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Zeitschriftenartikel zum Thema "Druskin"
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Menshikov, Andrey S. „Time, Moment, Eternity: Hieroglyphs and Meditations in Yakov Druskin’s Philosophy“. Changing Societies & Personalities 5, Nr. 2 (09.07.2021): 252. http://dx.doi.org/10.15826/csp.2021.5.2.132.
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In this article, the author explores the interest of the interwar intellectuals in “time, death, God”. This focus on temporality as an existential problem engendered some major philosophical projects, which aimed at complete revision of how philosophy should be done, including Henri Bergson, Edmund Husserl, Franz Rosenzweig. The main part outlines a philosophical project of Yakov Druskin who addressed the problem of temporality in a highly original manner. Druskin combined philosophical reflection on time in its existential meaning with the search for intellectual methods and linguistic techniques to transcend our ordinary reality. Among these methods, in Druskin’s works present at least two major modes—meditation and “hieroglyphs”—can be identified. Both methods, however, aim at “transforming rather than informing” and at enabling us to linger in a “certain equilibrium with a minor error”.
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Григорьева, Г. В. „About the Concept of the Second Symphony by Galina Ustvolskaya“. Музыкальная академия, Nr. 3(767) (20.09.2019): 6–18. http://dx.doi.org/10.34690/01.
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Статья посвящена анализу Второй симфонии Г. Уствольской, исследованию особенностей композиции и драматургии. Для интерпретации художественной идеи привлекается канонический источник ее поэтического текста. Впервые рассматривается возможность влияния философских работ Якова Друскина. The article is devoted to the analysis of the Second Symphony by G. Ustvolskaya, the study of compositional and dramatic features. The author draws on the canonical source of poetic text to interpret an artistic idea, for the first time considering the possibility of the influence of Jacob Druskin philosophical works.
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Baltrėnas, Pranas, und Agnė Kazlauskienė. „SUSTAINABLE ECOLOGICAL DEVELOPMENT REDUCING NEGATIVE EFFECTS OF ROAD MAINTENANCE SALTS“. Technological and Economic Development of Economy 15, Nr. 1 (31.03.2009): 178–88. http://dx.doi.org/10.3846/1392-8619.2009.15.178-188.
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To ensure traffic safety in winter, large amounts of technical salts (chlorides) are applied on roads. De‐icing salts directly or indirectly contaminate the road environment and have a negative effect on the components of road environment. The analysis of the situation raises a question: how to ensure traffic safety in wintertime applying salts and achieve sustainable development. The article presents the investigations of chloride concentrations on the roadsides of a highway. In 5 recent years, complex environmental laboratory investigations and investigations under natural conditions of the effect of salts on the components of the road environment have been carried out proving their toxic effect. Consequently, to reduce a negative effect of salts on the road environment, measures of sustainable ecological development have to be taken. To achieve a balanced use of salts, the proposal is to apply alternative materials (formiates, molasses‐based material). The introduction of biotechnical measures (an infiltration‐grassy ditch, biological and chemical indication on roadsides) is expedient to eliminate the consequences but not the reasons of salt use. Santrauka Žiemos sezonu eismo saugumui užtikrinti naudojami dideli kiekiai techninių druskų (chloridų). Slidumui šalinti barstomosios druskos tiesiogiai ir netiesiogiai užteršia kelio aplinką ir neigiamai veikia kelio aplinkos komponentus. Todėl kyla klausimas – kaip užtikrinti eismo saugumą žiemą naudojant druskas bei įgyvendinti darnaus vystymosi nuostatas. Straipsnyje pateikti chloridų koncentracijų tyrimai magistralinio kelio, kertančio saugomas teritorijas, pakelių dirvožemyje. Pastaruosius penkerius metus vykdomi kompleksiniai aplinkosaugos laboratoriniai ir natūriniai druskų poveikio kelio aplinkos komponentams tyrimai įrodo nuodingą jų poveikį. Todėl būtina imtis darnaus ekologinio vystymo priemonių, mažinant neigiamą druskų įtaką kelio aplinkai. Siekiant nepadidinti naudojamų druskų kiekio, siūlomos alternatyvios medžiagos (formiatai, melasos pagrindu pagaminta medžiaga). Druskų sukeliamoms pasekmėms (ne priežastims) pašalinti tikslinga įdiegti biotechnines priemones (infiltracinis-žolinis griovys, biologinė ir cheminė indikacija pakelėse).
