Auswahl der wissenschaftlichen Literatur zum Thema „Écrivains – Dans la littérature – Irlande“
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Zeitschriftenartikel zum Thema "Écrivains – Dans la littérature – Irlande"
Barral, Céline, und Tristan Leperlier. „Les écrivains polémistes dans la littérature mondiale. Introduction“. Revue des Sciences Humaines, Nr. 351 (25.09.2023): 7–16. http://dx.doi.org/10.4000/rsh.3234.
Der volle Inhalt der QuelleVelmezova, Ekaterina. „L’histoire de la linguistique dans l’histoire de la littérature: exposé d’une méthodologie pour l’enseignement de l’histoire des idées linguistiques“. Cahiers du Centre de Linguistique et des Sciences du Langage, Nr. 31 (05.10.2011): 223–46. http://dx.doi.org/10.26034/la.cdclsl.2011.861.
Der volle Inhalt der QuelleRobert, Lucie. „« Étranger à son temps et à lui-même. »“. Dossier 30, Nr. 1 (21.01.2005): 31–46. http://dx.doi.org/10.7202/009887ar.
Der volle Inhalt der QuelleOnnis, Ramona Iolanda. „Sergio Atzeni et Patrick Chamoiseau: frères bergers de la Diversité“. ALTERNATIVE FRANCOPHONE 1, Nr. 4 (23.09.2011): 62–73. http://dx.doi.org/10.29173/af11246.
Der volle Inhalt der QuelleBerton, Jean. „Écrivains et raconteurs de l’Écosse septentrionale au XXe siècle“. Recherches anglaises et nord-américaines 40, Nr. 1 (2007): 115–25. http://dx.doi.org/10.3406/ranam.2007.1340.
Der volle Inhalt der QuelleHADEFI, Ourida Nawel. „Regards des écrivains sur la femme dans la littérature maghrébine“. ALTRALANG Journal 3, Nr. 01 (31.07.2021): 108–17. http://dx.doi.org/10.52919/altralang.v3i01.106.
Der volle Inhalt der QuelleMajit, Afaf. „identité à l’épreuve de l’exclusion sociale dans le roman beur“. Voix Plurielles 18, Nr. 2 (04.12.2021): 188–99. http://dx.doi.org/10.26522/vp.v18i2.3535.
Der volle Inhalt der QuelleHajji, Abdelouahed. „Atmane Bissani, Ecriture et infini. Essais sur la mystique en littérature.“ Jangada: crítica | literatura | artes 1, Nr. 20 (17.04.2023): 291–96. http://dx.doi.org/10.35921/jangada.v1i20.429.
Der volle Inhalt der QuelleGonzález Dopazo, Olaya. „La expresión de la identidad cultural en las obras de escritores italo-quebequeses“. Çédille 5 (01.04.2009): 164. http://dx.doi.org/10.21071/ced.v5i.5406.
Der volle Inhalt der QuelleBertho, Elara. „Écrivains « noirs » et prix littéraires“. Annales. Histoire, Sciences Sociales 77, Nr. 3 (September 2022): 491–507. http://dx.doi.org/10.1017/ahss.2022.117.
Der volle Inhalt der QuelleDissertationen zum Thema "Écrivains – Dans la littérature – Irlande"
Wiart, Stéphanie. „L'écrivain-personnage dans la littérature grand public de l'entre-deux-guerres (Royaume-Uni, Irlande)“. Electronic Thesis or Diss., Université de Lille (2022-....), 2024. http://www.theses.fr/2024ULILH013.
Der volle Inhalt der QuelleThe PhD thesis examines the way the fictitious writer is represented in interwar popular (middlebrow) literature (United Kingdom, Ireland). The analysis first tackles the characterisation of the fictitious writer, particularly the way the public image of highbrow and middlebrow writers is depicted in the middlebrow novel ; additionally to this, it studies the way the fictitious writer himself characterises the other characters he encounters, turning them into types. It traces how the indiscreet behaviour of fictitious writers within the plot turns out to be a professional quirk, in the sense that they still behave like writers while they are part of a domestic-related plot focusing on abidance by the rules of propriety. It is one of the aspects taken by the recurring phenomenon, within the primary corpus, according to which the domestic-related plot actually relies upon a metafictional subtext. Finally, the thesis aims at highlighting the recurring dramatisation, within the middlebrow novel, of the authorship of non-writing secondary characters ; it consists in showing that some of the secondary characters met by the fictitious writers are implicitly equated to professional writers, because what seems to be their trivial activities, belonging to the domestic realm, turn out to be metaphors of writing. The uncovering of this phenomenon relies on a detailed analysis of the texts, in an attempt to move beyond the subject of the plot in order to focus on the metafictional metaphorical meshing of the middlebrow novel
Feat, Anne-Marine. „De la mère à la mère-patrie : quête identitaire dans la littérature irlando-américaine féminine“. Bordeaux 3, 2009. http://www.theses.fr/2009BOR30070.
