Auswahl der wissenschaftlichen Literatur zum Thema „Exhibition, 1923“
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Zeitschriftenartikel zum Thema "Exhibition, 1923"
Lavrov, Dmitrii Evgen'evich. „Exhibition activity of the Palekh lacquer miniature craft (1923-1939)“. Человек и культура, Nr. 4 (April 2022): 36–45. http://dx.doi.org/10.25136/2409-8744.2022.4.36873.
Der volle Inhalt der QuelleSidorova, Oksana. „CLASSICAL GRAPHIC ARTISTS OF ALTAI IN COLLECTIONS OF THE STATE ART MUSEUM OF THE ALTAI KRAI (BARNAUL, RUSSIA)“. Proceedings of Altai State Academy of Culture and Arts, Nr. 3 (2021): 52–59. http://dx.doi.org/10.32340/2414-9101-2021-3-52-59.
Der volle Inhalt der QuelleIonescu, Adrian-Silvan. „Second Crusader Occupation in Constantinople, 1918-1923“. Dialogica. Revistă de studii culturale și literatură, Nr. 3 (November 2023): 112–18. http://dx.doi.org/10.59295/dia.2023.3.15.
Der volle Inhalt der QuelleWindisch und Tieber. „"Silent" Films, Singing Voices: Vocal Accompaniment in Viennese Moving Picture Exhibition, 1913-1923“. Music and the Moving Image 8, Nr. 1 (2015): 19. http://dx.doi.org/10.5406/musimoviimag.8.1.0019.
Der volle Inhalt der QuelleYu Elina, O. „Exhibiting nature, modernising agriculture: ecology and technology at the All-Russian Agricultural Exhibition, 1923“. IOP Conference Series: Earth and Environmental Science 350 (15.11.2019): 012001. http://dx.doi.org/10.1088/1755-1315/350/1/012001.
Der volle Inhalt der QuellePasarello, Clerice, und Sabaté Sentís. „The origins of rugby in Catalonia“. Fizicko vaspitanje i sport kroz vekove 8, Nr. 2 (2021): 42–72. http://dx.doi.org/10.5937/spes2102042p.
Der volle Inhalt der QuelleCHECHIK, Valentina. „VADIM MELLER’S ART: ON THE WAY TOWARDS CONSTRUCTIVIST ABSTRACTION“. HUDPROM: The Ukrainian Art and Design Journal 2023, Nr. 1 (30.06.2023): 128–39. http://dx.doi.org/10.33625/hudprom2023.01.128.
Der volle Inhalt der QuelleNowakowska-Sito, Katarzyna. „Ludomir Sleńdziński’s Trips to Italy 1923–1925“. Roczniki Humanistyczne 67, Nr. 4 SELECTED PAPERS IN ENGLISH (30.10.2019): 81–101. http://dx.doi.org/10.18290/rh.2019.68.4-4en.
Der volle Inhalt der QuelleLeal Rodrigues, Sofia. „“Vision in motion”: László Moholy-Nagy and the Genesis of the Visual Book“. Disegno, Nr. 1-2 (2021): 86–109. http://dx.doi.org/10.21096/disegno_2021_1-2slr.
Der volle Inhalt der QuelleBlackman, Cally. „The Colour of Fashion at the Salon du Goût Français: A Virtual Exhibition of French Luxury Commodities, 1921–1923“. Costume 56, Nr. 1 (März 2022): 51–73. http://dx.doi.org/10.3366/cost.2022.0218.
Der volle Inhalt der QuelleDissertationen zum Thema "Exhibition, 1923"
English, Linda Christine. „The Calgary Exhibition and Stampedes, culture, context and controversy, 1884-1923“. Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0017/MQ47940.pdf.
Der volle Inhalt der QuelleGray, Michael. „New Australian plants and animals. An exhibition - and - Physiology, phenomenology and photography: Picturing the indeterminate within an Australian art practice. An exegesis“. Thesis, Edith Cowan University, Research Online, Perth, Western Australia, 2016. https://ro.ecu.edu.au/theses/1923.
Der volle Inhalt der QuelleBorchardt-Hume, Achim. „The history of the Esposizione Quadriennale d'Arte Nazionale 1927-1943 : sixteen years of aesthetic pluralism under Facist patronage“. Thesis, University of Essex, 2002. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.248636.
Der volle Inhalt der QuelleChasse, Sarah Noble. „"A Certain Kinship": The First Exhibitions of American Folk Art, New York, 1924-1932“. W&M ScholarWorks, 2012. https://scholarworks.wm.edu/etd/1539626675.
