Zeitschriftenartikel zum Thema „Family/domestic drama“
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Fizgał-Janikowska, Magdalena. „The Experience of Melancholy in “Domestic Comedies” by Hanoch Levin“. Jednak Książki. Gdańskie Czasopismo Humanistyczne, Nr. 9 (24.04.2018): 67–78. http://dx.doi.org/10.26881/jk.2018.9.06.
Der volle Inhalt der QuellePlaice, Mark R. „Domesticating gangsters? Home/work conflicts in South Korean family drama gangster film“. East Asian Journal of Popular Culture 6, Nr. 2 (01.08.2020): 275–92. http://dx.doi.org/10.1386/eapc_00030_1.
Der volle Inhalt der QuelleConnolly, Thomas F. „O'Neill and Camille: Domestic Drama in “The Web” and “Recklessness”“. Ostrava Journal of English Philology 14, Nr. 2 (Januar 2023): 5–20. http://dx.doi.org/10.15452/ojoep.2022.14.0007.
Der volle Inhalt der QuelleBond, Helen K. „Josephus on Herod’s Domestic Intrigue in the Jewish War“. Journal for the Study of Judaism 43, Nr. 3 (2012): 295–314. http://dx.doi.org/10.1163/157006312x644128.
Der volle Inhalt der QuelleTrimbur, John. „Composition and the Circulation of Writing“. College Composition & Communication 52, Nr. 2 (01.12.2000): 188–219. http://dx.doi.org/10.58680/ccc20001415.
Der volle Inhalt der QuelleSweetman, Norah. „“I Thought It Was My Fault Just for Being Born”. A Review of an SEL Programme for Teenage Victims of Domestic Violence“. Education Sciences 11, Nr. 12 (01.12.2021): 784. http://dx.doi.org/10.3390/educsci11120784.
Der volle Inhalt der QuelleYu, Ziyan, und Zhaoyu Qi. „Auspicious As You Like It: A Mirror of Family Ethics in a Nested Structure“. Frontiers of Engineering and Scientific Research 1, Nr. 1 (29.05.2022): 46. http://dx.doi.org/10.56028/fesr.1.1.46.
Der volle Inhalt der QuelleDr. Vineet Maxwell David. „The Accord of Discord: Reflections on Private Lives in Peter Shaffer’s Five Finger Exercise“. Creative Launcher 7, Nr. 3 (30.06.2022): 28–34. http://dx.doi.org/10.53032/tcl.2022.7.3.04.
Der volle Inhalt der QuelleLinchenko, Andrei Aleksandrovich. „The Mythology of Time in Modern Foreign period dramas: between Retrotopia and Metamodern Sensuality“. Философия и культура, Nr. 9 (September 2022): 10–27. http://dx.doi.org/10.7256/2454-0757.2022.9.38722.
Der volle Inhalt der QuelleMercer-Taylor, Peter. „Listening for the “Still Small Voice” of Mendelssohn’s Domestic Elijah“. Journal of Musicology 32, Nr. 1 (01.01.2015): 40–77. http://dx.doi.org/10.1525/jm.2015.32.1.40.
Der volle Inhalt der QuelleAndrusiak, I. „Domestic violence of representatives of the LGBT and queer communities“. Analytical and Comparative Jurisprudence, Nr. 1 (20.03.2024): 17–22. http://dx.doi.org/10.24144/2788-6018.2024.01.1.
Der volle Inhalt der QuelleVyshotravka, Liudmyla. „The significance of the stage achievements of the creative Baklan’s dynasty for the development of Ukrainian ballet (second half of XX - early XXI century)“. National Academy of Managerial Staff of Culture and Arts Herald, Nr. 2 (17.09.2021): 194–98. http://dx.doi.org/10.32461/2226-3209.2.2021.240062.
Der volle Inhalt der QuelleFoehr-Janssens, Yasmina. „Le chien, l’enfant et le serpent“. Reinardus / Yearbook of the International Reynard Society 34 (31.12.2022): 77–93. http://dx.doi.org/10.1075/rein.00060.foe.
