Auswahl der wissenschaftlichen Literatur zum Thema „Fantasy in art – Exhibitions“
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Zeitschriftenartikel zum Thema "Fantasy in art – Exhibitions"
Otto, Kristin. „Shapes of the Ancestors: Bodies, Animals, Art, and Ghanaian Fantasy Coffins“. Museum Anthropology Review 13, Nr. 1 (29.03.2019): 47–58. http://dx.doi.org/10.14434/mar.v13i1.26580.
Der volle Inhalt der QuelleChan, JJ, und Mathew Gillings. „Constructions and representations of Chinese identity through England’s curatorial imagination: A corpus-assisted analysis“. Research in Corpus Linguistics 12, Nr. 1 (2024): 114–39. http://dx.doi.org/10.32714/ricl.12.01.05.
Der volle Inhalt der QuelleAgratina, Elena E. „Jean-Honoré Fragonard: The New in the Notions of “Sketchiness” and “Completeness”“. Observatory of Culture 18, Nr. 2 (31.05.2021): 174–85. http://dx.doi.org/10.25281/2072-3156-2021-18-2-174-185.
Der volle Inhalt der QuelleWilmink, Melanie. „Surface and light“. Alphaville: Journal of Film and Screen Media, Nr. 17 (01.07.2019): 169–78. http://dx.doi.org/10.33178/alpha.17.11.
Der volle Inhalt der QuelleLuibyva, Mariia-Milana. „AD GLORIAM DEI: PATTERNS OF PAIN, SUFFERING AND PLEASURE IN MEDIEVAL CULTURE“. UKRAINIAN CULTURAL STUDIES, Nr. 1(12) (2023): 55–58. http://dx.doi.org/10.17721/ucs.2023.1(12).12.
Der volle Inhalt der QuelleGuk, Alexey A. „Cultural and Aesthetic Dynamics of Photography as a Form of Contemporary Art“. Observatory of Culture 21, Nr. 2 (19.04.2024): 149–57. http://dx.doi.org/10.25281/2072-3156-2024-21-2-149-157.
Der volle Inhalt der QuelleLittrup, Signe Lykke, und Poul Grinder-Hansen. „Fakta og fantasi, historiebrug og museernes troværdighed“. Nordisk Museologi 35, Nr. 1-2 (02.01.2024): 20–36. http://dx.doi.org/10.5617/nm.10817.
Der volle Inhalt der QuelleClassen, Albrecht. „Sherry C. M. Lindquist and Asa Simon Mittman. With a Preface by China Miéville, Medieval Monsters: Terrors, Aliens, Wonders. New York: The Morgan Library & Museum, 2018, 175 pp., more than 90 colored ill.“ Mediaevistik 31, Nr. 1 (01.01.2018): 284. http://dx.doi.org/10.3726/med012018_284.
Der volle Inhalt der QuelleSimmel, Georg. „On Art Exhibitions“. Theory, Culture & Society 32, Nr. 1 (23.05.2014): 87–92. http://dx.doi.org/10.1177/0263276414531052.
Der volle Inhalt der QuelleHolt, Sharon Ann, Sophie Kazan, Gloriana Amador, Joanna Cobley, Blaire M. Moskowitz, Elena Settimini, Angela Stienne, Anna Tulliach und Olga Zulabueva. „Exhibitions“. Museum Worlds 6, Nr. 1 (01.07.2018): 125–57. http://dx.doi.org/10.3167/armw.2018.060110.
Der volle Inhalt der QuelleDissertationen zum Thema "Fantasy in art – Exhibitions"
Dulude, Marc. „Fantasme de calvitie“. Thèse, Chicoutimi : Université du Québec à Chicoutimi, 2003. http://theses.uqac.ca.
Der volle Inhalt der QuelleKientzel, Paula. „Artifacts and fantasy“. Diss., Columbia, Mo. : University of Missouri-Columbia, 2007. http://hdl.handle.net/10355/4895.
Der volle Inhalt der QuelleThe entire dissertation/thesis text is included in the research.pdf file; the official abstract appears in the short.pdf file (which also appears in the research.pdf); a non-technical general description, or public abstract, appears in the public.pdf file. Title from title screen of research.pdf file (viewed on March 28, 2008) Includes bibliographical references.
