Thematische Bibliographien / Etching, German 19th century

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Auswahl der wissenschaftlichen Literatur zum Thema „Etching, German 19th century“

Autor: Grafiati

Veröffentlicht am 4. Juni 2021

Zuletzt aktualisiert am 2. Februar 2022

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Zeitschriftenartikel zum Thema "Etching, German 19th century"

Driel, Lodewijk van. „19th-century linguistics“. Historiographia Linguistica 15, Nr. 1-2 (01.01.1988): 155–85. http://dx.doi.org/10.1075/hl.15.1-2.09dri.

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Summary In this paper an attempt has been made to draw a picture of linguistics in the Netherlands during the 19th century. The aim of this survey is to make clear that the influence of German linguistics on Dutch works of the period is characteristic of the development of Dutch linguistics in that century. Emphasis has been placed on the period 1800–1870; three traditions are distinguished: First of all there is the tradition of prescriptive grammar and language instruction. Next attention is drawn to the tradition of historical-comparative linguistics. Finally, by about the middle of the century, the linguistic views of German representatives of general grammar become prominent in Dutch school grammars. Successively we point to the reception by the schoolmasters of K. F. Becker’s (1775–1849) work; then Taco Roorda (1801–1874) is discussed, and the relationship between L. A. te Winkel (1809–1868) and H. Steinthal (1823–1899) is presented. In conjunction with Roorda’s work on Javanese the analysis of the so-called exotic languages is mentioned, an aspect of Dutch linguistics in the 19th century closely connected with the Dutch East Indies. It is obvious that the German theme is one of the most conspicuous common elements in 19th-century Dutch linguistics, as Dutch intellectuals in many respects took German culture as a model.

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Baier, Martin. „The Importance of Dutch and German 19th-Century Sources“. Anthropos 110, Nr. 1 (2015): 206–10. http://dx.doi.org/10.5771/0257-9774-2015-1-206.

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Southcott, Jane E. „Early 19th century music pedagogy – German and English connections“. British Journal of Music Education 24, Nr. 3 (November 2007): 313–33. http://dx.doi.org/10.1017/s0265051707007607.

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Calls to improve congregational psalmody in 18th century England strongly influenced early music pedagogy. In the first decades of the 19th century English music educators, concerned with psalmody and music in charitable schools, looked to Germany for models of successful practice. The Musikalisches Schulgesangbuch (1826) by Carl Gotthelf Gläser (1784–1829) influenced the music materials designed by Sarah Anna Glover (1786–1867). These, in turn, directly influenced John Turner (dates unknown), William Hickson (1803–1870) and, indirectly, John Curwen (1816–1880). It is illuminating to explore how influential a small collection of German didactic songs could be during an early and very active phase of the development of English school music curricula.

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Ritz, Eberhard, Martin Zeier und Peter Lundin. „French and German Nephrologists in the Mid-19th Century“. American Journal of Nephrology 9, Nr. 2 (1989): 167–72. http://dx.doi.org/10.1159/000167958.

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Curran, Kathleen. „The German Rundbogenstil and Reflections on the American Round-Arched Style“. Journal of the Society of Architectural Historians 47, Nr. 4 (01.12.1988): 351–73. http://dx.doi.org/10.2307/990381.

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This article investigates the German Rundbogenstil and its influence on the American "round-arched style." A stylistic and theoretical phenomenon of the 19th century, the German Rundbogenstil held both a specific and a generic meaning: as a contemporary building style and as a term for historical round-arched architecture. In modern scholarship, the Rundbogenstil has come to denote any round-arched building with Romanesque or Italianate features designed by certain early to mid-19th-century German architects. A general contextual analysis of the complex nature of the 19th-century round-arched styles or "tendencies" in Germany helps to define more precisely the Rundbogenstil. Following a theoretical and stylistic examination of major monuments in Karlsruhe, Munich, and Berlin, the present paper outlines the salient characteristics of the Rundbogenstil and its influence in America in the hands of certain central European emigrant architects in New York and two major mid-19th-century American architects. The fundamental theoretical change which the style underwent in the United States in both of these groups warrants a distinct label-the American "round-arched style."

