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1

Brunhoff, Laurent de. Wir lernen Englisch mit Babar. Zürich: Diogenes Verlag, 1987.

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2

Basu, Maura Hurley. To the local bazaar. Calcutta: Mustard Seeds, 2002.

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3

Allan, Hepburn, Hrsg. The bazaar and other stories. Edinburgh: Edinburgh University Press, 2008.

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4

1934-, Tsuchida Shigeru, Hrsg. Bazai yu ci dian. Taibei Shi: Zhong yang yan jiu yuan yu yan yan jiu suo chou bei chu, 2001.

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5

Truijens, Hannie. The blue rabbit: And, Flowers for Miss Barar. Basingstoke: Macmillan, 1989.

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6

Babar's French and English word book. New York: Random House, 1994.

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7

Babar's French lessons =: Les lec̨ons de franc̨ais de Babar. London: Methuen Children's, 1991.

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8

Losensky, Paul E. (Paul Edward), 1956- und Sharma Sunil 1964-, Hrsg. In the bazaar of love: The selected poetry of Amīr Khusrau. New Delhi: Penguin Books India, 2011.

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9

Brunhoff, Laurent de. Babar's family album: 5 favorite stories. New York: Random House, 1991.

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10

Babar's ABC. New York: Harry N. Abrams, 2001.

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11

The Legacy of Rashmi Bazaar. Teacher Created Materials, 2019.

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12

Midnight Bazaar A Secret Arcade Of Strange And Eerie Tales. Robert Hale Ltd, 2007.

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13

Fedorchek, Robert M. Emilia Pardo Bazan: The White Horse and Other Stories. Bucknell University Press, 1993.

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14

In The Bazaar Of Love The Selected Poetry Of Amr Khusrau. Penguin Books India Pvt Ltd, 2013.

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15

Parallel Books - Blue Level: The Blue Rabbit and Flowers for Miss Barar (New Way - Blue Level). Nelson Thornes (Publishers) Ltd, 1989.

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16

Katouzian, Homa. Humour in Iran. Bloomsbury Publishing Plc, 2024. http://dx.doi.org/10.5040/9780755652150.

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Satire, irony and humour have long been features of Persian literature’s rich tradition, taking various forms from the coarse and obscene to the subtle and refined. Humour in Iran is a close and comprehensive study of satire and humour – in verse as well as prose – over the eleven-hundred years since the emergence of classical Persian literature. Combining Persian original texts with their English translations, it covers a range of texts and authors, from the lampoon in Ferdowsi’s great epic of the ancient kings in the tenth century, through such master satirists as Obeyd Zakani, Sa‘di, Rumi, Khayyam, Hafiz, Anvari, Sana’i, Khaqani, Suzani, Qa’ani, Yaghma, and so on. The book also includes twentieth century authors such as Iraj, Dehkhoda, Bahar, Eshqi, Aref, Hedayat, Jamalzadeh, Al-e Ahmad and more. A must read for scholars and students of humour and satire as well as Persian literature and Middle Eastern studies, and it will also appeal to general readers interested in ribald humour and satire.
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17

Awdry, Christopher. Childhood Favourites (Anthology). Egmont Books Ltd, 2000.

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18

Informat͡s︡ionnai͡a︡ sistema issledovateli͡a︡ po ėkspertnym sistemam i bazam znaniĭ: RG-26, KNVVT, avtomatizat͡s︡ii͡a︡ informat͡s︡ionnogo obespechenii͡a︡ sistem prini͡a︡tii͡a︡ resheniĭ. [Budapesht]: Issl. in-t vychislitelʹnoĭ tekhniki i avtomatizat͡s︡ii Vengerskoĭ akademii nauk, 1988.

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19

Chenoy, Shama Mitra, Hrsg. Delhi in Transition, 1821 and Beyond. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199477739.001.0001.

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Commissioned by the English East India Company to write about contemporary nineteenth-century Delhi, Mirza Sangin Beg walked around the city to capture its highly fascinating urban and suburban extravaganza. Laced with epigraphy and fascinating anecdotes, the city as ‘lived experience’ has an overwhelming presence in his work, Sair-ul Manazil. Sair-ul Manazil dominates the historiography of eighteenth- and nineteenth-century compositions on Delhi in Persian and Urdu, and remains unparalleled in its architecture and detailed content. It deals with the habitations of people, bazars, professions and professionals, places of worship and revelry, and issues of contestation. Over fifty typologies of structures and several institutions that find resonance in the Persian and Ottoman Empires can also be gleaned from Sair-ul Manazil. Interestingly, Beg made no attempt to ‘monumentalize’ buildings; instead, he explored them as spaces reflective of the sociocultural milieu of the times. Delhi in Transition is the first comprehensive English translation of Beg’s work, which was originally published in Persian. It is the only translation to compare the four known versions of Sair-ul Manazil, including the original manuscript located in Berlin, which is being consulted for the first time. It has an exhaustive introduction and extensive notes, along with the use of varied styles in the book to indicate the multiple sources of the text, contextualize Beg’s work for the reader and engage him with the debate concerning the different variants of this unique and eclectic work.
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20