Der volle Inhalt der QuelleTaleb Al-Olaqi, Fahd Mohammed. „Greene's Selimus (1594): A Scourge of God to the Ottomans“. International Journal of Comparative Literature and Translation Studies 5, Nr. 1 (31.01.2017): 40. http://dx.doi.org/10.7575/aiac.ijclts.v.5n.1p.40.
Der volle Inhalt der QuelleSuaka, I. Nyoman. „Refleksi Kekerasan dalam Rumah Tangga dalam Cerita Rakyat Bali Tuwung Kuning: Analisis Feminisme“. Jurnal Kajian Bali (Journal of Bali Studies) 8, Nr. 2 (29.10.2018): 63. http://dx.doi.org/10.24843/jkb.2018.v08.i02.p05.
Der volle Inhalt der QuelleDr. Sandeep Tripathi. „Tragic Aspects in Arthur Miller’s Plays“. Creative Launcher 4, Nr. 1 (30.04.2019): 6–13. http://dx.doi.org/10.53032/tcl.2019.4.1.02.
Der volle Inhalt der QuelleSyrimis, Michael. „The light that blinds: On art in D’Annunzio’s La Gioconda“. Forum Italicum: A Journal of Italian Studies 51, Nr. 2 (15.03.2017): 378–95. http://dx.doi.org/10.1177/0014585817698398.
Der volle Inhalt der QuelleTyler, Linda. „Shoulderpads and shagpile: architectural referencing in the television series Gloss“. Architectural History Aotearoa 6 (30.10.2009): 86–93. http://dx.doi.org/10.26686/aha.v6i.6757.
Der volle Inhalt der QuelleRomaykina, Yulia S. „Dispute over M. P. Artsybashev’s play Jealousy in Saratov community“. Izvestiya of Saratov University. Philology. Journalism 24, Nr. 1 (20.02.2024): 55–61. http://dx.doi.org/10.18500/1817-7115-2024-24-1-55-61.
Der volle Inhalt der QuelleBanta, Emily. „Staging Comedy’s Ends: Minstrel Embodiment in Branden Jacobs-Jenkins’s Neighbors“. Theatre Topics 34, Nr. 2 (Juli 2024): 159–66. http://dx.doi.org/10.1353/tt.2024.a932208.
Der volle Inhalt der QuelleWang, Yingzi, und Sabina Mihelj. „A Socialist Superwoman for the New Era“. Feminist Media Histories 5, Nr. 3 (2019): 36–59. http://dx.doi.org/10.1525/fmh.2019.5.3.36.
Der volle Inhalt der QuelleSiddique, Rahat, Muhammad Ahsan Bhatti und Riasat Ali. „How Pakistani Dramas Portray Women: The Comparison between ARY and HUM TV“. Global Digital & Print Media Review VI, Nr. I (30.03.2023): 215–33. http://dx.doi.org/10.31703/gdpmr.2023(vi-i).17.
Der volle Inhalt der QuelleBeenish Zaheen, Aasima Safdar und Muhammad Riaz. „Impact of Soap Operas on the Television Viewers: Experience from Pakistani Society“. Journal of Business and Social Review in Emerging Economies 7, Nr. 1 (26.01.2021): 145–55. http://dx.doi.org/10.26710/jbsee.v7i1.1539.
Der volle Inhalt der QuelleБабенко, Наталья Алексеевна. „Organization of action in the play “Telemachus” by V. Mass and N. Erdman“. Tomsk state pedagogical university bulletin, Nr. 3(227) (26.05.2023): 120–27. http://dx.doi.org/10.23951/1609-624x-2023-3-120-127.
Der volle Inhalt der QuelleSorlin, Pierre. „1957: A Divided Europe. European Cinema at the Time of the Rome Treaty“. Contemporary European History 8, Nr. 3 (November 1999): 411–24. http://dx.doi.org/10.1017/s0960777399003057.
