Thematische Bibliographien / Ecosomatics

Auswahl der wissenschaftlichen Literatur zum Thema „Ecosomatics“

Autor: Grafiati
Veröffentlicht am 22. Juni 2024

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Zeitschriftenartikel zum Thema "Ecosomatics"

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Hannus, Susanna. „GuiDance of Butterflies: Practicing Ecosomatics and Dancing Towards More Sensitive Bodily Presence and Planetary Feeling“. Nordic Journal of Dance 14, Nr. 1 (01.06.2023): 124–39. http://dx.doi.org/10.2478/njd-2023-0013.

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Abstract This research is a multi-sited embodied autoethnography in which I combine methods of multispecies ethnography with the autoethnographic methodology I applied before. This research has been done with butterflies and it seeks planetary feeling through dance, embodied research and ecosomatics. The data of the research was produced in Mexico in 2019 and in Spain in 2021 and 2022. It includes photography, videos, ethnographic field notes and photopaintings. This article investigates how the contact with butterflies can affected to our bodily presence and qualities of movement and dance. I look these findings in relation to ideas and practices of choreographers such as Deborah Hay and Steve Paxton and I elaborate on ecosomatic approach that resonates well with multispecies ethnography. I analyze, how the touch and the dance with butterflies created something similar Hay calls “cellular level presence” and lightness of being. I write about special quality of butterflies dancing with the wind and my dances with the wind. I suggest that sharing spaces and moving respectfully in relation to other species could be inspiring in finding new kind of movement, embodied consciousness and knowledge. These experiences could have therapeutical and healing meanings. I suggest that ecosomatics and ecologically oriented dance art and research noticing the well-being of other species could be important in searching planetary feeling, feeling more deeply our biodiverse planet while same time also working for our own well-being.
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Fraleigh, Sondra. „Performing everyday things: Somatic ecologies of butoh, phenomenology and Zen“. Dance, Movement & Spiritualities 8, Nr. 1 (01.12.2021): 33–55. http://dx.doi.org/10.1386/dmas_00025_1.

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I write about butoh through a prism of Zen and phenomenology because they share similar philosophical outlooks on performance, and they explain everyday things. In articulating performance in the everyday, the progress of this reflective essay takes a somatic turn inward to matters of consciousness and ecosomatic convergence of body and nature. The several threads of this article relate through matters of ‘suchness’, a non-dual principle of Zen spanning several kinds of Buddhism. Suchness as perceptual oneness arises through meditative or neutral attention without attachment or need. I understand suchness in performance as attentive, generous presentation and witnessing ‐ these propelled by acumen and guidance more than criticism. Judgements can have simple good sense in suchness too. An attitude of suchness accepts things as they are, and people and performances as they are, whether in personal relationships or on the stage. Expectations are not lowered through suchness; they are open to curiosity and wonder. The article further develops ecosomatic performances for the reader to experience.
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Seo, Gilwan. „Ecosomatic Paradigm as an Alternative for Overcoming Climate Inaction“. Journal of East-West Comparative Literature 58 (31.12.2021): 103–26. http://dx.doi.org/10.29324/jewcl.2021.12.58.103.

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Enghauser, Rebecca. „The Quest for an Ecosomatic Approach to Dance Pedagogy“. Journal of Dance Education 7, Nr. 3 (Juli 2007): 80–90. http://dx.doi.org/10.1080/15290824.2007.10387342.

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Cella, M. J. C. „The Ecosomatic Paradigm in Literature: Merging Disability Studies and Ecocriticism“. Interdisciplinary Studies in Literature and Environment 20, Nr. 3 (01.08.2013): 574–96. http://dx.doi.org/10.1093/isle/ist053.

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Fraleigh, Sondra. „Performing Everyday Things: Ecosomatic Threads of Butoh, Phenomenology, and Zen“. (Re)sounding Bodies East and West: Embodied Engagements with Japanese Traditions 10, Nr. 1 (09.04.2024): 22–44. http://dx.doi.org/10.7202/1110550ar.

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<p>This essay engages descriptive, experiential methods of phenomenology, prompts from butoh, and insights of Zen Buddhism. Butoh is the dance and theatre form that arose from the ashes of Japan in the shadow of ecological and social crisis after the Second Word War. It is interpreted widely in current forms that extend well beyond the borders of Japan. The everyday is articulated in the phenomenology of Husserl, Heidegger and Merleau-Ponty, particularly through concepts of “worlding,” how our works ripple out to create a world, as phenomenology and Zen both hold, each in their own way. I write about butoh through a prism of Zen and phenomenology because they share similar philosophical outlooks on performance, and they explain everyday things. In articulating performance of the everyday, this essay takes an ecosomatic turn inward toward matters of consciousness and perception. The writing stems from my participation in butoh as a student, performer, and scholar since 1985, my university teaching of dance and somatics, and my philosophical and lived investigations of phenomenology and Buddhism. Through phenomenology, the essay is descriptive, performative, and concerned with “lived experience,” including how features of experience appear and transform in consciousness.</p><p> </p>
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Rabbitt, Avery. „Slumgullion: A neuroqueer long-distance hiker’s questions about landscapes in drama therapeutic relationality“. Drama Therapy Review 10, Nr. 1 (01.04.2024): 39–62. http://dx.doi.org/10.1386/dtr_00145_1.