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Savchenko, G. S. „Constants and Innovations in the Orchestral Writing of I. Stravinsky’s Ballet “Agon”“. Culture of Ukraine, Nr. 71 (02.04.2021): 118–24. http://dx.doi.org/10.31516/2410-5325.071.15.
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The aim of this paper is to identify the specifics of orchestral writing in the later works of I. Stravinsky on the example of the ballet “Agon” (1953–1957).
Significance of the topic. From 1953 begins the late (serial) period of I. Stravinsky’s work. Due to stylistic “modulation”, the study of orchestral writing in later works at the intersection of constant principles (multifigure, combinativity and plasticity) and innovations found out by us is relevant.
Research methodology. I. Stravinsky’s late style is studied in various aspects. A topical issue is the composer’s interpretation of serial technique (Glivinsky, 1995; Rogers, 2004; Straus, 1999; Smyth, 2000). N. Kardash (2010) offers a multidisciplinary textological approach in the studying of recent opera and ballet. Renaissance dance forms are studied in “Agon” by M. Richardson (2003). Characteristics of later works are contained in the section of the monograph of M. Druskin (2009). V. Zaderatsky’s monograph (1980) is devoted to the polyphonic thinking of the composer.
Historical, comparative, functional, systematic research methods are used in the work.
Results. I. Stravinsky’s original orchestral writing was formed in his early works (1908–1910). They gradually formed the principles of multifigure, combinativity (Savchenko, 2019; Savchenko, 2020) and plasticity, found out by us, as universal principles of the composer’s orchestral writing.
In the ballet “Agon” the composer applied a serial technique that determines the key role of polyphonic techniques of work with thematic invention, respectively, the dominance of horizontal thinking. At the same time in the creative comprehension and elaboration of techniques of serial technique the composer relies on the methods developed in his works (“formular” thematic invention, motives rotation technique, counterpoint combination of them) (Druskin, 2009, p. 226–227), motive-variant work (Savenko, 2001). Accordingly, ballet acts can be divided into two groups: with horizontal or horizontal/vertical priority in the organization of the orchestral texture.
Where the priority is horizontal, we highlight the following variants of the composition of the orchestral texture: 1) monophony (unison) or splitting of unison 2) texture based on the counterpoint interaction of short lines (sometimes — sound points); 3) on the basis of contrasting polyphony; 4) on the basis of imitation polyphony.
Conclusions. 1) In the orchestral writing of acts with horizontal/vertical priority, the constant principles of multifigure, combinativity and plasticity remain dominant; 2) Where the horizontal is a priority, innovative principles of organization of the orchestral texture prevail; constant principles are revealed covertly or in a modified form; 3) At the level of a ballet composition as a whole, the alternation of different types of organization of the orchestral texture is formed, in which different ideas about time and space are embodied; thoughtful timbre strategy and handling of different types of orchestral texture give rise to the original timbre-texture structure of the work.
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Maltseva, Anastasiya А. „SOME OBSERVATIONS OF THE CONTEMPORARY MUSICAL AND RHETORIC ANALYTICS“. Vestnik Tomskogo gosudarstvennogo universiteta. Kul'turologiya i iskusstvovedenie, Nr. 40 (2020): 146–55. http://dx.doi.org/10.17223/22220836/40/12.
