Thematische Bibliographien / Eugene O`Neills

Inhaltsverzeichnis

  1. Zeitschriftenartikel
  2. Dissertationen
  3. Bücher
  4. Buchteile
  5. Konferenzberichte

Auswahl der wissenschaftlichen Literatur zum Thema „Eugene O`Neills“

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Veröffentlicht am 18. Mai 2024

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Zeitschriftenartikel zum Thema "Eugene O`Neills"

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Vandenbroecke, Jan. „Eugene O-Neills "Mourning Becomes Electra" en Aischulos' "Oresteia"“. Documenta 9, Nr. 1 (03.05.2019): 3–13. http://dx.doi.org/10.21825/doc.v9i1.11082.

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Mirza, Dr Anum. „Alienation and the Dilemma of Man in Eugene O’Neill’s The Hairy Ape“. SMART MOVES JOURNAL IJELLH 8, Nr. 12 (28.12.2020): 186–92. http://dx.doi.org/10.24113/ijellh.v8i12.10871.

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Eugene O' Neill, an American playwright was born into a troubled and an upset family on October 16, 1888. Eugene O’ Neill had a quite precarious, wobbly and uneven adolescence as his elder brother was an affirmed alcoholic whereas his mom was a drug addict. This research paper analyzes the alienation, dilemma and the futile struggle of man in the quest of his identity. O'Neill followed the course of a superior and advanced writer looking for a profound focus in the entirety of his significant works. His perspective on humankind in his dramatizations is basically sad and heartbreaking. The author needed to cause man to feel free from all worries and inhale outside fresh air and build up a feeling of having a place in the general public in which he lived. However, it was impractical.
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Li, Xin, und Chengjun Wu. „Chinese Taoism in Eugene O’ Neill’s Marco Millions“. OALib 08, Nr. 03 (2021): 1–7. http://dx.doi.org/10.4236/oalib.1107262.

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Pacheco Acuña, Gilda. „De Clitemnestra a Christine Mannon: ¿mujeres villanas o vengadoras?“ Káñina 43, Nr. 1 (29.05.2019): 59–70. http://dx.doi.org/10.15517/rk.v43i1.37501.

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El artículo presenta la comparación literaria de dos personajes femeninos: Clitemnestra en la trilogía de Esquilo, conocida como La Orestía, y Christine Mannon en la trilogía de Eugene O´Neill titulada Mourning Becomes Electra (A Electra le sienta bien el luto). Siguiendo preceptos teóricos de literatura comparada y de enfoques de género, se analizarán las similitudes, diferencias, logros y limitaciones de estas dos fuertes y polémicas heroínas. Sus pensamientos y acciones son usualmente criticados, pues serán descritos y condicionados por las percepciones de dos escritores masculinos pertenecientes a sociedades patriarcales de sus respectivas épocas.
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Gusnida Rezky Sinaga, Basar Jenius Sinaga und Syamsul Bahri. „HEDONISM IN EUGENE O NEIL’S: A LONG DAYS JOURNEY INTO NIGHT“. International Journal of Education and Literature 1, Nr. 2 (29.07.2022): 1–15. http://dx.doi.org/10.55606/ijel.v1i2.19.

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The objective of this study is to investigate Hedonism in the Eugene O’ Neil’s drama A Long Days Journey Into Night. This study uses descriptive qualitative to explore the kind of hedonism on the dialogue utterance of characters in that drama. The results of the data were found that the most frequent types was folk hedonism 24%, value hedonism 10%, motivational hedonism 22%, normative hedonism 16%, egoist hedonism 14% and Utilitarian hedonism 14%. Folk hedonism occurs in the character named James Tyrone because he seeks his own pleasure without thinking about what will happen in the future. Value hedonism occurs in a character named Mary Tyrone, who at that time was looking for her pleasure which she thought was valuable in her life. The motivation states that hedonism was created on the basis of the human desire to relieve the pain experienced by a character named Edmund Tyrone. Normative hedonism was carried out by a character named Mary Tyrone, who at that time was looking for fun as it should be. Egoist hedonism is carried out by characters named James Tyrone and Jamie Tyrone, at that time they were doing pleasure at the expense of others. Utilitarian hedonism was carried out by characters named Mary Tyrone and Edmund Tyrone who at that time were also looking for fun for their families not only for themselves. The final conclusion is folk hedonism is a very dominating problem in the lives of the characters in Eugene O'Neil's drama A Long Days Journey Into Night in accordance with today's life, because humans prefer to seek pleasure but forget the impact that will be obtained in the future.
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Ibrahim, Haider, und Abdullah Mohd Nawi. „The Use of Metaphor as a Tool in Depicting Tragedy in the Literary Works of Eugene O‟Neill“. International Journal of Psychosocial Rehabilitation 24, Nr. 1 (20.01.2020): 793–96. http://dx.doi.org/10.37200/ijpr/v24i1/pr200184.

