, Université Michel de Montaigne - Bordeaux III, 2012. http://tel.archives-ouvertes.fr/tel-00994442.
Der volle Inhalt der QuelleEdwards, Peggy Ann. „Portmanteau“. Morgantown, W. Va. : [West Virginia University Libraries], 2003. http://etd.wvu.edu/templates/showETD.cfm?recnum=3227.
Der volle Inhalt der QuelleTitle from document title page. Document formatted into pages; contains iv, 12 p. : ill. (some col.) Includes abstract. Includes bibliographical references (p. 4).