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Somers Heidhues, Mary. „Dissecting the Indies: The 19th Century German Doctor Franz Epp“. Archipel 49, Nr. 1 (1995): 25–43. http://dx.doi.org/10.3406/arch.1995.3034.

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Kitai, Isao. „German reconstruction of the actio-system in the 19th century“. Journal of Human Environmental Studies 4, Nr. 1 (2006): 1–15. http://dx.doi.org/10.4189/shes.4.1_1.

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Fremdling, Rainer. „German national accounts for the 19th and early 20th Century“. Scandinavian Economic History Review 43, Nr. 1 (Januar 1995): 77–100. http://dx.doi.org/10.1080/03585522.1995.10415896.

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Meyn, Norbert. „Prince Albert and Anglo-German Connections in 19th-Century Music“. Angermion 13, Nr. 1 (01.11.2020): 197–212. http://dx.doi.org/10.1515/anger-2020-0013.

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Badalian, Dmitrii A. „“German Parties” in the Russian Science of the 19th Century“. Almanac “Essays on Conservatism” 58 (01.10.2020): 175–92. http://dx.doi.org/10.24030/24092517-2020-0-3-175-192.

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The article is the devoted to the issue of German and Russian groups opposition that arose in various scientific institutions and associations in Russia in the 19th century, such as Russian Geographical Society, Russian Archeological Society, Imperial Public Library and others. The author examines the influence of those groups on the development of certain scientific lines of research, which demonstrated itself in the choice of the scientific language, scientific priorities and strategies, also very often – in the choice of scientific methodology, and finally – in the formation of scientific schools. All this confirms the ideas of the Slavophils and N.Ya. Danilevsky formulated in the 19th century regarding the influence on science of national consciousness and specific worldviews of the scientists.

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Dissertationen zum Thema "Etching, German 19th century"

Lee, Young-Joo. „An examination of 19th century Austro-German violin sonatas“. College Park, Md. : University of Maryland, 2006. http://hdl.handle.net/1903/9768.

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Thesis (D.M.A.) -- University of Maryland, College Park, 2006.
Thesis research directed by: Music. Title from t.p. of PDF. Marylandia and Rare Books Dept., University of Maryland, College Park, Md. Audio available on compact disc;

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Bauer, Petra. „The reception of E.T.A. Hoffmann in 19th century Britain“. Thesis, Keele University, 1999. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.301193.

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Silbert, Ariel. „Late 19th century German-Jewish Korperkultur and its philosophical and aesthetic sources“. Waltham, Mass. : Brandeis University, 2009. http://dcoll.brandeis.edu/handle/10192/23320.

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Weibye, Hanna Margaret. „Friedrich Ludwig Jahn and German nationalism 1800-1819“. Thesis, University of Cambridge, 2014. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708112.

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Martin, Nicholas. „Untimely aesthetics : a critical comparison of Schiller's Ästhetische Briefe and Nietzsche's Die Geburt der Tragödie“. Thesis, University of Oxford, 1993. http://ora.ox.ac.uk/objects/uuid:28d4a61e-c4a5-45f6-a6c7-8f17052c47a6.

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The thesis is two-fold. First, that Nietzsche's early writings owe more to Schiller than he subsequently wished to admit. This is demonstrated by evidence from Die Geburt der Tragödie and the Nachlass notes of the same period. Second, that there are tangible parallels of content and intent between Schiller's Ästhetische Briefe and Nietzsche's Die Geburt der Tragödie. The thesis is not an 'influence study', although the issue is addressed. By examining his hitherto neglected attitude to Schiller, this study sheds light on Nietzsche's tactics when dealing with men and their ideas in his writings. This, however, is not the main point of the thesis, which is to analyse the connections between the two texts. The essential point of comparison is that Die Geburt der Tragödie and the Ästhetische Briefe both set out aesthetic prescriptions for a diseased culture. Certain kinds of art are deemed capable, by virtue of their timeless and incorruptible properties, of reforming the human psyche, and by extension of promoting cultural integrity and vitality. After analysing Nietzsche's attitude to Schiller, particularly in connection with the argument of Die Geburt der Tragödie, the thesis compares the strategies adopted in the two texts: both present triadic schemes of historical development, in which the Greek experience is regarded as crucial; their aesthetic 'reform programmes' are predicated on psycho-metaphysical pictures of human nature; and both texts reject attempts to cure human ills by political means. The thesis is an attempt to articulate, compare, and criticise the respective projects and to see in what sense(s) they were untimely. Both projects were untimely, in the sense that they were deliberately out of step with their times. In each case, the alleged remedial properties of art themselves are characterised as untimely. They are borrowed from another time, or are said to be out of time altogether. The thesis concludes that the two texts, although outstanding contributions to aesthetic theory, were inappropriate (untimely) attempts to tackle larger problems.

