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Auswahl der wissenschaftlichen Literatur zum Thema „Embroidery techniques“
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Zeitschriftenartikel zum Thema "Embroidery techniques"
Baykaoglu, Nursel, und Hatice Feriha Akpinarli. „Sample of German embroidery from the hand embroidery applications in the city of Kahramanmaras“. Global Journal of Arts Education 10, Nr. 1 (28.02.2020): 85–92. http://dx.doi.org/10.18844/gjae.v10i1.4793.
Der volle Inhalt der QuelleLarkin, Alison. „Replicating Captain Cook's Waistcoat: Exploring the Skills of a Named Embroiderer during the Eighteenth Century“. Costume 51, Nr. 1 (März 2017): 54–77. http://dx.doi.org/10.3366/cost.2017.0005.
Der volle Inhalt der QuelleDewi, Aisyah Ratna, Heri Soeprayogi und Sri Wiratma. „SULAM MOTIF FLORA DAN FAUNA DITINJAU DARI WARNA DAN KOMPOSISI“. Gorga : Jurnal Seni Rupa 9, Nr. 1 (28.06.2020): 187. http://dx.doi.org/10.24114/gr.v9i1.18792.
Der volle Inhalt der QuelleSari, Anggun Kurnia, Wirdatul Aini und Jalius Jalius. „Hubungan antara Internal Locus of Control dengan Minat Berwirausaha Alumni Pelatihan Bordir di LKP Muslimah Group“. KOLOKIUM: Jurnal Pendidikan Luar Sekolah 6, Nr. 1 (30.04.2018): 39–53. http://dx.doi.org/10.24036/kolokium-pls.v6i1.5.
Der volle Inhalt der QuelleXie, Sisi, und Hyunzin Ko. „Investigation of the Four Chinese Embroidery Techniques : Focused on Xiang Embroidery“. Journal of the Korean Society of Costume 69, Nr. 4 (30.06.2019): 123–40. http://dx.doi.org/10.7233/jksc.2019.69.4.123.
Der volle Inhalt der QuelleShi, Jian Ping. „The Household Textile Bedding Embroidery Design and Expression of Decorative Techniques“. Advanced Materials Research 332-334 (September 2011): 2018–22. http://dx.doi.org/10.4028/www.scientific.net/amr.332-334.2018.
Der volle Inhalt der QuelleLi, Min, und Xiaoyan Zhang. „Research on the Application of Traditional Embroidery Technology in Modern Jewelry Creation“. Journal of Arts and Humanities 6, Nr. 10 (23.10.2017): 07. http://dx.doi.org/10.18533/journal.v6i10.1274.
Der volle Inhalt der QuelleLi, Yuhang. „Embroidering Guanyin: Constructions of the Divine through Hair“. East Asian Science, Technology, and Medicine 36, Nr. 1 (13.08.2012): 131–66. http://dx.doi.org/10.1163/26669323-03601005.
Der volle Inhalt der QuelleGil, Ignacio, Raul Fernández-García und José Antonio Tornero. „Embroidery manufacturing techniques for textile dipole antenna applied to wireless body area network“. Textile Research Journal 89, Nr. 8 (17.04.2018): 1573–81. http://dx.doi.org/10.1177/0040517518770682.
Der volle Inhalt der QuelleZhang, Yuwen. „Research on the Teaching and Learning of Traditional Gold and Silver Color Embroidery Technique for Out-of-school Education -- Taking the Design of Practical Activities of "Inheritance and Innovation of Gold and Silver Color Embroidery" as an Example“. Journal of Educational Theory and Management 2, Nr. 2 (16.04.2018): 55. http://dx.doi.org/10.26549/jetm.v2i2.730.
Der volle Inhalt der QuelleDissertationen zum Thema "Embroidery techniques"
Gardner, Simon Paul. „The use of embroidery techniques in structural composites“. Thesis, University of Nottingham, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.362892.
Der volle Inhalt der QuelleSun, Lushan. „Slow design in Chinese Su Xiu embroidery for apparel: applying silk, cotton, and wool flosses to silk and cotton fabrics with physical resist dyeing techniques using natural dye“. Kansas State University, 2012. http://hdl.handle.net/2097/13704.