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When considering the research of the musical rhetoric in the Russian musicology the leading significance of the intonation-semantic aspect should be highlighted, as well as active elaboration of the musical language and its communicative possibilities, but at the same time we should pay attention to fixation of the unidirectional concept of really board and heterogeneous range of Baroque musical and rhetoric figures. The early 1980s – 1990s and 2000s was the period of intensive studies of the musical language elements as meaning-forming building blocks of a work of arts as a total. In the 21st century the vector of the musical and rhetoric analysis has shifted only slightly. During the past 10 years a ‘musical-rhetorical figure’ has been defined through such notions as ‘symbol’, ‘a sound phrase (motive)’, ‘formula’, ‘sign, emblem’, ‘stable, semantically intense element’, ‘image-meaning unit, compositional sound idiom’, ‘leitmotif of affect’, ‘intonation pattern’, ‘intonation-symbol’. Apart from concentrating on the symbolic aspect of musical figures, the research of the 21st cen-tury sometimes substitutes the Baroque conceptual construct of theoretical treatise of the 17th – the first half of the 18th centuries for the ‘contemporary’ ones, which started in the 20th century within the context of J.S. Bach studies (research of A. Schweizer, B.L. Javorsky, M.S. Druskin, J.S. Druskin and other). For some contemporary scholars it was not the theoretical texts of the Baroque period that served as sources of information on musical and rhetoric figures. Instead, A. Schweizer’s works were such a source. However, A. Schweizer knew nothing of the lists of musical and rhetoric figures in the treatise of J.S. Bach’s contemporaries and predecessors. In many cases searches for the newly invented ‘symbolism of the rhetoric figures’, ‘intonation formulas’ and ‘motive-symbols’ become the favorite hermeneutic method involving a scarce number of figures by the Baroque theorists (anabasis, cataba-sis, circulatio and other) filtered by the musical analytics according to the criteria of the intonation semantics and potential symbolism. We also observe insufficient awareness of the musical and theoretical aspect, use of the outdated notions (on the set of all concepts as on a system of musical figures Baroque) and information (on the number of the musical figures given by the theorists). The author draws the conclusion that the ‘broad fame’ of the musical and rhetoric figures is so well-known that it sometimes has little to do with the authentic phenomenon of the musica poetica Baroque. At the current stage of development of the Rus-sian musicology the author sees it necessary to consolidate the approaches to understanding of the musical heritage of this epoch from the point of view of the historical analytics.
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Paškevičiūtė, Laura, Asta Marija Inkėnienė und Kristina Ramanauskienė. „KAPSULIŲ SU DIKLOFENAKO NATRIO DRUSKA MODELIAVIMAS IR KOKYBĖS VERTINIMAS“. Health Sciences 29, Nr. 6 (17.12.2019): 56–60. http://dx.doi.org/10.35988/sm-hs.2019.100.
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Diklofenako natrio druska yra nesteroidinis vaistas nuo uždegimo, sunkiai tirpstantis vandenyje. Aktualu pagaminti negreito tirpimo kapsules su diklofenako natrio druska, padedančias išvengti dirginančio poveikio virškinamojo trakto gleivinei ir užtikrinti diklofenako druskos tirpumą virškinamojo kanalo skysčiuose. Mūsų tyrimams pasirinkta farmacinė forma kapsulės yra viena iš plačiausiai vartojamų geriamųjų farmacinių formų. Gaminant kietąją farmacinę formą, svarbu parinkti tinkamas pagalbines medžiagas, kurios užtikrintų tinkamą vaistinės medžiagos tirpimo kinetiką. Kapsuliuojamojo mišinio užpildui naudotas mikrokristalinės celiuliozės ir silicio dioksido mišinys (Prosolv SMCCTM 50), D-manitolis ir D-(+)-gliukozė. Natrio karboksimetilceliuliozė kapsuliuojamojo mišinio gamyboje naudota kaip vaistinės medžiagos atpalaidavimą ilginanti medžiaga. Suirimo ir tirpimo testai atlikti naudojantis Europos farmakopėjoje (Ph. Eur.) pateiktomis tyrimo metodikomis. Diklofenako natrio druskos kiekis nustatytas spektrofotometriniu metodu. Pagamintos devynių sudėčių kapsulės, turinčios skirtingą natrio karboksimetilceliuliozės kiekį (0-35%), siekiant pailginti veikliosios medžiagos atpalaidavimo laiką. Tyrimo rezultatai parodė, kad natrio karboksimetilceliuliozė yra tinkama pagalbinė medžiaga, siekiant pailginti kapsulės veikliosios medžiagos atpalaidavimo laiką. Diklofenako natrio druskos atpalaidavimo ir kapsulių suirimo laikas priklauso nuo natrio karboksimetilceliuliozės kiekio kapsulėje.
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Lupishko, Marina. „Music and Rhetoric in the USSR: The Principle ofConfutatioin Bach’s Music and in the Philosophical System of Yakov Druskin (1902-1980)“. Musurgia XXII, Nr. 2 (2015): 5. http://dx.doi.org/10.3917/musur.152.0005.
