Auswahl der wissenschaftlichen Literatur zum Thema „Epistolary poetry, latin – history and criticism“
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Zeitschriftenartikel zum Thema "Epistolary poetry, latin – history and criticism"
Vardi, Amiel D. „Diiudicatio locorum: Gellius and the history of a mode in ancient comparative criticism“. Classical Quarterly 46, Nr. 2 (Dezember 1996): 492–514. http://dx.doi.org/10.1093/cq/46.2.492.
Der volle Inhalt der QuelleHershkowitz, Debra. „Patterns of Madness in Statius'Thebaid“. Journal of Roman Studies 85 (November 1995): 52–64. http://dx.doi.org/10.2307/301057.
Der volle Inhalt der QuelleLa Bua, Giuseppe. „LATE CICERONIAN SCHOLARSHIP AND VIRGILIAN EXEGESIS: SERVIUS AND PS.-ASCONIUS“. Classical Quarterly 68, Nr. 2 (Dezember 2018): 667–80. http://dx.doi.org/10.1017/s0009838818000551.
Der volle Inhalt der QuelleWatson, Patricia. „Axelson Revisited: the Selection of Vocabulary in Latin Poetry“. Classical Quarterly 35, Nr. 2 (Dezember 1985): 430–48. http://dx.doi.org/10.1017/s0009838800040271.
Der volle Inhalt der QuelleTaylor, Paul Beekman, und Sophie Bordier. „Chaucer and the Latin Muses“. Traditio 47 (1992): 215–32. http://dx.doi.org/10.1017/s0362152900007236.
Der volle Inhalt der QuelleChristensen, Bent. „Totaldigteren Grundtvig En kommenteret forskningshistorisk oversigt som bidrag til bestemmelsen af Grundtvigs egenart som digter“. Grundtvig-Studier 62, Nr. 1 (01.01.2011): 16–50. http://dx.doi.org/10.7146/grs.v62i1.16578.
Der volle Inhalt der QuelleLanglands, Rebecca. „Latin Literature“. Greece and Rome 63, Nr. 2 (16.09.2016): 256–63. http://dx.doi.org/10.1017/s0017383516000139.
Der volle Inhalt der QuelleLysikov, Pavel. „The Church and Internal Conflicts in Byzantium: The Catalans’ Presence in the Empire in the Early 14th Century According to the Correspondence of Athanasios I, Patriarch of Constantinople“. Vestnik Volgogradskogo gosudarstvennogo universiteta. Serija 4. Istorija. Regionovedenie. Mezhdunarodnye otnoshenija, Nr. 6 (Dezember 2023): 284–302. http://dx.doi.org/10.15688/jvolsu4.2023.6.21.
Der volle Inhalt der QuelleMuecke, Frances. „Horace, Epistles Book II and Epistle to the Pisones (‘Ars Poetica’). Ed. N. Rudd (Cambridge Greek and Latin Classics). Cambridge: Cambridge University Press, 1989. Pp. x + 244. ISBN 0-521-32178-6 (bound); 0-521-32192-2 (paper). £30.00 (bound); £11.95 (paper). - R. S. Kilpatrick, The Poetry of Criticism: Horace. Epistles II and Ars Poetica. Edmonton: University of Alberta Press, 1990. Pp. xiv + 125. ISBN 0-88864-145-1 (bound); 0-88864-146-X (paper). $25 (bound); $14.95 (paper). - B. Frischer, Shifting Paradigms: New Approaches to Horace's Ars Poetica (American classical studies XXVII). Atlanta, Ga: Scholars Press, 1991. Pp. xiii + 158, 3 pls. ISBN 1-55540-619-X (bound); 1-55540-620-3 (paper). $24.95 (bound); $16.95 (paper).“ Journal of Roman Studies 83 (November 1993): 213–14. http://dx.doi.org/10.2307/301005.
Der volle Inhalt der QuelleFernández-Melleda, Bárbara. „Neoliberalism and neocolonialism in Nadia Prado’s @Copyright (2003): Towards a decolonial reading“. Cultural Dynamics, 17.05.2022, 092137402211031. http://dx.doi.org/10.1177/09213740221103168.
Der volle Inhalt der QuelleDissertationen zum Thema "Epistolary poetry, latin – history and criticism"
Franklinos, Tristan Emil. „Me iuaat in gremio doctae legisse puellae : mindful reading in the elegies of Propertius“. Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:b4ce7524-b6a8-42f0-9a67-b42c5df0285b.
Der volle Inhalt der QuelleWong, Alexander Tsiong. „Aspects of the kiss-poem 1450-1700 : the neo-Latin basium genre and its influence on early modern British verse“. Thesis, University of Cambridge, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708782.