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Mills, Andrew Joseph. „Escaping satisfaktion dueling violence and the German literary canon of the long 19th century /“. [Bloomington, Ind.] : Indiana University, 2009. http://gateway.proquest.com/openurl?url_ver=Z39.88-2004&rft_val_fmt=info:ofi/fmt:kev:mtx:dissertation&res_dat=xri:pqdiss&rft_dat=xri:pqdiss:3378372.

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Thesis (Ph.D.)--Indiana University, Dept. of Germanic Studies, 2009.
Title from PDF t.p. (viewed on Jul 7, 2010). Source: Dissertation Abstracts International, Volume: 70-10, Section: A, page: 3870. Adviser: William Rasch.

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Reynolds, Kenneth W. „"A wish in fulfillment" : the establishment of the German Reichsgericht, 1806-1879“. Thesis, McGill University, 1997. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=34436.

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On 1 October 1879 the German Imperial Court, the Reichsgericht, was formally opened in a ceremony in Leipzig. Decades of division among the German states, particularly in the years between the end of the Holy Roman Empire in 1806 and the creation of the German Reich in 1871, led to constant demands for national unification on political, economic, social and legal levels. Throughout those years proposals for Rechtseinheit, or legal unity, called for numerous substantive reforms as well as procedural or institutional reforms. Such proposals ultimately led to several important legal reforms, including the adoption of the Imperial Justice Laws of 1877.
This dissertation argues that the successful establishment of the Reichsgericht, as an integral component of the larger movement towards German legal unity, provides an important example of contemporary struggles between centralization and particularism and between liberal political ideals and political realities in the new German Reich. Between 1806 and 1879 several contemporaries recommended the creation of a national supreme court for the German states. The failure of the pre-1867 court proposals contrasted sharply with the successful proposals of the 1867 to 1879 period. Nevertheless, the negotiations and debates which took place between the various German states, between the federal government and the states, and in the legislative organs of the German state itself, were intense and contentious. The creation of the Reichsgericht reflected several important issues, including the comparative abilities of the various states, the federal bureaucracy and the federal legislature to influence the form and substance of national judicial legislation.
The documentary evidence for this dissertation has been gathered from several archival depositories, including relevant holdings in the Bundesarchiv sections in Potsdam and Dahlwitz-Hoppegarten and the Prussian state archives in Berlin-Dahlem, and from published government and contemporary sources. In addition, unpublished and published secondary sources have been utilized.

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Von, Herff Michael. „"They walk through the fire like the blondest German" : African soldiers serving the Kaiser in German East Africa (1888-1914)“. Thesis, McGill University, 1991. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=60565.

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The maintenance of German colonial rule in East Africa depended on a strong military presence. The Kaiserliche Schutztruppe fur Deutsch Ostafrika was established to meet this need, but financial and political constraints dictated that this force be manned by an African rank and file. Initially, most of the African recruits came from outside of the colony, but, as time passed, the Germans began recruiting from a few specific ethnic groups in the colony.
The relationship between the African soldiers and their German employers yielded military successes for the new colonial government and, by extension, an enhanced status for the soldiers themselves. Over time, the Africans within the Schutztruppe distanced themselves from other Africans in the colony and began to develop separate communities at the government stations, which in turn fostered the growth of an askari group identity. The interests of these communities became inextricably linked to the German presence in the region. The development of this relationship helps to explain the askaris' support of the German campaign against the British during the First World War.