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Kosior-Kazberuk, Marta, und Valeriy Ezerskiy. „METHOD OF PREDICTION OF THERMAL CONDUCTIVITY COEFFICIENT OF WALL MATERIALS CONTAINING SALTS / SIENŲ DRUSKINGŲ MEDŽIAGŲ ŠILUMOS LAIDUMO KOEFICIENTO PROGNOZĖS METODAS“. Journal of Civil Engineering and Management 17, Nr. 1 (13.04.2011): 108–14. http://dx.doi.org/10.3846/13923730.2011.554019.
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The salt presence in porous structure of wall materials causes changes in thermal conductivity. The real value of material thermal conductivity in service conditions is necessary for engineering applications. The method of prediction of the thermal conductivity coefficient for wall materials containing salt using corrective factor is presented in the paper. By means of corrective coefficients, for well-known content of moisture and salt in wall material, it is possible to calculate thermal conductivity coefficient with regard to the presence of specific salt or mix of salts in material. The corrective coefficient values were determined for different groups of salts. The partition of salts into groups was made by means of cluster analysis, in dependence on their influence on material thermal conductivity. Clustering, in data mining, is a useful tool for discovering groups and identifying interesting distributions in the underlying data. Santrauka Druskos poringųjų medžiagų sienų struktūroje sukelia jų šilumos laidumo kitimą. Tikroji eksploatacinė medžiagų šilumos laidumo koeficiento vertė būtina atliekant inžinerinius tyrimus. Straipsnyje pristatomas sienų, kurių medžiagos turi druskų, šilumos laidumo koeficiento prognozės metodas naudojant pataisos daugiklį. Naudojant pataisos koeficientus, esant tiksliai žinomam drėgmės ir druskų kiekiui sienos medžiagoje, galima apskaičiuoti šilumos laidumo koeficientą, atsižvelgus į tam tikrų druskų ar jų mišinių buvimą medžiagoje. Buvo nustatytos įvairių druskų grupių pataisos koeficientų vertės. Druskos buvo paskirstytos grupėmis pagal klasterinę analizę, priklausomai nuo jų įtakos medžiagos šilumos laidumui. Klasterių metodas yra naudinga priemonė duomenims apdoroti—grupėms atskleisti ir įdomiems duomenų pasiskirstymams rasti.
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Savchenko, Ganna. „Orchestral composition multifigure as a principle of time and space organization of Ihor F. Stravinsky’s orchestral works (from early ballets to Symphony in C and Symphony in three movements)“. Aspects of Historical Musicology 16, Nr. 16 (15.09.2019): 242–58. http://dx.doi.org/10.34064/khnum2-16.14.
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Introduction. The early and the top works of the Russian period showed rapid evolution of Ihor F. Stravinsky’s musical thinking and style: there evolved the original musical language, the technique of composition, with the orchestral composition principles being changed. The ballets demonstrated a new sense of time and space, which is shaped by the complex of expressiveness means, with orchestrating being essential. The composer’s style evolution took place within a complex historical and cultural context, marked by a change in the cultural paradigm in the early twentieth century. The scientific and technological progress resulted into transformation of time and space perception in European cultural consciousness, with the music being not conceived as a form of art beyond their limits. (Herasimova-Persydska, 2012a). The means of space-temporal relations objectification is a system of interrelated parameters of a musical composition, covering form, theme, meter and rhythm, composition, music dramaturgy, orchestration with one of the leading functions. The twentieth century composers, who embodied new ideas about time and space while organizing musical composition, are C. Debussy, the New Vienna School composers and Ihor F. Stravinsky. Theoretical Background. Recent research and publications analysis. The problem of time and space is one of the key problems of Ihor F. Stravinsky’s work. The research of space at the micro level of the composer’s musical language is carried out in B. I. Rysin article. (Rysin, 2012: 164–165). I. Vershynina (1967) does not formulate the problem of time directly, but indirectly considers it, using the concept of “dynamic content”, which is inherent in the intonational structure of the composer’s music language. M. Druskin (1982) devotes separate sections to the problem of time and space: “Movement” (Druskin, 1982: 127–137) and “Space” (Druskin, 1982: 137–154). Summarizing, the researcher (1982) states: “… Stravinsky contrasted throughcomposed processual development to the ratio of planes and volumes, a