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Dissertationen zum Thema „Ecology in literature“
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1
Coupe, Laurence. „Literature, mythology and ecology“. Thesis, Manchester Metropolitan University, 2005. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.422124.
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Daw, Sarah Harriet. „Writing ecology in Cold War American literature“. Thesis, University of Exeter, 2015. http://hdl.handle.net/10871/19367.
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This thesis examines the function and presentation of “Nature” in American literature written between 1945 and 1971. It argues that the widespread presence of ecological representations of “Nature” within Cold War literature has been critically overlooked, as a result of Cold War literary criticism’s comparatively narrow concentration on the direct effects of political and ideological metanarratives on texts. It uncovers a plethora of ecological portrayals of the relationship between the human and the environment, and reveals the significance of the role played by non-Western and non-Anglocentric philosophies and spiritualties in shaping these presentations. This study is methodologically informed by the most recent developments in the field of ecocriticism, including Scott Knickerbocker’s work on ecopoetics and Timothy Morton’s explorations of the problems associated with the term “Nature”. It finds significant continuities within these ecological portrayals, which suggest that nuclear discourse had an influential effect on the presentation of “Nature” within Cold War literature. This influence is, however, heavily mediated by the role that non-Western and non-Anglocentric philosophies play in writers’ theorisations of relations of interdependence between the human and the environment. Such literary presentations challenge the understanding that the Nuclear Age represents a conquest of “Nature”. Rather, they reveal that a number of Cold War writers present human interdependence within an ecological system, capable of the annihilation of the human, and of the containment of the new nuclear threat. The thesis’s introductory chapter questions the characterisation of Silent Spring (1962) as the founding text of the modern environmental movement. It outlines this study’s intervention into the field of Cold War criticism, detailing its specific ecocritical methodology and engaging with the legacy of Transcendentalism. Chapter One looks at the work of Paul Bowles, with a primary focus on The Sheltering Sky (1949). It demonstrates the centrality of the landscape to the writer’s creative project, and reveals the substantial influence of the Sufi mysticism on Bowles’s presentation of the human’s relationship to the environment. Chapter Two focuses on the work of the New Mexican poet Peggy Pond Church. It establishes the influence of the writer’s familiarity with the Pueblo Native American worldview on her poetic portrayals of the human and the nuclear as interrelated parts within a greater ecological system. It also uncovers similar portrayals within the work of the “father of the atomic bomb”, J. Robert Oppenheimer. The third chapter analyses the effects of Chinese and Japanese literature and thought on the work of J. D. Salinger. It outlines the function of “Nature” in the work of the specific translators that Salinger names, arguing that this translated Taoism substantially informed the ecological vision present across his oeuvre. Chapter Four explores the impact of Simone Weil on the work of Mary McCarthy. It reads Birds of America (1971), demonstrating the governing influence of Weil’s concept of “force” on McCarthy’s presentation of the human as an interdependent part within a powerful ecological system.
3
Menrisky, Alexander F. „WILD ABANDON: POSTWAR LITERATURE BETWEEN ECOLOGY AND AUTHENTICITY“. UKnowledge, 2018. https://uknowledge.uky.edu/english_etds/66.
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Wild Abandon traces a literary and cultural history of late twentieth-century appeals to dissolution, the moment at which a text seems to erase its subject’s sense of selfhood in natural environs. I argue that such appeals arose in response to a prominent yet overlooked interaction between discourses of ecology and authenticity following the rise and fall of the American New Left in the 1960s and 70s. This conjunction inspired certain intellectuals and activists to celebrate the ecological concept of interconnectivity as the most authentic basis of subjectivity in political, philosophical, spiritual, and literary writings. As I argue, dissolution represents a universalist and essentialist impulse to reject self-identity in favor of an identification with the ecosystem writ large, a claim to authenticity that flattens distinctions among individuals and communities. But even as the self appears to disintegrate, an “I” always remains to testify to its disintegration. For this reason, dissolution performs a primarily critical function by foregrounding an unsurpassable representational tension between sense of self and ecosystem. Each chapter explores a different perspective on this tension as it conflicts with matters of gender and race in works by Edward Abbey, Peter Matthiessen, Toni Morrison, Margaret Atwood, and Jon Krakauer. Assuming an anti-essentialist stance, all the texts I study acknowledge ecological interconnectivity as a universal condition but maintain the necessity of culturally mediated and individually constructed identity positions from which to recognize that condition.
4
Wiredu, Christopher Agyei. „The teaching of ecology in schools: a literature review“. Thesis, Rhodes University, 2002. http://hdl.handle.net/10962/d1003134.
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Project 1: This is a literature review on the teaching of ecology in South African schools. The importance of ecology education in the school curriculum is well reported. It is also reported that in spite of the apparent importance of the subject, not much ecology is taught or learned in schools. This report examines what ecology is supposed to be about and the challenges that confront its teaching. The approaches to teaching the subject are also discussed. It would seem that if teachers focus on teaching ecological concepts using constructivist teaching/learning strategies, students might be helped to learn ecology meaningfully. Project 2: 'Constructing eco-concepts' is a case study that reports the effects of a module whose design was informed by social constructivist ideas on the understanding of selected ecological concepts by college students. Social constructivism as a philosophy of learning has gained increasing attention in science education in recent times and yet the approach is so alien to so many. Many teachers still teach by the traditional teacher-centred approaches. This research project reports the conceptual change of students after undertaking the module. It also reports the students' perceptions about the teaching/learning strategies employed in the module. It would seem that the social constructivist strategies used in the module assisted the students to improve their frameworks of ecological concepts. Data also tend to reveal that the students enjoyed the approach to learning and had positive views about the social constructivist teaching/learning approach. Project 3: With the advent of the new curriculum framework for South Africa, the outcomes based curriculum, it would seem that teachers could no longer approach teaching by the traditional transmission methods. Colleges of education have been criticised for producing teachers who do not seem to be adequately prepared for their job. Presently, the argument seems to be that teachers would need in-service education on a wide scale and the colleges of education would seem to be important in-service teacher education centres. This research, using case study methodology, investigated the potential of one of the colleges of education to become an in-service teacher education institution based on its physical and human resources.
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May, Theresa J. „Earth matters : ecology and American theatre /“. Thesis, Connect to this title online; UW restricted, 2000. http://hdl.handle.net/1773/10223.
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Alnawaiseh, Ali M. „Natural Disasters and Citizenship: Belonging Through Ecology in African American Writing“. Kent State University / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=kent1571755777462077.
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7
Coughran, Christopher John. „Literary ecology and the fiction of American postmodernism /“. [St. Lucia, Qld.], 2005. http://www.library.uq.edu.au/pdfserve.php?image=thesisabs/absthe18752.pdf.
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Power, Shahed Ahmed. „Gandhi and deep ecology : experiencing the nonhuman environment“. Thesis, University of Salford, 1990. http://usir.salford.ac.uk/14753/.
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The present study concentrates on the experience of nature in the life of Mohandas K. Gandhi. This detailed environmental biography of Gandhi follows him from the early years in India, through his years in England as a young man and on to South Africa where his beliefs about humanity's proper relationship with the nonhuman world were shaped. There is also a detailed examination of his dietary and nature-cure experiments which date from his years in England, 1888 - 1891, with a discussion of the original works that he cites in his own writings. Diet involves a most intimate relationship with the nonhuman environment. Gandhi sought a diet which involved the least unavoidable violence and which the poor could afford. Health for Gandhi was a state of total well-being - social, physical and spiritual. Gandhi established communities of workers dedicated to service, first in South Africa at Phoenix Settlement and Tolstoy Farm, and then in India at Sabarmati Ashram and Sevagram. Here his respect for the integrity of other living beings was tested by experience. Rabid dogs, the threat of venomous snakes to both livestock and humans, and the nuisance of monkeys pilfering from the ashram's fruit trees and vegetables were situations that had to be resolved. Since its inception in 1972 the Deep Ecology movement has been linked with the name of the Norwegian ecophilosopher Arne Naess, who has also devoted many years to an analysis of Gandhi's philosophy. The experience of nature and reflection on humanity's right relationship with the nonhuman environment is brought up to the present-day via a consideration of some of the individuals and indigenous people that deep ecology acknowledges as part of its background, such as Henry Thoreau, John Muir, Mary Austin, Aldo Leopold and Richard St. Barbe Baker.
