Thematische Bibliographien / Elements of courtyard house

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Auswahl der wissenschaftlichen Literatur zum Thema „Elements of courtyard house“

Autor: Grafiati

Veröffentlicht am 25. Juni 2021

Zuletzt aktualisiert am 18. Februar 2022

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Zeitschriftenartikel zum Thema "Elements of courtyard house"

Jiang, Shou Zhong, Zhi Yi Wang und Jian Jun Li. „Modeling & Field Test of Dwelling with Courtyard Summer Thermal Environment“. Applied Mechanics and Materials 193-194 (August 2012): 1061–64. http://dx.doi.org/10.4028/www.scientific.net/amm.193-194.1061.

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Chinese historical experience of constructing buildings merits attention. As the main and typical kind of Chinese traditional residential building, the dwelling with courtyard is “cool in summer”. However, less research on the thermal performance of dwelling with courtyard has been available in public literature. In this paper, based on the systematic analysis on various related elements, the physical and mathematical model of the air temperature distribution is set up. It is proved by the fieldwork measurement and computer simulation that the shielding effect of the aisle, side house and the long-narrow structure are the main reasons for the low temperature in courtyard.

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Vatamaniuk, Nataliia. „DEFINITION OF THE INTRA QUARTER SPACES AND THEIR FUNCTIONS IN THE PLANNING STRUCTURE OF HISTORICAL CITIES“. Current problems of architecture and urban planning, Nr. 58 (30.11.2020): 48–55. http://dx.doi.org/10.32347/2077-3455.2020.58.48-55.

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The article gives the definition of intra quarter spaces using the example of the historical city of Chernivtsi. The main functions of residential courtyards as elements of the urban planning structure are determined. To define the concept of «intra quarter space», we can turn to several foreign and domestic researchers, architects, city planners. For example, the theorist and architect A. Gutnov characterized the yard as a clearly fixed, closed space. Courtyards were connected by arches or through passages, forming a complex system of intra quarter spaces, which in some cases penetrated large areas of the city [3]. Architect R. Krier in his works on the morphology of urban space defined the interior spaces of historic quarters as protected from the weather and the environment of the territory, which became the appropriate symbols of the private sphere of life [12]. Summarizing all the above statements, we can give a general definition for «intra quarter spaces», that it is an independent, complex-functional structure that provides communication: the house – the courtyard – urban areas. Exploring the intra quarters of the city of Chernivtsi, we can identify the following functions of the courtyards: insulating function, which serves as protection against unplanned intrusion of «strangers» or vehicles into the yard; household function, which includes meeting the needs of residents of nearby houses; trade function, is the creation in the volumes of the first floors of various commercial premises; the function of communication, which plays a socio-psychological role of adaptation of residents to the urban environment; sanitary and hygienic function, including landscaping, the need for insolation, wind and snow protection of the courtyard, etc. aesthetic function that provides visual comfort from objects of small architectural forms, landscaping (lawns, flower beds), murals on empty walls, etc. game function and sports and health function.

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Meyza, Henryk. „Nea Paphos. Seasons 2012 and 2013“. Polish Archaeology in the Mediterranean XXIV, Nr. 1 (28.02.2016): 443–52. http://dx.doi.org/10.5604/01.3001.0010.0086.

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Excavation at the site of the so-called Hellenistic House in Nea Paphos in 2012 and 2013 was focused on the main courtyard (1) and the southern portico (R.3). The architecture collapsed in an earthquake in the 2nd century AD. Blocks and architectural elements formed an oblong tumble extending across the courtyard, apparently already not in their original position save for some entablature blocks of the eastern peristyle, and two acroteria with symbols of Dioskouroi, a pilos with a superimposed star, and at least two column shafts belonging to the southern peristyle. The cistern under the southeastern part of the courtyard had two successive well-heads, one (the later one) uncovered earlier, the other 2.02 m to the northwest, the top of which collapsed into the cistern. The disturbed fill from the courtyard surface included a mold for sling bullets with decoration in the form of a scorpion in relief and fragments of “Nabatean” capitals belonging to a variant showing schematic volutes.

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Çeliker, Afet, Banu Tevfikler Çavuşoğlu und Zehra Öngül. „Comparative Study of Courtyard Housing using Feng Shui“. Open House International 39, Nr. 1 (01.03.2014): 36–47. http://dx.doi.org/10.1108/ohi-01-2014-b0005.