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I thru-hiked the Appalachian Trail in 2016. In this episodic essay, I offer descriptions of personal encounters to contemplate specific lands and drama therapeutic landscapes. I am taking curious, meandering footsteps towards a neuroqueer, posthuman ecological drama therapy praxis. Sesame drama therapy often relies on imagination to offer itself to the conscious world, but ecosomatic experience can offer a ‘co-construct[ed]’ subjectivity, reframing Merleau-Ponty’s ‘flesh’ as a ‘relation of reversibility’ between ‘the seer and the seen’, the external and the internal – an ecological dynamic in which several liberatory frameworks take root.
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Beauvais, Jennifer. „Focusing1 on the natural world: An ecosomatic approach to attunement with an ecological facilitating environment“. Body, Movement and Dance in Psychotherapy 7, Nr. 4 (November 2012): 277–91. http://dx.doi.org/10.1080/17432979.2012.716081.

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Geriguis. „Ecosomatic and Ethnological Pathologies: Ethnicity, Disability, and Capabilities in Meridel Le Sueur's "Women on the Breadlines"“. Polish American Studies 71, Nr. 2 (2014): 19. http://dx.doi.org/10.5406/poliamerstud.71.2.0019.

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Fraleigh, Sondra. „Everyone needs to breathe“. Dance, Movement & Spiritualities 7, Nr. 1-2 (01.11.2020): 119–38. http://dx.doi.org/10.1386/dmas_00020_1.

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This article is written with an eye towards the future and a foot in the past. It is partly autobiographical, and in each of four parts offers reflective somatic practices. The author is sheltering at home, so her thoughts centre on the meaning of home, family and pets. At the same time, she articulates somatic skills to cultivate embodied presence, insightful verbal interactions and healing touch. Her writing invites readers into somatic movement explorations and somatic communication practices through poetry. Life and death, love and war, ground her article. The section on Simbi involves global shadow work through butoh and the healing essence of water. Golden shadows appear as elemental and ecosomatic in Morphic Curiosity, a butoh invitation to site-specific dance. Video links and photographs further embody the work. The final section, Dance back the world, presents somatic witnessing as an extraordinary process of intimate notice and care. Becoming friends with the whole world is an exhortation of Mahatma Gandhi, and the life work of this author. Her article was written before the brutal murder of George Floyd and the international protests that began in America as cries for social and racial justice. Now we have a new imperative for Gandhi’s call, because everyone has a right to breathe.
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Dissertationen zum Thema "Ecosomatics"

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Salvatierra, Violeta. „L'atelier de danse et d’éducation somatique comme espace d'expérimentations micropolitiques“. Electronic Thesis or Diss., Paris 8, 2020. http://www.theses.fr/2020PA080047.

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Cette recherche porte sur l'usage de pratiques corporelles du champ de la danse contemporaine et des techniques somatiques dans des contexte de soin et de précarité sociale. À travers trois études de cas, elle s'intéresse à la manière dont de telles pratiques peuvent soutenir des processus de subjectivation aux potentiels émancipateurs. Proches des dispositifs de recherche-action, elles proposent une diversité d'outils méthodologiques et de postures de recherche. Les trois expériences, qui composent les trois parties de la thèse, sont : un projet d'ateliers hebdomadaires de la méthode Feldenkrais dans un service d'Appartements de coordination thérapeutique (A.C.T.) à Kremlin-Bicêtre ; une intervention avec des ateliers d'éducation somatique et de danse dans un club thérapeutique parisien, dans le champ de la psychiatrie ; et l'expérience de partage d'une pièce chorégraphique, Legacy (2015), de Nadia Beugré, avec un groupe de femmes, habitantes d'Aubervilliers, dans le cadre du projet expérimental de médiation artistique, porté par le CND, nommé IMAGINE
This practice-based research focuses on the use of body practices from the field of contemporary dance and somatic techniques in contexts linked to health issues and social precarity. Through three case studies, it considers the way such practices may sustain some processes of subjectivation, with emancipatory potential. Close to certain action research schemes, the three studies have been selected from a larger corpus of interventions as a researcher-practitioner. They showcase an array of methodological tools and stances of investigation, and they constitute the three parts of this memoir : a project of weekly workshops within a department of therapeutic lodgings (A.C.T) in Kremlin-Bicêtre ; an intervention with dance and somatic education workshops in a therapeutic social club in Paris, in the field of psychiatry ; and the experience of sharing a choreographic piece, Legacy (2015), by Nadia Beugré, with a group of women, residents of Aubervilliers, in the framework of the experimental project of artistic mediation, sustained by the National Center of Dance (CND), named IMAGINE
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Bücher zum Thema "Ecosomatics"

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Pallant, Cheryl. Ecosomatics: Embodiment Practices for a World in Search of Healing. Bear & Company, 2023.