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Straight, Nathan Clark. „Natural biographies : ecology and identity in contemporary American autobiography /“. view abstract or download file of text, 2005. http://wwwlib.umi.com/cr/uoregon/fullcit?p3201701.
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Thesis (Ph.D.)--University of Oregon, 2005.Typescript. Includes vita and abstract. Includes bibliographical references (leaves 213-220). Also available for download via the World Wide Web; free to University of Oregon users.
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Campbell, Alexandra. „Archipelagic poetics : ecology in modern Scottish and Irish poetry“. Thesis, University of Glasgow, 2018. http://theses.gla.ac.uk/9102/.
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This thesis examines a range of poets from Ireland, Northern Ireland and Scotland from the Modernist period to the present day, who take the relationship between humans, poetry and the natural world as a primary point of concern. Through precise, materially attentive engagements with the coastal, littoral, and oceanic dimensions of place, Louis MacNeice, Hugh MacDiarmid, Derek Mahon, Michael Longley, Kathleen Jamie, John Burnside, Moya Cannon, Mary O’Malley and Jen Hadfield, respectively turn towards the vibrant space of the Atlantic archipelago in order to contemplate new modes of relation that are able to contend with the ecological and political questions engendered by environmental crises. Across their works, the archipelago emerges as a physical and critical site of poetic relation through which poets consider new pluralised, devolved, and ‘entangled’ relationships with place. Derived from the geographic term for ‘[a]ny sea, or sheet of water, in which there are numerous islands’, the concept of the ‘archipelago’ has recently gained critical attention within Scottish and Irish studies due to its ability to re-orientate the critical axis away from purely Anglocentric discourses. Encompassing a range of spatial frames from bioregion to biosphere, islands to oceans, and temporal scales from deep pasts to deep futures, the poets considered here turn to the archipelago as a means of reckoning with the fundamental questions that the Anthropocene poses about the relationships between humans and the environment. Crucially, through a series of comparative readings, the project presents fresh advancements in ecocritical scholarship, with regards to the rise of material ecocriticism, postcolonial ecocriticism, and the ‘Blue Humanities’.
11
Jagger, Jeremy Davis. „Evolving Wilds: Auden, Ecology, and the Formation of a New Poetics“. Kent State University / OhioLINK, 2020. http://rave.ohiolink.edu/etdc/view?acc_num=kent1586272515332334.
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12
Tam, Yee Lok. „Resurgence of (inter)connectivity : an ecocritical approach to nature, animal and body in Hong Kong literature /“. View abstract or full-text, 2009. http://library.ust.hk/cgi/db/thesis.pl?HUMA%202009%20TAM.
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13
Ballard, Gail D. „Nature Among the Mormons: An Ecocritical Approach to Mormon Literature“. Diss., CLICK HERE for online access, 1996. http://contentdm.lib.byu.edu/u?/MormonThesesB,10586.
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14
Howell, Edward Henry. „Modernism, Ecology, and the Anthropocene“. Diss., Temple University Libraries, 2017. http://cdm16002.contentdm.oclc.org/cdm/ref/collection/p245801coll10/id/460953.
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EnglishPh.D.
This dissertation studies literary modernism’s philosophies of nature. It examines how historical attitudes about natural environments and climates are codified in literary texts, what values attach to them, and how relationships between humanity and nature are figured in modernist fiction. Attending less to nature itself than to concepts, ideologies, and aesthetic theories about nature, it argues that British modernism and ecology articulate shared concerns with the vitality of the earth, the shaping force of climate, and the need for new ways of understanding the natural world. Many of British modernism’s most familiar texts, by E.M. Forster, James Joyce, Virginia Woolf, and H.G. Wells, reveal a sustained preoccupation with significant concepts in environmental and intellectual history, including competition between vitalist, holist, and mechanistic philosophies and science, global industrialization by the British Empire, and the emergence of ecology as a revolutionary means of ordering the physical world. “Modernism, Ecology, and the Anthropocene” uncovers these preoccupations to illustrate how consistently literary works leverage environmental ideologies and how pervasively literature shapes cultural and even scientific attitudes toward the natural world. Through the geological concept of the Anthropocene, it brings literary history into interdisciplinary conversations that have recently emerged from the Earth sciences and are now increasingly common in the humanities, social sciences, and in wider public debates about climate change. The dissertation’s first chapter, “Connecting Earth to Empire: E. M. Forster’s Changing Climate,” argues that E.M. Forster’s fiction apprehends the global implications of local climate change at a crucial time in environmental and literary history. By relating Forster’s Howards End and A Passage to India to his 1909 story, “The Machine Stops,” it attends to the speculative aspects of Forster’s work and presents Forster as a keen observer who foresaw not only the passing of rural England and the arrival of a new urban way of life, but environmental change on a global scale. Its second chapter, “The Call of Life: James Joyce’s Vitalist Aesthetics,” explores the connotations “life” gathers in Joyce’s early fiction and proposes a new reading of his aesthetics that emphasizes its ecological implications by pairing Joyce with his contemporary “modern” vitalism and current new materialisms. The third chapter, “Make it Whole: The Ecosystems of Virginia Woolf and A.G. Tansley,” revises critical conceptions of Woolf as an ecological writer and environmental histories of early ecology by showing how Woolf’s philosophy of nature and Tansley’s ecosystem concept run parallel and represent a shared intellectual project: advocating theories of form and of perception that navigate the tension between holist and mechanistic conceptions of nature and mind. A final chapter, “Landlord of the Planet: H. G. Wells, Human Extinction, and Anthropocene Narratives,” establishes Wells as an early environmental humanist whose ecological outlook evolved with his perception of the rapidly increasing pace of climate change and its threat to the human species. By digging into a rarely-read scientific textbook he co-authored, The Science of Life, this chapter analyzes how the natural world is managed in three Wellsian utopias and traces the development of his writing in concert with ecology.
Temple University--Theses
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Deitering, Cynthia. „Waste sites rethinking nature, body, and home in American fiction since 1980 /“. Diss., Online access via UMI:, 2008.
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Fonteyn, David Michael English Media & Performing Arts Faculty of Arts & Social Sciences UNSW. „Ecological allegory: a study of four post-colonial Australian novels“. Publisher:University of New South Wales. English, Media, & Performing Arts, 2009. http://handle.unsw.edu.au/1959.4/43630.
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This thesis examines four novels as case studies of the mode of allegory in post-colonial Australian literature Allegory is a mode of fiction in which a hidden narrative is concealed below a surface narrative. Furthermore, when the hidden narrative is revealed, the surface narrative and its discursive codes become transformed. Post-colonial critics have argued that one aspect of post-colonial literature is the use of allegory in a way that the hidden narrative interpolates the surface narrative. This process of allegorical interpolation is one of the ways post-colonial literature is able to transform colonial discourses. Through an analysis of the four novels, I argue that allegory is a significant aspect of both Indigenous and non-Indigenous Australian writing in its depiction of the natural environment and the settler nation. Bringing together ecological theory with post-colonial theories of allegory, I coin the term 'ecological allegory' to describe a specific type of allegory in which nature as subject becomes revealed within the 'hidden' narrative of the text. Through this process of interpolation, the literary representation of the land is being transformed as the natural environment is depicted as a dialogical subject. In the explication of the four novels as ecological allegories, I provide new readings of two canonical Australian texts, Remembering Babylon and Tourmaline, as well as, readings of two lesser known Indigenous Australian texts, Earth and Steam Pigs. I argue that theories of ecology provide a means for understanding the texts' representation of nature as subject. The allegorical mode of the novels offers a literary form whereby the natural environment as subject may be able to be represented in discursive language. Furthermore, in these allegories, the polysemy in the written mode of Australian literature is able to express the oral Indigenous worldview of Country, the land as a living entity. The claim that these texts are constructed as allegories, rather than simply reading the texts allegorically (known as allegoresis), combined with the methodology of ecological theory, to create a new term - ecological allegory - is an original way of reading Australian literature. Furthermore, my term 'ecological allegory' is an innovation in literary theory and its understanding of literary representations of the natural environment.