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Cotter, Robert Edmund. „Aspects of philistinism in nineteenth-century German literature : Eichendorff, Keller, Fontane“. Thesis, University of Oxford, 1991. http://ora.ox.ac.uk/objects/uuid:fa741b6d-6e13-4587-9369-2a477651cb24.

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The thesis aims to explore philistinism as a German literary topos, in the nineteenth century. It begins with an examination of the extra-literary metaphorical usage of key words like Philister and proceeds to a summary of its impact on writers in the period. By so doing, I have tried to present an image of the developing tradition of the literary depiction of philistines. The main part of the thesis is devoted to three writers - Richendorff, Keller, Fontane - whose work presents us with contrasting responses to the problem of philistinism. Unlike previous investigations, my approach is not only through explicit linguistic and visual markers, but also implicit depictions of philistines in the work of the three writers. To achieve this, attention is focussed on tone and literary devices, comic mode, irony, metaphor. I aim thereby to show the function of philistinism in these writings, an analysis not previously attempted. Eichendorff's work is shown to be imbued with a fundamental antithesis between the lives of Dichter and Philister, so comprehensive as to include eschatological implications. In Keller we notice a questioning of such a dichotomy, an unwillingness to acquiesce in its distinctions and an emphasis on society in determining the worth of his characters. Fontane's work represents the most radical reassessment of the Romantic position and displays a clear shift from categorical thinking to a pervasive ambivalence. Whilst philistinism is an issue for all three writers, the differences in their approach and consequent portrayals are revealing: my Epilogue suggests that their different modes of presentation reflect changes of ethos from Romanticism to realism, which in turn reflect changes in social values over the course of the nineteenth century. The interest of the present thesis is its demonstration that such changes can, in German literary culture, be so precisely observed in the changing treatment of the topos of philistinism.

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Mastag, Horst Dieter. „The transformations of Job in modern German literature“. Thesis, University of British Columbia, 1990. http://hdl.handle.net/2429/30647.

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In modern times German authors have made ample use of the Job-theme. The study examines the transformations that the story of Job has undergone in German narrative and dramatic works from Leopold von Sacher-Masoch's Der neue Hiob (1878) to Fritz Zorn's Mars (1977). The most striking feature of these works lies in their diverse characterization of the Job-figure. As a mythical figure he remains synonymous with the sufferer, but he may be characterized as patient or impatient, humble or arrogant, innocent or guilty, rich or poor, courageous or cowardly; he may be a Jew or a Christian, a Nazi or an anti-Nazi, a believer or an agnostic. The authors have retained most of the characters included in the Old Testament story. The Job-figure usually has a wife (who doubts and despises God), a number of children (who die in an impending disaster), and several friends (who accuse him of wrong-doing). Concerning the plot, most writers have excluded any prologue in heaven. The suffering of the Job-figure (usually brought on by the loss of loved ones, by physical pain and by mental agony) is always central to the story. More often than not, however, the modern Job-figure exhibits a form of impatience and impiety once misfortune has struck. A theophany (literal confrontation with God) does not occur, but a divine agent may be provided in the form of a dream or a vision, or indirectly by nature. An epilogue (the restoration of Job's health, possessions and children) is usually omitted, but some authors imply a renewal of Job, so as to suggest a purpose for and a hope after his arduous trials.
Arts, Faculty of
Central Eastern Northern European Studies, Department of
Graduate

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Bücher zum Thema "Etching, German 19th century"

Gallery, William Weston. Fine lithographs and etchings by 19th and 20th century French and German masters: (catalogue part 1: items 1-28). London: The William Weston Gallery, 1993.

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Hunterian Art Galler (University of Glasgow), Hrsg. Copper into gold: Whistler and 19th-century printmaking. Glasgow: Hunterian Art Gallery, 2003.

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Museum Het Rembrandthuis (Amsterdam, Netherlands), Salzburger Museum Carolino Augusteum und Augustinermuseum (Freiburg im Breisgau, Germany), Hrsg. Rembrandt and his influence on eighteenth-century German and Austrian printmakers =: Rembrandt, seine Verwandlung in der deutschen und österreichischen Graphik des 18. Jahrhunderts. Amsterdam: Museum het Rembrandthuis, Rembrandt Information Centre, 1998.