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Cosmology is of essence for the life of traditional man not only to live in a meaningful universe, but to bound himself with the universe to achieve well-being as well. Architecture is a way of creating spaces through generic forms and symbols to attain this unity of man and the universe. This article interprets the courtyard house which is a well known archetype of spiritual and celestial qualities and has symbolic generic forms through the perspective of theory and practice of feng shui which is an ancient Chinese philosophy, based on the understanding of physical configuration of geographical settings and application of its principles to the built environment. The courtyard houses represented for this article are chosen on a linear axis starting from Cyprus, passing through Syria, Iraq, Iran, Afghanistan, Pakistan, India, and ending at China. In this article, principles of feng shui are selected and formulated to create an evaluation model showing entrance-courtyard relation, building shape, water element, room arrangement, and door alignment and circulation. Based on this evaluation model, the essential aspects of well-being have been revealed through the elements of architecture. In that sense, this article presents the opportunities and possibilies of an ideal plan layout by bringing an awareness to the cosmology and feng shui to achieve well-being.

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SMADYCH, I. „RESEARCH OF SOCIAL ACTIVITY OF INTERIOR SPACES IN ARCHITECTURAL SOLUTIONS OF RESIDENTIAL HOUSES“. Ukrainian Journal of Civil Engineering and Architecture, Nr. 2 (23.08.2021): 99–105. http://dx.doi.org/10.30838/j.bpsacea.2312.270421.99.756.

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Formulation of the problem. Social activity in the adjacent areas of multi-apartment residential buildings is one of the key elements of life in the city and an indicator of successful architectural and planning solutions. Despite the active growth in the sphere of housing construction in Ukraine and the improvement in the quality of architectural solutions for the courtyards of multi-apartment residential buildings, there is a different social activity of residents within the local area. The purpose of the article is to determine the parameters that affect the social activity and comfort of people in the courtyards of apartment buildings and ways to take them into account in design solutions. Conclusions. In the course of the analysis of scientific research on the subject of house spaces and social activity of city residents, it is highlighted that the issues of social activity of residents is a multifactorial task that is influenced by a whole variety of both architectural-spatial and socio-psychological characteristics. By comparative analysis of the adjacent territories of Ivano-Frankivsk with similar architectural and spatial indicators and different levels of social activity, it was determined that these courtyards differ in the general indicator of the time a person spends on their territory and the dispersion of people across the site. To assess individual indicators and formulate recommendations for the socio-psychological comfort and attractiveness of the courtyard, the method of constructing the McKinsey / General Electric matrix was used, which was interpreted to solve architectural problems. The main vectors for constructing this matrix are “socio-psychological comfort” and “attractiveness of architectural and spatial solutions”. Using the method of expert assessments, the location of each of the studied courtyards was determined on the general field of the matrix, namely: the courtyard area of the Kalinova Sloboda residential complex is located in the field “Effective design solution”; residential complex “Lipki”, in the field “Architectural solution requires improvement at all stages”, which confirms the difference in social activity in the adjacent areas of these courtyards. Therefore, this research algorithm can be applied even at the design stage to check the social comfort and attractiveness of design solutions.

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Long, L., Z. Gan, D. Zhang und G. Semprebon. „STUDY ON THE CHARACTERISTICS OF HMONG MINORITY'S VERNACULAR DWELLINGS AT HUAYUAN COUNTY IN XIANGXI AREA (CHINA)“. ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLIV-M-1-2020 (24.07.2020): 57–63. http://dx.doi.org/10.5194/isprs-archives-xliv-m-1-2020-57-2020.

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Abstract. Hmong vernacular dwellings are an indispensable and essential branch of traditional Chinese architecture, which bears the profound history of the integration of minority culture and Han culture for thousands of years. As a typical representative of the Hmong settlement in China, the Hmong Village in Huayuan County, western Hunan Province, has the distinct characteristics of respecting nature and making good use of terrain in the construction of vernacular dwellings, which embodies the unique regional, historical, cultural and national character. Firstly, the article analyzes the influence of terrain, landform, climatic environment, historical culture, and social structure on the layout, shape, and materials of the rural homes of the Hmong people in Huayuan County. Secondly, by analyzing the elements of the courtyard space, the layout characteristics of the courtyard, and the organization mode of the courtyard group, the overall spatial characteristics of the residential courtyard are analyzed. At the same time, from the perspective of a single residential house, to sort out the characteristics of its type as well as the floor plan, building structure, material colour, and detailed decoration. Finally, it emphasizes that the Hmong vernacular dwellings in Huayuan County, embody the distinctive cultural connotation of the Hmong nationality, and show the unique aesthetic and romantic sentiment of the Hmong vernacular architecture to the world.

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Bąkowska-Czerner, Grażyna, und Rafał Czerner. „House H9 from Marina el-Alamein – a Research Summary“. Światowit, Nr. 58 (14.09.2020): 73–86. http://dx.doi.org/10.31338/0082-044x.swiatowit.58.5.