Li, Vivian Yan. „Art negotiations : Chinese international art exhibitions in the 1930s“. Connect to resource, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1209143379.
Der volle Inhalt der QuelleMolid, Mats. „Fantasy : genrens bildmässiga särdrag“. Thesis, Konstfack, Institutionen för Bildpedagogik (BI), 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:konstfack:diva-558.
Der volle Inhalt der QuelleForstrom, Melissa. „Interpretation and visitors in two Islamic art exhibitions“. Thesis, University of Westminster, 2017. https://westminsterresearch.westminster.ac.uk/item/q3610/interpretation-and-visitors-in-two-islamic-art-exhibitions.
Der volle Inhalt der QuelleHatcher, Lynn A. „Exhibition in the curriculum preparing students to complete the artistic cycle /“. Atlanta, Ga. : Georgia State University, 2009. http://digitalarchive.gsu.edu/art_design_theses/49/.
Der volle Inhalt der QuelleTitle from title page (Digital Archive@GSU, viewed July 13, 2010) Melanie Davenport, committee chair; Kevin Hsieh, Melody Milbrandt, committee members. Includes bibliographical references (p. 45-46).
Fuller, Michele. „Reviewing medium: paint as flesh“. Thesis, Nelson Mandela Metropolitan University, 2011. http://hdl.handle.net/10948/d1008590.
Der volle Inhalt der QuelleAsquith, Wendy. „Haiti and art : curating the nation for international exhibitions“. Thesis, University of Liverpool, 2015. http://livrepository.liverpool.ac.uk/2027099/.
Der volle Inhalt der QuelleKamata, Mayumi. „Chinese art exhibitions in Japan, ca 1900 to 1931“. Connect to resource, 2001. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1233600845.
Der volle Inhalt der Quelle이윤영 und Yoon Yung Lee. „The Joseon Fine Art Exhibition under Japanese colonial rule“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hdl.handle.net/10722/196493.
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Bücher zum Thema "Fantasy in art – Exhibitions"
Pierini, Marco, und Lorenzo Fusi. Flesh for fantasy. Prato: Gli ori, 2004.
Den vollen Inhalt der Quelle findenMasakazu, Takei. Double fantasy: Korean contemporary art. Tokyo: Foil, 2009.
Den vollen Inhalt der Quelle findenEllen, Seifermann, Hafner Hans-Jürgen, Rathjen Ulrike und Kunsthalle Nürnberg, Hrsg. Trouble with fantasy. Nürnberg: Verlag für moderne Kunst, 2005.
Den vollen Inhalt der Quelle findenMuseum, Sir John Soane's. Diverse maniere: Piranesi, fantasy and excess. [Madrid]: Factum Arte, 2014.
Den vollen Inhalt der Quelle findenDoré, Gustave, Lisa Small, Eric Zafran und Robert Rosenblum. Fantasy and faith: The art of Gustave Doré. New Haven: Yale University Press, 2005.
Den vollen Inhalt der Quelle findenEric, Zafran, Doré Gustave 1832-1883, Rosenblum Robert und Small Lisa, Hrsg. Fantasy and faith: The art of Gustave Doré. New York: Dahesh Museum of Art, 2007.
Den vollen Inhalt der Quelle findenDavid, Frisby, und Los Angeles County Museum of Art., Hrsg. Expressionist utopias: Paradise, metropolis, architectural fantasy. Berkeley, CA: University of California Press, 2001.
Den vollen Inhalt der Quelle findenPlanes, Segundo. Frijol: Obra reciente : Art Miamí 95, International Art Exposition, January 6-10, 1995. Garza García, N.L., México: Galería Ramis Barquet, 1995.
Den vollen Inhalt der Quelle findenBarry, Judith. Public fantasy: An anthology of critical essays, fictions and project descriptions. London, [England]: Institute of Contemporary Arts, 1991.