Der volle Inhalt der QuelleWelbourne, J. „Design theory and exhibition practice in Britain, 1924-1938 : The articulation and representation of modernist design theory between the Empire Exhibitions“. Thesis, University of Essex, 1986. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.375731.
Der volle Inhalt der QuelleHedqvist, Eric. „Varats och utvecklingens kedja : en naturhistorisk museiutställning i Göteborg 1923-1968“. Doctoral thesis, Umeå universitet, Institutionen för kultur- och medievetenskaper, 2009. http://urn.kb.se/resolve?urn=urn:nbn:se:umu:diva-18922.
Der volle Inhalt der Quelleavhandlingen framlägges för disputation i ämnet museologi
Petersen, Charlise. „Visual trauma: Representations of African bodies in the 1983 Contre Apartheid Exhibition“. University of the Western Cape, 2018. http://hdl.handle.net/11394/6254.
Der volle Inhalt der QuelleAfter the 1976 student uprising, South Africa entered a period of increased violent state repression. The struggle against apartheid also became increasingly globalised, as can be seen in the UN resolution and the rise of various international anti-apartheid organisations. My thesis looks at the various ways in which art was used as a response to the crisis of late apartheid in the 1980s, focusing on a landmark international exhibition, the Art Contre Apartheid exhibition which opened in Paris on 1983. It examines the context and history of the Art Contre Apartheid collection, and follows its path to its current location at the Mayibuye Archive at the University of the Western Cape, where it mostly languishes in packing crates. My research locates its analysis of the works in broader debates around art and politics during the struggle years in South Africa, but also to highlights the continuities and contrasts between international responses to apartheid, and local struggle art produced in the period surrounding the launch of the exhibition. Some of most compelling works of art in the collection depict the human form, and register acts of torture. The analysis focuses specifically on depictions of a fragmentation and dismemberment of the human body. Drawing on Elaine Scarry's argument about the limitations of language as an adequate response to trauma, my research develops an analysis of these works that demonstrates how the body becomes a privileged site in which violent political contestations are made visible. The thesis also deals extensively with the 'absence of form', which highlights the various instances in the ACA collection where abstract art was used as a signifier of pain, and thus the unspeakable effects of apartheid.
Andreotti, Libero. „Art and politics in Fascist Italy : the Exhibition of the Fascist Revolution (1932)“. Thesis, Massachusetts Institute of Technology, 1989. http://hdl.handle.net/1721.1/14179.
Der volle Inhalt der QuelleTitle as it appeared in M.I.T. Graduate List, Sept. 1989: Art and politics in Italy; the Exhibition of the Fascist Revolution.
Includes bibliographical references.
by Libero Andreotti.
Ph.D.
Moss, Zahra Marie. „The Golden Treasures of Monte Alban: Mexican Representation and Exhibition Controversy, 1933-1936“. Diss., The University of Arizona, 2012. http://hdl.handle.net/10150/242379.
Der volle Inhalt der QuelleWest, Kim. „The Exhibitionary Complex : Exhibition, Apparatus, and Media from Kulturhuset to the Centre Pompidou, 1963–1977“. Doctoral thesis, Södertörns högskola, Estetik, 2017. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-32143.
Der volle Inhalt der QuelleSpace, Power, Ideology
Bücher zum Thema "Exhibition, 1923"
Sam, Francis. Sam Francis: 1923-1994. London: Grosvenor Gallery, 1996.
Den vollen Inhalt der Quelle findenFrancis, Sam. Sam Francis: Prints and drawings, 1957-1989 [exhibition]. New York, NY: Associated American Artists, 1990.
Den vollen Inhalt der Quelle findenSam, Francis. Sam Francis: Prints and drawings, 1957-1989 [exhibition]. New York, NY: Associated American Artists, 1990.
Den vollen Inhalt der Quelle findenSam, Francis. Sam Francis: Etchings, 1973-1985 : exhibition Galerie Kornfeld, Bern, Zurich. Bern: Galerie Kornfeld, 1985.
Den vollen Inhalt der Quelle findenDavis, Earl. Stuart Davis scapes: An exhibition of landscapes, cityscapes, and seascapes made between 1910 and 1923. New York (20 E. 79 St., New York 10021): Salander-O'Reilly Galleries, 1990.