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Pacheco, Gilda. „The female image in Eugene O´Neill´s Desire under the elms and A moon for the misbegotten“. Revista de Filología y Lingüística de la Universidad de Costa Rica 21, Nr. 1 (30.08.2015): 55. http://dx.doi.org/10.15517/rfl.v21i1.20263.

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El siguiente artículo analiza el papel de la mujer en dos obras escritas por el dramaturgo estadounidense conocido Eugene O'Neill. Estas obras son Deseo bajo los olmos y una luna para el bastardo. Luego, los personajes de Abbie Putnam y Josie Hogan respectivamente se estudian bajo un ámbito feminista que exhibe la falta de identidad femenina, un rasgo recurrente de las obras de O'Neill.The following article analyzes the female role in two plays written by the well-known American playwright Eugene O'Neill. These works are Desire Under the Elms and A Moon for the Misbegotten. Then, the characters of Abbie Putnam and Josie Hogan respectively are studied under a feminist scope that exhibits the lack of female identity, a recurrent trait of O'Neill's plays.
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Khalil, Haider ibrahim. „The psychological factors and tragedy aspects in the selected plays of American dramatist Eugene O’Neill.“ Science Proceedings Series 1, Nr. 2 (24.04.2019): 147–49. http://dx.doi.org/10.31580/sps.v1i2.819.

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The abstract of this paper is present the tragedy and psychological aspects of Eugene O’Neill‘s selected plays. The main objective is to review the dramatic life of the father of American drama and find out some tragic and psychological aspect in the plays such as Desire under the Elm, The strange interlude, the long day’s journey into night and other. The analysis is the narrative analysis as well as the data collection are to scan some psychological and tragedy concepts in original content plays. The main issues of the study is to make a link to the tragedy and psychological aspects in these selected plays. Furthermore to narrate about the dramatist and his literary life in literature especially in drama.
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Abdulmunem Azeez, Rasha. „Paula Vogel And The Modern American Female Playwrights“. Journal of the College of languages, Nr. 44 (01.06.2021): 46–71. http://dx.doi.org/10.36586/jcl.2.2021.0.44.0046.

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Reading and analyzing Paula Vogel’s plays, the readers can attest that she achieves success in drama or theater because she is passionate about theater. Vogel is a modern American playwright who won the 1998 Pulitzer Prize for drama. Her success and insight in playwriting or in adapting do not come all of a sudden; she is influenced by many writers. Vogel is influenced by many American dramatists, including Eugene O’ Neill, Arthur Miller, Tennessee Williams, and Edward Albee, and by other non-American writers, including August Strindberg, Anton Chekhove, and Bertolt Brecht. Certainly, there were female playwrights who wrote preeminent plays and they influence Vogel as well. Nevertheless, dramas by female writers, as a matter of fact, remain marginalized. This paper focuses on the influence of some female playwrights on Vogel.
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Khalil, Haider ibrahim. „THE DEPICTION OF THE METAPHORICAL EXPRESSION IS THE TOOL TO TRAGEDY IN EUGENE O’NEILL‘S PLAYS AS MODREN AMERICAN DRAMA“. Science Proceedings Series 1, Nr. 2 (24.04.2019): 131–33. http://dx.doi.org/10.31580/sps.v1i2.793.