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Carpentier, Sally J. „The seventh arrow : a reading of the ecology of first nations literature and thought“. Thesis, University of Sunderland, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.446260.
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18
Bell, Nathan M. „The Green Horizon: An (Environmental) Hermeneutics of Identification with Nature through Literature“. Thesis, University of North Texas, 2010. https://digital.library.unt.edu/ark:/67531/metadc30435/.
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This thesis is an examination of transformative effects of literature on environmental identity. The work begins by examining and expanding the Deep Ecology concept of identification-with-nature. The potential problems with identification through direct encounters are used to argue for the relevance of the possibility of identification-through-literature. Identification-through-literature is then argued for using the hermeneutic and narrative theories of Hans-Georg Gadamer and Paul Ricoeur, as well as various examples of nature writing and fiction.
19
Withers, Jeremy. „The Ecology of War in Late Medieval Chivalric Culture“. The Ohio State University, 2008. http://rave.ohiolink.edu/etdc/view?acc_num=osu1215570638.
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20
Dawson, Charles Robert Eliot. „Writing the memory of rivers : story, ecology and politics in some contemporary river writing“. Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1999. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape9/PQDD_0020/NQ46337.pdf.
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21
Sumner, David Thomas. „"Speaking a word for Nature" : the ethical rhetoric of American nature writing /“. view abstract or download file of text, 2000. http://wwwlib.umi.com/cr/uoregon/fullcit?p9986764.
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Thesis (Ph. D.)--University of Oregon, 2000.Typescript. Includes vita and abstract. Includes transcripts of interviews with Stephen Trimble, Barry Lopez, Annick Smith, Bill Kittredge, David James Duncan, Don Snow, David Quammen, and Terry Tempest Williams. Includes bibliographical references (leaves 367-373). Also available for download via the World Wide Web; free to University of Oregon users.
22
Miller, John William. „Empire and the animal body : violence, ecology and identity in the imperial romance“. Thesis, University of Glasgow, 2009. http://theses.gla.ac.uk/810/.
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This thesis examines representations of exotic animals in Victorian and Edwardian adventure fiction and how they produce the boundary between human and nonhuman animals. Particularly, it scrutinises how violent engagements with animals participate in the construction of masculine identities and how these reflect and contribute to imperialist conceptions of ecology. I contend that the ostensibly fundamental distinction of humans from their animal others emerges in this context as compromised and unstable: a complex interplay of kinship and difference rather than an innate, monolithic and hierarchical opposition. This argument both continues the postcolonial dismantling of empire’s logic of domination and develops the recentering of the nonhuman in environmentally focussed criticism, but, most vitally, signals the relation between these fields: the necessary interdependence of human and nonhuman interests, of environmental activism and global social justice. Chapter One begins by examining recent critical interventions in the colonial adventures of G. A Henty, John Buchan, G. M. Fenn, R. M. Ballantyne, H. Rider Haggard and Paul du Chaillu. While intimately involved with an imperialist agenda that seeks to assimilate foreign environments and their denizens into colonial order, such texts also draw on a long-standing literary tradition that relishes wilderness as the theatre of narrative excitement and heroic testing. Through analysis of Henty’s Rujub the Juggler (1895) and Buchan’s A Lodge in the Wilderness (1906), I illustrate how imperial romance simultaneously narrates the symbolically powerful domestication of animal others through depictions of hunting and warfare and embraces animal otherness through a fetishistic investment in animal bodies re-presented as a panoply of imperial trophies and trinkets. Exploring further the ambiguities of domination, Chapter Two investigates colonial natural history as a material and discursive violence that forcefully integrates animals into Western patterns of signification. Adventure fiction’s role in this, however, emerges in Henty’s By Sheer Pluck (1884) and Fenn’s Nat the Naturalist (1882) as a conflicted celebration of restraint and aggression; the masculinities that such texts aim to construct and marshal suggesting an uncomfortable intimacy of civilisation and savagery that besets imperialist racial and species hierarchies and the unitary relation of the genre to colonial power. The themes of race, species and narrative form are developed in Chapter Three through a close reading of the cultural history of gorillas in the second half of the nineteenth century in the romanticised travel writing of Paul du Chaillu and the fictions of R. M. Ballantyne. The ‘invention’ of these extraordinary animals troubles the generic boundaries between romance and natural history and raises pointed questions about what it means to be human. A rhetoric of hygiene and contamination emerges as adventure heroes consistently find themselves deprived of their upright human dignity and floundering in a series of mucks and mires. The relation of sanitation and species forms a significant element of degenerationist discourse and the starting point for Chapter Four. Metropolitan decay is recurrently implicated in a potential devolution that threatens empire with both practical and philosophical dilemmas. Paradoxically, in Haggard’s Nada the Lily (1892) and Buchan’s Lodge the cure for this malaise is figured as another form of becoming animal as the enervated urbanite recovers in the colonial wilds. Such naturalisation of colonial violence leads into a discussion of the psychological undercurrents of male aggression. While the eroticisation of hunting is crucial, the imperial romance reveals male sexualities that hinge, most notably in Ballantyne’s 1861 The Gorilla Hunters, on imaginings of vulnerability as much as on fantasies of self-empowerment. In conclusion, I posit the human/animal border as one permeable at many points and follow Val Plumwood in delineating a selfhood ultimately in relation to, rather than separated from, the other and radically divergent from dualistic, colonial conceptualisations of human identity.
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Oubre, Katherine Adaire. „The pilgrimage home: Spiritual ecology in nature writing written by contemporary American women“. Diss., The University of Arizona, 2000. http://hdl.handle.net/10150/289121.
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Ecological literary criticism integrates environmental awareness with the study of literature. If we understand where we are, ecocriticism asserts, we will choose to act in accord with the ecological needs of that place. Contemporary American writers Gretel Ehrlich, Terry Tempest Williams, and Linda Hogan model this awareness by examining the multiple stories that characterize a sense of place. Ecological critics utilize many theoretical underpinnings of Romanticism, particularly Phenomenology and Mysticism, which I discuss in the context of Annie Dillard's work. While Dillard fits a traditional Romantic model, writers like Ehrlich, Williams, and Hogan critique Romanticism's failure to recognize cultural, scientific, and ecological stories in order to describe nonhuman nature. Gretel Ehrlich, in Islands, the Universe, Home, explores the relationship between physical geography, geology and geophysics, spirituality, culture, and story to find a sense of home. Ehrlich calls into question her own subjectivity by utilizing the foundational concepts of humanist geography. Terry Tempest Williams integrates ecological and environmental issues, personal and familial concerns, and spiritual elements, examining human influence on the landscape as well as human inability to adapt to natural cycles in the environment. In Refuge, Williams constructs a feminine genealogy connecting women and the land. Linda Hogan critiques the European-American concept of individualism, arguing that it is a primary force in the destruction of the environment and its human inhabitants. In Solar Storms, she revises traditional autobiography as her protagonist Angel Wing learns that her individual story cannot be understood out of the context of her family, tribal community, and the land. The final chapter investigates the use of the memoir within the nature writing tradition by examining the work of feminist memoirist Nancy Mairs, who emphasizes the human body as a dwelling for the spirit. I synthesize the work of Mairs, Dillard, Ehrlich, Williams, and Hogan to develop an erotics of space and place that reflects a multi-epistemological approach to nonhuman nature. As all of my writers would agree, if we see all space as sacred, as "home," then we're less likely to desecrate it.