Der volle Inhalt der QuelleRobin, Thierry. „Ironie et chaos ou les manifestations de l'absence : analyse d'un rapport problématique au réel dans l'œuvre romanesque de Flann O'Brien : at Swim-Two-Birds, The Poor Mouth, The Hard Life, The Dalkey Archive, The Third Policeman“. Rennes 2, 2004. http://www.theses.fr/2004REN20032.
Der volle Inhalt der QuelleThis Ph. D is based on the 5 novels written by Flann O'Brien aka Myles na gCopaleen for his caustic column in The Irish Times. It aims at going beyond the usual fields of postmodern or gender studies by resorting to the ambivalent implications of the concepts of reflexiveness and reality idiosyncrasy lying at the very heart of our corpus. Leaving hyperbolic farce aside, focusing on a crisis of representation and identity, we notice these dynamic epistemological contradictions are epitomized by two characters extracted from O'Brien's mock cosmogony: de Selby and the anonymous narrator in The Third Policeman. Language is therefore the means and the limit of our exploration of O'Brien's prose. The analysis of the conflicts displayed by O'Brien's fiction provides us with an insight into the aporias of ideology, be it P. C. , deliberately transgressive or simply postmodern. We acknowledge our conceptual debts to contemporary thinkers or writers such as C. Rosset, J. -F. Lyotard or J. Banville
Mouchel-Vallon, Alain. „La ré-écriture de l'histoire dans les romans de Dermot Bolger, Roddy Doyle et Patrick McCabe“. Reims, 2005. http://www.theses.fr/2005REIML005.
Der volle Inhalt der QuelleThe pastoral pervades irish literature, and so does most literature “about” Ireland. Taking this observation as a starting point our study, we have tried to assess how much this important theme could still influence the new irish writers and in particular three of them : Roddy Doyle, Dermot Bolger AND Patrick McCabe. The opposition between tradition and modernity is at the core of the pastoral ’s reasoning and forms the tension that feeds this reasoning. But in the writing of our three irish writers, tradition and modernity keep reminiding readers that their ambiguous relathinship also gives its ideological motivation to the writing of the island's history. Owing to this permanent dialogue between writing and pastoral, the new generation of irish writers tends to illustrate a typically irish debate in which nationalism and revisionism, the writing and re-writing of history, form key themes. So much so that literature and politics keep interwining in their novels while myth and reality get mixed up in the minds of their characters, thus affecting their own sense of identity. Conditionned by this literary and ideological framework which they themselves contribute to perpetuate, Doyle, Bolger and McCabe tend, however, to differ frome each other in such a way that their writings reflect the complexity of an irish cultural geography where revisionist nationalism and nationalist revisionsim unsurprisingly stand side by side. Considering that the writing of history or that of a simple story first supposes a principle of re-writing, these novelists bring text and context in tight connection in their own writing and depict an ireland that goes far beyond preconceived definitions
McQuade, Joan-Margaret. „Mexique-Irlande : relations littéraires“. Paris 3, 2001. http://www.theses.fr/2001PA030003.
Der volle Inhalt der QuelleBorie, Cécile. „L'exotisme dans la littérature latine de Plaute aux écrivains augustéens“. Limoges, 2011. https://aurore.unilim.fr/theses/nxfile/default/21fd5abd-2093-4307-8d97-24e75c8e998a/blobholder:0/2011LIMO2001.pdf.
Der volle Inhalt der QuellePeyronnet, Marianne. „Les personnages féminins dans l'oeuvre dramatique de Sean O'Casey“. Paris 8, 1997. http://www.theses.fr/1997PA081255.
Der volle Inhalt der QuelleIn ireland, from the beginning of the century to the sixties, men dominate their female fellow-citizens in every field. The elementary rights of the irish women are flouted : they are deprived of citizenship, are relegated to the home in spite of their resistance. Sean o'casey, in his dramatic works, during the whole period, depicts female characters fighting for their emancipation. He shows brave heroines confronted by coward companions and lovers. They are determined to free themselves from male yoke. O'casey paints images of women which cause displeasure to his contemporaries because of their realism, because they are too far from the models of submitted mothers and wives desired by the religious and nationalist groups. He creates a language to make them appear superior ; he gives them a political function. He maintains that women only will be able to construct a better, a more egalitarian world. Through his works, the evolution of his thought can be read ; a change in his way of looking at woman's place in society is revealed. If he can be considered at the beginning as a "feministe differencialiste", he becomes at the end a feministe
El, Houlali Abdellah. „La conception de la ville dans l'oeuvre des écrivains marocains d'expression française et arabe“. Bordeaux 3, 2007. http://www.theses.fr/2007BOR30026.