single convergence place to the variety of relatively independent “horizon levels”, a single-center composition to a multi-center one” (149). Accurate observations of the monograph author lead to the aesthetic, artistic and general stylistic level, emerging, if at all, into music texts composition. Taking these ideas as a basis, we consider it appropriate to transfer them onto orchestral thinking and composer’s orchestral style. Let us add our own considerations about the nature of space. The Objective of the article is to consider the features of space-temporal organization of Ihor F. Stravinsky works at the level of orchestration. The objects of research are Symphony in C (1938–1940) and Symphony in Three Movements (1942–1945). The urgency of the work lies in poor research of the orchestral thinking and the composer’s orchestra style regarding the principles of the music composition space-temporal organization. Methods. To achieve the goal, the following research methods are applied: 1) historical one, which allows to comprehend the selected material in the perspective of the evolution of Ihor F. Stravinsky’s orchestral thinking; 2) theoretical one, which reveals the features of the composer’s ensemble style; 3) cultural one, which allows us to formulate an idea on the connection between culture as a type of thinking and composer’s artistic thinking, which is realized in the peculiarities of the space and temporal organization of the music composition. Results and Discussion. In his early ballets, Ihor F. Stravinsky developed various types of orchestral composition based on a key structural idea – the multifigure, which is realized horizontally and vertically within the orchestral composition, at the micro and macro syntactic levels of the music composition. We shall consider the figure in the orchestral composition as a characteristic, formula, distinguished through sound colour and register, which: 1) is repeated accurately (ostinato) or alternative-variationally, and in this case it may not have intonational characteristic, distinctness, bright expressiveness; 2) sounds unique, and may have an individual intonation and rhythmic pattern. The figures can belong to different layers of the orchestral composition, respectively, to act as carriers of different orchestral functions (melody, melodious figuration, pedal, etc.). Multifigure at the macro-syntactic level of a music composition is realized through frequent change of thematic episodes, accompanied by orchestral composition and sound colour altering. This gives rise to eventfulness, density, contrast of symphonious time. Multifigure at the micro-syntactic level is manifested through horizontal combination of figures, conditioned by intonational structure of the theme. A figure may coincide with the intonation if it represents a melody function. Vertically multifigure is manifested in the combination of figures in different layers of composition. They interact on the principle of rhythmic (and melodic) complementarity. This forms a particularly sophisticated space where all the elements interact, having their own unique sound colour, rhythmic, compositional patterns. The multifigure concept is of a double origin. The first source is culture, as a type of thinking. Ihor F. Stravinsky was one of the first composers who, at the level of artistic thinking, became aware of the complex intricacy of the universe and transformed it into orchestral works sound materials. The second source is the aesthetics of the stage (theatrical) space and the stage movements (gesture). Thus, we believe that in Ihor F. Stravinsky’s ballets scores of Russian period, a special orchestra style was developed, with the technique to be used in the symphonies. Conclusions. The analysis of Ihor F. Stravinsky’s Russian ballets and two symphonies scores showed that the orchestral style, invented by the composer in his early works, was based on the multifigure principle, embodying the idea of time and space in the world building, which was radically changed at the beginning of the century. The author formed an idea that the connection between orchestration, composer’s thinking and culture, as a certain type of thinking, needs further elaboration taking other Ihor F. Stravinsky’s works, as well as of the composers who made a breakthrough in orchestral style in the first half of the twentieth century.
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Savchenko, Нanna. „Multifigure Technique in Igor Stravinsky’s Orchestral Composing of the Neoclassical Period (on the example of the ballet “Apollon Musagète”)“. Aspects of Historical Musicology 19, Nr. 19 (07.02.2020): 189–205. http://dx.doi.org/10.34064/khnum2-19.11.
