Dissertationen zum Thema „English 14th century History and criticism“
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Mair, Olivia. „Merchants and mercantile culture in later medieval Italian and English literature“. University of Western Australia. English, Communication and Cultural Studies Discipline Group, 2006. http://theses.library.uwa.edu.au/adt-WU2006.0088.
Ellis, Robert. „Verba Vana : empty words in Ricardian London“. Thesis, Queen Mary, University of London, 2012. http://qmro.qmul.ac.uk/xmlui/handle/123456789/8821.
Henderson, Felicity 1973. „Erudite satire in seventeenth-century England“. Monash University, School of Literary, Visual and Performance Studies, 2002. http://arrow.monash.edu.au/hdl/1959.1/7999.
Silverman, Sarah Kelly. „The 1363 English Sumptuary Law: A comparison with Fabric Prices of the Late Fourteenth-Century“. The Ohio State University, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=osu1322596483.
Chaudhuri, Rosinka. „Orientalist themes and English verse in nineteenth-century India“. Thesis, University of Oxford, 1996. http://ora.ox.ac.uk/objects/uuid:737ba2e1-99f4-4abb-ac87-4e344be4d15c.
Shannon, Josephine E. „From discourse to the couch : the obscured self in eighteenth- and nineteenth-century epistolary narrative“. Thesis, McGill University, 1997. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=34533.
I examine this claim---and the metaphors defining it---in two ways. First, by focusing on selected letters, I foreground each writer's language as an agent of internal conflict. In so doing, I am able to formulate distinctive questions regarding the potential of epistolary narratives to transform emotional or psychological schisms into fictions which become explicitly creative texts. Secondly, I analyze the changing nature of the fictions which emerge through this process. My findings conclude that authors' letters must be read, at least very often, as a constituent part of their literary work and as interpretive models of a shifting dynamic of psychological expression.
Turner, Irene. „Farce on the borderline with special reference to plays by OscarWilde, Joe Orton and Tom Stoppard“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1987. http://hub.hku.hk/bib/B31949204.
Ni, Xia Jia. „From imagism to informationism :a study of 20th century experimental poetry in English“. Thesis, University of Macau, 2018. http://umaclib3.umac.mo/record=b3953521.
Emig, Rainer. „The end of modernism in English poetry“. Thesis, University of Oxford, 1992. http://ora.ox.ac.uk/objects/uuid:c02149d4-6f3b-4368-b20e-d8e669514ccf.
Masters, Benjamin Scott. „The ethics of excess : style and morality in British fiction since the 1960s“. Thesis, University of Cambridge, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.648740.
Englard, Michael Anselm. „'Grounds for argument' : English literary travel 1911-1941“. Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610092.
Guthrie, Neil. „A thousand wrecks! : rakes' progresses in some eighteenth century English novels“. Thesis, University of Oxford, 1990. http://ora.ox.ac.uk/objects/uuid:b08473d6-9cae-4a14-b7a7-3e40cf7bb283.
Bending, Lucy. „The representation of bodily pain in late nineteenth-century English culture“. Thesis, University of Oxford, 1997. http://ora.ox.ac.uk/objects/uuid:751a567b-8260-4dfc-8e9e-904b7e1da20f.
Dixon, Marzena M. „The structure and rhetoric of twentieth-century British children's fantasy“. Thesis, University of St Andrews, 1992. http://hdl.handle.net/10023/14858.
Leskinen, Saara. „Reliable knowledge of exotic marvels of nature in sixteenth-century French and English texts“. Thesis, Warburg Institute, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.564418.
Jackson, Simon John. „The literary and musical activities of the Herbert family“. Thesis, University of Cambridge, 2012. https://www.repository.cam.ac.uk/handle/1810/283892.
Johnson, Nancy E. (Nancy Edna) 1956. „The "equivocal spirit" of law : property, agency and the contract in the English Jacobin novel“. Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=29054.
Tam, Ho-leung Adrian, und 譚灝樑. „Realism, death and the novel: policing and doctoring in the nineteenth century“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2007. http://hub.hku.hk/bib/B41757828.
Dredge, Sarah. „Accommodating feminism : Victorian fiction and the nineteenth-century women's movement“. Thesis, McGill University, 2000. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=36917.
