Thematische Bibliographien / Empressses

Auswahl der wissenschaftlichen Literatur zum Thema „Empressses“

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Veröffentlicht am 25. Juli 2024

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Zeitschriftenartikel zum Thema "Empressses"

1

KUMANDAŞ, Hacer. „İmparatoriçe Tasvirli Roma Sikkeleri Işığında, İmparatoriçelerin Saç ve Takı Tasarımı“. International Journal of Social Sciences 7, Nr. 31 (10.09.2023): 196–232. http://dx.doi.org/10.52096/usbd.7.31.11.

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The function of the empress depictions on the coins is to both introduce the empress and show the power of the empire with her magnificent clothes, jewelry and hair designs. Every empress, who have a unique style, reflects the prestige and weight of their position with their hair and jewelry designs. There are also empresses who prefer a very simple hairstyle. The depictions in the portraits of the empresses used on the face of these coins are first-hand sources that provide information about the hairdo models, diadems and jewelry of the empresses. The coins in question in this study are tried to be selected from the important empresses who pioneer the hair and jewelry fashion of the period. Whereas there are empresses on the face of the coins, there are depictions of Goddesses, Emperor and Empress, Personification and animals on the reverse side. It is also examined whether the styles, the hair and jewelry designs seen in the busts of the empresses are reflected on the coins in the studies conducted on the coins covering the period between Empress Sabina (AD 134-138) and Empress Aelia Eudoxia (AD 400-404). In addition, the reasons why both glorious and simple hairstyles are preferred by the empresses are tried to be evaluated from the perspective of socio-economic society. Keywords: Hair Design, Portrait, Jewelry, Sabina, Rome
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Johnson, Scott. „EASTERN EMPRESSES“. Classical Review 53, Nr. 1 (April 2003): 186–87. http://dx.doi.org/10.1093/cr/53.1.186.

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3

Kim, Yong Hwan. „A Study on the Background of Russian Empresses in the 18th Century“. East European and Balkan Institute 46, Nr. 4 (30.11.2022): 3–26. http://dx.doi.org/10.19170/eebs.2022.46.4.3.

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The purpose of this article is to investigate the background that many women became empresses in Russia in the 18th century. The most important motive of empresses’ appearances after Peter I’s death might be ‘the decree on the succession of the throne’ announced in 1722. The essences of this decree were to discard the custom of power succession according to the existing rank of immediate male family and to prescribe that monarch could appoint the successor regardless of the rank or gender upon his own determination. However, Peter I died without execution of the emperor’s right that this law defined. This resulted in rampant power struggle within the ruling class on the throne succession and women could be empresses supported by some aristocrats and the royal guard. Meanwhile, ‘court revolts’ were occurred. Finally, ‘the decree on the succession of the throne’ opened the potential that emperor’s aides could intervene the process of successor investiture so as for four empresses to be appeared in Russia after the death of Peter I, and favorites’ monopoly of state affairs was continued with violent change of regimes.
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Mellette, Justin. „Of Empresses and Indians“. F. Scott Fitzgerald Review 12, Nr. 1 (01.10.2014): 108–23. http://dx.doi.org/10.5325/fscotfitzrevi.12.1.108.

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Mellette. „Of Empresses and Indians“. F. Scott Fitzgerald Review 12, Nr. 1 (2014): 108. http://dx.doi.org/10.5325/fscotfitzrevi.12.1.0108.

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Rowan, Clare. „THE PUBLIC IMAGE OF THE SEVERAN WOMEN“. Papers of the British School at Rome 79 (31.10.2011): 241–73. http://dx.doi.org/10.1017/s0068246211000031.

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Coinage remains one of the best resources from which to gain an insight into the public image of empresses in the Roman Empire. This article employs a quantitative approach to the coinage of the Severan women, utilizing coin hoards to gain an idea of the frequency of particular coin types. The result offers a nuanced and contextual assessment of the differing public images of the Severan empresses and their role within wider Severan ideology. Evidence is presented to suggest that in this period there was one workshop at the mint dedicated to striking coins for the empresses. The Severan women played a key connective role in the dynasty, a position communicated publicly through their respective numismatic images. By examining the dynasty as a whole, subtle changes in image from empress to empress and from reign to reign can be identified. During the reign of Elagabalus, the divergence in imagery between Julia Soaemias and Julia Maesa is so great that we can perhaps see the influence of these women on their own numismatic image.
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Xie, Ying. „A descriptive study on Chinese-English subtitling of extralinguistic culture-bound references in Empresses in the Palace“. FORUM / Revue internationale d’interprétation et de traduction / International Journal of Interpretation and Translation 19, Nr. 2 (31.12.2021): 181–210. http://dx.doi.org/10.1075/forum.20022.xie.