Den vollen Inhalt der Quelle findenBolton, Andrew. Superheroes: Fashion and fantasy. New York: Metropolitan Museum of Art, 2008.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Fantasy in art – Exhibitions"
Codell, Julie F. „International Exhibitions“. In A Companion to British Art, 220–40. Oxford: Blackwell Publishing Ltd, 2013. http://dx.doi.org/10.1002/9781118313756.ch10.
Der volle Inhalt der QuelleTanga, Martina. „Extramural Exhibitions“. In Arte Ambientale, Urban Space, and Participatory Art, 24–62. New York : Routledge, 2019. | Series: Routledge advances in art and visual studies: Routledge, 2019. http://dx.doi.org/10.4324/9781351187954-2.
Der volle Inhalt der QuelleZabunyan, Elvan. „Decolonizing contemporary art exhibitions“. In Decolonizing Colonial Heritage, 152–72. London: Routledge, 2021. http://dx.doi.org/10.4324/9781003100102-11.
Der volle Inhalt der QuelleMader, Rachel. „Art for Society, Whitechapel Art Gallery, London, 1978“. In "When exhibitions become politics", 95–110. Köln: Böhlau Verlag, 2016. http://dx.doi.org/10.7788/9783412504632-005.
Der volle Inhalt der QuelleBrannigan, Erin. „Exhibitions and Exclusions“. In Choreography, Visual Art and Experimental Composition 1950s–1970s, 220–25. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003253556-8.
Der volle Inhalt der QuelleFrey, Bruno S. „Superstar Museums and Special Exhibitions“. In Economics of Art and Culture, 89–95. Cham: Springer International Publishing, 2019. http://dx.doi.org/10.1007/978-3-030-15748-7_11.
Der volle Inhalt der QuelleGrabar, Oleg. „On Catalogs, Exhibitions and Complete Works*“. In Islamic Art and Beyond, 311–20. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003554424-24.
Der volle Inhalt der QuelleWynne-Jones, Victoria. „Introduction: Exhibitions and the Choreographic Turn“. In Choreographing Intersubjectivity in Performance Art, 1–42. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-40585-4_1.
Der volle Inhalt der QuelleMoscoso, Philip G., und Alejandro Lago. „The ‘la Caixa’ Foundation: Art exhibitions“. In When Business Meets Culture, 182–90. London: Palgrave Macmillan UK, 2011. http://dx.doi.org/10.1057/9780230295117_13.
Der volle Inhalt der QuelleVives, Anna. „Planells’ Participation in Two Major Exhibitions“. In Àngel Planells’ Art and the Surrealist Canon, 60–77. New York : Routledge, 2020. | Series: Studies in surrealism: Routledge, 2019. http://dx.doi.org/10.4324/9780429439605-4.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Fantasy in art – Exhibitions"
Aydoğan, Derya. „Art Exhibitions During the Pandemic“. In COMMUNICATION AND TECHNOLOGY CONGRESS. ISTANBUL AYDIN UNIVERSITY, 2021. http://dx.doi.org/10.17932/ctcspc.21/ctc21.005.
Der volle Inhalt der QuellePittarello, Fabio. „Designing AR enhanced art exhibitions“. In the 13th Biannual Conference of the Italian SIGCHI Chapter. New York, New York, USA: ACM Press, 2019. http://dx.doi.org/10.1145/3351995.3352052.
Der volle Inhalt der QuellePrince, P. „A brief history of SIGGRAPH art exhibitions“. In SIGGRAPH 89 Art show catalog - Computer art in context. New York, New York, USA: ACM Press, 1989. http://dx.doi.org/10.1145/73877.73878.
Der volle Inhalt der QuelleHasegawa, Tomohiro. „A fantasy based on reality the art of Final Fantasy XV“. In SIGGRAPH '17: Special Interest Group on Computer Graphics and Interactive Techniques Conference. New York, NY, USA: ACM, 2017. http://dx.doi.org/10.1145/3084363.3085082.
Der volle Inhalt der QuelleCoulton, Paul, Emma Murphy, Klen Čopič Pucihar, Richard Smith und Mark Lochrie. „User curated augmented reality art exhibitions“. In NordiCHI '14: The 8th Nordic Conference on Human-Computer Interaction. New York, NY, USA: ACM, 2014. http://dx.doi.org/10.1145/2639189.2670190.