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Studies on the relics of the Hellenistic-Roman town at the site of Marina el-Alamein in Egypt have been carried out since 1986. House H9 was one of the first buildings to be excavated, investigated, and preserved through conservation. Successive research has supplemented the previous studies. The house is one of the largest and earliest features at the site. In the context of Marina, it is more firmly embedded in the Greek-Hellenistic tradition, yet also refers to Roman solutions. It is a house of the oikos type, featuring a courtyard with two porticoes situated asymmetrically perpendicular to each other. Elements referring to the Greek systems of prostas and pastas can be discerned in the layout. The research focused on domestic cult as well as elements and character of the decor, including painted interior decoration. Architecture and home furnishings document civilisational changes at the cultural touchpoint between the Greek and Roman traditions.

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Farzaneh, A. „HOW TO COPE WITH HEAT AND COMBINED WITH HOT AND DRY CLIMATE IN CHAHAR-SOFE (FOUR-SIDED) HOUSES OF THE ZOROASTRIAN VILLAGE OF MAZRAEH KALANTAR, YAZD, IRAN“. ISPRS - International Archives of the Photogrammetry, Remote Sensing and Spatial Information Sciences XLIV-M-1-2020 (24.07.2020): 219–26. http://dx.doi.org/10.5194/isprs-archives-xliv-m-1-2020-219-2020.

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Abstract. The body of every village like Mazraeh Kalantar village was formed based on geographical, economic and cultural factors. The geographic factor itself consists of two categories, namely artificial geography and natural geography. Many factors can be classified under the heading of natural geography. In the field of physical architecture, the focus is mostly on climate factors, such as water, wind, cold, heat, humidity, sunlight, shape and the substances of the land. The Zoroastrian Village of Mazraeh Kalantar is located in the Meybod city (Yazd, Iran) and a hot and dry area. There are Chahar-Sofe (four-sided) houses in this village and various methods and considerations have been proposed to prevent the sunlight in these houses; therefore, in this study, in order to find the solutions for coping with heat and Combined with dry and hot climate in Chahar-Sofe houses of the Mazraeh Kalantar village, five houses have been investigated. Some of these solutions include: selecting the right geographical location, creating sofe (porch), Creating shadows, choosing a suitable type, colour, and size for the building materials, choosing the right type of roof covering, central courtyard, having the suitable architectural body and mass for houses, etc. These items show how much environmental factors, especially the climate of a village, can affect every aspect of a house, including: the type of home materials, the physics and shape of the house, elements of the home, how the house is Geographic orientation and the spaces inside it, etc.

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Feng, Huichao, und Jieling Xiao. „Dynamic Authenticity: Understanding and Conserving Mosuo Dwellings in China in Transitions“. Sustainability 13, Nr. 1 (25.12.2020): 143. http://dx.doi.org/10.3390/su13010143.

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Mosuo dwellings are distinctive vernacular architecture forms that are shaped by the unique matriarchal society of Mosuo in Southwest China. They have undergone dramatic transformations during the 21st century as a result of modernization and tourism. There is a lack of theoretical and empirical studies regarding the impact on the authenticity. This paper aims to fill this gap and develops a theoretical framework—cultural architectural assets—to understand and interpret the transitions of Mosuo dwellings and their authenticity in transitions. Adopting an anthropological methodology approach, this article examines the changes and continuities of Mosuo dwellings during the last thirty years. Fieldwork was conducted in nine Mosuo villages in Yongning Township through a range of qualitative methods, including participatory observations, photographic survey and photo elicitation interviews. The investigation results revealed cultural-architectural elements that are continued in the transitions include the courtyard form, the sacred chamber and the grandmother’s house; cultural-architectural elements that are changing include the flower house and grass house; cultural-architectural elements that are disappearing include the back room (Dupan) and the upper hearth in the grandmother’s house as well as the wooden shingle roof. As a result, the study constructs a conservation approach for sustainable development in three dimensions: living culture, building culture and values and beliefs. This analytical framework can be adapted to be applied to different contexts as a sustainable approach for the conservation and development of vernacular architecture in transitions.

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Sušanj Protić, Tea. „Renesansna kuća Moise u Cresu - rezultati konzervatorskih istraživanja 2011. godne“. Ars Adriatica, Nr. 4 (01.01.2014): 283. http://dx.doi.org/10.15291/ars.501.