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The main purpose of this paper is to identify the metaphorical expressions in the father of American drama, Eugene ONeill. It is mainly depicting some of the tragic images in ONeill plays. Furthermore, the tragic images has consisted of the following: murder, revenge, killing and the gloomy picture that is brought the dark side of life in the selected text. The researcher will use the qualitative approach and narrative analysis of the text. These plays reflect the tragic images in Modren American drama.
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Dissertationen zum Thema "Eugene O`Neills"

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Sarkar, Jibendra Nath. „Eugene O`Neills Characters: a study of several plays“. Thesis, University of North Bengal, 1997. http://hdl.handle.net/123456789/1156.

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Godhe, Patrik. „Manlighetskonstruktionen i Eugene O`Neills The Iceman Cometh och Long Day´s Journey Into Night.“ Thesis, Stockholms universitet, Avdelningen för litteraturvetenskap, 2010. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-37132.

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ABSTRACT: Uppsatsens syfte är att studera manlighetskonstruktionen i två pjäser av Eugene O´Neill: The Iceman Cometh och Long Day´s Journey Into Night. Detta genom att undersöka vilka mottyper till den normativa manligheten som förekommer i pjäsen, i vilken grad männen i pjäserna har behov av en homosocial arena för att få sin manlighet bekräftad och om kvinnan har någon roll att spela i maskulinitetsskapandet. I The Iceman Cometh är den tydligaste mottypen alkoholisten. Denne är en man som gett upp i kampen om att uppnå statusen av en ”self-made man”. Exempel på en konkurrerande manlighetsbild finns i de karaktärer som har ett förflutet inom den amerikanska anarkiströrelsen. Etnicitets aspekten av mottypen, är synligast hos den enda afro-amerikanen bland karaktärerna. Behovet av en homosocial arena märks i den vikt som karaktärerna sätter i att understödja varandras ”pipe dreams”. Det finns en tydlig koppling mellan förhållandet moder-son och förhållandet hustru-make i pjäsen. Även i  Long Day´s Journey Into Night är alkoholisten en tydlig mottyp. Drickandet leder till att männen förlorar sin status i samhället. Exempel på en konkurrerande manlighetsbild, är synlig främst hos Edmund som är influerad av anarkismen och läser dekadansens poeter. Etnicitetsaspekten är synlig i familjens irländska bakgrund, som är kopplad till känslor av både stolthet och förakt. Homosociala aspekter är synliga även i hemmet där litterära allusioner och genuskodade utrymmen tjänar till att stänga ute modern. Männen i pjäsen föredrar också barmiljön framför hemmet. Maskuliniteten är ett skådespel som kräver en kvinnlig motpart i pjäsen. Kvinnans val av roll i detta är begränsat till valet mellan att spela prostituerad eller madonna.
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Eriksson, Mikael. „Och ge oss en lång dags färd mot natt! : En biografisk jämförelse mellan Lars Noréns Och ge oss skuggorna och Eugene O´Neills Lång dags färd mot natt“. Thesis, Södertörn University College, School of Gender, Culture and History, 2007. http://urn.kb.se/resolve?urn=urn:nbn:se:sh:diva-1133.

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The main subject for this paper is to compare Eugene O’Neill’s play Long day’s journey into night with the Swedish playwright Lars Norén´s Och ge oss skuggorna. Norén´s play is based on a biographical material from O’Neill’s life; therefore I will also compare the play with two biographical analyses on O’Neill. For that I have chosen Doris Alexander’s Eugene O’Neill’s last plays: Separating art from autobiography and Stephen A Black´s Eugene O’Neill: Beyond Mourning and tragedy. The main question in this paper will be: what is the picture of Eugene O´Neill that Norén portrays in the play Och ge oss skuggorna.

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Forstová, Anna. „Eugene O´Neill: Anna Christie - komplexní scénografický projekt a osobní rozbor hry“. Master's thesis, Akademie múzických umění v Praze.Divadelní fakulta. Knihovna, 2015. http://www.nusl.cz/ntk/nusl-202517.