In works of fiction by women, concepts of social justice were not constrained by layers of legal abstraction and the obligatory political vocabulary of "disinterest." Contemporary fiction by women could thus offer some of the most developed articulations of women's changing expectations. This thesis demonstrates that the Victorian novel provides a distinct synthesis of, and contribution to, arguments grouped under the rubric of the "woman question." The novel offers a perspective on feminist politics in which conflicting social interests and demands can be played out, where ethical questions meet everyday life, and human relations have philosophical weight. Given women's traditional exclusion from the domain of legitimate (authoritative) speech, the novels of Gaskell, the Bronte's, and Eliot, traditionally admired for their portrayal of moral character, play a special role in giving voice to the key political issues of women's rights, entitlements, and interests. Evidence for the political content and efficacy of these novels is drawn from archival sources which have been little used in literary studies (including unpublished materials), as well as contemporary periodicals. Central among these is the English Woman's Journal. Conceived as the mouthpiece of the early women's movement, the journal offers a valuable record of the feminist activity of the period. Though it has not been widely exploited, particularly in literary studies, detailed study of the journal reveals close parallels between the ideological commitments and concerns of the women's movement and novels by mid-Victorian women.
Nielson, James. „Elizabethan realisms : reading prose from the end of the century“. Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=74597.
These works, traditionally grouped together because of the interaction of their authors at the end of the 16th century, include Robert Greene's "cony-catching" and "confessional" pamphlets, the texts of the controversy between Thomas Nashe and Gabriel Harvey, and Harvey's manuscript drafts, as well as more familiar works such as Nashe's Unfortunate Traveller.
The theoretical issue of "the real" as a textual effect has been divided up according to the three nominal categories of persons, places and things, but the thesis falls methodologically into two halves. The opening chapters aim at reintroducing the figures of Greene, Nashe and Harvey, and exploring the quasi-genres of confession, invective and rough draft as exemplary models of the textual construction of a realistic person. They also attempt an alternative form of reading which is an amalgam of cento, summary, close reading, theoretical aside, and running commentary. In the second half, microreadings of the Marprelate Tracts, the cony-catching pamphlets, and texts by Nashe are used to shed light on theoretical issues of textual "place" such as the rhetorical construction of "presence" and metaphorical "movement." Once the relationship between premodern and postmodern textuality has been sketched, the final chapter offers a critique of the unreflexive academic practice of doing "readings," and argues for a new literalism and the self-subversion of the figurative in an "extrarhetorical" reading of Nashe's Lenten Stuffe.
Knox, Philip. „The Romance of the Rose in fourteenth-century England“. Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:d55e2158-a9ee-4bf2-b8e4-98d7e0c6a598.
Moore, Natasha Lee. „The unpoetical age : modern life and the mid-Victorian long poem“. Thesis, University of Cambridge, 2012. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.610158.
Chan, Wing-chun Julia, und 陳永晉. „Towards an aesthetics of cliché: cultural recycling and contemporary fiction“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2009. http://hub.hku.hk/bib/B42182311.
Martin, Julia School of English UNSW. „Self and subject in eighteenth century diaries“. Awarded by:University of New South Wales. School of English, 2002. http://handle.unsw.edu.au/1959.4/18787.
Cattell, Victoria Fayrer. „Irony and alazony in the English Künstlerroman“. Thesis, McGill University, 1986. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=65961.
Ingham, Michael Anthony. „Theatre of storytelling : the prose fiction stage adaptation as social allegory in contemporary British drama /“. Thesis, Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?B20275961.
Moore, Paul Henry. „Death in the eighteenth-century novel, 1740-1800“. Thesis, University of Oxford, 1986. http://ora.ox.ac.uk/objects/uuid:5def918a-a899-4650-8850-efcacf3f4bf1.
Blatchford, Mathew. „The old New Wave : a study of the 'New Wave' in British science fiction during the 1960s and early 1970s, with special reference to the works of Brian W. Aldiss, J.G. Ballard, Harry Harrison and Michael Moorcock“. Master's thesis, University of Cape Town, 1989. http://hdl.handle.net/11427/22150.
This thesis examines the 'New Wave' in British science fiction in the 1960s and early 1970s. The use of the terms 'science fiction' and 'New Wave' in the thesis are defined through a use of elements of the ideological theories of Louis Althusser. The New Wave is seen as a change in the ideological framework of the science fiction establishment. For oonvenience, the progress of the New Wave is divided into three stages, each covered by a chapter. Works by the four most prominent writers in the movement are discussed.
Borschel, Audrey Leonard. „Development of English song within the musical establishment of Vauxhall Gardens, 1745-1784“. Thesis, University of British Columbia, 1985. http://hdl.handle.net/2429/26033.
Arts, Faculty of
Music, School of
Accompanied by cassette in Special Collections
Graduate
Maxwell, Catherine. „Looking and perception in nineteenth century poetry“. Thesis, University of Oxford, 1990. http://ora.ox.ac.uk/objects/uuid:8f4ff9be-6c07-4060-b777-6a7402d024c7.