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The Renaissance residential architecture in the town of Cres is represented by a small number of preserved houses (palazzetti) of the local nobility which are attributed to the established stone-cutting workshop grouped around master Francesco Marangonich, a Lombard stone-cutter who arrived at Cres from the building sites of Venice and introduced Renaissance stylistic elements on the Quarnero islands. The best-known Renaissance residential building at Cres is the Marcello-Petris house which was built in the 1510s for the Minister Provincial and Bishop, Friar Antun Marcello-Petris. The Renaissance houses of the Cres nobility are characterized by their relatively large size, ashlar masonry, and the strict rhythm of the decorated openings on the representative facades. One of such buildings is the Moise house, situated in the medieval centre of the town, at a prominent site where the two main streets of the time crossed. Documents from the archive of the Franciscan monastery at Cres witness that in 1441, “Ser Andrea Moisenich” exchanged a garden for the house of “Nobilis Ser Stefano de Petris”, who had the Petris palace built before 1405, meaning that the present-day Moise house might be identified with the old Petris palace. It features the coats of arms of these two families from the same period, and, therefore, it could have functioned as a shared residence of both families, which was frequently the case in Venice, for example, when it came to large palaces with two residential floors and two courtyards, which are both elements of the Moise house. The Moise house is the largest residential building of Renaissance Cres and, through its size, it can be compared to prominent examples of large palaces in Dalmatian towns. It has not been the subject of scholarly and expert research because of its many alterations, the relatively poor preservation of its original features, and the loss of its representative appearance, all of which means that its basic characteristics remained unknown. Conservation works revealed the layout of its ground plan and established that it was conceived as an emulation of the Venetian model, with a central hall and four lateral chambers. These features set the Moise house apart from other Renaissance residential buildings at Cres as the only one which adopted and displayed the high Renaissance symmetry of ground plan, which is also reflected on the representative facade. Analysis of the plaster samples taken from the walls has resulted in their stratigraphy, which confirms the hypothesis that all the walls of the central salone were painted a secco in the seventeenth century.The conservation works carried out on the representative facade unveiled the position of the Renaissance windows, which indicates that the articulating rhythm was two single-light windows – a double-light window – two single-light windows, which was corroborated by the discovery of the dressed inner window splays. Such an arrangement was common practice in Venetian Gothic residential architecture but, in the territory of present-day Croatia, it gained prominence only in the Renaissance, and the Moise house is the only example of this at Cres. The second floor of the Moise house repeated the plan of the first, which implies that originally there would have been two sumptuous storeys. The vaulted rooms on the ground floor did not communicate with one another but formed separate units in a direct relationship with the street or courtyards and it is likely that they had a utilitarian function as shops or storage spaces, having no vertical communication inside the house with the residential floors, which were connected by means of a single flight staircase. The building had two representative courtyards; the west one gave way to subsequent additions but it was recorded in the Land Registry as early as 1821. On the ground floor, the courtyard had a porch with two arches above which was a gallery with a balustrade, traces of which were discovered through test-probes in the floor. In the small east courtyard, the remains of the Renaissance porch, supported by the excellently carved pillars have been preserved, while in the floor under the staircase vault, a circular, finely-dressed stone opening belonging to a well was found; its well head is today located on the ground floor of the house. The two representative courtyards are an exception in the densely-knit urban texture of Cres, which places the Moise house in a wider context of Renaissance residential architecture in the Adriatic. Its local variety would be the positioning of the well under the vault of the staircase, which is characteristic of the vernacular architecture in medieval Cres. In comparison to other similar buildings at Cres, the Moise house is unique in that it is the only Renaissance house of the nobility with a regular plan; other Renaissance houses are of a mostly irregular quadrangular plan, including the most representative example of the palazzetto of the Cres nobility, the Marcello-Petris house. The Moise house is also the only building to have a symmetrical interior layout, which resonates with the symmetrical articulation of the representative facade, while in the case of the Marcello-Petris house, the consistent rhythm of the richly decorated windows in the south facade are a screen of sorts placed before the asymmetrically-arranged interior space.The construction of such a large building, at a dominant position in the medieval core can be explained by the role of the original commissioners, the Petris family, as the most prominent noble family at Cres, while the credit for the contemporary Renaissance organization of the interior – with the only extant example of a central representative hall in the Renaissance residential architecture at Cres – belongs to the builders, who had already demonstrated knowledge of contemporary Venetian models on the well-known portal of the collegiate church at Cres.The Moise house was marginalized in previous overviews of the Renaissance residential architecture because of the modest state of preservation of its Renaissance stone sculpture. The results of the conservation works, and the analysis of the spatial organization, ground plan, and location of this building, but also the analysis of historical records, should contribute to a clearer perception of the Moise house in the context of the fifteenth- and sixteenth-century residential architecture on the east Adriatic coast, and to a re-assessment of its diminished representative importance, the value which is hidden in the architectural structure, concept and context, within the frame of the urban texture of medieval Cres.