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Newman, Melanie. „Real life and magic : an inquiry into the expression of deep ecology in children’s literature“. Thesis, University of Winchester, 2014. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.698123.
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For centuries, the significance of storytelling in developing the way we see the world has been acknowledged and analysed. In a time when we are facing such huge global issues as climate change, resource depletion and species extinction, what sort of stories should we tell our children? The truth is that adults have little idea of how to tackle the issues and it seems clear that our attitude towards the natural world has contributed to many of the problems that their generation will inherit. In recent years there has been a call from many environmentalists to find a new approach to story: one which will help us to form a more life-sustaining relationship with our natural environment. Deep ecology as a worldview offers one way of developing such a relationship through reconsidering anthropocentric viewpoints and extending the sense of the self to encompass the whole of life in all its many forms. In light of David Abram’s call for writers to reconnect the written word with the land, this thesis explores the practice of creative writing in order to express some of the concepts of deep ecology in children’s fiction. Specifically it draws out issues of developing a stronger connection with the natural world as reality and of reconnecting logic with intuition. The thesis is comprised of two elements: the first part is a novel for children aged between ten and thirteen years as an experiment in putting theoretical ideas into practice and second part is a critical reflection on my own experience of deep ecology in relation to the writing of the creative piece.
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Tocts, Ashley M. S. „The Role of Adaptive Imprecision in Evolvability| A Survey of the Literature and Wild Populations“. Thesis, California State University, Long Beach, 2018. http://pqdtopen.proquest.com/#viewpdf?dispub=10749890.
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Natural selection, the driving force behind evolution, acts on individual phenotypes. Phenotypes are the result of an individual’s genotype, but the development from genotype to phenotype is not always accurate and precise. Developmental instability (DI: random perturbations in the microenvironment during development) can result in a phenotype that misses its genetic target. In the current study I assert that developmental instability may itself be an evolvable trait. Here I present evidence for DI’s heritability, selectability, and phenotypic variation in the form of empirical data and evidence from the literature from the years 2006 through 2016. Phenotypic variation contributed by DI was estimated using fluctuating asymmetry and was found to contribute up to 60% of the phenotypic variation in certain trait types. I suggest that selection against developmental instability in some traits may result in higher evolvabilities (i.e., rates of evolution) for those traits or for entire taxonomic groups.
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Scharper, Stephen B. „The Role of the Human in Christian Ecological Literature“. Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1997. http://www.collectionscanada.ca/obj/s4/f2/dsk2/ftp02/NQ37021.pdf.
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Burke, Daniel E. „From pastorals to Paterson| Ecology in the poetry and poetics of William Carlos Williams“. Thesis, Marquette University, 2014. http://pqdtopen.proquest.com/#viewpdf?dispub=3634286.
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Modernist poet William Carlos Williams died in 1962—a landmark year in the history of the modern environmentalist movement. He did not live to see contemporary culture come to the deeper appreciation of humanity's place in the world which we now know as ecology. This dissertation will argue, however, that supporting his entire oeuvre of poetry are philosophical and poetic underpinnings which resonate strongly with—and usefully anticipate—our modern understanding of the interpenetrative relationship between natural and culture, human and nonhuman.
I begin by tracing the roots of Williams's "ecopoetics" back to the father of Williams's beloved free verse: Walt Whitman. Both Whitman and Williams use nature as subject and trope in their poetry, but the latter pointedly improves upon the work of the former by shifting the voice of his poetry from an anthropocentric (human-centered) perspective to a more ecocentric one—one which breaks down the traditional American Romantic notion of nature as apart from us, instead more readily acknowledging humanity as integral part and parcel of nature's cyclical systems.
In the middle sections of the work, the focus centers exclusively upon Williams, especially in his earlier poetry and prose collection Spring and All (1921), as well as in his later five-book epic Paterson. In these, I reveal three distinct ecopoetic qualities of his poetry: 1) a continuation of the ecocentric poetic voice; 2) treatment of the "imagination" as a natural force (akin to steam or lightning) which humans harness to generate art; and, 3) an anticipation of modern ideas about the "local" in his use of his native New Jersey landscape as poetic subject. Through close readings, the study highlights these qualities as integral facets of Williams's poetics, marking his as a proto-ecopoet.
The dissertation closes with a broader historical contextualization of Williams's ecopoetics as contrasted with other Modernists contemporary to his day—specifically Wallace Stevens and Lorine Niedecker. Through formal elements that mirror the previously argued traits of ecopoetics, we find Williams exceeding his peers and, I conclude, ultimately anticipating the kind of poetry we see being written by ecopoets in our own time.
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Wallace, Molly. „Novel ecologies : nature, culture, and capital in contemporary U.S. fiction and theory /“. Thesis, Connect to this title online; UW restricted, 2007. http://hdl.handle.net/1773/9329.
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Christensen, Laird Evan. „Spirit astir in the world : sacred poetry in the age of ecology /“. view abstract or download file of text, 1999. http://wwwlib.umi.com/cr/uoregon/fullcit?p9947971.
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Thesis (Ph. D.)--University of Oregon, 1999.Typescript. Includes vita and abstract. Includes bibliographical references (leaves 356-371). Also available for download via the World Wide Web; free to University of Oregon users. Address: http://wwwlib.umi.com/cr/uoregon/fullcit?p9947971.
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Wilson, Richelle Jolene. „Memory as Ecology in the Poetry of Tomas Tranströmer“. BYU ScholarsArchive, 2013. https://scholarsarchive.byu.edu/etd/3735.
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The purpose of this study is to explore how memory functions ecologically in the poetry of Tomas Tranströmer. The term ecology is useful because of its connotative associations with the natural world as well as its broader definition of being a network of relationships as they function within and relate to their environment. Throughout his oeuvre, Tranströmer positions memory as being an external presence with which he interacts primarily because he honors it as a living being and he feels a poetic responsibility to it. As such, he grapples with the challenges of representation, particularly the limitations of language. Ultimately, he employs an ecopoetic strategy in honoring his duty to memory and creating poems that are themselves ecological milieux in which such memories can live on.
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Brigley, Zoë. „Exile and ecology : the poetic practice of Gwyneth Lewis, Pascale Petit and Deryn Rees-Jones“. Thesis, University of Warwick, 2007. http://wrap.warwick.ac.uk/1118/.
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In this thesis, I discuss how three poets with a connection to Wales, Gwyneth Lewis (born 1959), Pascale Petit (born 1953) and Deryn Rees-Jones (born 1968), develop their poetic practice beyond ordinary notions of home and belonging. Drawing on Wendy Wheeler's New Modernity? Change in Science, Literature and Politics, this project is described as a poetics of 'ecology,' using the broader meaning of the term, which refers not only to the study of plants and animals, but also to institutions and people in relation to their sense of place. I argue that Lewis, Petit and Rees-Jones promote an awareness of ecology or interconnectedness and they achieve this project by going beyond personal or individual concerns in a kind of poetic exile. This poetic exile entails the rejection of a 'whole' and 'bounded' selfhood and the acceptance of otherness or difference in one's own identity means that the boundaries between the self and other disintegrate or blur. I proceed in the general introduction to the thesis to consider the problems of modernity as described by Wheeler and I use her model to identify the melancholy modernity of R.S. Thomas; Dylan Thomas' poetic mourning; and the preoccupation with maternity in Gillian Clarke's poetry. Wheeler suggests that such phases emerge from anxiety about lost teleologies or insecurity of the ontological self, and ecology is the acceptance that human beings are never hermetically sealed, secure units. In the body of the thesis, I explore how Lewis, Petit and Rees-Jones exile themselves from ordinary selfhood to discover ecology with others. The chapter devoted to Le,vis discusses her commitment to decreation, a project that unravels the dominance of the centre over the margin through poems praising angels of the minor, the diminutive and the bathetic. The next chapter considers Petit's exile to Latin America and I argue that by interrogating the strangeness in other cultures, she forces Westem culture to recognise its own strangeness unravelling the clear distinction between 'civilised' and 'barbaric' cultures. Rees-Jones similarly focuses on the strangeness of the human self in her representation of liminal, marginal subjects, such as the clone passing for human. I conclude that the angel, Latin America and the clone are all poetic tropes by which these poets dissolve the oppositional binary of self versus other.