Der volle Inhalt der QuelleThrough the reading of Moroccan literary work, our attention is captivated by manner in which novelists have orchestrated the representation of the city, in our case, the city of Fes. En fact, this city is represented according to a double disposition. On the one hand, there is the disposition of the new city, on the other hand, that of the ancient city. Our conviction is this divide has not arbitrary. It discloses, indeed, a certain symbolism. A symbolism we have attempted to extricate, by the means of a back-and-forth between the Moroccan literature of French and of Arabic expression. The present work intends to reveal the complexities of the Moroccan society, its aspirations and disillusionments. It aims, as well, at bringing to light the conflicts and intrigues which plot in this space split in two
Lê, Huu Khoa. „Sociologie de la littérature des exilés“. Paris École des hautes études en sciences sociales, 1992. http://www.theses.fr/1992EHES0330.
Der volle Inhalt der QuelleThis work is composed of three distinct parts, each volume corresponding to a separate study field but dealing with a common topic : literature of exilees. Each volume has its proper structural and functional logic, a specific way of raising questions and using methods, thenceforth an introduction, a field of argumentation and a conclusion of its own. The first volume deals with an enquiry about exiled writers, belonging to several nations scattered on four continents, africa, asia, latin america, eastern europe. . . The second volume may be summarized as a case study, about literature, of vietnamise exilees to western countries. The third, using the prevous presentation of empirical data, deals with categories and models of literature of exilees. As a common denominator of these three volumes, one may emphasize the path followed from particular to general, from empirical enquiry to more encompassing conceptions : how may the creative process, either interupted or maintained, modify, transform a literary fate?
Soussan, Myriam. „Kaddish, deuil et écriture : les oeuvres des écrivains enfants de déportés“. Paris 3, 2003. http://www.theses.fr/2003PA030014.
Der volle Inhalt der QuelleWe attempt to draw a common thematic from writings of a fractured childhood, haunted by the missing deportees, through a corpus of writers whose parents were sent to Auschwitz : Jean-Claude Grumberg, Sarah Kofman, Georges Perec and Art Spiegelman. How do these orphans or children of survivors of the Shoah, and their autobiographical texts, render those dead unburied, whom the specificity of the genocide prevented their heirs from mourning ? The writing of the children of deportees endeavors first to restore for their parents an living identity while searching for what remains of their existence. A corpus of proofs, -photographs, official documents, etc. -, memory and places, are collected, searched, deciphered, in order to inscribe attestation of their past life in some form of textuality. Secondly, their writing testifies to their death, through the literature of the survivors and its incorporation into the text of corpses, and ashes Finally it comes up against the unquenchable, a tearing between commemoration of the dead in a book- mausoleum or the impossibility of a separation from them, conserved crypted, in a non-appeasing struggle, rooted in the disaster of their disapearance
Bücher zum Thema "Écrivains – Dans la littérature – Irlande"
Robert, Ferrieux, und Amiot-Jouenne Pascale, Hrsg. La littérature autobiographique en Grande-Bretagne et en Irlande. Paris: Ellipses, 2001.
Den vollen Inhalt der Quelle findenDuech, Lorie-Anne. James Joyce: Dubliner ; A Portrait of the artist as a young man. Paris: Ophrys, 2005.
Den vollen Inhalt der Quelle findenÉcrivains en prison. Genève: Labor et Fides, 1997.
Den vollen Inhalt der Quelle findenCeux de Verdun: Les écrivains et la Grande Guerre. Paris: Flammarion, 2006.
Den vollen Inhalt der Quelle findenÉloge du livre: Lecteurs et écrivains dans la littérature et la peinture. Paris]: Hazan, 2018.
Den vollen Inhalt der Quelle findenLefouin, Claire. Étude sur le roman d'apprentissage au féminin. Paris: Ellipses, 1995.
Den vollen Inhalt der Quelle findenLitfass: Zeitschrift für Literatur. München: R. Piper, 1988.
Den vollen Inhalt der Quelle findenParcours interculturels: Être et devenir : mélanges offerts à Pierre Morel. Québec: Éditions Peisaj, 2010.