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Dissertationen zum Thema "Elements of courtyard house"

Aldaher, Sébastien. „An Attempt to Set A design Base for post-conflict housing in the historic core of Homs, Syria“. Thesis, Malmö universitet, Institutionen för Urbana Studier (US), 2021. http://urn.kb.se/resolve?urn=urn:nbn:se:mau:diva-44261.

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The built environment in the old city of Homs has been brutally destroyed by the conflict in Syria. The research gap in post-conflict planning and architectural design in the old city of Homs is alarming as it indicates that there are no clear roadmaps on how to deal with post-conflict housing units in such a historic area. This study aims to investigate the possible design basis of housing typologies and plans for the housing units in the old city after the conflict. This study is primarily based on a literature review and extensive discussions with a specialist architect from the city of Homs, who helped to gain a deeper understanding of how to approach such a topic. The literature review deals with the historical Arab cities’ components and the elements of courtyard houses both in general and in the old city of Homs in particular. Likewise, it looks at the city’s urban plans and building code and their shortcomings and highlights the current conditions there. It also highlights proposed strategies for post-conflict construction and discusses them. The findings of the study propose a design ideology for reconstruction strategies and translate these ideologies and findings from the literature into a practical design of typologies placed on a proposed plot of land in the old city, along with a proposal of what the plans of these houses might look like.

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AL-HALIS, IYAD. „ENERGY EFFICIENT COURTYARD HOUSE DESIGN“. The University of Arizona, 2001. http://hdl.handle.net/10150/555284.

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Srinivasan, Sai Keerthana. „Thotti Mane - Nn Indian Courtyard House in Blacksburg“. Thesis, Virginia Tech, 2018. http://hdl.handle.net/10919/85964.

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Having grown up in a India, the importance of the courtyard was imbedded in the very essence of the understanding the architecture of a house.The project started of with the intention of designing a courtyard house, and eventually evolved to a house based on the principles of Indian building norms and cultures that have been cultivated for centuries. The fact that it is designed in the setting of Blacksburg, Virginia, these norms and cultural aspects were modified to suit the context of its surroundings. The projects resolves itself through details of practical elements that are romantisized by implementation of Indian building traditions and everyday rituals while the structural aspects of the house was made to reflect the local practices and methods.
Master of Architecture

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Bagneid, Amr. „The creation of a courtyard microclimate thermal model for the analysis of courtyard houses“. [College Station, Tex. : Texas A&M University, 2006. http://hdl.handle.net/1969.1/ETD-TAMU-1662.

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del, Castillo Jorge. „Habitable Walls, Courtyard Homes in Urban Places“. Thesis, Virginia Tech, 2000. http://hdl.handle.net/10919/31169.

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In the United States, the living urban environment in the last two centuries has almost completely disappeared. Dense urban environments as viable and normal places to live have become a thing of the past. Living in the suburbs has become the trend and everyone has looked to the outskirts of the city to live. Downtown areas have become a place to work, and the suburbs a place to live. Downtowns have become ghost towns during the evenings, while little communal interaction can be found in the suburbs due to its inhuman scale and automobile dependence. Developers have marketed suburban living for their profits, offering no other alternative housing between suburban and urban living cores as they exist today. This thesis will explore an alternative prototypical housing type to promote vitality and livability in urban environments today.
Master of Architecture

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Gupta, Rupa Raje. „The Wada of Maharashta, an Indian courtyard house form“. Thesis, Cardiff University, 2007. http://orca.cf.ac.uk/55688/.

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This study of the Wada of Maharashtra (India) attempts the first systematic overview of the courtyard house form in the present day state of Maharashtra, across its five traditional regions. Between 1700 AD and 1900 AD the wada received royal patronage and proliferated. It was first the Marathas, and later their successors the Peshwas, who patronized this house form which was found not only in Maharashtra but areas around as well, where their rule spread. Previous scholarships concentrated on small geographical regions, whereas this study attempts to evaluate the generalities and the variations across the entire state of Maharashtra. Regional and social variations have been identified while documenting 75 wadas across the five traditional regions of the state, covering over 30 towns. The data is organized in regional and sociological typologies, arriving at a classification of images, plans, sections and elevations. From this classification, the variables and commonalities become evident. These typologies have been studied in relation to the town plan, establishing a link with the broader urban context. Reasons for the development of the plan, its continuity and disruption, have been examined, while considering the determinants of space and form. Socio cultural, historical and geographical factors have been taken into account to understand their implications on space and form. The

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Prasad, Sunand. „The havelis of north India : the urban courtyard house“. Thesis, Royal College of Art, 1988. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.425031.