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Theoretical part of my thesis is focused on work of the American playwright Eugen O'Neill, specifically his drama Anna Christie. On the basis of the text of the drama I did try to make an insight into the story and analysis of the characters of the main protagonists. I hereby present my own analysis of the work, timeframe atmosphere, study of the archetypes and places, where the story took place. I try to catch up the poetic atmosphere created by the endless of the sea. For better understanding I am amending the study for factual information which describes life stories of the main protagonists even beyond the horizon of the playwright. I am as well presenting selected productions of the Anna Christie's and compare their visual adaptation with my own conception of it. I am describing and explaining my own approach to the scenographic conception of this play.  In explication part I am focusing on practical part of my thesis and other assignments I worked on during my master's study.
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Rabelo, Adriano de Paula. „Formas do trágico moderno nas obras teatrais de Eugene O\'Neill e de Nelson Rodrigues“. Universidade de São Paulo, 2004. http://www.teses.usp.br/teses/disponiveis/8/8149/tde-25042007-140326/.

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Este trabalho analisa e interpreta as dramaturgias de Eugene O?Neill e de Nelson Rodrigues do ponto de vista de sua expressão do trágico moderno. Partindo de uma contextualização dos autores e suas obras em seu momento histórico, estabelecendo relações entre suas visões de mundo e suas trajetórias biográficas, registrando suas influências literárias e suas filiações estéticas, bem como expondo algumas teorias do trágico moderno que cobrem aspectos importantes de sua produção, aborda-se aqui uma série de peças teatrais consideradas mais representativas dos ciclos temático-formais que constituem as obras dos dois dramaturgos. Esta tese compõe-se por uma introdução ao tema, dois textos que tratam das relações entre vida, obra e visão de mundo de cada dramaturgo, ensaios sobre oito peças de Eugene O?Neill, ensaios sobre nove peças de Nelson Rodrigues e um capítulo de considerações finais refletindo sobre as relações entre os dois autores.
This study analyzes and interprets the dramaturgies of Eugene O?Neill and Nelson Rodrigues from the standpoint of their expression of the modern tragic. Starting by placing the authors and their works on their historic background, relating their world views and their biographical trajectories, registering their literary influences and their esthetic filiations, as well as presenting a few theories of the modern tragic which cover relevant aspects of their production, this text approaches a series of theatrical plays that were considered more representatives of the thematic and formal cycles which constitute the works of the two playwrights. This thesis is composed by an introduction to the theme, two texts that have focus on the relations among life, works and the world view of the two dramatists, essays about eight Eugene O?Neill?s plays, essays about nine Nelson Rodrigues? plays and a final part speculating on the relations between the two authors.
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Sousa, Alexandre de Albuquerque. „Electra sob as luzes da ribalta: ação e ethos trágico em Mourning Becomes Electra, de Eugene O'Neill“. Universidade Federal da Paraí­ba, 2014. http://tede.biblioteca.ufpb.br:8080/handle/tede/6272.

