Auswahl der wissenschaftlichen Literatur zum Thema „Facture de piano“
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Zeitschriftenartikel zum Thema "Facture de piano"
Martynenko, N. N. „PECULIARITIES OFORCHESTRA FACTURE IN CONCERT FOR PIANO WITH ORCESTRA F.POULENC (CIS-MOLL)“. National Association of Scientists 3, Nr. 27(54) (14.05.2020): 9–14. http://dx.doi.org/10.31618/nas.2413-5291.2020.3.54.201.
Der volle Inhalt der QuelleDidi, Amer. „Ziad Kreidy. 2018. La facture du piano et ses métamorphoses. Château-Gontier (Fr) : Éditions Aedam Musicae, coll. « Musiques xxe–xxie siècles », 128 p. ISBN 978-2-919046485“. Book Review 37, Nr. 1 (17.05.2019): 221–24. http://dx.doi.org/10.7202/1059896ar.
Der volle Inhalt der QuelleVélez Tobón, Gabriel Jaime, und Victoria Estrada Orrego. „Deformaciones y contagios. La lucha contra el pian en Colombia en la primera mitad del siglo XX“. Trashumante. Revista Americana de Historia Social, Nr. 18 (19.07.2021): 28–51. http://dx.doi.org/10.17533/udea.trahs.n18a02.
Der volle Inhalt der QuelleChi, Ju-Yang, Mark Halaki und Bronwen J. Ackermann. „Ergonomics in violin and piano playing: A systematic review“. Applied Ergonomics 88 (Oktober 2020): 103143. http://dx.doi.org/10.1016/j.apergo.2020.103143.
Der volle Inhalt der QuelleFuentes López, Martha Elena, José Alberto García Salazar und Juvencio Hernández Martínez. „Factores que afectan el mercado de madera aserrada de pino en México“. Madera y Bosques 12, Nr. 2 (31.08.2016): 17–28. http://dx.doi.org/10.21829/myb.2006.1221240.
Der volle Inhalt der QuelleLoewe Muñoz, Verónica Francisca, Claudia Delard R., Marlene Verónica González González und Verónica Carolina Fuentes Díaz. „Introducción del pino piñonero (Pinus pinea L.) en Chile“. Ciencia & Investigación Forestal 18, Nr. 2 (12.07.2012): 39–52. http://dx.doi.org/10.52904/0718-4646.2012.386.
Der volle Inhalt der QuelleLai, Kuan-Yin, Shyi-Kuen Wu, I.-Ming Jou, Hsiao-Man Hsu, Mei-Jin Chen Sea und Li-Chieh Kuo. „Effects of hand span size and right-left hand side on the piano playing performances: Exploration of the potential risk factors with regard to piano-related musculoskeletal disorders“. International Journal of Industrial Ergonomics 50 (November 2015): 97–104. http://dx.doi.org/10.1016/j.ergon.2015.09.011.
Der volle Inhalt der QuelleGRIECO, A., E. OCCHIPINTI, D. COLOMBINI, O. MENONI, M. BULGHERONI, C. FRIGO und S. BOCCARDI. „Muscular effort and musculoskeletal disorders in piano students: electromyographic, clinical and preventive aspects“. Ergonomics 32, Nr. 7 (Juli 1989): 697–716. http://dx.doi.org/10.1080/00140138908966837.
Der volle Inhalt der QuelleCuentas Peralta, Marco Sadiel. „La música de Alejandro Núñez Allauca“. Antec: Revista Peruana De Investigación Musical 7, Nr. 1 (28.06.2023): 38–48. http://dx.doi.org/10.62230/antec.v7i1.176.
Der volle Inhalt der QuelleRodríguez García, Mariela Yulissa. „COMPOSICIÓN DE ZOOPLANCTON EN LA LAGUNA EL PINO, BARBERENA, SANTA ROSA“. Agua, Saneamiento & Ambiente 10, Nr. 1 (30.11.2015): 50–57. http://dx.doi.org/10.36829/08asa.v10i1.1454.