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Chen, Yijian. „Modern Translation of GuanZhong Narrow Courtyard“. Thesis, KTH, Arkitektur, 2019. http://urn.kb.se/resolve?urn=urn:nbn:se:kth:diva-261648.

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Guanzhong narrow courtyard is a traditional architecture form of family house in Guanzhong area in China. This project will be dedicated to my grandmother. She used to live in such house for decades. Although she has moved to city long ago, she is still missing the life in such narrow courtyard house. Unfortunately the old house has been teared down just like most of them in Guanzhong area. So I would like to design a new house for her and explore a way to translate the traditional architecture form into a modern building.

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Qian, Min Angel. „Transformation of traditional village and courtyard house : the design and planning for the house prototype in Qiangang Village /“. Hong Kong : University of Hong Kong, 2002. http://sunzi.lib.hku.hk/hkuto/record.jsp?B25954696.

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Thesis (M. Arch.)--University of Hong Kong, 2002.
One chapter in both English and Chinese. Includes special report study entitled: Comparison of vernacular houses between new and old in the Chinese countryside. Includes bibliographical references.

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Qian, Min Angel, und 錢閩. „Transformation of traditional village and courtyard house: the design and planning for the house prototype inQiangang Village“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2002. http://hub.hku.hk/bib/B31986742.

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Bücher zum Thema "Elements of courtyard house"

The Indian courtyard house. New Delhi: Prakash Books, 1999.

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1935-, Krishnankutty Gita, Hrsg. Naalukettu: The house around the courtyard. New Delhi: Oxford University Press, 2008.

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Blaser, Werner. Courtyard house in China: Tradition and present = Hofhaus in China : Tradition und Gegenwart. 2. Aufl. Basel: Birkhäuser, 1995.

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Blaser, Werner. Courtyard house in China: Tradition and present = Hofhaus in China : Tradition und Gegenwart. 2. Aufl. Basel: Birkhauser, 1995.

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Lived heritage, shared space: The courtyard house of Goa. New Delhi: Yoda Press, 2008.

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The courtyard house: From cultural reference to universal relevance. Surrey, UK, England: Ashgate, 2009.

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Per, Brauneck, Hrsg. Courtyard houses: A housing typology. Basel: Birkhäuser, 2008.

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author, Voelkel Maike, Kathmandu Valley Preservation Trust und Patan Royal Palace Restoration and Conservation Project, Hrsg. Sundari Cok: Condition report of the wooden carved elements in the courtyard. Kathmandu: Kathmandu Valley Preservation Trust, 2007.

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Kieran, Stephen. Loblolly House: Elements of a new architecture. New York: Princeton Architectural Press, 2008.

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Canet, Sherrill. A la carte: The elements of an elegant house. New York: Pointed Leaf, 2010.

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Buchteile zum Thema "Elements of courtyard house"

Tavassoli, Mahmoud. „Organic Unity Between Urban and Architectural Elements: Urban Blocks, Courtyard Houses, Ivans, Domes, and Wind Catchers“. In Urban Structure in Hot Arid Environments, 107–38. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-39098-7_6.

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Chen, Shu-Yi. „Leeyuan: An Adaptive Courtyard House“. In East Asian Architecture in Globalization, 440–52. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-75937-7_33.

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Branch, Alan E. „Customs house and ships’ papers“. In Elements of Shipping, 91–105. Boston, MA: Springer US, 1996. http://dx.doi.org/10.1007/978-1-4899-3284-6_6.

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Branch, Alan E. „Customs House and ships’ papers“. In Elements of Shipping, 91–105. Dordrecht: Springer Netherlands, 1989. http://dx.doi.org/10.1007/978-94-010-9292-0_6.

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AlKubaisy, Falah. „Significance of Courtyard House Design in the Arab World“. In The Importance of Greenery in Sustainable Buildings, 295–310. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-68556-0_11.

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Fardeheb, Fewzi. „Cooling Capacity of a Courtyard House with a Sloping Roof“. In Proceedings of ISES World Congress 2007 (Vol. I – Vol. V), 451–55. Berlin, Heidelberg: Springer Berlin Heidelberg, 2008. http://dx.doi.org/10.1007/978-3-540-75997-3_80.

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Charytonowicz, Jerzy, und Alicja Maciejko. „Private Environment of a House with a Courtyard: An Example of the House Located in Kemer in Turkey“. In Advances in Intelligent Systems and Computing, 153–60. Cham: Springer International Publishing, 2020. http://dx.doi.org/10.1007/978-3-030-51566-9_21.

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Wang, Yi. „The Decline of the Courtyard House and the Large-Scale Redevelopment of the Old City“. In A Century of Change, 71–94. Cham: Springer International Publishing, 2016. http://dx.doi.org/10.1007/978-3-319-39633-0_4.