Hammerton, Rachel Joan. „English impressions of Venice up to the early seventeenth century : a documentary study“. Thesis, University of St Andrews, 1987. http://hdl.handle.net/10023/2792.
Pittock, Murray. „Decadence and the English tradition“. Thesis, University of Oxford, 1986. http://ora.ox.ac.uk/objects/uuid:6fa01d5c-e900-4ee8-9fb6-a8c3645e0bdd.
Linnemann, Emily Caroline Louise. „The cultural value of Shakespeare in twenty-first-century publicly-funded theatre in England“. Thesis, University of Birmingham, 2011. http://etheses.bham.ac.uk//id/eprint/1355/.
Kwong, Jessica Mun-Ling. „Playing the whore : representations of whoredom in early modern English comedy“. Thesis, University of Cambridge, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.707984.
Johnston, Susan 1964. „Calling the question : women and domestic experience in British political fictions, 1787-1869“. Thesis, McGill University, 1995. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=39928.
Lee, Jason Eng Hun. „'All is not Well in the world' : critical cosmopolitanism in twenty-first century fiction“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2013. http://hdl.handle.net/10722/197089.
published_or_final_version
English
Doctoral
Doctor of Philosophy
Collins, Margo. „Wayward Women, Virtuous Violence: Feminine Violence in Restoration and Eighteenth-Century British Literature by Women“. Thesis, University of North Texas, 2000. https://digital.library.unt.edu/ark:/67531/metadc2474/.
Sun, Christine Yunn-Yu. „The construction of "Chinese" cultural identity : English-language writing by Australian and other authors with Chinese ancestry“. Monash University, School of Languages, Cultures and Linguistics, 2004. http://arrow.monash.edu.au/hdl/1959.1/5438.
Gasiorek, Andrew B. P. (Andrew Boguslaw Peter). „A crisis of metanarratives : realism and innovation in the contemporary English novel“. Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=74280.
Focussing on selected novels of five post-war English novelists--B. S. Johnson, Doris Lessing, John Berger, Iris Murdoch, and Angus Wilson--I argue that their different responses to the crisis of representation show that it is not a crisis of liberalism alone. Johnson rejects realism for epistemological reasons; Lessing and Berger question it on political grounds; Murdoch and Wilson combine its strengths with a self-reflexive awareness of its weaknesses. I suggest that Murdoch's and Wilson's novels, which argue that fiction does not reflect reality but endows it with meaning and which are at once representational and metafictional, offer the most fruitful ways of acknowledging the crisis of representation while refusing to be paralyzed by it.
Miyoshi, Riki. „Thomas Killigrew and Carolean stage rivalry in London, 1660-1682“. Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:0cf4bd8a-041c-47a9-b82f-bb38ce159dd7.
De, Bruin-Molé Megen. „Frankenfiction : monstrous adaptations and Gothic histories in twenty-first-century remix culture“. Thesis, Cardiff University, 2017. http://orca.cf.ac.uk/106947/.
Spates, William H. „Imagining corrupt consumption : the genesis and evolution of the pox metaphor in sixteenth-century England (1494-1606)“. Thesis, University of St Andrews, 2005. http://hdl.handle.net/10023/14657.
Ahern, Stephen. „Between duty and desire : sentimental agency in British prose fiction of the later eighteenth century“. Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0027/NQ50101.pdf.
Jones, Suzanne Barbara. „French imports : English translations of Molière, 1663-1732“. Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:8d86ee12-54ab-48b3-9c47-e946e1c7851f.
Hill, Colin. „The modern-realist movement in English-Canadian fiction, 1919-1950“. Thesis, McGill University, 2003. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=19471.
Hazzard, Oli. „Trying to have it both ways : John Ashbery and Anglo-American exchange“. Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:87f922c5-79dc-4fd5-85dd-50c4a7661015.
Boguszak, Jakub. „Actors' parts in the plays of Ben Jonson“. Thesis, University of Oxford, 2016. https://ora.ox.ac.uk/objects/uuid:7732f887-5a9d-4fc6-afce-9bc4242265f9.
Ranum, Benedikte Torkelsdatter. „Typecast Victorians : uses of biblical typology in late nineteenth-century literature“. Thesis, University of Stirling, 1996. http://hdl.handle.net/1893/2007.
Buntin, Melanie Clare. „The mutual gaze : the location(s) of Allan Ramsay and James Thomson within an emerging eighteenth-century British literature“. Thesis, University of Glasgow, 2015. http://theses.gla.ac.uk/6461/.
Wong, Chi-keung Frederick, und 黃志強. „Postmodernism, drama, language: Waiting for Godot and Inadmissible evidence revisited“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1994. http://hub.hku.hk/bib/B31951053.