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Abstract The American version of Empresses in the Palace (《甄嬛传》) can be seen as a representative example of Chinese-to-English subtitled ancient costume drama, and an effective source of study as to how Extralinguistic Culture-bound References (ECRs) (Pedersen, 2005, 2011) in the source-language subtitles can emphasize and embody the essence of ancient Chinese culture. Based on Pedersen’s (2005, 2011) theory of the Transculturality level of ECRs and through statistical as well as textual analysis, this paper aims to conduct a descriptive study of extralinguistic culture-bound references (ECRs) in Empresses in the Palace and the Chinese-English subtitling strategies of the ECRs. It found that Monocultural ECRs account for a substantial proportion of the ECRs, with eight ECR domains covered, and that the Source Language (SL)-oriented Strategies as well as Substitution are the foremost translation strategies adopted for rendering Monocultural ECRs. Eventually, based on textual analysis of the Monocultural ECRs rendered by the SL-oriented Strategies and Substitution, from the perspective of the target audience’s plot interpretation of the drama, this paper concludes that an obvious disadvantage as a result of the Monocultural ECR’s interlingual subtitling in Empresses in the Palace is that the plot revealed in the target-language subtitles becomes logically incoherent.
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Lipich, Vasiliy, und Olga Gudova. „Gender aspect authorities on the example of the independent management Russian empresses“. SHS Web of Conferences 72 (2019): 03015. http://dx.doi.org/10.1051/shsconf/20197203015.

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The article deals gender aspect authorities on the example of the independent management Russian empresses. They rule almost throughout eighteenth century. It was unusual for the Russian Empire. The man has always been at the head of the state. Woman led a private lifestyle. Self-expression was possible only in a religious orientation. Women's rule has not changed the general position of women in power. The position of women in society is changed slightly. One of the achievements of the reign of empress becomes the development of culture. Architecture and music are undergoing development. Imperial court device also undergoes changes. Women of noble birth are introduced into secular society. Emperor Peter I initiated this process when he issued a decree on assemblies. During the reign of the autocratic empresses, women of the privileged class begin to head various government organizations and institutions. The lives of other women remain traditional. We studied the concepts: "gender", "gender analysis", "women's political leadership", "political participation" and historiography on the issue women's participation and representation in power structures. We meet women in power in the European tradition. Empresses received power is not legitimate. Armed uprisings brought them to power. The law does not enshrine the right of women to the throne. And this precedent of female presence in power has changed little.
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Peers, Glenn. „Empresses and power in early Byzantium.“ Byzantine and Modern Greek Studies 28, Nr. 1 (Januar 2004): 166–69. http://dx.doi.org/10.1179/byz.2004.28.1.166.

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Smith, R. R. R. „Roman Portraits: Honours, Empresses, and Late Emperors“. Journal of Roman Studies 75 (November 1985): 209–21. http://dx.doi.org/10.2307/300662.

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Dissertationen zum Thema "Empressses"

1

Kotsis, Kriszta. „"Your body, O Empress, is a treasure of marvelous qualities" : representations of Middle Byzantine empresses (780-1081) /“. Thesis, Connect to this title online; UW restricted, 2004. http://hdl.handle.net/1773/6227.

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Wong, Wai-yi Winnie, und 黃慧怡. „A study of Empress Lu (241 B.C.-180 B.C.)“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1999. http://hub.hku.hk/bib/B31952471.

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Wong, Wai-yi Winnie. „A study of Empress Lu (241 B.C.-180 B.C.) Lü hou yan jiu /“. Click to view the E-thesis via HKUTO, 1999. http://sunzi.lib.hku.hk/hkuto/record/B31952471.

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Lee, Jessica R. „Gendered Souls: Female Religious and Imperial Power in Early Byzantium“. Scholarship @ Claremont, 2014. http://scholarship.claremont.edu/scripps_theses/510.