Der volle Inhalt der QuelleHorelova, V. S. „The Kharkiv actresses Polina Kumanchenko and Lidiya Krynytska in the image of a mother in the films “Human’s blood is not water”, “Dmytro Horytsvit”, “People don’t know the all” and “Lymerivna”“. Aspects of Historical Musicology 17, Nr. 17 (15.09.2019): 130–47. http://dx.doi.org/10.34064/khnum2-17.09.
Der volle Inhalt der QuelleParker, Christopher, Barbara Yorke, Elizabeth Truax, John N. King, Roberta Anderson, Geoff Ridden, Keith Lindley et al. „Reviews: Historical Theory, a Companion to Anglo-Saxon Literature, Malory's Morte D'Arthur: Re-Making Arthurian Tradition, Writing the Reformation: Actes and Monuments and the Jacobean History Play, Women on the Renaissance Stage: Anna of Denmark and Female Masquing in the Stuart Court, 1590–1619, Who Killed Shakespeare? What's Happened to English since the Radical Sixties, Oral and Literate Culture in England, 1500–1700, the Poetry of Mildmay Fane, Second Earl of Westmorland from the Fulbeck, Harvard and Westmorland Manuscripts, the Antichrist's Lewd Hat: Protestants, Papists and Players in Post-Reformation England, Staging Domesticity: Household Work and English Identity in Early Modern Drama, Shakespeare's Domestic Economies: Gender and Property in Early Modern England, Dorothy Osborne: Letters to William Temple: Observations on Love, Literature, Politics and Religion, Eighteenth-Century Contexts: Historical Inquiries in Honor of Phillip Harth, Family and Friends in Eighteenth-Century England: Household, Kinship and Patronage, Jane Austen and the Theatre, Jane Austen and the Theatre, Waterloo and the Romantic Imagination, George Eliot and the British Empire, Fiction Rivals Science: The French Novel from Balzac to Proust, the Impact of the Railway on Society in Britain: Essays in Honour of Jack Simmons, Middle-Class Culture in the Nineteenth Century: America, Australia and Britain, James Hanley: Modernism and the Working Class, Transformations of Domesticity in Modern Women's Writing: Homelessness at Home, Teaching LiteratureFulbrookMary, Historical Theory , Routledge, 2002, pp. xii + 228, £10.99.PulsianoPhillip and TraherneElaine (eds), A Companion to Anglo-Saxon Literature , Blackwell, 2001, pp. 529, £80.BattCatherine, Malory's Morte D'Arthur: Re-making Arthurian Tradition , Palgrave, 2002, pp. xxiii + 264, £32.50.RobinsonMarsha S., Writing the Reformation : Actes and Monuments and the Jacobean History Play , Ashgate, 2002, pp. xxiii + 192, £40.McManusClare, Women on the Renaissance Stage: Anna of Denmark and Female Masquing in the Stuart Court, 1590–1619 , Manchester University Press, 2002, pp. 276, £45.BrantlingerPatrick, Who Killed Shakespeare? What's Happened to English Since the Radical Sixties , Routledge, 2001, pp. 238, £14.99 pb.FoxAdam, Oral and Literate Culture in England, 1500–1700 , Oxford Studies in Social History, Clarendon Press, Oxford, 2000, pp. 413, £45.00.CainTom (ed.), The Poetry of Mildmay Fane, Second Earl of Westmorland from the Fulbeck, Harvard and Westmorland Manuscripts , Manchester University Press, 2001, pp. xii + 465, £50.LakePeter (with Michael Questier), The Antichrist's Lewd Hat: Protestants, Papists and Players in Post-Reformation England , Yale UP, 2002, pp. 731, $45.00.WallWendy, Staging Domesticity: Household Work and English Identity in Early Modern Drama , Cambridge University Press, 2002, pp. xiii + 292, £45KordaNatasha, Shakespeare's