Dissertationen zum Thema „Early Modern History 1500-1750“
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Geschwind, Rachel L. „MAGDALENE IMAGERY AND PROSTITUTION REFORM IN EARLY MODERN VENICE AND ROME, 1500-1700“. Case Western Reserve University School of Graduate Studies / OhioLINK, 2011. http://rave.ohiolink.edu/etdc/view?acc_num=case1302019358.
Der volle Inhalt der QuelleGow, Andrew Colin. „The Red Jews: Apocalypticism and antisemitism in medieval and early modern Germany“. Diss., The University of Arizona, 1993. http://hdl.handle.net/10150/186270.
Der volle Inhalt der QuelleStreete, Adrian George Thomas. „Calvinism, subjectivity and early modern drama“. Thesis, University of Stirling, 2001. http://hdl.handle.net/1893/12800.
Der volle Inhalt der QuellePhillips, Harriet. „Uses of the popular past in early modern England, 1510-c.1611“. Thesis, University of Cambridge, 2013. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.648360.
Der volle Inhalt der QuelleWikland, Linda. „Vårt dagliga bröd giv oss idag. Hungersnöd, krishantering och resiliens i Stockholm 1650–1750“. Thesis, Stockholms universitet, Historiska institutionen, 2020. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-190846.
Der volle Inhalt der QuelleNielson, James. „Elizabethan realisms : reading prose from the end of the century“. Thesis, McGill University, 1990. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=74597.
Der volle Inhalt der QuelleThese works, traditionally grouped together because of the interaction of their authors at the end of the 16th century, include Robert Greene's "cony-catching" and "confessional" pamphlets, the texts of the controversy between Thomas Nashe and Gabriel Harvey, and Harvey's manuscript drafts, as well as more familiar works such as Nashe's Unfortunate Traveller.
The theoretical issue of "the real" as a textual effect has been divided up according to the three nominal categories of persons, places and things, but the thesis falls methodologically into two halves. The opening chapters aim at reintroducing the figures of Greene, Nashe and Harvey, and exploring the quasi-genres of confession, invective and rough draft as exemplary models of the textual construction of a realistic person. They also attempt an alternative form of reading which is an amalgam of cento, summary, close reading, theoretical aside, and running commentary. In the second half, microreadings of the Marprelate Tracts, the cony-catching pamphlets, and texts by Nashe are used to shed light on theoretical issues of textual "place" such as the rhetorical construction of "presence" and metaphorical "movement." Once the relationship between premodern and postmodern textuality has been sketched, the final chapter offers a critique of the unreflexive academic practice of doing "readings," and argues for a new literalism and the self-subversion of the figurative in an "extrarhetorical" reading of Nashe's Lenten Stuffe.
Farley, Stuart. „Copious voices in early modern English writing“. Thesis, University of St Andrews, 2015. http://hdl.handle.net/10023/11904.
Der volle Inhalt der QuellePearce, Michael. „Vanished comforts : locating roles of domestic furnishings in Scotland, 1500-1650“. Thesis, University of Dundee, 2016. https://discovery.dundee.ac.uk/en/studentTheses/30341c43-2f2d-48d9-a893-7dd9c8b9a13b.
Der volle Inhalt der QuelleBider, Noreen Jane. „Tudor metrical psalmody and the English Reformations“. Thesis, National Library of Canada = Bibliothèque nationale du Canada, 1998. http://www.collectionscanada.ca/obj/s4/f2/dsk1/tape11/PQDD_0026/NQ50115.pdf.
Der volle Inhalt der QuelleHammerton, Rachel Joan. „English impressions of Venice up to the early seventeenth century : a documentary study“. Thesis, University of St Andrews, 1987. http://hdl.handle.net/10023/2792.
Der volle Inhalt der QuelleWong, Alexander Tsiong. „Aspects of the kiss-poem 1450-1700 : the neo-Latin basium genre and its influence on early modern British verse“. Thesis, University of Cambridge, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.708782.
Der volle Inhalt der QuelleBotchkareva, Anastassiia Alexandra. „Representational Realism in Cross-Cultural Perspective: Changing Visual Cultures in Mughal India and Safavid Iran, 1580-1750“. Thesis, Harvard University, 2014. http://nrs.harvard.edu/urn-3:HUL.InstRepos:13070051.