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The scholarship on female basileia in the Byzantine Empire is generally spilt into two polarized camps, divided over how to reconcile female agency within a patriarchal society. The crux of the issue is how these women achieved power and how their power was perceived. Did the emulation of men elevate these women or was their imperial worth tied exclusively to their aspects of their femininity? The disparity in contemporary scholarship often ignores the idea of a middle ground. Imperial women achieved a remarkable degree of power, yet they still existed within a male centered, almost misogynistic context. The frequency and relative consistency with which these powerful women appear in the historical record bars them from being categorized as anomalies. In approaching the issue of early Byzantine empresses, I was very aware of the parallels in gender construction with female saints. The simultaneous masculinization and feminization of these women served to further distinguish them from women as a whole. They were unattainable paragons, their success largely determined by their adherence to a feminine version of the imperial persona. While emperors had long since developed a public persona to favorably communicate their imperial power, it wasn’t until the advent of the Christian Empire in the East that we see a pattern of imperial women with access to genuine imperial power. Though still existing within a relentlessly androcentric society, imperial women were able to negotiate rather than negate their gender to secure power within a Christian imperial structure. I examine three empresses, Pulcheria (398-453 CE), Theodora (500-548 CE), and Irene (752-803 CE), in the hopes of illuminating their claims to imperial power while also placing them in the context of a larger historical tradition.
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Wilson, L. J. „Women and imperial power in Byzantium 780-1056 : A study of the reigns of the Empress Eirene and six later empresses“. Thesis, University of Southampton, 1985. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.370629.

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Ricciardi, Ryan A. „Where Did All the Women Go: The Archaeology of the Soldier Empresses“. Cincinnati, Ohio : University of Cincinnati, 2008. http://rave.ohiolink.edu/etdc/view.cgi?acc_num=ucin1211507157.

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Thesis (Ph.D.)--University of Cincinnati, 2007.
Advisor: C. Brian Rose. Title from electronic thesis title page (viewed Sep.8, 2008). Keywords: Roman women; Imperial art; Roman Empire. Includes abstract. Includes bibliographical references.
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Bunker, Nolen Andrew. „Why Eastern women matter the influence of Byzantine Empresses on Western queenship during the middle ages /“. Connect to resource, 2007. http://hdl.handle.net/1811/24688.

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Thesis (Honors)--Ohio State University, 2007.
Title from first page of PDF file. Document formatted into pages: contains v, 88 p.; also includes graphics. Includes bibliographical references (p. 85-88). Available online via Ohio State University's Knowledge Bank.
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Luk, Yu Ping. „Empresses, religious practice and the imperial image in Ming China : the Ordination Scroll of Empress Zhang (1493)“. Thesis, University of Oxford, 2010. http://ora.ox.ac.uk/objects/uuid:797fc7ce-34c7-4af3-a96d-928cec15098a.

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The Ordination Scroll of Empress Zhang (1493) in the San Diego Museum of Art, a highlight at the Taoism and the Arts of China exhibition in 2000, is an unusual object among surviving visual material from Ming dynasty China (1368 – 1644). At over twenty-seven metres long, the scroll contains meticulously painted images and a detailed inscription that records the Daoist ordination of Empress Zhang (1470 – 1541), consort of the Hongzhi emperor (r. 1488 – 1505) by the Orthodox Unity institution. The event it documents, which elevates the empress into the celestial realm, would be unknown to history if not for the survival of this scroll. This dissertation is an in-depth study of the Ordination Scroll that also considers its implications for understanding the activities of empresses and their representations during the Ming dynasty. The first three chapters of this dissertation closely examine the material, visual and textual aspects of the Ordination Scroll. The remaining two chapters situate the scroll within the broader activities of Ming empresses. A complete translation of the main inscription in the scroll is provided in the appendix.
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Montlouis, Nathalie. „Lords and empresses in and out of Babylon : the EABIC community and the dialectic of female subordination“. Thesis, SOAS, University of London, 2013. http://eprints.soas.ac.uk/17357/.

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In this thesis, I have questioned the influence of whiteness in the assessment of female subordination in an increasingly neoliberal Caribbean setting. Indeed, due the rigidity of the gendered role attribution on their commune, Bobo Shanti Rastafarians have universally been accused of institutionalising female subordination by most scholars of Rastafari. In Jamaica, where women have traditionally been key agents of their communities, a passive acceptance of a subordinated status can be puzzling. Is androgyny the only means to gender equality? With the caution of strategic gender universalism against cultural relativism, I have endeavoured to analyse gender construction through the standards of this atypical community. It was the first time that a female researcher was immersed in the Bull' Bay community. It was therefore possible to analyse the EABIC livity from a female perspective, a point lacking in most academic publications about Rastafari, the EABIC and gender equality. From this qualitative study, I have suggested that the EABIC can be regarded as a radical social movement where the potential of its members needs to be federated towards the fulfilment of its objectives; creating a system where equal value is placed on defined gendered roles. I have explored three main areas: the EABIC epistemology; the public; then the private spheres of the commune. I have found that nothing in EABIC theology, the EABIC's foundation for knowledge creation, neither justified nor encouraged female subordination. Men and women are considered to be divine. The Universal supports both men and women. If the EABIC does not promote gender equality 'male style', it enforces the paramount importance of male and female agency for the survival of its purpose: Repatriation with Reparation. EABIC empresses' habitus may not fit the western notion of female empowerment; yet their chosen means to exercise agency in their community cannot be diminished.
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Nomura, Ikuyo. „Kazokushi to shite no nyōinron“. Tōkyō : Azekura Shobō, 2006. http://books.google.com/books?id=AKdHAAAAMAAJ.