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Fardeheb, Fewzi. „Passive Cooling Ability of a Courtyard House in a Hot and Arid Climate: A Real Case Study“. In Proceedings of ISES World Congress 2007 (Vol. I – Vol. V), 2516–20. Berlin, Heidelberg: Springer Berlin Heidelberg, 2008. http://dx.doi.org/10.1007/978-3-540-75997-3_509.

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Bertrandt, J., und A. Klos. „Mineral Elements in the Diet Planned for Consumption for Residents of the Pensioner House in Warsaw“. In Trace Elements in Man and Animals 10, 244. New York, NY: Springer US, 2002. http://dx.doi.org/10.1007/0-306-47466-2_70.

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Konferenzberichte zum Thema "Elements of courtyard house"

Amato, Anna Rita Donatella. „The “demonstrative city”: a model from a global architectural process“. In 24th ISUF 2017 - City and Territory in the Globalization Age. Valencia: Universitat Politècnica València, 2017. http://dx.doi.org/10.4995/isuf2017.2017.5680.

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This research springs from the idea that the human-built environment, from its origin until today, is the result of a constantly developing process. Throughout this progression, one can observe the evolution of the courtyard house as if it was an architectural organism, that has now followed more than two thousand years of unfolding of human building, from the formation of the fence (interpreted as a primitive construction) till the latest innovations of housing and urban research (latter combining elements of various cultures and ages). As society has been growing and changing – recently more rapidly than ever before in history – so has the development of courtyard house, always in tight correlation with the population’s ever changeable needs. From this analysis arises a hypothesis about the dynamics of this process (a theory already established by Muratori), of which ideas materialized in practice have been most profitable for contemporary urban design. Organized within a model called “demonstrative city”, the resulting layout is a blueprint of a simplified urban environment. This system serves as a tool capable of inserting the beneficial aspects extracted from this research into the urban environment, which further confirm the validity of these results. For this reason the “demonstrative city” can’t be considered as a project, but more so as a simulation of urban reality. Establishing this as a tool in architecture will be the first step to its test in the urban project.

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Tavoletta, Concetta. „Luigi Cosenza, Bernard Rudofsky and Gio Ponti and the Secret of the Mediterranean Sea“. In 4th International Conference of Contemporary Affairs in Architecture and Urbanism – Full book proceedings of ICCAUA2020, 20-21 May 2021. Alanya Hamdullah Emin Paşa University, 2021. http://dx.doi.org/10.38027/iccaua2021186n6.

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Landscape, cavity, courtyard, skin, pergola are some of the elements of the Mediterranean abacus that architecture tries to transfigure into a single substance but also as a derivation of a great mother, the Mediterranean Sea. However, we can suppose that all these elements come from an idea that acts as a trait d'union, an intuition that made the domestic space of the Mare Nostrum the place of the myth of living: the innovative idea of horizon summarized as the ability of the gaze to observe outward. Gio Ponti, Bernard Rudofsky and Luigi Cosenza are the architects of the materialization of this idea where the horizon is not only found in the relationship with the landscape but is present within the domestic space. In this space full of symbolism and origin, three houses are a body to be vivisected and rediscovered. Casa per Positano... and other shores, Hotel San Michele in Capri, Casa a Procida become autoptic and utopian spaces from which to steal the secret of the Mediterranean Sea.

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Chang, Shih-Lin, und Ming-Hung Wang. „The Analysis of Fourfold Courtyard House“. In Annual International Conference on Architecture and Civil Engineering. Global Science & Technology Forum (GSTF), 2015. http://dx.doi.org/10.5176/2301-394x_ace15.123.

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Navarro Luengo, Ildefonso, Adrián Suárez Bedmar und Pedro Martín Parrado. „El castillo de San Luis (Estepona Málaga): Origen y evolución de una fortificación abaluartada. Siglos XVI-XXI“. In FORTMED2020 - Defensive Architecture of the Mediterranean. Valencia: Universitat Politàcnica de València, 2020. http://dx.doi.org/10.4995/fortmed2020.2020.11552.