Der volle Inhalt der QuelleHistory of Art and Architecture
Hanan, Rachel Ann 1978. „Words in the world: The place of literature in Early Modern England“. Thesis, University of Oregon, 2010. http://hdl.handle.net/1794/11156.
Der volle Inhalt der Quelle"Words in the World" details the ways that the place of rhetoric and literature in the sixteenth and seventeenth centuries changes in response to the transition from natural philosophy to Cartesian mechanism. In so doing, it also offers a constructive challenge to today's environmental literary criticism, challenging environmental literary critics' preoccupation with themes of nature and, by extension, with representational language. Reading authors from Thomas More to Philip Sidney and Ben Jonson through changes in physics, cartography, botany, and zoology, "Words in the World" argues that literature occupies an increasingly separate place from the real world. "Place" in this context refers to spatiotemporal dimensions, taxonomic affiliations, and the relationships between literature and the physical world. George Puttenham's Arte of English Poesie (1589), for instance, limits the way that rhetoric is part of the world to the ways that it can be numbered (meter, rhyme scheme, and so forth); metaphor and other tropes, however, are duplicitous. In contrast, for an earlier era of natural philosophers, tropes were the grammar of the universe. "Words in the World" culminates with Robert Burton's Anatomy of Melancholy (1621/1651), in which the product of literature's split from the physical world is literary melancholy. Turning to today's environmental literary criticism, the dissertation thus historicizes ecocriticism's nostalgic melancholy for the extratextual physical world. Indeed, Early Modern authors' inquiries into the place of literature and the relationships between that place and the physical world in terms of literary forms and structures, suggests the importance of ecoformalism to Early Modern scholarship. In particular, this dissertation argues that Early Modern authors treat literary structures as types of performative language. This dissertation revises the standard histories of Early Modern developments in rhetoric and of the literary text, and it provides new insight into the materiality of literary form.
Committee in charge: Lisa Freinkel, Chairperson, English; William Rossi, Member, English; George Rowe, Member, English; Ted Toadvine, Outside Member, Philosophy
Glover, Victoria E. C. „"To Conceive With Child is the Earnest Desire if Not of All, Yet of Most Women": The Advancement of Prenatal Care and Childbirth in Early Modern England: 1500-1770“. VCU Scholars Compass, 2018. https://scholarscompass.vcu.edu/etd/5694.
Der volle Inhalt der QuelleChow, Po-fun Wendy, und 周寶芬. „Carnivalization and subversion of order in comic plays, with referenceto Shakespeare's Twelfth night and Herry IV“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1987. http://hub.hku.hk/bib/B31948996.
Der volle Inhalt der QuelleMcKeogh, Katie. „Sir Thomas Tresham (1543-1605) and early modern Catholic culture and identity, 1580-1610“. Thesis, University of Oxford, 2017. http://ora.ox.ac.uk/objects/uuid:c6d9ffcd-570e-4334-acd4-735c656c0a1f.
Der volle Inhalt der QuelleHirsch, Brett Daniel. „Werewolves and women with whiskers : figures of estrangement in early modern English drama and culture“. University of Western Australia. English and Cultural Studies Discipline Group, 2009. http://theses.library.uwa.edu.au/adt-WU2009.0175.
Der volle Inhalt der QuelleJennings, Emily. „Prophetic rhetoric in the early Stuart period“. Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:13643178-0544-4b2b-9ca3-55d6c73a5d26.
Der volle Inhalt der QuellePihl, Christopher. „Arbete : Skillnadsskapande och försörjning i 1500-talets Sverige“. Doctoral thesis, Uppsala universitet, Historiska institutionen, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-182392.
Der volle Inhalt der QuelleTidman, Gemma. „Ce qui s'enseigne : the Querelle des collèges and the emergence of littérature, 1750-1789“. Thesis, University of Oxford, 2017. http://ora.ox.ac.uk/objects/uuid:f2be0fba-5a34-4f83-bbed-65f9c5f70d4e.
Der volle Inhalt der QuelleJohnson, Toria Anne. „'Piteous overthrows' : pity and identity in early modern English literature“. Thesis, University of St Andrews, 2013. http://hdl.handle.net/10023/4197.