Der volle Inhalt der QuelleDissertationen zum Thema "Facture de piano"
Vandervellen, Pascale. „La facture du piano dans les provinces belges des origines à 1851“. Doctoral thesis, Universite Libre de Bruxelles, 2007. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/210716.
Der volle Inhalt der QuelleDoctorat en Histoire, art et archéologie
info:eu-repo/semantics/nonPublished
Somma, Antonio. „Acoustique de la pratique musicale sur instruments historiques : étude transdisciplinaire de l’interprétation historiquement informée au piano“. Electronic Thesis or Diss., Sorbonne université, 2024. http://www.theses.fr/2024SORUS069.
Der volle Inhalt der QuelleThis thesis is driven by the desire to reposition instrumental craftsmanship within the history of pianistic technique. At the intersection of musical acoustics and musicology, a unified approach is proposed, leveraging the trend of both disciplines to directly engage their research methodologies with musical practice. In musical acoustics, the mechanical and vibro-acoustic properties of historical pianos, conventionally referred to as fortepianos or pianofortes to distinguish them from their modern counterparts, are of growing interest. However, the physical description of sound production must highlight the indispensable role of musicians. From a musicological perspective, performance studies examine interpretation styles and playing techniques from a historical viewpoint. Complementing their insights, these studies can address the genuinely artistic approach through which Historically Informed Performance (HIP) has revisited musical execution on historical instruments. Among the sources employed by pianistic HIP, fortepianos have historically held a central position, being seen as guiding the reformulation of their playing. However, this thesis centers on the pianists, focusing on the piano but considering it primarily through the lens of its interaction with them. Pianists' discourses are collected and analyzed, revealing that the medium of this interaction is the musical gesture. This cognitive construct encompasses, on one hand, the actions of musicians during performance, embodying their musical intentions, and on the other, their perception, which is informed by these actions. Ancillary actions of pianists during performance are captured and analyzed, highlighting the prevalence of idiosyncratic behaviors over those dependent on the instrument played, particularly concerning the angle formed by the wrist. These observations open a new avenue in the study of musical interpretation, based on the kinematic signature of each instrumentalist as a reflection of their unique interpretative conception. Finally, a mechano-acoustic analysis of pianos is conducted, emphasizing the benefits of explicitly integrating instrumental control parameters into the study, particularly the mass involved in pressing the keys. This approach allows for an association between the instrumentalist's conception of the relationship between the work's interpretative style and the instrument's playing technique
Margerit, Pierre. „Caractérisation large bande du comportement dynamique linéaire des structures hétérogènes viscoélastiques anisotropes : application à la table d'harmonie du piano“. Thesis, Paris Est, 2018. http://www.theses.fr/2018PESC1151/document.
Der volle Inhalt der QuelleThe present work, as part of the MAESSTRO ANR project, is motivated by the replacement of wood by composite material in the design of the piano soundboard. The main focus is on the characterization of the mechanical properties of both replaced and replacement materials in a wide frequency range, taking into account anisotropy, heterogeneous and viscoelastic behavior. First, the wave propagation in such structures is investigated; boundary conditions and loads are discarded to focus on the mechanisms responsible for the energy transmission in the media. The footprint of the complex behavior of the studied structures is represented and interpreted via the dispersion surfaces. Second, a robotized setup is proposed, allowing for the measurement of the full-field instantaneous 3D velocity along the surface of structures submitted to a repeated dynamic load. Third, identification methods using this experimental data are proposed. Based on the parameters of a reduced signal model of the measurement identified with an original ESPRIT method, inverse eigenvalue problems are formulated. Both transient and steady regime are investigated, respectively through modal analysis and the proposed wavevector analysis. The proposed methods are validated through applications on homogeneous beams and anisotropic plates. Finally, the overall proposed procedure is applied for the identification of the material properties of the soundboard of the Stephen Paulello technologies SP190// grand piano
Chi, Ju-Yang. „Musical Instrument Ergonomics in Violin and Piano Performance“. Thesis, The University of Sydney, 2022. https://hdl.handle.net/2123/30064.