Der volle Inhalt der QuelleDepartment of Apparel, Textiles, and Interior Design
Sherry J. Haar
This study was based on the concept of slow design, proposed after the slow food movement. The idea of slowing down production processes and increasing product quality and value suggests an antidote to the fast cycle of the fashion industry. Slow design supports two principals, inheriting tradition and maintaining eco-efficiency, which guided this project. Inheriting tradition is an expression that explores ways to sustain lost art and traditional heritage in our daily lives, as well as develop products that establish personal meaning for the consumer. Maintaining eco-efficiency of product production involves utilization of eco-friendly materials and sustainable approaches to aid in developing a healthier and cleaner ecosystem. The overall goal of this design research was to celebrate and sustain the spiritual and material civilization of the Chinese culture by creating a modern artistic interpretation of Chinese traditional arts using an environmentally conscious approach that was applicable to apparel design. This research created modern surface design on a group of garments from traditional Chinese Su Xiu embroidery, physical resist techniques, and natural dyes. This practice-based research utilized the paradigm of naturalistic inquiry to guide the stages of this project. A progressive design process was adopted in response to the unexpected events in the final artifact development. In the design exploration stage, a color library was created to provide the color story for the final artifacts. Basic Su Xiu embroidery stitches and traditional physical resist techniques were sampled with selected flosses and fabrics. Various samples were critiqued and analyzed to develop three unique techniques from characteristics of traditional Chinese Su Xiu embroidery, physical resist techniques (Zha Jiao, Feng Jiao, pole- wrapping, and Jia Xie), using natural dyeing techniques with woad and madder. Natural dye findings included using madder to overdye woad to adjust or reverse colors and that woad overpowered the effects of iron and acid premordants. The outcome resulted in a water-inspired series of three garments that showed evidence of simplified traditional techniques with reduced production time, energy, and dyeing material while encompassing elements of traditional art using a modern aesthetic. The designs and process were presented in a public exposition.
Gomes, Márcia Cristina Sousa. „O bordado Madeira“. Master's thesis, Universidade de Lisboa, Faculdade de Arquitetura, 2018. http://hdl.handle.net/10400.5/17775.
Der volle Inhalt der QuelleA presente investigação surge da necessidade de preservar a técnica artesanal do Bordado Madeira, técnica esta que acompanha a história da Ilha da Madeira desde a sua povoação e que foi durante várias décadas uma das suas principais indústrias. Atualmente, a produção do Bordado Madeira depara-se com uma situação de crise, com várias fábricas a fechar as portas e com o número de bordadeiras a diminuir. O artesanato é representante da identidade, da sabedoria, da história e da cultura de um determinado povo, tornando-se assim um elemento fulcral para estudar e compreender a forma de viver e a evolução de determinada população. Considerando a sua importância na sociedade, é cada vez mais frequente a utilização do artesanato para diversos fins sociais e projetos interdisciplinares. Deste modo é relevante a preservação do Bordado Madeira. Composto por várias fases, este projeto investigativo inicia-se com uma síntese de informações sobre o Bordado Madeira (história, característica e indústria). Posteriormente, através de uma investigação ativa, aprofunda-se o tema em estudo de uma perspetiva interna, estando em contacto com várias pessoas da indústria e aprendendo pessoalmente as várias fases do processo de produção. Com o intuito de promover e preservar o Bordado Madeira, o processo investigativo resulta no desenvolvimento de uma cápsula de cinco camisas de mulher, cujos bordados representam a situação atual da indústria.
ABSTRACT: The present research arises from the need to preserve the artisanal technique of Madeira Embroidery, a technique that is part of the history of Madeira Island since its colonization and was one of its main industries for several decades. Currently, the production of Madeira Embroidery is facing a crisis, with several factories closing their doors and the number of embroiderers decreasing. Craftsmanship is representative of the identity, wisdom, history and culture of a particular nation, thus becoming a key element for studying and understanding the way of life and evolution of a particular community. Considering its importance in society, the use of crafts for various social purposes and interdisciplinary projects is becoming more frequent. In this way the preservation of Madeira Embroidery is relevant. Developed in several phases, this research project begins with information about the Madeira Embroidery (its history, characteristics and industry). Subsequently, through an active investigation, the Madeira Embroidery is studied in greater depth from an internal perspective, in direct contact with several people in the industry and learning personally the various phases of its production. With the aim of promoting and preserving the Madeira Embroidery, the investigative process results in the development of a capsule of five women’s embroidered shirts, each embroidery design representing an existing situation of the industry.