Der volle Inhalt der QuelleDoyle, Anne-Marie. „Shakespeare and the genre of comedy“. Thesis, University of Stirling, 2006. http://hdl.handle.net/1893/177.
Der volle Inhalt der QuelleGardner, Corinna. „The just figure shape, harmony and proportion in a selection of Andrew Marvell's lyrics“. Thesis, Rhodes University, 1994. http://hdl.handle.net/10962/d1002273.
Der volle Inhalt der QuelleMukherjee, Manisha. „The representation of transgressive love and marriage in English Renaissance drama /“. Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=42103.
Der volle Inhalt der QuelleJeffrey, Anthony Cole. „The Aesthetics of Sin: Beauty and Depravity in Early Modern English Literature“. Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc1062818/.
Der volle Inhalt der QuelleBellis, Joanna Ruth. „Language, literature, and the Hundred Years War, 1337-1600“. Thesis, University of Cambridge, 2011. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.609852.
Der volle Inhalt der QuelleMay, Simon. „Marlowe and monarchy“. Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:84716f56-e527-4a6b-820c-d2204c87cfe2.
Der volle Inhalt der QuellePaulin, Lotta. „Den didaktiska fiktionen : Konstruktion av förebilder ur ett barn- och ungdomslitterärt perspektiv 1400–1750“. Doctoral thesis, Stockholms universitet, Institutionen för litteraturvetenskap och idéhistoria, 2012. http://urn.kb.se/resolve?urn=urn:nbn:se:su:diva-74273.
Der volle Inhalt der QuellePonce, Timothy Matthew. „The Hybrid Hero in Early Modern English Literature: A Synthesis of Classical and Contemplative Heroism“. Thesis, University of North Texas, 2017. https://digital.library.unt.edu/ark:/67531/metadc1062882/.
Der volle Inhalt der QuelleMontanari, Anna Maria. „'A heart in Egypt' : Cleopatra on the Renaissance stage in Italy and England“. Thesis, University of Cambridge, 2015. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.709112.
Der volle Inhalt der QuelleLeskinen, Saara. „Reliable knowledge of exotic marvels of nature in sixteenth-century French and English texts“. Thesis, Warburg Institute, 2008. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.564418.
Der volle Inhalt der QuelleKershaw, Alison. „The poetic of the Cosmic Christ in Thomas Traherne's 'The Kingdom of God'“. University of Western Australia. School of Social and Cultural Studies, 2006. http://theses.library.uwa.edu.au/adt-WU2006.0085.
Der volle Inhalt der QuelleAuger, Peter. „British responses to Du Bartas' Semaines, 1584-1641“. Thesis, University of Oxford, 2012. http://ora.ox.ac.uk/objects/uuid:be0f89c2-c2e4-482d-ac8f-e867985ff72e.
Der volle Inhalt der QuelleBulman, Helen Lois. „Concepts of folly in English Renaissance literature : with particular reference to Shakespeare and Jonson“. Thesis, University of St Andrews, 1991. http://hdl.handle.net/10023/3475.
Der volle Inhalt der QuelleTanner, Jane Hinkle. „Sharing the Light: Feminine Power in Tudor and Stuart Comedy“. Thesis, University of North Texas, 1994. https://digital.library.unt.edu/ark:/67531/metadc278551/.
Der volle Inhalt der QuelleHiggins, Benjamin David Robert. „We have a constant will to publish : the publishers of Shakespeare's First Folio“. Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:ab876515-5984-46a5-8bf0-8346165fb583.
Der volle Inhalt der QuelleFeldman, Linda Ellen. „The good Hausvater : patriarchal elements and the depiction of women in three works by Grimmelshausen“. Thesis, McGill University, 1986. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=73974.
Der volle Inhalt der QuelleRumbold, Kate Louise. „All the men and women merely players : quoting Shakespeare in the mid-eighteenth-century novel“. Thesis, University of Oxford, 2007. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.670136.
Der volle Inhalt der QuellePhilo, John-Mark. „An ocean untouched and untried : translating Livy in the sixteenth century“. Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:72584fcd-42d6-42b6-9186-18b01b95af85.