Domestic Economies: Gender and Property in Early Modern England , University of Pennsylvania Press, 2002, pp. ix + 276, $49.95.ParkerKenneth (ed.), Dorothy Osborne: Letters to William Temple: Observations on Love, Literature, Politics and Religion , Ashgate, 2002, pp. xi + 348£49.50.WeinbrotHoward D., SchakelPeter J. and KarianStephen E. (eds), Eighteenth-century Contexts: Historical Inquiries in Honor of Phillip Harth , University of Wisconsin Press, 2001, pp. xviii + 305, $21.95.TadmorNaomi, Family and Friends in Eighteenth-century England: Household, Kinship and Patronage , Cambridge University Press2001, pp. x + 312, £40.ByrnePaula, Jane Austen and the Theatre , Hambledon, 2002, pp. xvii + 283, £25GayPenny, Jane Austen and the Theatre , Cambridge University Press, 2002, pp. xi + 201, £37.50.ShawPhilip, Waterloo and the Romantic Imagination , Palgrave, 2002, pp. xiv + 260, £45.HenryNancy, George Eliot and the British Empire , Cambridge University Press, 2002, pp. xi + 182, £35.ThiherAlan, Fiction Rivals Science: The French Novel from Balzac to Proust , University of Missouri Press, 2001, pp. ix + 226, £31.50.EvansA. K. B. and GoughJ. V. (eds), The Impact of the Railway on Society in Britain: Essays in Honour of Jack Simmons , Ashgate, 2003, pp. 340, 25 illustrations and 6 maps, £20.YoungLinda, Middle-Class Culture in the Nineteenth Century: America, Australia and Britain , Palgrave, 2003, pp. xi + 245, £45.FordhamJohn, James Hanley: Modernism and the Working Class , University of Wales Press, 2002, pp. xii + 315, £25.ForsterThomas, Transformations of Domesticity in Modern Women's Writing: Homelessness at Home , Palgrave, 2002, pp. 224, £42.50.ShowalterElaine, Teaching Literature , Blackwell, 2002, pp. xi + 166, £45, £12.99 pb.“ Literature & History 13, Nr. 1 (Mai 2004): 76–103. http://dx.doi.org/10.7227/lh.13.1.6.
Der volle Inhalt der QuelleSayers, Janet, Rachel Forrest und Maria Pearson. „Furry Families: Ethical Entanglements Through More-than-Human Domestic Dramas“. Sociological Research Online, 28.01.2022, 136078042110649. http://dx.doi.org/10.1177/13607804211064913.
Der volle Inhalt der QuelleMd Syed, Md Azalanshah, Muhammad Zaiamri Zainal Abidin, Christine Runnel und Rosya Izyanie Shamshudeen. „Narrative of Malaysian modernity: COVID-19, Malay women portrayals and popular television serials“. Plaridel, 12.12.2023. http://dx.doi.org/10.52518/2023-11ssra.
Der volle Inhalt der QuelleChen, Shih-Wen Sue, und Sin Wen Lau. „Post-Socialist Femininity Unleashed/Restrained: Reconfigurations of Gender in Chinese Television Dramas“. M/C Journal 19, Nr. 4 (31.08.2016). http://dx.doi.org/10.5204/mcj.1118.
Der volle Inhalt der QuelleGUL, Sinan. „Concepts of Domestic Space and the New Family in Rabbit Hole and Clybourne Park“. Cankaya University Journal of Humanities and Social Sciences, 18.05.2023. http://dx.doi.org/10.47777/cankujhss.1202733.
Der volle Inhalt der QuelleGreen, Lelia. „Relating to Internet 'Audiences'“. M/C Journal 3, Nr. 1 (01.03.2000). http://dx.doi.org/10.5204/mcj.1826.
Der volle Inhalt der QuelleS, Eli. „Unboxing the New Barbie“. M/C Journal 27, Nr. 3 (11.06.2024). http://dx.doi.org/10.5204/mcj.3060.
Der volle Inhalt der QuelleGleadle, Kathryn, und Beth Rodgers. „‘A Library of Our Own Compositions’: The Minervian Library and Children’s Social Authorship in Victorian Orkney“. Journal of Victorian Culture, 09.07.2022. http://dx.doi.org/10.1093/jvcult/vcac035.