Den vollen Inhalt der Quelle findenJenior, Pablo, und Barbara Schilling. "Neue Kunst in der Orangerie": Die Ausstellungen von 1913 - 1922 - 1927 - 1929 : Vorboten der Documenta? Kassel: Verlag Winfried Jenior, 2016.
Den vollen Inhalt der Quelle findenHlito, Alfredo. Hlito: (1923-1993). Buenos Aires, Argentina: Centro Cultural Recoleta, 2003.
Den vollen Inhalt der Quelle findenHlito, Alfredo. Hlito: (1923-1993). Buenos Aires, Argentina: Centro Cultural Recoleta, 2003.
Den vollen Inhalt der Quelle findenPatkerasrah, Hayastani Azgayin. Hayotsʻ Mets egheṛni 95 tarelitsʻin nvirvats tsʻutsʻahandes: Exhibition dedicated to the 95th anniversary of the Armenian Genocide. Erevan: Hayastani Azgayin Patkerasrah, 2010.
Den vollen Inhalt der Quelle findenDiab, Rashid. Rashid Diab: Retrospective exhibition, 1983-1993. Madrid: Medani, Estudio, Galeria de Arte, 1993.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Exhibition, 1923"
Mallinson, Jonathan. „9. 1924–25: Recognition of the Artist Potter“. In William Moorcroft, Potter, 185–206. Cambridge, UK: Open Book Publishers, 2023. http://dx.doi.org/10.11647/obp.0349.09.
Der volle Inhalt der QuelleSaha, Ranjana. „The Child Welfare Exhibition, 1920*“. In Modern Maternities, 189–233. London: Routledge India, 2023. http://dx.doi.org/10.4324/9781003327837-6.
Der volle Inhalt der QuelleVan de Casteele, Marlène. „Fashioning Beaton Portraits 1928–1968 Exhibition“. In Histories of Exhibition Design in the Museum, 103–18. London: Routledge, 2023. http://dx.doi.org/10.4324/9781003245377-9.
Der volle Inhalt der QuellePaver, Chloe. „Material Experiences, 1933–45“. In Exhibiting the Nazi Past, 65–141. Cham: Springer International Publishing, 2018. http://dx.doi.org/10.1007/978-3-319-77084-0_3.
Der volle Inhalt der QuelleKahn, Alison L. „The Pontifical Missionary Exhibition (1925): The Last Great Nineteenth-Century Exhibition“. In Imperial Museum Dynasties in Europe, 95–114. Singapore: Springer Nature Singapore, 2023. http://dx.doi.org/10.1007/978-981-99-3189-7_7.
Der volle Inhalt der QuelleGoss, W. M., Claire Hooker und Ronald D. Ekers. „To the Cavendish Laboratory of the University of Cambridge, 1931“. In Historical & Cultural Astronomy, 53–68. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-07916-0_6.
Der volle Inhalt der QuelleHill, Lucinda. „Jung and the Picasso exhibition of 1932“. In Jung's Reception of Picasso and Abstract Art, 14–28. London: Routledge, 2022. http://dx.doi.org/10.4324/9781003222729-3.
Der volle Inhalt der QuelleAlessandrini, Michela. „‘Repetition: Summer Display 1983’ at Van Abbemuseum“. In Cultural Inquiry, 231–38. Berlin: ICI Berlin Press, 2022. http://dx.doi.org/10.37050/ci-21_23.
Der volle Inhalt der QuelleDellapiana, Elena. „Toward Paris! 45 Years of Domus for a Design à la Français“. In Springer Series in Design and Innovation, 285–94. Cham: Springer Nature Switzerland, 2023. http://dx.doi.org/10.1007/978-3-031-49811-4_27.
Der volle Inhalt der QuelleFu, Yi, und Yu Zhai. „Dynamic Panorama Virtual System Display Platform for Digital Museum Exhibition“. In Proceedings of the 3rd International Conference on Cognitive Based Information Processing and Applications—Volume 3, 41–50. Singapore: Springer Nature Singapore, 2024. http://dx.doi.org/10.1007/978-981-97-1983-9_4.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Exhibition, 1923"
Crain, Trevor, Trevor Fayer, Brian Fabien und Per Reinhall. „Structuring a Hybrid Vehicle Supervisory Control System Simulink Model for Simpler Version Control with Multiple Software Developers“. In SAE 2014 World Congress & Exhibition. 400 Commonwealth Drive, Warrendale, PA, United States: SAE International, 2014. http://dx.doi.org/10.4271/2014-01-1923.