Der volle Inhalt der QuelleDyal, Edith Irene Colvin. „An examination of factors which associate with a successful outcome in piano lessons /“. Access Digital Full Text version, 1991. http://pocketknowledge.tc.columbia.edu/home.php/bybib/11169643.
Der volle Inhalt der QuelleTypescript; issued also on microfilm. Sponsor: Robert Pace. Dissertation Committee: Lenore Pogonowski. Includes bibliographical references: (leaf 124).
Yee, Susan. „A comparison between junior and senior university piano students' health factors“. Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0013/MQ42116.pdf.
Der volle Inhalt der QuelleYoshimura, Eri. „Risk factors for piano-related pain among college students and piano teachers solutions for reducing pain by using the ergonomically modified keyboard /“. Thesis, connect to online resource. Recital, recorded Apr. 14, 2006, in digital collections. Access restricted to the University of North Texas campus, 2009. http://digital.library.unt.edu/ark:/67531/metadc1469.
Der volle Inhalt der QuelleLewis, Lisa Michele. „Twelve nouvelle impressions : historical and cultural factors relating to the performance of Isaac Albeniz's Iberia Suite /“. Thesis, Connect to this title online; UW restricted, 1998. http://hdl.handle.net/1773/11222.
Der volle Inhalt der QuelleMiniotas, Donatas. „Karvių aplinkos veiksnių įtaka pieno kokybei“. Master's thesis, Lithuanian Academic Libraries Network (LABT), 2013. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2013~D_20130618_095939-58864.
Der volle Inhalt der QuelleObject and tasks of work: The aim of this work was to evaluate the various conditions the cows are housed, and how that change the quality of the milk. Tasks of work : 1. To evaluate the cow housing conditions. 2. To investigate the differences in milk quality indicators. 3. To investigate the possible influence of cow housing conditions of milk qualitative indicators. 4. To analyze the negative factors affecting the quality of milk. Results and conclusions: It was found that there is a connection (p <0.05) between: 1. indoor air temperature and the total number of bacteria in milk; 2. indoor air humidity, and the total number of bacteria in milk; 3. bearing surface temperature and the total number of bacteria in milk; 4. indoor air temperature and somatic cell count in milk; 5. bearing surface temperature and somatic cell count in milk. With increasing microclimatic parameters, increasing the total number of bacteria in milk, and somatic cell count in milk. In the investigated farms, the best microclimate indicators were where cows was loose. It was the same with the milk quality indicators. The most negative factor affecting milk quality indicators, is housing temperature in the barn, because it encourages the other negative factors, like indoor air humidity and bearing surface temperature.
Adamavičiūtė, Deimantė. „Pieno ir kefyro mikrobiologinių rodiklių analizė“. Master's thesis, Lithuanian Academic Libraries Network (LABT), 2006. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2006~D_20060316_101049-88281.
Der volle Inhalt der QuelleBücher zum Thema "Facture de piano"
Rainer & Kloss (Firm), Hrsg. Rainer & Kloss, piano-forte manufacturers, warerooms, Whitby, C.W. [S.l: s.n., 1986.
Den vollen Inhalt der Quelle findenCo, Mendelssohn Piano, Hrsg. Compliments of Mendelssohn Piano Co., 110 Adelaide St. West, Toronto. [S.l: s.n., 1987.
Den vollen Inhalt der Quelle findenSenise, Daniel. The piano factory. Rio de Janeiro: Andre Jakobsson Estúdio, 2002.
Den vollen Inhalt der Quelle findenDavies, Jonathan. The piano factory. Rothley, Leics: W. F. Howes, 2004.
Den vollen Inhalt der Quelle findenSenise, Daniel. Daniel Senise: The piano factory. Rio de Janeiro: Andrea Jakobsson Estúdio, 2002.
Den vollen Inhalt der Quelle findenCo, Morris Feild Rogers, Hrsg. We do one thing and do it well: We make upright pianos only : the Morris, Feild, Rogers Co., Listowel, Ontario. [S.l: s.n., 1987.