Der volle Inhalt der QuelleKoenig, Gregory R. (Gregory Robert). „The Relationship of Robert Greene and Thomas Nashe, 1588-1590: An Episode in the Development of English Prose Fiction“. Thesis, University of North Texas, 1988. https://digital.library.unt.edu/ark:/67531/metadc500802/.
Der volle Inhalt der QuelleHacksley, Timothy Christopher. „A critical edition of the poems of Henry Vaux (c. 1559-1587) in MS. Folger Bd with STC 22957“. Thesis, Rhodes University, 2008. http://eprints.ru.ac.za/1704/.
Der volle Inhalt der QuelleTissot, Allan. „Une abbaye de renom à l'époque moderne : l'Abbaye aux Dames de Saintes (fin du XVe siècle - début XIXe siècle)“. Phd thesis, Université Michel de Montaigne - Bordeaux III, 2012. http://tel.archives-ouvertes.fr/tel-00909678.
Der volle Inhalt der QuelleFaull, Lionel Peter. „Robert Herrick's self-presentation in Hesperides and his Noble numbers“. Thesis, Rhodes University, 2010. http://hdl.handle.net/10962/d1002250.
Der volle Inhalt der QuelleCollins, Margo. „Wayward Women, Virtuous Violence: Feminine Violence in Restoration and Eighteenth-Century British Literature by Women“. Thesis, University of North Texas, 2000. https://digital.library.unt.edu/ark:/67531/metadc2474/.
Der volle Inhalt der QuelleJohanson, Kristine. „A rhetoric of nostalgia on the English stage, 1587-1605“. Thesis, University of St Andrews, 2010. http://hdl.handle.net/10023/1001.
Der volle Inhalt der QuelleJayawickrama, Sarojini. „Carnival, carnivalisation and the subversion of order, with reference to Shakespeare's Henry IV and Henry VI“. Thesis, [Hong Kong : University of Hong Kong], 1991. http://sunzi.lib.hku.hk/hkuto/record.jsp?B13115601.
Der volle Inhalt der QuelleAbiven, Karine. „L’Anecdote ou la fabrique du petit fait vrai. Un genre de récit miniature, de Tallemant des Réaux à Voltaire (1650-1756)“. Thesis, Paris 4, 2012. http://www.theses.fr/2012PA040134.
Der volle Inhalt der QuelleThe purpose of this work is to define the characteristics of the anecdote, understood as a short non fictitious narrative, from the middle of the 17th century. In that period the anecdote enjoyed a wide popularity amongst scholars and high society, while it became an historiographic form in Memoirs of the court. The analysis of a series of examples taken from Memoirs, Lives and Ana (i.e. collections of thoughts and anecdotes) enables us to outline a textual pattern. In spite of the likeness it bears to the exemplum, the jest and the apothegm, the anecdote differs by its claim to truthfulness. This particularity appears to be essential in the context of a profound transformation of historical and biographical rhetoric, which evolves towards a deeper interest in the individual and the authentic detail. However this aspiration to truthfulness is limited by other characteristics of the anecdote. Insofar as it aims to provoke an emotional reaction (such as laughter or surprise), the anecdote is also linked to more inventive forms (for instance fiction, joke, satire). Besides it is designed for circulation and doesn’t belong to a single author: its oral origin is altered by the process of writing, collecting and compilating. To describe a poetic and rhetoric of this genre, we intend to analyse its linguistic characteristics, the paths of its circulation, and its paradoxical way of producing a truthful statement on the individual. Our work takes part in the history of literary forms and aims to show that the anecdote has replaced ancient forms of brief narratives in early modern French literature and historiography
Allsopp, Niall. „Turncoat poets of the English Revolution“. Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:72c956c3-ec8b-4b07-ad91-a05b0e72fd39.
Der volle Inhalt der QuelleHone, Joseph. „The end of the line : literature and party politics at the accession of Queen Anne“. Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:d847a561-130a-42f0-b78f-2463e9e65535.
Der volle Inhalt der QuelleDi, Ponio Amanda Nina. „The Elizabethan Theatre of cruelty and its double“. Thesis, University of St Andrews, 2009. http://hdl.handle.net/10023/836.
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