Beg, Mirza Sangin. This Is an Abridged Account of Delhi Which Is an Old City and One of the Chosen Ones amongst the Cities. Oxford University Press, 2018. http://dx.doi.org/10.1093/oso/9780199477739.003.0002.

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The second part of the translation has three segments. The first is dedicated to the history of Delhi from the time of the Mahabharat to the periods of Anangpal Tomar to the Mughal Emperor Humayun as also Sher Shah, the Afghan ruler. In the second and third segments Mirza Sangin Beg adroitly navigates between twin centres of power in the city. He writes about Qila Mubarak, or the Red Fort, and gives an account of the several buildings inside it and the cost of construction of the same. He ambles into the precincts and mentions the buildings constructed by Shahjahan and other rulers, associating them with some specific inmates of the fort and the functions performed within them. When the author takes a walk in the city of Shahjahanabad, he writes of numerous residents, habitations of rich, poor, and ordinary people, their mansions and localities, general and specialized bazars, the in different skills practised areas, places of worship and revelry, processions exemplifying popular culture and local traditions, and institutions that had a resonance in other cultures. The Berlin manuscript gives generous details of the officials of the English East India Company, both native and foreign, their professions, and work spaces. Mirza Sangin Beg addresses the issue of qaum most unselfconsciously and amorphously.
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21

Babar's A. B. C. Mammoth, 1990.

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22

Ledger-Lomas, Michael. Introduction. Oxford University Press, 2017. http://dx.doi.org/10.1093/oso/9780199683710.003.0001.

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The nineteenth century was a very good century for Congregationalism in England and Wales. This chapter documents the significant numerical growth it achieved during this period, and its energetic efforts in the area of missions, both foreign and domestic. Congregationalists provided the lifeblood of the large, well-funded London Missionary Society, and the most celebrated missionary of the age, David Livingstone, was a Scottish Congregationalist. Throughout this chapter the question of whether generalizations about Congregationalism in England were also true of Wales, Scotland, and Ireland is kept in view. This chapter explores the denomination’s raison d’être in its distinctive view of church polity as local and the way that it was increasingly in tension with the strong trend towards greater union among the churches. Founded in 1831, the Congregational Union of England and Wales waxed stronger and stronger as the century progressed, and Congregational activities became progressively more centralized. Although women were excluded from almost all official positions in the churches and the Congregational Unions and generally were erased from denominational histories, they were nevertheless often members with full voting rights at a time when this was not true in civic elections. Women were also the force behind the social life of the congregations, including the popular institutions of the church bazaar and tea meeting. They were the main energizing power behind works of service and innumerable charitable and outreach efforts and organizations, as well as playing a significant part in fundraising. The self-image of Victorian Congregationalism as representing the middle classes is explored, including the move towards Gothic architecture and the ideal of the learned ministry. A mark of their social aspirations, the Congregational Mansfield College, founded in 1886, was the first Protestant Dissenting Oxbridge college. Congregationalists also gave leadership to the movement towards a more liberal theological vision, to an emphasis on ‘Life’ over dogma. English, Welsh, Scottish, and Irish Congregationalists all participated in a move away from the Calvinist verities of their forebears. Increasingly, many Congregational theologians and ministers were unwilling to defend traditional doctrines in regards to substitutionary atonement; biblical inspiration, historicity, authorship, dating, and composition; and eternal punishment. A particularly important theme is Congregationalism’s prominent place of leadership in Dissenting politics. The Liberation Society, which led the campaign for the disestablishment of the Church of England, was founded by the Congregational minister Edward Miall in 1844, and Dissenting Members of Parliament were disproportionately Congregationalists. Many Christians emphatically and passionately knew themselves to be Dissenters who were relatively indifferent about which Nonconformist denomination they made their spiritual home. In such an environment, Congregationalism reaped considerable, tangible benefits for being widely recognized as the quintessential Dissenting denomination.
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