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Winther, Leslie. „Från Japan till Sundborn : En undersökning av Karin Larssons textilier“. Thesis, Uppsala universitet, Konstvetenskapliga institutionen, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-435083.
Der volle Inhalt der QuelleDyer, Mary Anne. „Threads of Time: Technique, Structure and Iconography in an Embroidered Mantle from Paracas“. VCU Scholars Compass, 1996. http://scholarscompass.vcu.edu/etd/1501.
Der volle Inhalt der QuelleLI, CHUN-I., und 李俊毅. „The Embroidership / Practical Research of Traditional Embroidery Techniques and Innovative Application of Hand-made Embroidery Crafts to Fashion“. Thesis, 2018. http://ndltd.ncl.edu.tw/handle/a5ypx6.
Der volle Inhalt der Quelle實踐大學
服裝設計學系碩士班
106
The Fashion industry contains a wide range of fields, inclusive of design, pattern making, manufacturing, and marketing. Each of them is worth tons of in-depth researches to explore and extract its essences. This thesis basically probes into manufacturing field and especially focuses on subfields such as garment processing and craftsmanship, and how to apply both to fashion design. By integrating Taiwanese traditional embroidery arts and techniques with modern fashion design, the author aims to conserve cultural legacy and apply it to re-creation in order to enhance added value of fashion design. This thesis uses qualitative research methods. It is divided into three main stages: the heritage, the trial-and-error experiment, and the fashion design to plan theoretical verifications and executions. Firstly, the heritage illustrates the fact that the author was headed back to his hometown, Tainan, to sit at the feet of Yu Chung Lin, a master of embroidery arts who ran The Kuang-Tsai embroidery. Though practical training of embroidery skills, the author learned the essences of traditional embroidery arts and laid the foundations of his creations. Then, the trial-and-error experiment is about integrating traditional embroidery techniques with modern aesthetics to create serial embroidery works. Lastly, as the conclusion of previous two stages, the fashion design is based on The Three Concepts of Artistry: Image, Shape, and Color. The author adopts traditional patterns, insists practicing traditional moulding skills, and switches from colorfulness to monochrome to concretize his own imagination of modern embroidery. He put efforts in using his works as a medium to recreate embroidery arts of Taiwan temple and local craftsmanship in a fashionable light.
Yen, Chiuan-Liang, und 顏銓良. „A Study in Applying the Cultural Images of Matsu Embroidery Techniques in Modern Fashion Design“. Thesis, 2014. http://ndltd.ncl.edu.tw/handle/05014657754033446002.
Der volle Inhalt der Quelle樹德科技大學
應用設計研究所
102
This study is going to discuss the culture of Mazu belief and attempting to use the development in cultural and creative design to refine the essence of it. By researching the fundamental ideas of the culture deeply and digging the historic stories and meanings, the processes make the creative designs able to transfer the culture functionally and valuably. This study analyzed step by step; it deconstructed and organized from those images in Mazu belief. Through the extraction of the cultural elements, we reconstruct symbols and combine them with the indispensable embroidery techniques in Mazu culture. These complex designs which are used the cultural symbols into both embroidery and print techniques and I aim to apply the classic traditional images on the modern costume design.
Marešová, Kateřina. „Techniky a symbolismus dekorování dvorských oděvů se zaměřením na ženské oděvy období Čoson“. Master's thesis, 2017. http://www.nusl.cz/ntk/nusl-369945.
Der volle Inhalt der QuelleChang, Chia-Kai, und 張家愷. „A Non Photorealistic Rendering Technique with The Chinese Embroidery Style“. Thesis, 2003. http://ndltd.ncl.edu.tw/handle/52833080118980594878.