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This work aims at analyzing the dramatic action and the characters tragic ethos in the trilogy Mourning Becomes Electra, focusing on the protagonist Lavinia Mannon. Our research corpus, which was written by Eugene O Neill and first performed in 1931, is a recreation of Aeschylus trilogy, the Oresteia, which presents a reading of the myth of the House of Atreus, whose line is cursed by acts of hate and vengeance. This study starts by taking into account the myth concept and its relations to Greek tragedy, as long as Freudian psychoanalysis, in the Modern times. The investigation about the concepts of action and ethos is based on Aristotle s Poetics (2005), Hegel s Aesthetics (2004), along with the studies of Raymond Williams (2002) and Sandra Luna (2005, 2008, 2012), as theoretical support. By creating a psychological drama, O Neill goes deeply into the character s psyche, presenting themselves struggling with impulses and passions repressed by their Puritan morality. Lavinia, the modern Electra, faces a personal drama, since she has a sickly love desire for her father, Ezra, is jealous of her mother, Christine, and represses her desire for Adam Brant, Christine s lover. Lavinia accuses her adulteress mother of having murdered Ezra, and seeks vengeance with the help of her brother, Orin, culminating with Christine s suicide. Orin, taken by guilt and remorse for having contributed to his mother s death, also succumbs to suicide. In order to maintain the Mannons secrets, Lavinia, as the last member of the family, seeks punishment for herself, condemned to endure a tormented existence, haunted by her antecessor s ghosts and recluse at her own house.
Esta pesquisa tem por objetivo analisar a ação dramática e o ethos trágico dos personagens na trilogia Mourning Becomes Electra, tendo como foco a protagonista Lavínia Mannon. Escrita pelo dramaturgo norte-americano Eugene O Neill e encenada, pela primeira vez, em 1931, a trilogia escolhida como corpus desta pesquisa constitui-se uma releitura da Oréstia, de Ésquilo, cujo enredo apresenta uma apropriação do mito dos Atridas, família cuja história é marcada por crimes de ódio e vingança. O estudo parte das considerações sobre o conceito de mito e sua relação com a tragédia grega e com a teoria psicanalítica de Freud, na modernidade. A investigação sobre os conceitos de ação e ethos dos personagens tem como suporte teórico a Poética de Aristóteles (2005), a Estética de Hegel (2004), as contribuições de Raymond Williams (2002) e de Sandra Luna (2005, 2008, 2012). Ao elaborar um drama psicológico moderno, O Neill investe na psiqué dos personagens, que se apresentam em luta contra pulsões e desejos, reprimidos em nome da moral puritana. Lavínia, a Electra moderna, enfrenta um drama pessoal, pois nutre um amor doentio pelo pai, Ezra, tem ciúmes da mãe, Christine, e reprime seu desejo pelo amante desta, Adam Brant. Ao saber da morte de Ezra, Lavínia acusa a mãe adúltera de ser a autora do crime e promete vingança com a ajuda de seu irmão Orin, resultando no suicídio de Christine. Orin, tomado pela culpa e remorso por ter contribuído com a morte da mãe, também sucumbe ao suicídio. A fim de resguardar os segredos de sua família, Lavínia, como a última Mannon, busca sua autopunição, condenada a uma existência atormentada, assombrada pelos fantasmas de seus antepassados e enclausurada em sua própria casa.
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Jarekvist, Anja. „The social construction of gender : A comparison of Tennessee Wiliam´s A Streetcar Named Desire and Eugene O´Neill´s Long Day´s Journey into Night“. Thesis, Högskolan i Halmstad, Sektionen för lärarutbildning (LUT), 2013. http://urn.kb.se/resolve?urn=urn:nbn:se:hh:diva-21784.

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This essay focuses on making a comparative gender analysis between Eugene O´Neill´s play “Long Day´s Journey into Night” and Tennessee William’s play “A Streetcar Named Desire”. It emphases the portraying of socially constructed gender and how the authors present their characters in relation to emotional response as well as power and acting space.
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Ferro, Paola Piovezan. „Figurações dramatúrgicas do indivíduo em \'Suppressed desires\' (1915), de Susan Glaspell e George Cram Cook, e \'Before breakfast\' (1916), de Eugene O\'Neill: um recorte analítico da dramaturgia dos The Provincetown Players“. Universidade de São Paulo, 2016. http://www.teses.usp.br/teses/disponiveis/8/8147/tde-19082016-152048/.

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Esta dissertação tem como objetivo analisar a figuração dramatúrgica do indivíduo em duas peças produzidas pelo grupo teatral The Provincetown Players: Suppressed Desires (1915), de Susan Glaspell e George Cram Cook, e Before Breakfast (1916), de Eugene ONeill. Consideramos que o estudo da produção desse grupo norte-americano traz importantes reflexões acerca da representação de questões históricas, políticas e estéticas recentes naquela época , e que vieram a ter desdobramentos em diversas direções no teatro contemporâneo.
This work aims at analyzing the dramaturgical figurations of the self in two plays produced by The Provincetown Players: Suppressed Desires (1915), by Susan Glaspell and George Cram Cook, and Before Breakfast (1916), by Eugene O\'Neill. We believe that the study of the production of this American group introduces important reflections on the representation of historical, political and aesthetic factors recent then , which came to have developments in several directions in contemporary theater.
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Chang, Su-chen, und 張素蓁. „Eugene O''neill''s Marco Millions and Taoism“. Thesis, 1997. http://ndltd.ncl.edu.tw/handle/15200269984270901433.