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The castle of San Luis (Estepona Málaga): Origin and evolution of a bastion fort. Sixteenth to twenty-first centuriesThe results of the investigation prior to the excavation work in the Castle of San Luis, in Estepona (Málaga, Spain) are presented. It is a coastal fortress built in the last quarter of the sixteenth century, in the context of the reorganisation of the defense of the western coast of Malaga after the Moorish rebellion of 1568. After analysing the available literature, we propose that it was designed by the Engineer Juan Ambrosio Malgrá, Maestro Mayor de obras del Reino de Granada. The Castle of San Luis is devised as an add-on construction on the southern front of the walls of Islamic origin, dominating the natural anchorage of the Rada beach. Its most prominent elements are three bastions, two of them with casemates, and a large main square. However, various defects in the design and execution of the works, added to the insufficient provision of artillery and garrison, affected the effectiveness of the fortification throughout its history. In the middle of the eighteenth century, part of the Castle of San Luis is restructured as a cannons’ battery. Following the damage caused by the Lisbon Earthquake, in 1755, and by the French and English blastings in 1812, during the second half of the nineteenth century much of the castle disappears, leaving only the cannons’ battery, which is incorporated as a courtyard in height as an add-on to a house built at the end of the nineteenth century. At present, after several decades of abandonment, excavation works have been undertaken on the remains of the battery, after which the site will be prepared to be used as a museum.

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Zhen, Weixiao. „Study on Design Elements of Residential Courtyard Environment“. In 2016 International Conference on Economy, Management and Education Technology. Paris, France: Atlantis Press, 2016. http://dx.doi.org/10.2991/icemet-16.2016.239.

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Aryani, Silfia Mona, Soepono Sasongko, If Bambang Sulistyono und Nur Hidayati. „Courtyard Placement for Maintaining Air Movement of Natural Ventilation inside a Transformed House“. In 4th Bandung Creative Movement International Conference on Creative Industries 2017 (4th BCM 2017). Paris, France: Atlantis Press, 2018. http://dx.doi.org/10.2991/bcm-17.2018.70.

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Aryani, Silfia Mona, Ari Diana Susanti und Muslikhin Hidayat. „CFD simulation of courtyard dimensions that optimize the wind movement inside a transformed house“. In THE 4TH INTERNATIONAL CONFERENCE ON INDUSTRIAL, MECHANICAL, ELECTRICAL, AND CHEMICAL ENGINEERING. Author(s), 2019. http://dx.doi.org/10.1063/1.5098246.

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Russell, Stanley, Mark Weston, Yogi Goswami und Matthew Doll. „Flex House“. In ASME 2011 5th International Conference on Energy Sustainability. ASMEDC, 2011. http://dx.doi.org/10.1115/es2011-54549.

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Flex House is a flexible, modular, pre-fabricated zero energy building that can be mass produced and adapted easily to a variety of site conditions and plan configurations. The key factor shaping the design is central Florida’s hot humid climate and intense solar radiation. Flex house combines the wisdom of vernacular Florida houses with state of the art Zero Energy House technologies (ZEH.) A combined system of photovoltaic panels and solar thermal concentrating panels take advantage of the region’s abundant insolation in providing clean renewable energy for the house. Conservation is achieved with state of the art mechanical systems and innovative liquid desiccant dehumidification technology along with highly efficient lighting and appliances. The hybrid nature of the Flex house allows for both an open and closed system to take advantage of the seasonal temperature variation. Central Florida buildings can conserve energy by allowing natural ventilation to take advantage of passive cooling in the mild months of the year and use a closed system to utilize mechanical cooling when temperatures are too high for passive cooling strategies. The building envelope works equally well throughout the year combining an optimum level of insulation, resistance to air infiltration, transparency for daylight, and flexibility that allows for opening and closing of the house. Flex House is designed with a strong connection between interior spaces and the outdoors with carefully placed fenestration and a movable wall system which enables the house to transform in response to the temperature variations throughout the year. The house also addresses the massive heat gain that occurs through the roof, which can generate temperatures in excess of 140 degrees. Flex House incorporates a parasol-like outer structure that shades the roof, walls and courtyard minimizing heat gain through the building envelope. To be implemented on a large scale, ZEH must be affordable for people earning a moderate income. Site built construction is time consuming and wasteful and results in higher costs. Building homes in a controlled environment can reduce material waste, and construction costs while increasing efficiency. Pre-fabricating Flex House minimizes preparation time, waste and safety concerns and maximizes economy, quality control, efficiency and safety during the construction process. This paper is an account of the design and construction of Flex House, a ZEH for central Florida’s hot humid climate.

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Bahauddin, A., S. Hardono, A. Abdullah und N. Z. Maliki. „The Minangkabau house: architectural and cultural elements“. In ECO-ARCHITECTURE 2012. Southampton, UK: WIT Press, 2012. http://dx.doi.org/10.2495/arc120021.

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„Understanding the Performance of the Iraqi Traditional Courtyard House, Is there an Order for the Use of External Envelope Materials?“ In May 11-12, 2018 Zagreb (Croatia). Higher Education And Innovation Group, 2018. http://dx.doi.org/10.17758/heaig3.h0518803.

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