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Background. The issue of time in Igor Stravinsky’s works attracts the attention of researchers constantly. The time is studied through revealing the meter and rhythm specifics of the works (the concept of irregular-accent rhythm (a term of V. Kholopova). In our opinion, in the study of the temporal and spatial parameter another reversal is possible – in the aspect of orchestration as a means of material and sound objectification of a composer’s conception in time and space. Taking into account the evolution of I. Stravinsky’s composer thinking, this approach allows us to demonstrate those changes that took place in the orchestration of the composer, and to reveal certain constants, universals (S. Savenko) of orchestral thinking and orchestration as a set of technological methods. Analysis of recent research and publications. The theme of time and its specificity in Igor Stravinsky’s works is studied discreetly in the monograph by S. Savenko (2001), which discusses it in connection with the study of meter and rhythm, motif technique, musical form. The notion of space is not a scientific problem in the monograph, but the author discusses it in relation to texture and orchestration. The separate sections of the monograph by M. Druskin (1982) are devoted to the issues of time (Motion) and space (Space). In the first one, the musicologist emphasizes the importance of the visual images and body movements for the composer. The author distinguishes two approaches of I. Stravinsky to the course of time: the first approach evenly regulates it, the second one constantly violates it, because it is full of emotions and psychic states (Druskin, 1982: 135). In the section Space, M. Druskin (1982: 140–141) emphasizes the composer’s intended attitude to the issue of space organization, in which he continues the discovery by Claude Debussy. The essence of innovation lies in the creation of a multicenter composition that involves the coexistence of many points of view (1982: 143–150). O. Sokol (1974) also discusses the above concept of time but in order to substantiate the principle of similarity in the creative method of the composer. A special study on the issue of rhythm and time in I. Stravinsky’s works is the doctoral dissertation by A. Makina (2010). The analysis of the rhythmic and temporal structures and the rhythmic technique of the Symphony of Wind Instruments allows the author to conclude that “Stravinsky’s innovation is to strengthen the structural rhythmic component of the composition as an alternative to tonal development...” (Makina, 2010: 12). Objectives of the researching. In the above works, the orchestration by I. Stravinsky as a system of technological methods of organizing material in time and space does not become a subject of special study. Therefore, the aim of this article is to study the specifics of the spatial and temporal organization of I. Stravinsky’s composition as exemplified by the work of his neoclassical period (the ballet Apollon Musagète) in the aspect of orchestral composing. Discussion and results. In the early works, I. Stravinsky develops the orchestral technique of composing based on the multi-figure principle. It allowed the composer to embody in his artistic system new ideas about time and space according to the worldview, which has changed dramatically in the modern culture. The figure in the orchestral texture means, as we define it, a formula that is delineated with intonational, rhythmic, texture, register, and timbre means, or with a set of means outlined in a plastic-characteristic, visual way. It can be repeated accurately (ostinato) or alternatively. The multifigure technique in horizontal projection is realized at microand macro-syntactic levels. In the organization of time, it generates increased eventfulness, semantic density. In vertical projection, the multifigure technique is manifested in the combination of different figures in a polysyllable texture organized on the principle of complementarity. This enriches the orchestral texture with spaciousness. The preservation of the multifigure technique as a constant of I. Stravinsky’s composer thinking comes from the peculiarities of his style system. The style of the composer, according to many researchers, is based on the dialectical interaction of universal (stable) and variant (mobile) aspects at different levels of stylistic integrity. The orchestration parameter contains new “neoclassical” qualities and stable orchestra composing techniques (the multifigure technique). Let us turn to the ballet Apollon Musagète (1928). The selected composition of the orchestra is expressly “classical”: the string orchestra forms a timbre-soldered organism, devoid of the bright color of woodwind and brass instruments. The result is a monochrome sound, essentially continuous, because it does not change its timbre throughout the ballet. In the works of the neoclassical period, the composer reproduces certain qualities of the model (Savenko, 1977). We assume that purposeful continuous time and homogeneous space are also subject to simulation. A powerful means of modeling continuous time is the “long” melody that the composer designs. Its unfolding in the context of timbre monochromaticism really creates an auditory illusion of a timeless expression that goes on in time. However, a visual analysis of the score testifies to the effect of the multifigure technique, which imparts a process of discreteness. The figures help break the melody line, register contrasts, timbre interception. Vertically, based on the figure composing, counterpoints and duplications (usually inaccurate) are built, which violates the homogeneity of the space and gives it a variable density. Conclusions. The analysis of the scores of the ballet Apollon Musagète has shown the effect of the constant principle of multifigure technique. The multifigure technique undergoes modifications, as it interacts with the techniques that matured in the neoclassical period (“long” melody, monochrome timbre), and it aimed at modeling the “classical” directed continuous time and homogeneous space. As a result, the multifigure technique breaks the continuity of time by giving it discreteness; creates an inhomogeneous space. The author sees the prospects of the study in the analysis of opera scores, in which the multifigure technique comes in the complex interaction with the words.