Der volle Inhalt der QuelleFabbri, G., F. Piraccini, R. Rossi, S. Di Piazza und A. Ferraresi. „Numerical Multi-scale Analysis of Motorbike Heat Exchangers“. In SAE 2005 World Congress & Exhibition. 400 Commonwealth Drive, Warrendale, PA, United States: SAE International, 2005. http://dx.doi.org/10.4271/2005-01-1923.
Der volle Inhalt der QuelleRico, José, und Volker Sick. „Correlation of Spray Cone Angle and Fuel Line Pressure in a Pressure-Swirl Injector Spray“. In 2004 SAE Fuels & Lubricants Meeting & Exhibition. 400 Commonwealth Drive, Warrendale, PA, United States: SAE International, 2004. http://dx.doi.org/10.4271/2004-01-1923.
Der volle Inhalt der QuelleSubramanian, Chitrabala, Vijay Tirumala, Bill Williams und David Reynolds. „New Elastomer Composite Increases the Durability of Natural Rubber Parts for Superior Performance of Bushings and Mounts“. In SAE 2013 Noise and Vibration Conference and Exhibition. 400 Commonwealth Drive, Warrendale, PA, United States: SAE International, 2013. http://dx.doi.org/10.4271/2013-01-1923.
Der volle Inhalt der QuelleSATO, Mayuka. „Representations of British women at the British Empire Exhibition, 1924–1925“. In 10th International Conference on Design History and Design Studies. São Paulo: Editora Edgard Blücher, 2016. http://dx.doi.org/10.5151/despro-icdhs2016-02_004.
Der volle Inhalt der QuelleLisov, A. G. „THE EXHIBITIONS OF THE UNOVIS ART GROUP IN VITEBSK (1920–1922)“. In Regionalnye arhitekturno-hudozhestvennye shkoly. Новосибирский государственный университет архитектуры, дизайна и искусств имени А.Д. Крячкова, 2022. http://dx.doi.org/10.37909/978-5-89170-315-5-2022-2011.
Der volle Inhalt der QuelleBoda, Gherghina. „Romanian national heritage at the universal exhibition in Barcelona (1929)“. In Simpozion internațional de etnologie: Tradiții și procese etnice, Ediția III. Institute of Cultural Heritage, Republic of Moldova, 2023. http://dx.doi.org/10.52603/9789975841733.05.
Der volle Inhalt der QuelleStăvilă, Tudor. „Scenographic art in interwar Bessarabia“. In Conferința științifică internațională Patrimoniul cultural: cercetare, valorificare, promovare. Ediția XIV. Institute of Cultural Heritage, Republic of Moldova, 2022. http://dx.doi.org/10.52603/pc22.01.
Der volle Inhalt der QuelleKeinonen, Arno, und Evan Martin. „Ice Risk Management for Stationary Vessel Operations in Moving Pack Ice in Ice Offshore Experience and State of Art“. In SNAME 9th International Conference and Exhibition on Performance of Ships and Structures in Ice. SNAME, 2010. http://dx.doi.org/10.5957/icetech-2010-112.
Der volle Inhalt der QuelleDumont d'Ayot, Catherine. „Machines à exposer“. In LC2015 - Le Corbusier, 50 years later. Valencia: Universitat Politècnica València, 2015. http://dx.doi.org/10.4995/lc2015.2015.1025.
Der volle Inhalt der QuelleBerichte der Organisationen zum Thema "Exhibition, 1923"
Schacht, Kayley, Deidre Gonçalves, Aaron Schmidt und Adam Smith. A History and Analysis of the WPA Exhibit of Black Art at the Fort Huachuca Mountain View Officers’ Club, 1943–1946. Engineer Research and Development Center (U.S.), Juni 2023. http://dx.doi.org/10.21079/11681/47184.
Der volle Inhalt der QuelleGolovko, Khrystyna. TRAVEL REPORT BY ALEKSANDER JANTA-POŁCZYNSKI «INTO THE USSR» (1932): FROG PERSPECTIVE. Ivan Franko National University of Lviv, März 2021. http://dx.doi.org/10.30970/vjo.2021.50.11091.
Der volle Inhalt der QuellePoints of Departure in Contemporary Colombian Art. Inter-American Development Bank, Februar 1998. http://dx.doi.org/10.18235/0006428.
Der volle Inhalt der QuelleCommonwealth Bank of Australia - Premises - Wembley - British Empire Exhibition - 1924. Reserve Bank of Australia, März 2022. http://dx.doi.org/10.47688/rba_archives_pn-000564.
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