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Fushoku Dōhan Gaka Kyōkai: Furansu 19-seiki no etchingu = La Société des aquafortistes : etching renaissance in France in the 19th century. Machida-shi: Machida Shiritsu Kokusai Hanga Bijutsukan, 1992.

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German liberalism in the nineteenth century. Atlantic Highlands, N.J: Humanities Press, 1995.

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National monuments and nationalism in 19th century Germany. Oxford: Peter Lang, 2008.

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Pohlsander, Hans A. National monuments and nationalism in 19th century Germany. Oxford: Peter Lang, 2008.

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Moyland, Stiftung Museum Schloss, und Museum Het Rembrandthuis (Amsterdam, Netherlands), Hrsg. Rembrandt und die englischen Malerradierer des 19. Jahrhunderts: Rembrandt and the English painter-etchers of the 19th century. Bedburg-Hau: Schloss Moyland, 2005.

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Stockman, Robert Lee. North Germany to North America: 19th century migration. Alto, Mich: PlattDüütsch Press, 2003.

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German liberalism in the nineteenth century. Amherst, New York: Humanity Books, 1999.

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Buchteile zum Thema "Etching, German 19th century"

Eitner, Lorenz. „German Romantics“. In An Outline of 19th Century European Painting, 101–19. New York: Routledge, 2021. http://dx.doi.org/10.4324/9780429032714-5.

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Elspass, Stephan. „Standard German in the 19th century?“ In Standardization, 43–65. Amsterdam: John Benjamins Publishing Company, 2002. http://dx.doi.org/10.1075/cilt.235.05els.

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Milford, Karl. „Inductivism in 19TH Century German Economics“. In Vienna Circle Institute Yearbook, 273–91. Dordrecht: Springer Netherlands, 2004. http://dx.doi.org/10.1007/978-1-4020-2196-1_20.

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Tribe, K. „German Economics in the Early 19th Century“. In The New Palgrave Dictionary of Economics, 1–7. London: Palgrave Macmillan UK, 2008. http://dx.doi.org/10.1057/978-1-349-95121-5_2080-1.

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Tribe, K. „German Economics in the Early 19th Century“. In The New Palgrave Dictionary of Economics, 5234–40. London: Palgrave Macmillan UK, 2018. http://dx.doi.org/10.1057/978-1-349-95189-5_2080.

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Peckhaus, Volker. „The Reception of Leibniz’s Logic in 19th Century German Philosophy“. In New Essays on Leibniz Reception, 13–24. Basel: Springer Basel, 2012. http://dx.doi.org/10.1007/978-3-0346-0504-5_2.

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Signore, Mario. „Social and Philosophical Theory in the 19th Century German Thought“. In The Discovery of Historicity in German Idealism and Historism, 134–46. Berlin, Heidelberg: Springer Berlin Heidelberg, 2005. http://dx.doi.org/10.1007/3-540-27352-2_9.

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Buchheim, Christoph. „Germany on the World Market at the End of the 19th Century“. In German Yearbook on Business History 1985, 41–55. Berlin, Heidelberg: Springer Berlin Heidelberg, 1986. http://dx.doi.org/10.1007/978-3-642-71196-1_3.

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Wilfing, Alexander. „Kant and German Romanticism in the Eyes of Austrian 19th Century Writers“. In Detours, 265–68. Göttingen: V&R Unipress, 2015. http://dx.doi.org/10.14220/9783737004817.265.

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Wilkins, Mira. „German chemical firms in the United States from the late 19th century to post-World War II“. In The German Chemical Industry in the Twentieth Century, 285–321. Dordrecht: Springer Netherlands, 2000. http://dx.doi.org/10.1007/978-94-015-9377-9_10.

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Konferenzberichte zum Thema "Etching, German 19th century"

Alschner, Stefan. „Der Wagner-Sänger Joseph Aloys Tichatschek – Vom Nachlass zum Netzwerk“. In Jahrestagung der Gesellschaft für Musikforschung 2019. Paderborn und Detmold. Musikwissenschaftliches Seminar der Universität Paderborn und der Hochschule für Musik Detmold, 2020. http://dx.doi.org/10.25366/2020.46.