Der volle Inhalt der QuelleAtanassova, Rossitza I. „Doctrine, polemic and literary tradition in some hexameter poems of Prudentius“. Thesis, University of Oxford, 2001. http://ora.ox.ac.uk/objects/uuid:f74b5c1a-7b1d-42ae-afe7-bebd9aa7caf7.
Der volle Inhalt der QuellePark, Simon. „Diogo Bernardes and 'O Lima' (1596) : poetry, patronage, and print in early modern Portugal“. Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:cc5da494-8e61-4e94-abbc-2093396352ba.
Der volle Inhalt der QuelleLee, Bethany Tyler. „The Museum of Coming Apart“. Thesis, University of North Texas, 2009. https://digital.library.unt.edu/ark:/67531/metadc11000/.
Der volle Inhalt der QuelleLacki, Glenn Christopher. „A conspiracy of love : exile and the double Heroides“. Thesis, University of Oxford, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.669896.
Der volle Inhalt der QuelleSilva, Mariana Musa de Paula e. „Artesque locumque : espaços da narrativa no livro V das Metamorfoses de Ovidio“. [s.n.], 2008. http://repositorio.unicamp.br/jspui/handle/REPOSIP/270799.
Der volle Inhalt der QuelleDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
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Resumo: O presente trabalho apresenta uma tradução anotada do livro V da obra Metamorfoses do poeta latino Públio Ovídio Naso, acompanhada de um estudo introdutório que versa basicamente sobre esses aspectos selecionados para nossa análise: a coesão e coerência das narrativas presentes no livro; o caráter épico, bem como as implicações desse caráter para a sua construção poética; o papel que desempenha o espaço, isto é, de que modo o cenário em que se desenrolam as histórias influencia a construção dessas narrativas; e a presença constante da metadiegesis, entendida como a reflexão que faz o vate, e as personagens a quem ele cede a voz, sobre a própria arte do fazer poético
Abstract: The current work presents an annotated translation of Ovid¿s Metamorphoses, book V, followed by an introductory study that deals with the following selected aspects: the cohesion and coherence between the narratives that constitute this book; the epic character, as well as the implications of this feature to the poetic construction of the poem; the role space plays, i.e., how the setting in which the stories take place affects the construction of these narratives; and finally, the constant presence of metadiegesis, understood as the poet¿s reflection ¿ as well as the reflection of the characters to whom he gives his voice ¿ on the art of poetry making itself
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Hacksley, Timothy Christopher. „A critical edition of the poems of Henry Vaux (c. 1559-1587) in MS. Folger Bd with STC 22957“. Thesis, Rhodes University, 2008. http://eprints.ru.ac.za/1704/.
Der volle Inhalt der QuelleCarmo, Neto Julio Maria do. „Metamorfoses X, o livro de Orfeu : estudo introdutorio, tradução e notas“. [s.n.], 2009. http://repositorio.unicamp.br/jspui/handle/REPOSIP/269122.
Der volle Inhalt der QuelleDissertação (mestrado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
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Resumo: Este trabalho versa sobre o mito de Orfeu, narrado pelo poeta romano Ovídio em sua obra as Metamorfoses. Focamo-nos no aspecto artístico dessa personagem, que freqüentemente é considerada o poeta, cantor e músico arquetípico. A seção da obra em que ela se insere como voz predominante é o livro X, do qual também propomos uma tradução, em prosa, ao final da dissertação. Nossa leitura considerou também a forma como a mesma personagem é apresentada em outro poeta romano, Virgílio, na seção final da obra Geórgicas. Como Ovídio dialoga de perto com a versão de seu antecessor, tal consideração se nos mostrou inevitável. O objetivo final é perceber a importância de se levar em conta o aspecto artístico da personagem para entendê-la no contexto do livro X das Metamorfoses, no qual Orfeu desponta como figura principal e dominante.
Abstract: This is a work on the mith of Orpheus, as narrated by the roman poet Ovid in his master piece Metamorphoses. We have focused on the artistic aspects of this character, who is often considered the archetipical poet, musician and singer. It is the dominant voice of Book 10, of which we offer a translation, in prose, at the end of this dissertation. Our readings have also taken into consideration the way this character is presented in another ronam poet, Vergil, in the final section of his work The Georgics. Considering Ovid dialogs closely to his antecessor, such consideration has presented itself unavoidable. The final goal is to aprehend the importance of taking into consideration the artistic aspects of the character in order to understand it in context of Book 10 of Metamorphoses, where Orpheus is the main dominant figure.
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Cesila, Robson Tadeu. „O palimpsesto epigramatico de Marcial : intertextualidade e geração de sentidos na obra do poeta de Bilbilis“. [s.n.], 2008. http://repositorio.unicamp.br/jspui/handle/REPOSIP/271117.