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碩士
國立成功大學
外國語文學系
85
Eugene O''Neill''s fascination with the East and Taoism is apparent in various ways. In 1928, he realized his life- long fantasy with the East by taking a cruise to China. In 1937, he built a Chinese-style residence at Danville which he named "Tao House." In a 1932 letter, moreover, he stated that "the mysticism of Lao-tse & Chuang-Tzu interested me more than other Oriental writings." Among all of his plays, Marco Millions is unique because it is fraught with a mystic Taoist temper. It is also a crucial work that shows his fascination and understanding of Taoist ideas. Therefore, this thesis will focus on Marco Millions and its affinities with Taoism. This study is composed of four chapters. The first chapter introduces the the thesis, explains the decision to use an in-depth anaysis of one play, Marco Millions, and explores Taoist influence on O''Neill''s life and art. The second chapter attempts to clarify some Taoist notions which are revalent to O''Neilll. This chapter will explain Taoism in terms of cosmology, philosophy of life and political philosophy, and finally concludes with an analysis of the similarities between Taoism and O''Neill''s philosophical ideas. In the third chapter, the play of Marco Millions will be anaylzed in the light of Taoism. Broadly speaking, th main theme of the play explicitly reveals Taoist vision of life and death. Its dramatic structure coincidentally resembles Taoist notion of cycles. And the characterization of its main characters reflects Taoist principle of non-action. The fourth chapter contains the findings and conclusions of this study.
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„Formas do trágico moderno nas obras teatrais de Eugene O\'Neill e de Nelson Rodrigues“. Tese, Biblioteca Digital de Teses e Dissertações da USP, 2004. http://www.teses.usp.br/teses/disponiveis/8/8149/tde-25042007-140326/.

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Bücher zum Thema "Eugene O`Neills"

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United States. Congress. Senate. Committee on Agriculture, Nutrition, and Forestry. Nomination of Karl Neill Stauber and Charles Eugene Branstool: Hearing before the Committee on Agriculture, Nutrition, and Forestry, United States Senate, One Hundred Fourth Congress, first session, on the nomination of Karl Neill Stauber to be Under Secretary of Agriculture for Research, Education, and Economics ... and Charles Eugene Branstool to be chairman of the board of the Federal Agricultural Mortgage Corporation (Farmer Mac), May 16, 1995. Washington: U.S. G.P.O., 1996.

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Hagenstein, Edwin C., Brian Donahue und Sara M. Gregg, Hrsg. Eugene O`Neill and His Eleven-Play Cycle. Yale University Press, 2017. http://dx.doi.org/10.12987/9780300143850.

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Donahue, Brian, Edwin C. Hagenstein und Sara M. Gregg. Eugene o`Neill and His Eleven-Play Cycle. Yale University Press, 1998.

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Eugene o�neill�s Theory of Tragedy. Taylor & Francis Group, 2022.

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Adam, Julie. Versions of Heroism in Modern American Drama: Redefinitions by Miller, Williams, o Neill and Anderson. Palgrave Macmillan Limited, 1991.

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US GOVERNMENT. Nomination of Karl Neill Stauber and Charles Eugene Branstool: Hearing before the Committee on Agriculture, Nutrition, and Forestry, United States Senate, ... (Farmer Mac), May 16, 1995 (S. hrg). For sale by the U.S. G.P.O., Supt. of Docs., Congressional Sales Office, 1996.

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Fiala, Michele L., und Martin Schuring. Great Oboists on Music and Musicianship. Oxford University Press, 2020. http://dx.doi.org/10.1093/oso/9780190915094.001.0001.

