Auswahl der wissenschaftlichen Literatur zum Thema „Événements sonores“
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Zeitschriftenartikel zum Thema "Événements sonores"
Weitzel, Michelle D. „Reading Sound as a Decolonial Method: Discovering Aurality in the French-Algerian Archive“. Expressions maghrébines 22, Nr. 2 (Dezember 2023): 19–35. http://dx.doi.org/10.1353/exp.2023.a913754.
Der volle Inhalt der QuelleNOH, SHIHUN. „La fonction des paysages sonores dans les romans policiers de Georges Simenon La tête d’un homme et L’ombre chinoise“. Societe d'Etudes Franco-Coreennes 100 (31.12.2022): 35–55. http://dx.doi.org/10.18812/refc.2022.100.35.
Der volle Inhalt der QuelleNOH, SHIHUN. „La fonction des paysages sonores dans les romans policiers de Georges Simenon La tête d’un homme et L’ombre chinoise“. Societe d'Etudes Franco-Coreennes 100 (31.12.2022): 35–55. http://dx.doi.org/10.18812/refc.2022.100.35.
Der volle Inhalt der QuelleChemillier, Marc, Jean Pouchelon, Julien André und Jérôme Nika. „La contramétricité dans les musiques traditionnelles africaines et son rapport au jazz“. Anthropologie et Sociétés 38, Nr. 1 (10.07.2014): 105–37. http://dx.doi.org/10.7202/1025811ar.
Der volle Inhalt der QuelleTrottier, Danick. „La poïétique d’Yves Daoust : entre représentation socioculturelle et questionnement identitaire“. Circuit 15, Nr. 2 (09.02.2010): 13–36. http://dx.doi.org/10.7202/902354ar.
Der volle Inhalt der QuelleLafrance, Maude B. „L’écoute en scène : les espaces sonnants dans Inferno de Romeo Castellucci“. L’Annuaire théâtral, Nr. 56-57 (30.08.2016): 107–14. http://dx.doi.org/10.7202/1037331ar.
Der volle Inhalt der QuelleLussac, Olivier. „L’Oreille au-dessus du barrage. Virtualités de l’espace sonore“. Figures de l'Art. Revue d'études esthétiques 6, Nr. 1 (2002): 381–96. http://dx.doi.org/10.3406/fdart.2002.1322.
Der volle Inhalt der QuelleBobée, Emmanuelle. „La partition sonore et musicale de Dunkerque (C. Nolan, 2017). Une expérience sensorielle inédite“. Revue musicale OICRM 5, Nr. 2 (30.11.2018): 125–48. http://dx.doi.org/10.7202/1054150ar.
Der volle Inhalt der QuelleAlaïs, Sabrina. „Un événement « Le 400e anniversaire de la fondation de Québec » : intermédialité et muséalité dans l’espace public“. Études 8 (17.01.2011): 29–42. http://dx.doi.org/10.7202/045252ar.
Der volle Inhalt der QuelleAubert, Eduardo Henrik. „Le son et ses sens“. Annales. Histoire, Sciences Sociales 62, Nr. 2 (April 2007): 385–411. http://dx.doi.org/10.1017/s0395264900001475.
Der volle Inhalt der QuelleDissertationen zum Thema "Événements sonores"
Labbé, Etienne. „Description automatique des événements sonores par des méthodes d'apprentissage profond“. Electronic Thesis or Diss., Université de Toulouse (2023-....), 2024. http://www.theses.fr/2024TLSES054.
Der volle Inhalt der QuelleIn the audio research field, the majority of machine learning systems focus on recognizing a limited number of sound events. However, when a machine interacts with real data, it must be able to handle much more varied and complex situations. To tackle this problem, annotators use natural language, which allows any sound information to be summarized. Automated Audio Captioning (AAC) was introduced recently to develop systems capable of automatically producing a description of any type of sound in text form. This task concerns all kinds of sound events such as environmental, urban, domestic sounds, sound effects, music or speech. This type of system could be used by people who are deaf or hard of hearing, and could improve the indexing of large audio databases. In the first part of this thesis, we present the state of the art of the AAC task through a global description of public datasets, learning methods, architectures and evaluation metrics. Using this knowledge, we then present the architecture of our first AAC system, which obtains encouraging scores on the main AAC metric named SPIDEr: 24.7% on the Clotho corpus and 40.1% on the AudioCaps corpus. Then, subsequently, we explore many aspects of AAC systems in the second part. We first focus on evaluation methods through the study of SPIDEr. For this, we propose a variant called SPIDEr-max, which considers several candidates for each audio file, and which shows that the SPIDEr metric is very sensitive to the predicted words. Then, we improve our reference system by exploring different architectures and numerous hyper-parameters to exceed the state of the art on AudioCaps (SPIDEr of 49.5%). Next, we explore a multi-task learning method aimed at improving the semantics of sentences generated by our system. Finally, we build a general and unbiased AAC system called CONETTE, which can generate different types of descriptions that approximate those of the target datasets. In the third and last part, we propose to study the capabilities of a AAC system to automatically search for audio content in a database. Our approach obtains competitive scores to systems dedicated to this task, while using fewer parameters. We also introduce semi-supervised methods to improve our system using new unlabeled audio data, and we show how pseudo-label generation can impact a AAC model. Finally, we studied the AAC systems in languages other than English: French, Spanish and German. In addition, we propose a system capable of producing all four languages at the same time, and we compare it with systems specialized in each language
Barbot, Benoit. „Caractérisation perceptive des bruits d'avions : Influence de leur qualité sonore confrontée à la répétition des événements sur l'expression de la gêne fonctionnelle“. Cergy-Pontoise, 2008. http://biblioweb.u-cergy.fr/theses/08CERG0357.pdf.
Der volle Inhalt der QuelleThe aim of this work is to understand the sound features of aircraft noise from a perceptual point of view. It was carried out inside a European project, Sound Engineering for Aircraft (SEFA), supported by the sixth framework program. The first step is to identify these sound features using a sound design approach, still never been applied in aircraft noise research. Based on actual recordings, a first test revealed that subjects are sensitive to two spectral and two temporal factors and also gave a ranking of sounds toward preference. A second one was carried out in order to assess the impact of each factor on sound quality. The second step was the evaluation of annoyance due to sound sequences, in terms of subjects' disturbance during cognitive tests. Noise annoyance was assessed using both categorical and magnitude scales. Sound sequences all have the same energy (LAeq) but they differ in terms of number of events (2 levels) and tones level (3 levels of tones). Performance was measured using cognitive tests scores. It does not differ between sequences whereas annoyance is statistically dependant from the number of events when it is assessed using a magnitude scale. The difference related to tones level is not heard in this context
Pascal, Frédéric. „Références et inférences depuis le document enregistré ; de quoi l'enregistrement sonore peut-il nous rendre témoin ?“ Phd thesis, Ecole des Hautes Etudes en Sciences Sociales (EHESS), 2006. http://tel.archives-ouvertes.fr/tel-00625545.
Der volle Inhalt der QuelleCamier, Thomas Romain. „Détection et reconnaissance des actions simples réalisées par le résident pour l'assistance cognitive“. Thèse, Université de Sherbrooke, 2013. http://hdl.handle.net/11143/6541.
Der volle Inhalt der QuelleBuchteile zum Thema "Événements sonores"
Marchandisse, Alain, und Bertrand Schnerb. „Chansons, ballades et complaintes de guerres au xve siècle : entre exaltation de l’esprit belliqueux et mémoire des événements“. In Les paysages sonores, 113–24. Presses universitaires de Rennes, 2016. http://dx.doi.org/10.4000/books.pur.47112.
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