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Donahue, James J., Jill E. Anderson, Matthew J. C. Cella, Elizabeth S. Callaway und Phoebe Chen. Disability and the Environment in American Literature: Toward an Ecosomatic Paradigm. Lexington Books/Fortress Academic, 2016.

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Weig, Doerte. Tensional Responsiveness: Ecosomatic Aliveness and Sensitivity with Human and More-Than. Transcript Verlag, 2021.

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Weig, Doerte. Tensional Responsiveness: Ecosomatic Aliveness and Sensitivity with Human and More-Than. Transcript Verlag, 2021.

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Buchteile zum Thema "Ecosomatics"

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Bardet, Marie, Joanne Clavel und Isabelle Ginot. „Ecosomatics“. In Arts, Ecologies, Transitions, 91–94. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003455523-23.

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Riley, Shannon Rose. „A Critical Ecosomatics“. In Geographies of Us, 17–35. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003390985-3.

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Wakpa, Tria Blu. „What Native American Dance Does and the Stakes of Ecosomatics“. In Geographies of Us, 36–63. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003390985-4.

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Coleman, Daniel Ìgbín'bí. „Ecosomatic Performance Research for the Pluriverse“. In Geographies of Us, 64–74. London: Routledge, 2024. http://dx.doi.org/10.4324/9781003390985-5.

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Weig, Doerte. „Proposition Four - OPENING WORLDS INTO ECOSOMATIC ALIVENESS“. In Kultur und soziale Praxis, 127–62. Bielefeld, Germany: transcript Verlag, 2021. http://dx.doi.org/10.14361/9783839460115-007.

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Geriguis, Lina. „Ecoliteracy and Edith Wharton: The Ecosomatic Paradigm and the Poetics of Paratexts in Ethan Frome“. In Teaching Edith Wharton’s Major Novels and Short Fiction, 225–44. Cham: Springer International Publishing, 2021. http://dx.doi.org/10.1007/978-3-030-52742-6_15.

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Pawelczyk, Joanna. „Cielesne przestrzenie wolności. Ekologiczny wymiar działania Teatru Węgajty“. In Polyphony. The Story of the Węgajty Theatre’s Creative Work. Institute of Art Polish Academy of Science, 2023. http://dx.doi.org/10.36744/9788366519657.09.

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The text is a testimony to my current work, the origin of which is the experience of Węgajty: the body in contact with the forest and its experience of wandering. It is also a story about how to awaken the creative body; how to create by sharpening perception into a subtle reading of the world and its creations. Today, I understand my engagement with the body, group work and collective performance with them as an internal ecology based on ecosomatics. I present a reflection on my Węgajty background; mu constant recourse to that experience and my adding to it the somatic techniques, yoga and BMC. I may refer to one concrete work where all these elements meet: a year-long artistic and pedagogical process with a group of students, ending with the performance Posmakować upadek [Taste the Fall], where I again came into contact with the forest in a new way. In a broader perspective, I discuss the constant need for freedom and understanding poetry.
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Stibbe, Arran. „Language, Discourse and Ecosomatic Awareness“. In Language Awareness in Business and the Professions, 118–36. Cambridge University Press, 2022. http://dx.doi.org/10.1017/9781108696159.010.

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„Proposition Four – OPENING WORLDS INTO ECOSOMATIC ALIVENESS“. In Tensional Responsiveness, 127–62. transcript Verlag, 2021. http://dx.doi.org/10.1515/9783839460115-007.

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Konferenzberichte zum Thema "Ecosomatics"

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Ngwenya, Smangaliso. „Passing Through Fragmented Scribbles: Moving Towards Movement, Dance and Choreography Grounded in the Embodied Ecosomatic Paradigm“. In Arts Research Africa 2022 Conference Proceedings. Arts Research Africa, 2022. http://dx.doi.org/10.54223/10539/35909.

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This paper explores the artistic creation and embodied practiceled research in the context of creating an ensemble screendance titled “Fragmented Scribbles.” The work explores the embodied scribbles of knowledge that exist within conversations among intellectual, emotional, physical, social, aesthetic, creative, and spiritual realms. The research prioritizes the whole being as a site of artistic exploration, using Passing Through as a pedagogical method. The ecological perception and ecosomatic paradigm are employed to cultivate mindfulness, perceive relationships, develop conceptual flexibility, re-perceive depth, and intentionally use the imagination. The study also examines the unique narratives and associations between internal and physical ecologies of the performers and their sites of performance.
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