Der volle Inhalt der QuelleTese (doutorado) - Universidade Estadual de Campinas, Instituto de Estudos da Linguagem
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Resumo: Como todo e qualquer texto, os epigramas do poeta latino Marco Valério Marcial (c. 38 d.C.- c. 104) são formados pela absorção e assimilação de outros textos, com os quais dialogam e aos quais aludem das mais diversas formas e por meio dos mais diferentes mecanismos. Tais alusões ou intertextos, ao incorporarem, aos textos de Marcial, elementos temáticos ou formais trazidos dos textos aludidos, geram novos significados nos epigramas do autor, tornando a sua leitura mais rica e instigante. Paralelamente, a leitura dos textos aludidos ¿ os modelos ¿ também é enriquecida e influenciada. Nosso recorte, no presente trabalho, contempla o estudo dos intertextos que relacionam os epigramas de Marcial com as obras dos poetas latinos Catulo, Virgílio e Ovídio, buscando mostrar como se dá a incorporação, pelo poeta de Bílbilis, dos elementos emprestados dos textos desses autores e como tais elementos enriquecem com novos sentidos a leitura de todos os textos envolvidos
Abstract: Like any text, the epigrams of the Latin poet Martial (c. A.D. 38 ¿ c. 104) are composed by the absorption and assimilation of other texts, with which they dialogue and to which they allude in very different ways and in very different mechanisms. When these allusions or intertexts incorporate into the Martial¿s texts elements of form or content brought from the texts alluded, they create new meanings in the poet¿s epigrams, so that reading grows richer and gripping. At the same time, the reading of the texts alluded ¿ the models ¿ is also enriched and influenced by the epigrams. In this thesis, we study the intertextual relationships between the Martial¿s epigrams and the works of the Latin poets Catullus, Virgil and Ovid; then, we try to show how the poet from Bilbilis incorporated into his texts borrowed material from those authors and how that material enriches the reading of all texts involved with new meaning
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Bücher zum Thema "Epistolary poetry, latin – history and criticism"
Daams, Susanne. Epische und elegische Erzählung bei Ovid: Ars amatoria und Metamorphosen. München: M Press, 2003.
Den vollen Inhalt der Quelle findenCitti, Francesco. Orazio: L'invito a Torquato : epist. 1,5 : introduzione, testo, traduzione e commento. Bari: Edipuglia, 1994.
Den vollen Inhalt der Quelle findenColton, Robert E. Some literary influences on Sidonius Apollinaris. Amsterdam: A.M. Hakkert, 2000.
Den vollen Inhalt der Quelle findenKilpatrick, Ross S. The poetry of criticism: Horace, Epistles II, and Ars poetica. Edmonton: University of Alberta Press, 1990.
Den vollen Inhalt der Quelle findenWissmüller, Heinz. Ovid: Einführung in seine Dichtung. Neustadt/Aisch: Ph. C.W. Schmidt, 1987.
Den vollen Inhalt der Quelle findenOvid. Heroides 16 and 17: Introduction, text and commentary. Cambridge, UK: Francis Cairns, 2006.
Den vollen Inhalt der Quelle findenPublii Ovidii Nasonis Epistularum ex Ponto liber IV: A commentary on poems 1 to 7 and 16. Hildesheim: Olms, 1989.
Den vollen Inhalt der Quelle findenMaurach, Gregor. Horaz: Werk und Leben. Heidelberg: Winter, 2001.
Den vollen Inhalt der Quelle findenMario, Gallo. Ipotesi su Orazio. Bari: Palomar, 1995.
Den vollen Inhalt der Quelle findenVico, Giambattista. Commento all'Arte poetica di Orazio. [Napoli]: A. Guida, 1998.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Epistolary poetry, latin – history and criticism"
Moss, Ann. „Theories of poetry: Latin writers“. In The Cambridge History of Literary Criticism, 98–106. Cambridge University Press, 1999. http://dx.doi.org/10.1017/chol9780521300087.010.
Der volle Inhalt der QuelleHutchinson, G. O. „Conceptions Of Genre: Criticism in Prose Poetry“. In Latin Literature from Seneca to Juvenal, 4–39. Oxford University PressOxford, 1993. http://dx.doi.org/10.1093/oso/9780198146902.003.0002.
Der volle Inhalt der Quelle„Pyrrha among Roses: Real Life and Poetic Imagination in Augustan Rome Review and discussion of Jasper Griffin, Latin Poets and Roman Life“. In Collected Papers on Latin Literature, herausgegeben von S. J. Harrison, 213–26. Oxford University PressOxford, 1995. http://dx.doi.org/10.1093/oso/9780198149484.003.0016.
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