Den vollen Inhalt der Quelle findenKing, Jeannette. Jane Eyre. Milton Keynes, Buckinghamshire: Open University Press, 1986.
Den vollen Inhalt der Quelle findenJurney, Florence Ramond. Voix/es libres: Maternité et identité féminine dans la littérature antillaise. Birmingham, Ala: Summa Publications, 2006.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Écrivains – Dans la littérature – Irlande"
Galand, David. „Dominique Carlat : Témoins de l’inactuel. Quatre écrivains contemporains face au deuil“. In L'imposture dans la littérature, 289–90. Presses universitaires de Rennes, 2011. http://dx.doi.org/10.4000/books.pur.12190.
Der volle Inhalt der QuelleHarrison, Osvaldo Di Paolo, und Allen Guillermo Rivas-Prado. „Littérature portoricaine anglophone : rébellion, résistance et confusion identitaire dans le mouvement Nuyorican“. In Écrivains de la Caraïbe, 39–55. Presses universitaires des Antilles, 2022. http://dx.doi.org/10.3917/pua.lezia.2022.01.0039.
Der volle Inhalt der Quelle„53. Anatole France, « L’hypnotisme dans la littérature », La Vie littéraire, Paris, Calmann-Lévy, s. d. [1888-1892], première série“. In Savants et écrivains, 307–10. Artois Presses Université, 2015. http://dx.doi.org/10.4000/books.apu.17643.
Der volle Inhalt der QuelleMinami, Asuka. „La littérature française vue par des écrivains du Japon moderne“. In La modernité française dans l'Asie littéraire (Chine, Corée, Japon), 147. Presses Universitaires de France, 2004. http://dx.doi.org/10.3917/puf.kata.2004.01.0147.
Der volle Inhalt der QuelleMartinet, Jean-Luc. „Un usage politique du conte : les écrivains prolétariens et le conte (Neel Doff, René Bonnet et Henry Poulaille)“. In L’épanchement du conte dans la littérature, 193–203. Presses Universitaires de Bordeaux, 2018. http://dx.doi.org/10.4000/books.pub.7781.
Der volle Inhalt der QuelleSCHNEIDER, Anne. „Tomi Ungerer saute-frontières, une enfance alsacienne plurilingue“. In L'enfant plurilingue en littérature, 25–38. Editions des archives contemporaines, 2024. http://dx.doi.org/10.17184/eac.7807.
Der volle Inhalt der QuelleDe Pieri, Damiano. „«Tu t’appelles Marinetti ou d’Annunzio?». Poètes et artistes italiens dans la revue “Littérature” (1919-1924) et ses alentours“. In Écrivains et artistes en revue, 163–86. Rosenberg & Sellier, 2022. http://dx.doi.org/10.4000/books.res.9319.
Der volle Inhalt der QuelleKemp, Anna. „Conclusion“. In Life as Creative Constraint, 185–90. Liverpool University Press, 2021. http://dx.doi.org/10.3828/liverpool/9781800348448.003.0006.
Der volle Inhalt der QuelleCamacho, Rubis. „Trangression et recherche d’identité nationale dans les premiers pas de la littérature portoricaine au XIXe siècle : anti-chambre de la réaffirmation nationale durant le processus d’américanisation à Porto Rico“. In Écrivains de la Caraïbe, 91–100. Presses universitaires des Antilles, 2022. http://dx.doi.org/10.3917/pua.lezia.2022.01.0091.
Der volle Inhalt der QuellePerkins, Wendy. „Littérature morale et femmes écrivains dans la deuxième moitié du dix-septième siècle“. In Aspects de la critique, 27–37. Presses universitaires de Franche-Comté, 1998. http://dx.doi.org/10.4000/books.pufc.1945.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Écrivains – Dans la littérature – Irlande"
Blesch, Agnès. „Cartographie de la conférence dans la littérature française contemporaine“. In Écrivains en performances. Fabula, 2019. http://dx.doi.org/10.58282/colloques.6384.
Der volle Inhalt der QuelleLabra Cenitagoya, Ana Isabel. „Neige ardente ou les métamorphoses des éléments dans les littératures maghrébines d'expression française“. In XXV Coloquio AFUE. Palabras e imaginarios del agua. Valencia: Universitat Politècnica València, 2016. http://dx.doi.org/10.4995/xxvcoloquioafue.2016.3173.
Der volle Inhalt der QuelleMérigonde, Mireille. „Transition écologique, transition littéraire : la représentation de la communication du vivant dans les Sciences et les Lettres“. In Actes du congrès de l’Association Française de Sémiotique. Limoges: Université de Limoges, 2024. http://dx.doi.org/10.25965/as.8519.
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