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Steinbrecher, Stephanie A. „The Philosophy of Ecology in John Steinbeck's The Grapes of Wrath“. Scholarship @ Claremont, 2016. http://scholarship.claremont.edu/scripps_theses/866.
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This thesis explores the possibilities for ecocritical study in fiction through John Steinbeck’s 1939 novel The Grapes of Wrath. Major ecocritical interpretation has yet to gain much traction in novels; by focusing on human nature, this form’s “anthropocentric” posture seems itself to be antithetical to ecocritical efforts, which aim to unseat humans as the center of the moral universe. However, by analyzing The Grapes of Wrath’s formal, narratorial, and thematic valences, I argue that principles of social justice concurrently imply environmental justice in the philosophical currents of the text. Tenets of deep ecology and Aldo Leopold’s “land ethic” inform the novel’s overall environmental outlook. The key to my interpretation is the value of community at the center of Steinbeck’s world. To expand principles of the collectivism and compassion in the social community to include the broader ecological community, I focus on the narrative’s unique Judeo-Christian spirituality and humanistic discourse. Ultimately I identify cohesion in The Grapes of Wrath’s composition that makes a single narrative of both the natural and the human worlds, and that creates a moral universe that guides ethical behavior towards others, both human and non-human; in doing so, I argue Steinbeck’s novel both enacts and represents an ecologically minded ethic.
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Ray, Sara Jaquette. „The ecological other : Indians, invalids, and immigrants in U.S. environmental thought and literature /“. Connect to title online (Scholars' Bank) Connect to title online (ProQuest), 2009. http://proquest.umi.com/pqdweb?did=1906522191&sid=1&Fmt=2&clientId=11238&RQT=309&VName=PQD.
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Kane, Virginia M. „Taoism and Contemporary Environmental Literature“. Thesis, University of North Texas, 2001. https://digital.library.unt.edu/ark:/67531/metadc3047/.
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This thesis encompasses a survey of contemporary environmental literature (1970s to the present) as it relates to the tenets of Taoist literature, specifically the Chuang Tzu and the Tao te Ching. The thesis also presents and evaluates pertinent criticisms concerning the practice of relating modern environmental problems to ancient Chinese philosophy. The thesis contains a preface that describes the historic roots of Taoism as well as an explanation of the Chinese terminology in the paper. The environmental literature is divided into three major groups and discussed in the three chapters of the paper. The three groups include mainstream environmentalists, deep ecology, and ecofeminism.
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Voss, Dahlia Louise. „Theorizing nature seeking middle ground /“. Thesis, Montana State University, 2005. http://etd.lib.montana.edu/etd/2005/voss/VossD0505.pdf.
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Havenhand, Jonathan Neil. „The physiological ecology and life history strategies of the nudibranch molluscs 'Adalaria proxima' (Alder & Hancock) and 'Onchidoris muricata' (Müller) (Gastropoda: Opisthobranchia)“. Thesis, University of St Andrews, 1987. http://hdl.handle.net/10023/2708.
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This study investigated the physiological ecology, larval biology and population genetics of the nudibranch molluscs Adalaria proxima (A & H) and Onchidoris muricata (Müller). These two species are annual, simultaneous hermaphrodites and are ecologically very similar with the exception that A. proxima reproduces by means of pelagic lecithotrophic larvae whereas Omuricata has long-term planktotrophic larvae. The aim of the study was therefore to determine the selective pressures which resulted in the evolution of different larval types in these two species, and to ascertain the ecological and population genetic consequences thereof. Simple energy budgets comprising the major components (consumption, growth, respiration and reproduction) were constructed for laboratory populations of each species. In both A. proxima and O. muricata, feeding rate displayed an asymptotic increase with body size. Mean feeding rates of A. proxima were greater than those of comparable O. muricata individuals, and overall assimilation efficiency was higher in A. proxima than in O. muricata. This difference was reflected in the somatic growth rates which were correspondingly greater in A. proxima than in O. muricata. Net growth efficiencies were broadly comparable between the two species, however, growth of A. proxima was approximately linear over' time whilst that of O. muricata displayed a curvilinear, almost exponential, pattern. This is interpreted as demonstrating that some form of constraint (possibly feeding rate) operated on the growth rates of A. proxima but not on those of O. muricata. Respiration rates were found to be relatively constant within given animals, but significant differences were found between individuals. The allometry of respiration rate was not constant; Omuricata demonstrated a more rapid increase in respiration rate with increasing body size than did A. proxima. Individual variations in respiration rate did not reflect variations in the energy partitioned to either growth or reproduction. Reproductive patterns in the two species were dissimilar. A. proxima laid fewer spawn masses containing fewer, larger ova than those laid by O. muricata individuals. In addition, the spawning period of A. proxima was shorter than that of O. muricata (60 days and 105 days respectively). Both species exhibited a similar (proportional) degree of somatic catabolism over these periods. The consequently more rapid "degrowth" of A. proxima is interpreted as the necessary utilization of an energy resource (i. e. the soma) caused by an inability to meet the energy demands of reproduction through feeding alone. This was not the case in Oanuricata individuals which exhibited a much smaller maximum body size and were able to feed at a sufficiently rapid rate to maintain reproduction. In the latter case, the longer reproductive period served to maximise the total reproductive output. Several different measures of "Reproductive Effort" (RE) were calculated. These generally indicated that the RE of Omuricata was considerably greater than that of A. proxima. Although such differences have been used in the literature to classify the respective costs of different larval types or "reproductive strategies", the variability of the RE's obtained from the different measures used here has led to the suggestion that the general lack of association between RE and reproductive strategy which has been reported elsewhere may (partially) be attributable to the different measures of RE employed in different studies. Studies of the embryonic and larval period showed that the egg-to-juvenile period of O. muricata was approximately 50% longer than that of A. proxima. This difference was primarily attributable to the extended pelagic development of O. muricata larvae. Estimates of the degree of dispersal, and hence gene-flow, between populations of these species were tested by investigating the biochemical genetics of such populations. No data were available for O. muricata, but A. proxima populations proved to be more genetically heterogeneous than had been expected. It is therefore concluded that actual pelagic dispersal may be considerably abbreviated over that expected on the basis of larval culture data alone. A model is developed to explain the possible consequences of different egg-to-juvenile periods (which accrue from different larval types) on both the ecology of the benthic adult, and on overall energy partitioning to reproduction. However, although (probable) proximate causes and effects of the different reproductive traits exhibited by A. proxima and Oanuricata are shown, it has not been possible to determine the exact selective pressures which caused A. proxima to diverge from the ancestral "O. muricata" stock through the evolution of a pelagic lecithotrophic larva.
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Smith, Imogen J. „Materiality and media: Australian literary journals in the post-digital publishing ecology“. Thesis, Queensland University of Technology, 2017. https://eprints.qut.edu.au/107725/4/Imogen_Smith_Thesis.pdf.