Der volle Inhalt der Quelle國立東華大學
資訊工程學系
91
We present a non photorealistic rendering method with the Chinese embroidery style. In our proposed method, every stitch is represented by a stitch pattern. We use a 3D object or a color image as our input, and figure out several rules of embroidery skills in our method. The input data may be preprocessed if the applied skill needed. This method uses a texture mapping skill to prevent the complex calculation of yarn presentation. As the experimental results shown, the proposed method has good visual effect.
Bücher zum Thema "Embroidery techniques"
18th century embroidery techniques. Lewes [England]: Guild of Master Craftsman, 2012.
Den vollen Inhalt der Quelle findenCampbell-Harding, Valerie. Machine embroidery: Stitch techniques. London: Batsford, 1989.
Den vollen Inhalt der Quelle findenBarışta, Örcün. Techniques from Turkish embroidery. Ankara: Gazi University, Informal Vocational Education Faculty, 1997.
Den vollen Inhalt der Quelle findenElder, Karen. Embroidery: Projects, techniques, motifs. London: Quadrille, 1995.
Den vollen Inhalt der Quelle findenTryde, Sandeman Pia, und Country Living, Hrsg. Embroidery: Projects, techniques, motifs. London: Quadrille, 1998.
Den vollen Inhalt der Quelle findenTamura, Shuji. The techniques of Japanese embroidery. Iola, WI: Krause Publications, 1998.
Den vollen Inhalt der Quelle findenThe techniques of Indian embroidery. Loveland, Colo., USA: Interweave Press, 1995.
Den vollen Inhalt der Quelle findenBrown, Pauline. The encyclopedia of embroidery techniques. London: Headline, 1994.
Den vollen Inhalt der Quelle findenMachine embroidery: Ideas and techniques. London: Batsford, 1992.
Den vollen Inhalt der Quelle findenThe encyclopedia of embroidery techniques. East Roseville, N.S.W: Simon and Schuster, 1994.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Embroidery techniques"
Schade, Mirko. „Embroidered Semi-finished Products and Embroidery Techniques“. In Textile Materials for Lightweight Constructions, 347–60. Berlin, Heidelberg: Springer Berlin Heidelberg, 2016. http://dx.doi.org/10.1007/978-3-662-46341-3_10.
Der volle Inhalt der QuelleZeng, Lanjian. „Digital Protection and Development of Intangible Cultural Heritage Gan Embroidery Based on Digital Technology“. In 2021 International Conference on Applications and Techniques in Cyber Intelligence, 803–11. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-79200-8_120.
Der volle Inhalt der QuelleTaylor, A. „Digital embroidery techniques for smart clothing“. In Smart Clothes and Wearable Technology, 279–99. Elsevier, 2009. http://dx.doi.org/10.1533/9781845695668.3.279.
Der volle Inhalt der Quelle„Material, Colour, Technique and Designs“. In Embroidered Histories, 74–79. Wien: Böhlau Verlag, 2016. http://dx.doi.org/10.7767/9783205203605-009.
Der volle Inhalt der QuelleYaniv, Bracha. „Chapter Two Fabrics and Techniques“. In Ceremonial Synagogue Textiles, übersetzt von Yohai Goell, 41–84. Liverpool University Press, 2019. http://dx.doi.org/10.3828/liverpool/9781906764180.003.0002.
Der volle Inhalt der QuellePatrón, Lourdes Rejón. „Tastes, Colors, and Techniques in Embroidered Mayan Female Costumes“. In Crafting Gender, 220–36. Duke University Press, 2003. http://dx.doi.org/10.1215/9780822384878-011.
Der volle Inhalt der Quelle„Tastes, Colors, and Techniques in Embroidered Mayan Female Costumes“. In Crafting Gender, 220–36. Duke University Press, 2020. http://dx.doi.org/10.1515/9780822384878-013.
Der volle Inhalt der QuellePATRÓN, LOURDES REJÓN. „Tastes, Colors, and Techniques in Embroidered Mayan Female Costumes“. In Crafting Gender, 220–36. Duke University Press, 2003. http://dx.doi.org/10.2307/j.ctv11314qf.15.