Der volle Inhalt der QuelleReid Boyd, Elizabeth, Madalena Grobbelaar, Eyal Gringart, Alise Bender und Rose Williams. „Introducing ‘Intimate Civility’: Towards a New Concept for 21st-Century Relationships“. M/C Journal 22, Nr. 1 (13.03.2019). http://dx.doi.org/10.5204/mcj.1491.
Der volle Inhalt der QuellePugsley, Peter. „At Home in Singaporean Sitcoms“. M/C Journal 10, Nr. 4 (01.08.2007). http://dx.doi.org/10.5204/mcj.2695.
Der volle Inhalt der QuelleChemello, Adriana. „Luigia Codemo: appunti per una biografia intellettuale“. altrelettere, 21.03.2012. http://dx.doi.org/10.5903/al_uzh-4.
Der volle Inhalt der QuelleJacques, Carmen, Kelly Jaunzems, Layla Al-Hameed und Lelia Green. „Refugees’ Dreams of the Past, Projected into the Future“. M/C Journal 23, Nr. 1 (18.03.2020). http://dx.doi.org/10.5204/mcj.1638.
Der volle Inhalt der QuelleGreen, Lelia. „The Work of Consumption“. M/C Journal 4, Nr. 5 (01.11.2001). http://dx.doi.org/10.5204/mcj.1930.
Der volle Inhalt der QuelleLawson, Jenny. „Food Confessions: Disclosing the Self through the Performance of Food“. M/C Journal 12, Nr. 5 (13.12.2009). http://dx.doi.org/10.5204/mcj.199.
Der volle Inhalt der QuelleRocavert, Carla. „Aspiring to the Creative Class: Reality Television and the Role of the Mentor“. M/C Journal 19, Nr. 2 (04.05.2016). http://dx.doi.org/10.5204/mcj.1086.
Der volle Inhalt der QuelleCoull, Kim. „Secret Fatalities and Liminalities: Translating the Pre-Verbal Trauma and Cellular Memory of Late Discovery Adoptee Illegitimacy“. M/C Journal 17, Nr. 5 (26.10.2014). http://dx.doi.org/10.5204/mcj.892.
Der volle Inhalt der QuelleKabir, Nahid. „Why I Call Australia ‘Home’?“ M/C Journal 10, Nr. 4 (01.08.2007). http://dx.doi.org/10.5204/mcj.2700.
Der volle Inhalt der QuelleGorman-Murray, Andrew, und Robyn Dowling. „Home“. M/C Journal 10, Nr. 4 (01.08.2007). http://dx.doi.org/10.5204/mcj.2679.
Der volle Inhalt der QuelleAntonio, Amy Brooke. „Re-imagining the Noir Femme Fatale on the Renaissance Stage“. M/C Journal 18, Nr. 6 (07.03.2016). http://dx.doi.org/10.5204/mcj.1039.
Der volle Inhalt der QuelleGildersleeve, Jessica. „“Weird Melancholy” and the Modern Television Outback: Rage, Shame, and Violence in Wake in Fright and Mystery Road“. M/C Journal 22, Nr. 1 (13.03.2019). http://dx.doi.org/10.5204/mcj.1500.
Der volle Inhalt der QuelleGertz, Janine, Emma Maguire, Theresa Petray und Bryan Smith. „Violence“. M/C Journal 23, Nr. 2 (13.05.2020). http://dx.doi.org/10.5204/mcj.1658.
Der volle Inhalt der QuelleGreen, Lelia. „Scanning the Satellite Signal in Remote Western Australia“. M/C Journal 8, Nr. 4 (01.08.2005). http://dx.doi.org/10.5204/mcj.2379.
Der volle Inhalt der QuelleD'Cruz, Glenn. „Darkly Dreaming (in) Authenticity: The Self/Persona Opposition in Dexter“. M/C Journal 17, Nr. 3 (10.06.2014). http://dx.doi.org/10.5204/mcj.804.
Der volle Inhalt der QuelleDominey-Howes, Dale. „Tsunami Waves of Destruction: The Creation of the “New Australian Catastrophe”“. M/C Journal 16, Nr. 1 (18.03.2013). http://dx.doi.org/10.5204/mcj.594.
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