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Literary journals have always held a shifting and uncertain place in Australian cultural life, and in recent years, technological developments have both destabilised and provided new possibilities for literary journal publishing. While literary journals have a long history of adapting to challenges, material changes in publication media brought about by the introduction of digital publishing technologies have struck deeper than ever before, and prompted questions about journals' survival and relevance. These questions have, as yet, been the subject of little academic inquiry. This project aims to fill this gap in the knowledge of literary publishing in the 'messy', 'post-digital' publishing ecology, which is characterised by change and negotiations between media and their materialities. The research examines the role materiality plays in the literary journal field within this landscape, and asks how literary journal editors exploit the languages of different media to achieve their goals. In responding to these questions, the research employs methodology that combines interviews with Australian literary journal editors and textual analysis, complemented by a contextual review and underpinned by a theoretical framework based on the sociology of literature. The research argues that a combination of economic, technological, and cultural factors has given rise to a 'hierarchy of media' favouring print in the literary journal field. Within this hierarchy, editors' opinions and activities, funding constraints, and changing markets position print as a site of literary and symbolic value. This hierarchy can, however, be called into question when editors' perspectives are mitigated by those of readers and writers. Here, digital and print textualities and literacies are defined by difference, rather than their capacity to communicate literary or symbolic value. This thesis presents findings on the economics and culture of the Australian literary journal field, and the ways literary journal editors communicate through media and their materialities in the 'post-digital' publishing ecology.
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Gairn, Louisa. „Aspects of modern Scottish literature and ecological thought“. Thesis, University of St Andrews, 2005. http://hdl.handle.net/10023/14839.
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'Aspects of Modern Scottish Literature and Ecological Thought' argues that the science and philosophy of 'ecology' has had a profound impact on Scottish literature since the mid-nineteenth century to the present day, and relates the work of successive generations of Scottish writers to concurrent developments in ecological thought and the environmental sciences. Chapter One suggests that, while Romantic ways of thinking about the natural world remained influential in nineteenth-century culture, new environmental theories provided fresh ways of perceiving the world, evident from the writings of Scottish mountaineers. Chapter Two explores the confrontation of modernity and wilderness in the fiction and travel writings of Robert Louis Stevenson, and some contemporaries such as John Muir. Chapter Three suggests that ecologically-sensitive local and global concerns, rather than 'national' ones per se, are central to the work of Hugh MacDiarmid, Lewis Grassic Gibbon and others, while Chapter Four demonstrates that post-war 'rural' writers including Nan Shepherd, Neil Gunn, Edwin Muir and George Mackay Brown, often viewed as peripheral, are actually central and of international relevance, and challenges the assumption that there is a fundamental divide between Scottish rural and urban writing. Finally, Chapter Five argues that contemporary writers John Burnside, Kathleen Jamie and Alan Warner are not only reviewing human relationships with nature, but also the role writing has to play in exploring and strengthening that relationship, helping to determine the ecological 'value' of poetry and fiction. By looking at Scottish literature through the lens of ecological thought, and engaging with international discourses of 'Ecocriticism', this thesis provides a fresh perspective in contrast to the dominant critical views of modern Scottish literature, and demonstrates that Scottish writing constitutes a heritage of ecological thought which, in this age of environmental awareness, should be recognised as not only relevant, but vital.
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Potter, Emily Claire. „Disconcerting ecologies : representations of non-indigenous belonging in contemporary Australian literature and cultural discourse“. Title page, contents and abstract only, 2003. http://web4.library.adelaide.edu.au/theses/09PH/09php865.pdf.
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Includes bibliographical references (leaves 313-325) Specific concern is the poetic, as well as literal, significance given to the environment, and in particular to land, as a measure of belonging in Australia. Environment is explored in the context of ecologies, offered here as an alternative configuration of the nation, and in which the subject, through human and non-human environmental relations, can be culturally and spatially positioned. Argues that both environment and ecology are narrowly defined in dominant discourses that pursue an ideal, certain and authentic belonging for non-indigenous Australians.
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Dana, K. O. (Kathleen Osgood). „Áillohaš the Shaman-Poet and his Govadas-Image Drum:a Literary Ecology of Nils-Aslak Valkeapää“. Doctoral thesis, Oulun yliopisto, 2003. http://urn.fi/urn:isbn:9514269446.
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Abstract Beaivi, Áhcážan (English, The Sun, My Father) is a complex, multidimensional work of poetry and art. The creator of this work, Sámi artist and poet, Nils-Aslak Valkeapää originally conceived of the work as a govadas-image drum, capable of conveying the totality of Sámi (earlier, Lapp) worldviews in its pages. Comprising 571 images and photos, and accompanied by a soundtrack of the poems, along with yoiks and natural sound, the work contains personal, seasonal, cultural, and cosmic cycles. The photos, from Western archives worldwide, comprise a kind of Sámi family album, while the Western translations without photographs serve more as guides to the Sámi original. In the absence of a strong Sámi literary cultural tradition, this researcher turned to the emerging theory of literary ecology to help interpret the work. Literary ecology uses an understanding of human-natural relationships to illuminate an understanding of literature in its overall cultural and natural context. While Sámi literature has been collected for centuries by Lappologists, Sámi scholars are only now beginning to create critical theories with which to interpret authored, creative literature. An examination of how nature has been used in the researcher's native New England — particularly nature writer Henry David Thoreau and nature poet Robert Frost — was used to establish the Western approaches to nature and culture. Native American literature, which is slightly in advance of Sámi literature in its native literary criticism — particularly poet-novelist Leslie Marmon Silko and poet-critic Paula Gunn Allen — provides another angle of vision with which to read Beaivi, Áhcážan. Following Nils-Aslak Valkeapää's lead in his theoretical and critical essay, "The Sun, the Thunder, the Fires of Heaven," this study also considers Sámi literature as part of a larger northern, native tradition. In distinct contrast to Western nature traditions, which see nature as apart from culture, Sámi native