Der volle Inhalt der Quelle„the novel, to the embroidered message in Ethiopian hieroglyphs which Persinna exposed with her daughter and which remained unread until Kalasiris tracked her down in Delphi and deciph ered it: Above all, be sure to find among the treasures that I laid beside you a certain ring. Keep it by you always. It was a gift that your father gave me during our courtship, engraved all around with the royal crest and set with a pantar be jewel that endows it with holy, mystic powers. (4.8.7) These holy, mystic powers are unspecified.9 Nevertheless, the mere mention of them would lead a competent reader to surmise that the plot would exploit them sooner or later, and an exceptionally alert reader might beat the author to the connection in Book 8. It is not difficult to find other sections within the narrative of the Aithiopika which are constructed as riddles, a vital piece of information being kept back and then released as an answer. Two more examples can be mentioned briefly, both from the ninth book, whose military subject matter could easily lead to the false assumption that its narrative technique is simple. Oroondates is besieged by the Ethiopians in Syene. He parleys with them, and secures their permission to send two envoys to his troops at Elephantine, ostensibly to negotiate their surrender at the same time as his. His real motives are not divulged, nor are they when he makes an apparently impossible break-out and stealthily enters Elephantine by night (9.7ff.). The riddle set is: what is his plan?, and, as is by now familiar, the reader’s ignorance is produced by the exploitation of partial in-text viewpoints. In this case all Oroondates’ actions are described as seen by the Ethiopians with out authorial explanation. Some additional clues are given later in the narrative, but the full answer is withheld until the moment when the Persian army from Elephantine suddenly turns up with Oroondates at its head (9.13), at which point the omniscient nar rator intervenes to fill in the gaps he had left in his own narrative. There ensues a battle, in which the Persians have a seemingly decisive weapon, their armoured cavalry. A lengthy description stresses the totality of the protection of both rider and horse and the awesome power of their arms (9.15). Against them Hydaspes stations troops of the Blemmyes and Seres, two subject nations, with special instructions which are not communicated to the“. In Greek Literature in the Roman Period and in Late Antiquity, 325. Routledge, 2014. http://dx.doi.org/10.4324/9780203616895-40.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Embroidery techniques"
Lee, Yi-Chin, und Daniel Cardoso Llach. „Hybrid embroidery“. In SIGGRAPH '20: Special Interest Group on Computer Graphics and Interactive Techniques Conference. New York, NY, USA: ACM, 2020. http://dx.doi.org/10.1145/3386567.3388575.
Der volle Inhalt der QuelleWolz, Ursula, Michael Auschauer und Andrea Mayr-Stalder. „Programming embroidery with turtlestitch“. In SIGGRAPH '19: Special Interest Group on Computer Graphics and Interactive Techniques Conference. New York, NY, USA: ACM, 2019. http://dx.doi.org/10.1145/3306306.3328002.
Der volle Inhalt der QuelleLiu, Ying, Jared Wright und Alexander Alvarado. „Making Beautiful Embroidery for “Frozen 2”“. In SIGGRAPH '20: Special Interest Group on Computer Graphics and Interactive Techniques Conference. New York, NY, USA: ACM, 2020. http://dx.doi.org/10.1145/3388767.3407360.
Der volle Inhalt der QuelleLiu, Yulong, Lulu Xu, Yi Li und Terry Tao Ye. „Textile Based Embroidery-Friendly RFID Antenna Design Techniques“. In 2019 IEEE International Conference on RFID (RFID). IEEE, 2019. http://dx.doi.org/10.1109/rfid.2019.8719270.
Der volle Inhalt der QuelleChen, Yan. „Application research on computer modeling techniques in Miao embroidery“. In 2013 International Conference on Sport Science and Computer Science. Southampton, UK: WIT Press, 2014. http://dx.doi.org/10.2495/cccs130371.
Der volle Inhalt der QuelleWhittow, William G. „3D printing, inkjet printing and embroidery techniques for wearable antennas“. In 2016 10th European Conference on Antennas and Propagation (EuCAP). IEEE, 2016. http://dx.doi.org/10.1109/eucap.2016.7481266.
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