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This volume contains interviews with twenty-six of the most prominent oboists from around the world. The chapters are in prose format and highlight different aspects of each musician’s career, focusing on musicianship and pedagogy in ways that are applicable to all musicians. The interviews contain topics such as creating musical interpretations and shaping phrases, the relationship of vocal to instrumental music, taking orchestral auditions, and being a good ensemble player/colleague. The subjects describe their pedagogy and their thoughts on breathing and support on wind instruments, developing finger technique, and creating a useful warm-up routine. The oboists discuss their ideals in reed making, articulation, and vibrato. They also share stories from their lives and careers. The oboists and English hornists profiled from North America are Pedro Diaz, Elaine Douvas, and Nathan Hughes (Metropolitan Opera Orchestra); John Ferrillo (Boston Symphony Orchestra); Carolyn Hove (Los Angeles Philharmonic); Richard Killmer (Eastman School); Nancy Ambrose King (University of Michigan); Frank Rosenwein and Robert Walters (Cleveland Orchestra); Humbert Lucarelli (soloist); Grover Schiltz (formerly Chicago Symphony); Eugene Izotov (San Francisco Symphony, originally from Russia); Allan Vogel (Los Angeles Chamber Orchestra retired); David Weiss (formerly Los Angeles Philharmonic); Randall Wolfgang (New York City Ballet and formerly Orpheus Chamber Orchestra); Alex Klein (Brazil, formerly Chicago Symphony and currently Calgary, Canada); and Sarah Jeffrey, Toronto Symphony Orchestra. The performers based in Europe are Neil Black, Nicholas Daniel, and Gordon Hunt (England); Maurice Bourgue and David Walter (France); Thomas Indermühle (Switzerland); László Hadady (Hungary and France); and Omar Zoboli (Italy). From Australia is Diana Doherty of the Sydney Symphony Orchestra.
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Drama for Students: Presenting Analysis, Context and Critism on Commonly Studied Dramas (Drama for Students). Thomson Gale, 1999.

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Drama for Students: Presenting Analysis, Context and Criticism on Commonly Studied Dramas (Drama for Students). Thomson Gale, 1998.

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Drama for Students: Presenting Analysis, Context and Criticism on Commonly Studied Dramas (Drama for Students) Volume 4. Thomson Gale, 1998.

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Buchteile zum Thema "Eugene O`Neills"

1

„Contents“. In Eugene O`Neill and His Eleven-Play Cycle, ix. Yale University Press, 2017. http://dx.doi.org/10.12987/9780300143850-toc.

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„Introduction“. In Eugene O`Neill and His Eleven-Play Cycle, 1–20. Yale University Press, 2017. http://dx.doi.org/10.12987/9780300143850-003.

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„January to February 1935“. In Eugene O`Neill and His Eleven-Play Cycle, 39–62. Yale University Press, 2017. http://dx.doi.org/10.12987/9780300143850-005.

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„September 1935 to July 1937“. In Eugene O`Neill and His Eleven-Play Cycle, 151–86. Yale University Press, 2017. http://dx.doi.org/10.12987/9780300143850-010.

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„Acknowledgments“. In Eugene O`Neill and His Eleven-Play Cycle, xi—xii. Yale University Press, 2017. http://dx.doi.org/10.12987/9780300143850-002.

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„February to April 1935“. In Eugene O`Neill and His Eleven-Play Cycle, 63–98. Yale University Press, 2017. http://dx.doi.org/10.12987/9780300143850-006.

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„April to July 1935“. In Eugene O`Neill and His Eleven-Play Cycle, 99–112. Yale University Press, 2017. http://dx.doi.org/10.12987/9780300143850-007.

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„Abbreviations“. In Eugene O`Neill and His Eleven-Play Cycle, 269–70. Yale University Press, 2017. http://dx.doi.org/10.12987/9780300143850-015.

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„July 1935“. In Eugene O`Neill and His Eleven-Play Cycle, 113–30. Yale University Press, 2017. http://dx.doi.org/10.12987/9780300143850-008.

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„Permissions“. In Eugene O`Neill and His Eleven-Play Cycle, 305–6. Yale University Press, 2017. http://dx.doi.org/10.12987/9780300143850-019.

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Konferenzberichte zum Thema "Eugene O`Neills"

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An, Guoping. „The Influence of Romanticism on Eugene O�Neill�s Ecological Awareness“. In 2nd International Conference on Applied Social Science Research (ICASSR 2014). Paris, France: Atlantis Press, 2014. http://dx.doi.org/10.2991/icassr-14.2014.7.

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