Den vollen Inhalt der Quelle findenWeber, Marie-Christine. J.K. Mercken: Premier facteur parisien de forte-piano. Paris: Flûte de Pan, 1986.
Den vollen Inhalt der Quelle findenMcElroy, Gil. Pianoworks: Imagining the R.S. Williams Piano Factory : Murray Favro, Alexander Graham, Ryan Legassicke, Carl Zimmerman. Oshawa, Ont: Robert McLaughlin Gallery, 2003.
Den vollen Inhalt der Quelle findenCompany, Cornish. The Cornish Company: Established over fifty years, makers of high-grade pianos and organs and direct dealers between factory and home. Deansboro, NY: Reed Organ Society, 1992.
Den vollen Inhalt der Quelle findenNew York (N.Y.). Landmarks Preservation Commission. Sohmer & Company Piano Factory Building, 31-01 Vernon Boulevard (a.k.a 11-02 to 11-16 31st Avenue), Borough of Queens: Built c. 1886 (Berger & Baylies, architects), addition: c.1906-07 (attributed to Franklin Baylies). New York, N.Y.]: Landmarks Preservation Commission, 2007.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Facture de piano"
Clinkscale, Martha Novak, und John R. Watson. „S“. In Makers Of The Piano, 321–71. Oxford University PressOxford, 1999. http://dx.doi.org/10.1093/oso/9780198166252.003.0019.
Der volle Inhalt der QuelleClinkscale, Martha Novak, und John R. Watson. „A“. In Makers Of The Piano, 3–12. Oxford University PressOxford, 1999. http://dx.doi.org/10.1093/oso/9780198166252.003.0001.
Der volle Inhalt der QuelleCole, Michael. „The Upright Pianoforte: The Genesis of Upright Forms“. In The Pianoforte In The Classical Era, 254–71. Oxford University PressOxford, 1998. http://dx.doi.org/10.1093/oso/9780198166344.003.0015.
Der volle Inhalt der Quelle„The Piano in a Factory“. In China's Cinema of Class, 127–45. Milton Park, Abingdon, Oxon ; New York, NY : Routledge, 2017. | Series: Routledge studies on China in transition ; 51: Routledge, 2017. http://dx.doi.org/10.4324/9781315393988-7.
Der volle Inhalt der QuelleSmallan, Basil. „Introduction“. In The Piano Trio, 1–15. Oxford University PressNew York, NY, 1990. http://dx.doi.org/10.1093/oso/9780193183070.003.0001.
Der volle Inhalt der QuelleClinkscale, Martha Novak, und John R. Watson. „I“. In Makers Of The Piano, 198–201. Oxford University PressOxford, 1999. http://dx.doi.org/10.1093/oso/9780198166252.003.0009.
Der volle Inhalt der QuelleNovosiadla, Iryna. „Piano art of composers in the Ukrainian diaspora: genre-stylistic, educational and personological aspects“. In Art Spiritual Dimensions of Ukrainian Diaspora, 126–64. Primedia eLaunch LLC, 2020. http://dx.doi.org/10.36074/art-sdoud.2020.chapter-6.
Der volle Inhalt der QuelleTarchynska, Yulia. „WAYS OF FORMING THE TECHNIQUE OF SOUND PRODUCTION IN THE INTERPRETATION OF MULTI-STYLE PIANO MUSIC“. In Integration of traditional and innovative scientific researches: global trends and regional as. Publishing House “Baltija Publishing”, 2020. http://dx.doi.org/10.30525/978-9934-26-001-8-1-9.
Der volle Inhalt der QuelleWooqfield, Ian. „The Calcutta Piano Trade in the Late Eighteenth Century“. In Music and British Culture, 1785–1914, 1–22. Oxford University PressOxford, 2000. http://dx.doi.org/10.1093/oso/9780198167303.003.0001.