traditions see nature as a part of culture. Nils-Aslak Valkeapää has deliberately constructed Beaivi, Áhčážan as a shaman drum, and the shaman-poet deliberately uses the images on that drum as ways to interpret the past, the present and the future. In contrast to Robert Frost, who constructs his images and meanings through metaphorical association, Valkeapää constructs his meanings through metonymical attachment. These linguistic constructions are reflected further in the worldviews of both traditions. In the Western tradition, the wild sublime is seen as a site of transcendence, a way of achieving the immanent Godhead, while in the native tradition the same landscape serves as home and kin. The sun IS father, and spring IS sister. Despite the seeming simplicity of this perception, Nils-Aslak Valkeapää confirms its elegant complexity in a work of great creativity and subtle concealmentTiivistelmä Beaivi, Áhčážan (englanniksi, The Sun, My Father; suomeksi, Aurinko, isäni) on moninainen, moniulotteinen runo- ja taideteos. Sen luoja, saamelainen taiteilija ja runoilija Nils-Aslak Valkeapää teki tämän työn kuvahiseksi, jonka sisältö piirtää esiin saamelaisten maailmankuvan. Saamelainen teos sisältää 571 kuvaa ja runoa sekä kasetin, jossa runot, joiut ja luonnonäänet kuuluvat. Teoksessa on henkilökohtaiset, ajalliset, kulttuuriset ja kosmiset syklinsä. Valokuvat maailman arkistoista luovat saamelaisen perhevalokuvakirjan. Läntiset käännökset ovat vailla valokuvia ja toimivat enimmäkseen oppaina saamelaiseen alkuperäisteokseen. Vahvan saamelaisen kaunokirjallisen perinteen puuttueessa tukeuduin uuteen teoriaan, kaunokirjalliseen ekologiaan. Keskeistä kaunokirjallisessa ekologiassa on ihminen-luontosuhde, joka valaisee kaunokirjallisuutta kulttuurisessa ja luonnollisessa yhteydessään. Lappologien keräämää saamelaista kirjallisuutta on ollut jo pitkään, mutta vasta nyt saamelaiset ovat luomassa omaa teoreettista viitekehysään kirjallisuutensa analysoimeen. Perehtyminen siihen, miten luontoa käytetään Uudessa Englannissa — varsinkin luontokirjailija Henry David Thoreaun ja runoilija Robert Frostin teoksissa — auttoi minua perehtymään luontoon ja kulttuuriin liittyviin läntisiin näkökulmiin. Amerikan intiaanien kaunokirjallisuus, joka on hieman saamelaisten estetiikkaa kehittyneempi — varsinkin runoilija-romaanikirjailija Leslie Marmon Silko ja runoilija-kritiikko Paula Gunn Allen — antoi uuden näkökulman siihen, miten suhtautua teokseen Beaivi, Áhčážan. Kirjoitelmassaan "Aurinko, ukkonen, taivaantulet," Nils-Aslak Valkeapää itse olettaa, että saamelainen kaunokirjallisuus kuuluu myös laajempaan pohjoiseen alkuperäiskansojen perinteeseen. Kun läntisessä luonnonperinteessä luonto on kulttuurista erillään, saamelaisessa ja muissa alkuperäisperinteissä luonto ONkin kulttuuri. Nils-Aslak Valkeapää on tarkoituksella rakentanut Beaivi, Áhčážan šamaanin kuvahiseksi ja lukee šamaanirunoilijana tietoisesti kuvahisen kuviota ymmärtääkseen menneisyyttä, nykyisyyttä, ja tulevaisuutta. Robert Frost rakentaa kuvioita ja merkityksiä metaforilla, kun taas Valkeapää rakentaa niitä kuvilla. Nämä kahdenlaiset rakenteet heijastuvat myös Valkeapään ja Frostin maailmankuvissa. Läntisessä perinteessä maiseman uljauden kautta voi siirtyä tuonpuoleiseen, jossa jumala on havaittavissa, mutta alkuperäiskansojen perinteessä sama maisema on sekä koti että suku. Aurinko ON isä, ja kevät ON sisar. Tämän havainnon yksinkertaisuudesta huolimatta Nils-Aslak Valkeapää vahvistaa sen hienon moninaisuuden luovassa ja syvällisessä teoksessaan
Čohkkáigeassu Beaivi, áhčážan (eŋgelasgillii The Sun, My Father; suomagillii Aurinko, isäni) lea máŋggabealát, máŋggaolat dikta- ja dáiddagirji. Dan lea ráhkadan sámi dáiddár ja diktačálli Áillohaš, Nils-Aslak Valkeapää. Son dagai dán duoji govadassan, man siiddut sisttisdollet sámi máilmmeoainnu. Dát sámi girji sisttisdoallá 571 gova ja divtta sihke kaseahta, mas gullojit divttat, luođit ja luonddujienat. Girjjis leat peršovnnalaš, áiggálaš, kultuvrralaš ja kosmihkalaš gearddit. Čuovgagovat, mat leat čoggojuvvon máilmmi arkiivain, dahket das sámiid bearašgovvagirjji, muhto oarjemáilmmigielat jorgalusain eai leat čuovgagovat ja dat leatge eanaš ofelažžat sámegielat girjái. Go nana sápmelaš čáppagirjjálaš árbevierru váilu, ráhkaduvvui veahkkin ođđa teoriija, čáppagirjjálaš ekologiija. Guovddážis čáppagirjjálaš ekologiijas lea olmmoš-luondu — gaskavuohta, mii čilge čáppagirjjálašvuođa kultuvrra ja luonddu oktavuođas. Lappologat leat juo guhká čoaggán sámi njálmmalaš girjjálašvuođa, muhto easkka dál sámit ieža ráhkadit iežaset teorehtalaš kritihkaid, maiguin sáhttet analyseret iežaset girjjálašvuođa. Dat ahte oahpásmuvai dasa, mot geavahit luonddu dutki ruoktoguovllus Ođđa Englánddas, Amerihkás — erenoamážit luonddugirječálli Henry David Thoreau` ja diktačálli Robert Frost'a girjjiin — veahkehii dutki beassat sisa oarjemáilmmi oainnuide luonddus ja kultuvrras. Amerihká indiánaid čáppagirjjálašvuohta, man sii ieža leat teoretiseren veháš guhkkelebbui go sámit — erenoamážit diktačálli, románagirječálli Leslie Marmon Silko ja diktačálli-kritihkar Paula Gunn Allen — attii ođđa oainnu dasa, mot gieđahallat girjji Beaivi, áhčážan. Čállagisttis Beaivi, "terbmes, almmidolat" Nils-Aslak Valkeapää ieš navdá, ahte sápmelaš čáppagirjjálašvuohta gullá maiddái viidát davvi, álgoálbmogiid árbevirrui. Go oarjemáilmmi luondduárbevierus luondu ja kultuvra leat sierra, sámi ja eará álgoálgosaš árbevieruin luondu LEA kultuvra. Nils-Aslak Valkeapää lea eaktodáhtos ráhkadan Beaivi, áhčažan`a noaiddi govadassan ja noaidediktačálli lohká eaktodáhtos govadasa govvosiid vai áddešii doložiid, dálážiid ja boahtteáiggi. Robert Frost ráhkada metaforaiguin govvosiid ja mearkkašumiid, go Valkeapää nuppe gežiid ráhkada govain merkkašumiid. Dát guovttelágan ráhkadusat vuhttojit maiddái guktuin máilmmioainnuin. Oarjemáilmmi árbevierus ebmos, villa meahcci lea das, gos mannet ráji rastá duon ilbmásii, doppe gos ipmil lea lahka ja oidnosis, vaikko álgoálgosaš árbevierus seamma eana lea ruoktu ja sohka. Beaivi LEA áhčči, giđđa LEA oabbá. Vaikko dát fuobmášupmi lea áibbas ovttageardán, Nils-Aslak Valkeapää nanne fiinna máŋggaláganvuođa dán kreatiiva ja čiekŋalis girjjis
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Benavente, Gabriel. „Reimagining Movements: Towards a Queer Ecology and Trans/Black Feminism“. FIU Digital Commons, 2017. http://digitalcommons.fiu.edu/etd/3186.
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This thesis seeks to bridge feminist and environmental justice movements through the literature of black women writers. These writers create an archive that contribute towards the liberation of queer, black, and transgender peoples.
In the novel Parable of the Talents, Octavia Butler constructs a world that highlights the pervasive effects of climate change. As climate change expedites poverty, Americans begin to blame others, such as queer people, for the destruction of their country. Butler depicts the dangers of fundamentalism as a response to climate change, highlighting an imperative for a movement that does not romanticize the environment as heteronormative, but a space where queers can flourish.
Just as queer and environmental justice movements are codependent on one another, feminist movements cannot be separate from black and transgender liberation. This thesis will demonstrate how writers, such as Audre Lorde, Toni Morrison, Angela Davis, and Janet Mock, help establish a feminism that resists the erasure of black and transgender people.
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Strecker, William. „Ecologies of knowledge : narrative ecology in contemporary American fiction“. Virtual Press, 2000. http://liblink.bsu.edu/uhtbin/catkey/1177991.