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Bücher zum Thema "Empressses"

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Two empresses. New York, NY: Kensington Books, 2017.

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McClanan, Anne. Representations of Early Byzantine Empresses. New York: Palgrave Macmillan US, 2002. http://dx.doi.org/10.1007/978-1-137-04469-3.

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Shi er nü huang: Twelve Empresses. Bei jing: Zhong guo you yi chu ban gong si, 2006.

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Empresses and power in early Byzantium. London: Leicester University Press, 2001.

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Wei, Yuqing. Tombs of Ming emperors and empresses. Beijing: Foreign Language Press, 2008.

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Kiki Strike: The empress's tomb. London: Bloomsbury Children's, 2008.

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Five empresses: Court life in eighteenth-century Russia. Westport, USA: Praeger, 2004.

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Empresses, art, and agency in Song dynasty China. Seattle: University of Washington Press, 2010.

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Li, Huishu. Empresses, art, and agency in Song dynasty China. Seattle: University of Washington Press, 2010.

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Hsi-chih, Shang, und Liang Liangxing, Hrsg. Tales of empresses and imperial consorts in China. Hong Kong: Hai Feng Publishing Co., 1994.

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Buchteile zum Thema "Empressses"

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Lim, CJ, und Luke Angers. „The Empress's Myth Blooms“. In Dreams + Disillusions, 41–50. New York: Routledge, 2024. http://dx.doi.org/10.4324/9780429021268-3.

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McClanan, Anne. „Introduction“. In Representations of Early Byzantine Empresses, 1–11. New York: Palgrave Macmillan US, 2002. http://dx.doi.org/10.1007/978-1-137-04469-3_1.

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McClanan, Anne. „Historical Prologue: Women of the Houses of Constantine and Theodosios“. In Representations of Early Byzantine Empresses, 13–28. New York: Palgrave Macmillan US, 2002. http://dx.doi.org/10.1007/978-1-137-04469-3_2.

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McClanan, Anne. „Early Byzantine Steelyard Weights: Potency and Diffusion of the Imperial Image“. In Representations of Early Byzantine Empresses, 29–64. New York: Palgrave Macmillan US, 2002. http://dx.doi.org/10.1007/978-1-137-04469-3_3.

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McClanan, Anne. „The Empress Ariadne and the Politics of Transition“. In Representations of Early Byzantine Empresses, 65–92. New York: Palgrave Macmillan US, 2002. http://dx.doi.org/10.1007/978-1-137-04469-3_4.

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McClanan, Anne. „The Patronage of the Empress Theodora and Her Contemporaries“. In Representations of Early Byzantine Empresses, 93–106. New York: Palgrave Macmillan US, 2002. http://dx.doi.org/10.1007/978-1-137-04469-3_5.

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McClanan, Anne. „Looking at Her: Prokopios Rhetor and the Representation of Empress Theodora“. In Representations of Early Byzantine Empresses, 107–20. New York: Palgrave Macmillan US, 2002. http://dx.doi.org/10.1007/978-1-137-04469-3_6.

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McClanan, Anne. „The Visual Representation of the Empress Theodora“. In Representations of Early Byzantine Empresses, 121–48. New York: Palgrave Macmillan US, 2002. http://dx.doi.org/10.1007/978-1-137-04469-3_7.

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McClanan, Anne. „The Empress Sophia: Authority and Image in an Era of Conflict“. In Representations of Early Byzantine Empresses, 149–78. New York: Palgrave Macmillan US, 2002. http://dx.doi.org/10.1007/978-1-137-04469-3_8.

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McClanan, Anne. „Conclusion“. In Representations of Early Byzantine Empresses, 179–87. New York: Palgrave Macmillan US, 2002. http://dx.doi.org/10.1007/978-1-137-04469-3_9.

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Konferenzberichte zum Thema "Empressses"

1

Guo, Zikai. „Study on Chinese–English Translation of Traditional Chinese Medicine Terms in Empresses in the Palace from the Perspective of the Skopos Theory“. In Proceedings of the 2nd International Workshop on Education Reform and Social Sciences (ERSS 2019). Paris, France: Atlantis Press, 2019. http://dx.doi.org/10.2991/assehr.k.191206.040.

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