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The Richard Wagner collection in Eisenach contains the estates of several important 19th century Wagner performers. The inheritance of the Heldentenor Joseph Tichatschek provides insight into the live and influence of the tenor. Tichatschek is considered as one of the greatest German speaking tenors of his generation and performed the leading roles in the world premieres of Richard Wagner’s Rienzi und Tannhäuser. The paper provides an introduction into the extensive networks Tichatschek apparently used to promote his own career as well as the works of composers close to him, like Richard Wagner. The study focusses on Tichatschek’s connections to the German courts, newspaper editors, and artists. The daughter of the singer, Josephine Rudolph-Tichatschek – wife to the German tenor Eduard Rudolph –, appears as a so far completely unknown figure with likewise extensive networks which helped to preserve the inheritance of her father after his death.

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Dimarogonas, Andrew D. „On the Axiomatic Foundation of Design“. In ASME 1993 Design Technical Conferences. American Society of Mechanical Engineers, 1993. http://dx.doi.org/10.1115/detc1993-0027.

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Abstract Mechanical design methodology has its origins in the writings of ancient Greek and Alexandrine authors between 300 BC and 100 AD when also the first aesthetic theory was proposed. German authors of the middle of 19th Century have introduced the foundation for Mechanical Design on basic Design Principles, modernized the machine element methodology and introduced the parallel development of the function with the form. F. Redtenbacher introduced a set of design principles. Reuleaux (1852) introduced two fundamental Design Principles (Ground Rules), re-introduced recently in axiomatic form by Suh et al. The paper discusses the merits of establishing Design Principles or Design Axioms as the fundamental Rules of design and the implications of these Rules on the design and manufacturing methodology. The relation of the Design Rules with the principles of the total quality engineering in the Taguchi sense is also investigated.

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Li, B., P. A. Clark und K. H. Church. „Robust Direct-Write Dispensing Tool and Solutions for Micro/Meso-Scale Manufacturing and Packaging“. In ASME 2007 International Manufacturing Science and Engineering Conference. ASMEDC, 2007. http://dx.doi.org/10.1115/msec2007-31037.

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The development of functional and reliable miniaturized devices including Micro Electro Mechanical Systems (MEMS) has stressed the manufacturing and packaging processes. The traditional micro fabrication techniques, such as lithography, physical vapor deposition (PVD), chemical vapor deposition (CVD) and etching, are layer-by-layer processes and mostly suitable for thin-filmed devices. LIGA (an acronym from German words for lithography, electroplating, and molding) is a newly developed process for thick metallic devices; however, it involves electroplating process and high quality molds, which are hard to move after electroforming. In all the processes mentioned above, masks and photoresist processing are inevitable, which complicates the whole process and increases the processing time and the total cost. It is also well known that packaging is another barrier for the advancement of MEMS. MEMS packaging, which is required to provide mechanical support, environmental protection and electrical connection to other system components, is much more complicated as compared to electronic components due to the moving structures, fluids or chemicals involved. It is the most expensive process in micromachining. Therefore, enabling tools and technologies are greatly needed for the fabrication and packaging of complicated devices and highly integrated micro assemblies. In this paper, we will present novel direct-print dispensing techniques and robust tools for 21st century manufacturing and packaging. Comparing to other dispensing technologies such as time-pressure needle dispensing, screen printing, pin transfer and jetting, nScrypt’s pumping techniques can dispense materials with precise volume control for 10’s of Pico liter resolution, accurate placement or alignment within a few microns, conformably print on exaggerated surfaces of 10’s of centimeters, and are extremely flexible with materials and patterns. The dispensing tip (nozzle) is optimized to reduce the pressure drop as compared to the traditional tubing needles. Comparing to traditional micro fabrication technologies, our direct-print dispensing technology is maskless and thus a cost effective process. While micro-dispensing is a solution based approach, it has the advantage of not being a wet process such as wet etching or electroplating. Direct-print dispensing of micro lines, micro dots, and three-dimensional structures will be presented. The technology has a wide range of applications in the manufacturing and packaging of micro/meso-scale devices and bio structures.

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