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In the 1980s and 1990s, many scientifically cognizant young novelists turned away from the physics-based tropes of entropy and chaos and chose biological concepts of order, complexity, and self-organization as their dominant metaphors. This dissertation focuses on three novels published between 1991 and 1996 that replace the notion of the encyclopedia as a closed system and model new narrative ecologies grounded in the tenets of the emergent science of complex systems. Thus, Richard Powers's The Gold-Bug Variations (1991) explores the marriage of bottom-up self-organizing systems and top-down natural selection through a narrative lens and cautions us against any worldview which does not grasp life as a complex system; Bob Shacochis's Swimming in the Volcano (1993) illustrates how richly complex global behavior emerges from the local interaction of a large number of independent agents; and, David Foster Wallace's Infinite Jest (1996) enacts a collaborative narrative of distributed causality to investigate reciprocal relationships between the individual and the multiple systems in which he is embedded. Unlike many other contemporary authors, the new encyclopedists do not shun the abundance of information in postmodern culture. Instead, as I demonstrate here, the intricate webs of their complex ecologies emerge as narrative circulates through diverse informational networks. Ecologies of Knowledge argues that these texts inaugurate a new naturalism, demanding a reconciliation between humans and the natural world and advocating an increased understanding of life's interdependent patterns and particularities. Grounded in such an awareness of ecological complexity, these large and demanding books are our survival guides for the twenty-first century.Department of English
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Waage, Fred. „This Mortal Earth: A Year of Beginnings and Ceasings“. Digital Commons @ East Tennessee State University, 2015. http://amzn.com/168114008X.
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The poems in this collection were written one-a-day, during the course of the author's sixty-seventh year. They seek to express an ecological awareness, the "intense consciousness of land" (Aldo Leopold), a consciousness of the Earth's land and of that essence that composes the writer's being.https://dc.etsu.edu/etsu_books/1010/thumbnail.jpg
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Finlayson, Carolyn. „The habit of close observation, an ecocritical investigation of Catharine Parr Traill's nature writing in Studies of plant life in Canada“. Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk2/tape15/PQDD_0001/MQ30675.pdf.
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Cassel, Adrienne M. „Field Guide to the Heart“. University of Cincinnati / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1307320455.
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Sneddon, Ian Alexander. „Aspects of olfaction, social behaviour and ecology of an island population of the European rabbit (Oryctolagus cuniculus)“. Thesis, University of St Andrews, 1985. http://hdl.handle.net/10023/2823.
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Olfactory behaviour in the European rabbit (Oryctolagus cuniculus) has been studied extensively under laboratory and semi-natural conditions. Results of observations on aspects of the olfactory behaviour of a free-living population of rabbits are presented. To facilitate interpretation of these results, considerable preliminary information about the population was collected. The study was conducted over a three year period on the Isle of May off the east coast of Scotland. A total of 326 rabbits were trapped and marked to permit identification in the field, and data on sex, age and social status of these individuals was collated. Data on the overall structure and fluctuations in the population are presented. The social organisation and home ranges of rabbits at four study sites throughout the three years are described. Observations indicate that the social organisation of free-living populations is more complex and variable than previous descriptions of semi-natural populations would have led us to expect. The reproductive performance of the population was investigated and intra and interwarren variations are analysed with respect to warren and group size. Results indicate an inverse relationship between warren size and reproductive success. The most frequently observed group composition (2 males, 2 females) was also the most reproductively successful. Daily and seasonal activity patterns of different age, sex and social status classes of rabbits are described. Olfactory communication was investigated by analysis of the frequency, daily and seasonal variation, and behavioural context of odour related activities performed by members of different age, sex and social status classes. The importance of using appropriate methods for the sampling of behaviour in field studies of olfaction is stressed. The present study concentrates on behaviour related to latrines; chin marking of the substrate and of conspecifics; enurination and urine squirting; and pawscraping. The results suggest that different scent products may carry similar information but analysis of variations in the frequency and context of odour deposition suggests that the deposition of scent fulfills a variety of functions.
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Ewing, Maureen Colleen. „South African women's literature and the ecofeminist perspective“. Thesis, Rhodes University, 2013. http://hdl.handle.net/10962/d1007808.
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A social-constructionist ecofeminist perspective argues that patriarchal society separates the human (or culture) from nature, which causes a false assumption that humanity possesses the right, as a superior species, to dominate nature. This perspective integrates the domination of nature with social conflicts, including but not limited to racial discrimination, gender oppression, and class hierarchies. Understanding how these various forms of oppression interrelate forms the main goal of an ecofeminist perspective. Since the nature-culture, female-male, and whitenonwhite conflicts resonate and interlock throughout South Africa's history, socialconstructionist ecofeminism is an indispensable perspective for analysing South African literature. This thesis takes a social-constructionist ecofeminist approach and applies it to four women authors that write about South African society between the years 1860-1900. This thesis includes the following authors and their works: Olive Schreiner (1855-1920) and two of her novels, The Story of an African Farm (1883) and From Man to Man (published posthumously in 1927); Pauline Smith (1882-1959) and her novel The Beadle (1926); Dalene Matthee (1938- ) and three of her novels, Circles in a Forest (1984), Fiela's Child (1986), and The Mulberry Forest (1987); and Marguerite Poland (1950- ) and one of her novels, Shades (1993). This thesis investigates two women from the time period (Schreiner and Smith) and two women from a late twentieth century perspective (Matthee and Poland) and compares how they depict the natural environment, how they construct gender, and how they interpret class and race power struggles. This thesis concludes that the social-constructionist perspective offers unique insights into these four authors. Schreiner's novels reveal her concerns about gender and racial conflicts in South Africa and her understanding of the nature-culture dichotomy as sustained by Social Darwinism. Smith offers insights into the complex power structures in a rural Afrikaans society that keep women and nonwhite races silent. Matthee writes nature as an active participant in her novels; the social and ecological conflicts emphasise the transformation of the Knysna area. Poland explores the racial tensions, gender conflicts, and environmental concerns that preceded the South African War. Schreiner, Smith, Matthee, and Poland make up a small cross-section of South African literature, but they provide a basis for further discussing the ecofeminist perspective within a South African context.KMBT_363
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Shamansky, Amy Helene. „Use of crafts, games, and children's literature to enhance environmental education“. CSUSB ScholarWorks, 1997. https://scholarworks.lib.csusb.edu/etd-project/1335.
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Russell, Rowland S. „The Ecology of Paradox: Disturbance and Restoration in Land and Soul“. [Yellow Springs, Ohio] : Antioch University, 2008. http://etd.ohiolink.edu/view.cgi?acc_num=antioch1204556861.
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Thesis (Ph.D.)--Antioch University New England, 2008.Title from PDF t.p. (viewed November 11, 2009). "A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy Environmental Studies at Antioch University New England (2008)."--from the title page. Advisor: Mitchell Thomashow. Includes bibliographical references (p. 289-296).
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Kuchta, Carolye. „Dousing the flame : an ecocritical examination of English-Canadian love stories“. Thesis, University of British Columbia, 2008. http://hdl.handle.net/2429/4169.
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This thesis is written in three segments: a novel excerpt, an introduction to the genre of English-
Canadian love stories; and a critical reflection on the creative process. The introduction to the
genre is written in the style of a book introduction and is intended for a general audience. My
ecocritical examination of love stories in English-Canadian fiction concludes that these stories
tend to be banal subplots that are nonetheless deeply engaged with nature. In this thesis, “love”
always refers to the intimate love shared between two lovers or would-be lovers, be they married
or unmarried, gay or straight, very young or elderly. Western culture often posits marriage as the
pinnacle of accomplished intimate love, though the books researched for this project profoundly
object to this viewpoint. Furthermore, the tendency toward scant, emotionally-impotent, and
distinctly un-sexy depictions of love doesn’t register indifference; it registers disillusionment. I
assert that a meaningful, distinct, and supportive correlation exists between love stories and
nature-human stories in these texts. Where more nature is present, more love is present and vice
versa. Where nature is less visible, love is less visible and vice versa. I use the term “ecology of
love” to address these instrinsic links—the in between—between humans and nature. The first
section of the thesis explores this phenomenon through the story and characters of an original
novel excerpt. The second section discusses the reasons for banality, which involve social ennui
and disillusionment, geographic obstacles, moral propriety, and the unique conditions that arise
in a nation of immigrants.