Der volle Inhalt der QuelleWee, C. J. „Coordinating Contemporary Asia in Art Exhibitions“. In International Conference on Aesthetics and the Sciences of Art. Bandung, Indonesia: Bandung Institute of Technology, 2020. http://dx.doi.org/10.51555/338678.
Der volle Inhalt der QuelleTsukamoto, Satoshi. „Party from Final Fantasy VIII“. In ACM SIGGRAPH 99 Electronic art and animation catalog. New York, New York, USA: ACM Press, 1999. http://dx.doi.org/10.1145/312379.313040.
Der volle Inhalt der QuelleSong, Suwan. „Discussions about Web Celebrities Frequenting Art Exhibitions“. In 2022 3rd International Conference on Language, Art and Cultural Exchange(ICLACE 2022). Paris, France: Atlantis Press, 2022. http://dx.doi.org/10.2991/assehr.k.220706.006.
Der volle Inhalt der QuelleMorozova, Anna. „SPANISH ART EXHIBITIONS IN RUSSIA: THE SOCIOCULTURAL CONTEXT“. In 6th SGEM International Multidisciplinary Scientific Conferences on SOCIAL SCIENCES and ARTS Proceedings. STEF92 Technology, 2019. http://dx.doi.org/10.5593/sgemsocial2019v/6.1/s14.030.
Der volle Inhalt der QuelleHayashi, Masaki, Steven Bachelder und Masayuki Nakajima. „Automatic Generation of Art Exhibitions from the Internet Resources“. In 2020 IEEE 9th Global Conference on Consumer Electronics (GCCE). IEEE, 2020. http://dx.doi.org/10.1109/gcce50665.2020.9291722.
Der volle Inhalt der QuelleBerichte der Organisationen zum Thema "Fantasy in art – Exhibitions"
Vena, Anne. Cultural Center Annual Report 2012. Inter-American Development Bank, März 2013. http://dx.doi.org/10.18235/0006015.
Der volle Inhalt der QuelleButyrina, Maria, und Valentina Ryvlina. MEDIATIZATION OF ART: VIRTUAL MUSEUM AS MASS MEDIA. Ivan Franko National University of Lviv, Februar 2021. http://dx.doi.org/10.30970/vjo.2021.49.11075.
Der volle Inhalt der QuelleMoreno Mejía, Luis Alberto, und Iván Duque Márquez. Contemporary Uruguayan Artists: An Uruguayan Presence in the About Change Exhibition. Inter-American Development Bank, Februar 2012. http://dx.doi.org/10.18235/0006209.
Der volle Inhalt der QuellePoloboc, Alina. Fancy Pink Goat. Intellectual Archive, Dezember 2023. http://dx.doi.org/10.32370/iaj.2998.
Der volle Inhalt der QuelleSequeira, Dora María, Ileana Alvarado V. und Félix Angel. Young Costa Rican Artists: Nine Proposals. Inter-American Development Bank, August 2007. http://dx.doi.org/10.18235/0006438.
Der volle Inhalt der QuelleThe IDB Art Collection in Miami. Inter-American Development Bank, März 2008. http://dx.doi.org/10.18235/0008063.
Der volle Inhalt der Quelle3rd Inter-American Biennial of Video Art. Inter-American Development Bank, Dezember 2006. http://dx.doi.org/10.18235/0006410.
Der volle Inhalt der QuelleContemporary Jamaican Artists: A Jamaican Presence in the ABOUT CHANGE Exhibition. Inter-American Development Bank, Mai 2011. http://dx.doi.org/10.18235/0005963.
Der volle Inhalt der QuelleHighlights from the Collection of the Art Museum of the Americas of the Organization of American States (OAS): Outstanding Works by Artists from the Spanish, English, French, and Dutch Speaking Caribbean. Inter-American Development Bank, Oktober 2007. http://dx.doi.org/10.18235/0006408.
Der volle Inhalt der QuelleInter-American Development Bank Cultural Center Annual Report 2001. Inter-American Development Bank, Januar 2002. http://dx.doi.org/10.18235/0005701.
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