Dissertationen zum Thema "Druskin"
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Powers, Patrick D. „Belief in the Unbelievable: Yakov Druskin and Chinari Metaphysics“. Oberlin College Honors Theses / OhioLINK, 2021. http://rave.ohiolink.edu/etdc/view?acc_num=oberlin1619455383434057.
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D'Souza, Yvonne. „Glycoproteins of drusen and drusen-like lesions“. Thesis, University of Manchester, 2008. https://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.489005.
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Rainys, Almantas. „Smėlio ir druskos barstytuvo barstymo proceso tyrimai“. Master's thesis, Lithuanian Academic Libraries Network (LABT), 2008. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2008~D_20080722_154712-46532.
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Magistro darbe atlikta birių medžiagų barstymo proceso mokslinių darbų analizė. Apžvelgta Lietuvos kelius, žiemos metu, prižiūrinčių įmonių struktūra ir gamybinės sąlygos, įvertinant cheminių medžiagų barstymo proceso etapus, eiliškumą ir apimtis. Sudarytas barstytuvų technologinio proceso matematinis modelis, atliktas smėlio – druskos barstytuvų technologinio proceso kokybės tyrimas. Pasiūlyta eksperimentinė įranga ir eksperimento atlikimo metodika barstytuvų technologinio proceso kokybei įvertinti.In this master work was reviewed analysis of spreading process. Reviewed the structure and industrial conditions of companie’s what during winter time are maintaining Lithuanian roads including the stages, priority and size of spreading process. Created mathematical model of spreading process and investigated the research of sand and salt spreader technological process. Suggested the experimental equipment and method to measure the quality of salt and sand spreading technological process.
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Valiulytė, Giedrė. „Azodažiklių sintezė iš aromatinių aminų diazonio druskų“. Master's thesis, Lithuanian Academic Libraries Network (LABT), 2014. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2014~D_20140630_134139-62079.
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Darbo tikslas: dviem metodais gauti azodažiklius iš aromatinių aminų diazonio druskų, nustatyti jų pKa reikšmes, įvertinti spektrines savybes bei pritaikyti kaip indikatorius.
Darbo uždaviniai: Gauti azodažiklius iš metilanilinų ir 4-nitroanilino vykdant jų diazonio druskų hidrolizę arba jungiant su 1-naftoliu bei 2-naftoliu, apskaičiuoti gautų junginių išeigas, nustatyti jų pKa reikšmes, spektrines savybes, galimą kaip indikatorių pritaikymą.
Metodai: Tyrimui atlikti naudojami du azodažiklių sintezės metodai. Apskaičiuotos abiem metodais gautų azodažiklių procentinės išeigos. ESC įvertintas junginių grynumas. Gautų azodažiklių pKa reikšmės bei pH ribos, kuriose keičiasi jų spalva, vertinamos atliekant potenciometrinį titravimą. Vandeniniai azodažiklių tirpalai vertinti spektrofotometriškai, matuojant tirpalų absorbcijos maksimumus ir optinius tankius.