Der volle Inhalt der Quelle„The Piano in a Factory Class, in the Name of the Father“. In After the Post–Cold War, übersetzt von JIE LI, 91–106. Duke University Press, 2018. http://dx.doi.org/10.2307/j.ctv1134g9d.10.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Facture de piano"
Adli, Alexander, Zensho Nakao, Toshiaki Yokoda und Yasunori Nagata. „Piano Sound Characteristics: a Study on Some Factors Affecting Loudness in Digital and Acoustic Pianos“. In Second International Conference on Innovative Computing, Informatio and Control (ICICIC 2007). IEEE, 2007. http://dx.doi.org/10.1109/icicic.2007.453.
Der volle Inhalt der QuelleYuksel, Beste F., Kurt B. Oleson, Lane Harrison, Evan M. Peck, Daniel Afergan, Remco Chang und Robert JK Jacob. „Learn Piano with BACh“. In CHI'16: CHI Conference on Human Factors in Computing Systems. New York, NY, USA: ACM, 2016. http://dx.doi.org/10.1145/2858036.2858388.
Der volle Inhalt der QuelleLabrou, Katerina, Cagri Hakan Zaman, Arda Turkyasar und Randall Davis. „Following the Master’s Hands: Capturing Piano Performances for Mixed Reality Piano Learning Applications“. In CHI '23: CHI Conference on Human Factors in Computing Systems. New York, NY, USA: ACM, 2023. http://dx.doi.org/10.1145/3544549.3585838.
Der volle Inhalt der QuelleAkiba, Misato, und Wonseok Yang. „Learning to Read Music by Differences in Perception of Information“. In 13th International Conference on Applied Human Factors and Ergonomics (AHFE 2022). AHFE International, 2022. http://dx.doi.org/10.54941/ahfe1001754.
Der volle Inhalt der QuelleKilian, Annika, Jakob Karolus, Thomas Kosch, Albrecht Schmidt und Paweł W. Paweł. „EMPiano: Electromyographic Pitch Control on the Piano Keyboard“. In CHI '21: CHI Conference on Human Factors in Computing Systems. New York, NY, USA: ACM, 2021. http://dx.doi.org/10.1145/3411763.3451556.
Der volle Inhalt der QuelleZonco, Audrey, Bastiaan Göttgens, Kieran O'Riordan, Che Liu und Dominique Rat. „Exploring circularity: Europengineers on piano“. In IABSE Congress, Ghent 2021: Structural Engineering for Future Societal Needs. Zurich, Switzerland: International Association for Bridge and Structural Engineering (IABSE), 2021. http://dx.doi.org/10.2749/ghent.2021.0141.
Der volle Inhalt der QuelleZonco, Audrey, Bastiaan Göttgens, Kieran O'Riordan, Che Liu und Dominique Rat. „Exploring circularity: Europengineers on piano“. In IABSE Congress, Ghent 2021: Structural Engineering for Future Societal Needs. Zurich, Switzerland: International Association for Bridge and Structural Engineering (IABSE), 2021. http://dx.doi.org/10.2749/ghent.2021.0141.
Der volle Inhalt der QuelleLipton, Lenny. „Factors Affecting "Ghosting" In Time-Multiplexed Piano-Stereoscopic Crt Display Systems“. In OE LASE'87 and EO Imaging Symp (January 1987, Los Angeles), herausgegeben von David F. McAllister und Woodrow E. Robbins. SPIE, 1987. http://dx.doi.org/10.1117/12.940123.
Der volle Inhalt der QuelleQi, Ling. „On the Ethnic Factors in the Piano Works of Jiang Wenye“. In 2016 International Conference on Economy, Management and Education Technology. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/icemet-16.2016.138.
Der volle Inhalt der QuelleLiu, Ruofan, Erwin Wu, Chen-Chieh Liao, Hayato Nishioka, Shinichi Furuya und Hideki Koike. „PianoHandSync: An Alignment-based Hand Pose Discrepancy Visualization System for Piano Learning“. In CHI '23: CHI Conference on Human Factors in Computing Systems. New York, NY, USA: ACM, 2023. http://dx.doi.org/10.1145/3544549.3585705.
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