Rezultatai: Azodažikliai, atliekant aromatinių aminų diazonio druskų hidrolizę (hidrolizatas sudarytas iš 44 ml vandens ir 20 ml koncentruotos H2SO4), gaunami veikiant aminus koncentruota HCl, kai hidrolizato temperatūra pakeliama iki 104-110 oC. Atliekant tradicinę azodažiklių sintezę išeigos yra geros-labai geros (vidutinė išeiga yra 76,95 proc.), o vykdant diazonio druskų hidrolizę – vidutinės (junginiai gaunami su vidutine 41,44 proc. išeiga). Tradiciniu metodu gautų naftolinių azodažiklių pKa reikšmės yra 8,8-11,0 ribose, o fenolinių, gautų atliekant eksperimentinę sintezę, - 7,5 8,0. Spektrofotometrinis tyrimas parodė... [toliau žr. visą tekstą]Aim of the work: synthesis of azo dyes from aromatic amines diazonium salts by two methods, determination of their pKa values, spectral features and applicability as indicators of produced azo dyes. Main objectives: to obtain azo dyes from methylanilines and 4-nitroaniline by hydrolysis of their diazonium salts or by binding with 1-naphtol and 2-naphtol, to calculate yields of obtained compounds, to determine their pKa values, spectral features and their possible application as indicators. Methods: Two methods of azo dyes synthesis are used to perform the assay. Percentage yields of synthesized compounds, obtained by both methods, are calculated. Purity of compounds is evaluated by HPLC. pKa values and range of pH where the colour changes of received compounds are evaluated by potentiometric titration. Aqueous solutions of azo dyes are assessed by measuring absorption peaks and optical densities with a spectrophotometer. Results: it is necessary to synthesise aromatic amines diazonium salts with conc. HCl and to perform hydrolysis in 104-110 oC temperature when hydrolysate consist of 44 ml water and 20 ml conc. H2SO4 in order to obtain azo dyes by experimental method. Yields of traditional method are good-very good (average yield is 76,95 proc.), yields of experimental method are moderate (average yield is 41,44 proc.). pKa values of naphtolic azo dyes which are obtained by traditional method are 8,8-11,0 and phenolic azo dyes – 7,5-8,0. Spectrophotometric studies showed that... [to full text]
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Ulinskaitė, Monika. „Natrio druskų mažinimo galimybės termiškai apdorotuose mėsos gaminiuose“. Master's thesis, Lithuanian Academic Libraries Network (LABT), 2013. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2013~D_20130618_095230-70698.
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Darbo objektai: Virtų, karštai rūkytų dešrų gamyba, juslinių savybių ir mikrobiologinis dešrų įvertinimas.
Darbo tikslas – Įvertinti natrio druskų mažinimo galimybes termiškai apdorotuose mėsos gaminiuose.
Darbo užduotys:
1. Mokslinės literatūros apie natrio druskų mažinimo galimybes termiškai apdorotuose mėsos gaminiuose apibendrinimas.
2. Natrio druskų pakeitimo alternatyviais ingredientais virtose ir karštai rūkytose dešrose galimybių tyrimas.
3. Gaminių receptūrų sudarymas, gaminių gamyba, juslinis įvertinimas.
4. Gautų rezultatų statistinis apdorojimas, apibendrinimas, išvadų formulavimas.
Darbo rengimo vieta: Tiriamasis darbas buvo atliktas Lietuvos sveikatos mokslų universitete Veterinarijos akademijoje Maisto saugos ir kokybės katedroje ir „X“ mėsos perdirbimo įmonėje. Tyrimai buvo atlikti Šiaulių Nacionalinio maisto ir veterinarijos rizikos vertinimo institute.
Darbo apimtis: 46 puslapiai, 11 lentelės, 10 paveikslų, 4 priedai
Raktažodžiai: virta dešra, karštai rūkyta dešra, natrio druska
Išvados:
1. 50 proc. nitritinės druskos kiekio pakeitimas kalcio laktatu virtose dešrose ženkliai padidino aerobinių mikroorganizmų skaičių, todėl toks pakeitimas nėra tinkamas taikyti virtų dešrų gamyboje. Kiti tyrime tirti natrio nitrito pakaitalai virtose ir karštai rūkytose dešrose nežymiai padidino aerobinių mikroorganizmų skaičių;
2. Nitritinės druskos pakeitimas 50 proc. kalio chloridu ir 50 proc. kalcio laktatu turėjo nežymią įtaką virtų dešrų juslinėms savybėms bei... [toliau žr. visą tekstą]Objects of the thesis: Production of cooked, smoked sausages, evaluation of sausages of organoleptic characteristics and microbiological. Aim of the thesis is to rate the possibilities of sodium salt reduction in the heat-treated meat products. Purpose of the thesis: 1. Summary of the scientific literature on possibilities of sodium salt reduction in the heat-treated meat products. 2. Research of possibilities of the change of the sodium salt by the alternative ingredients in the cooked and smoked sausages. 3. Formation of the products recipes, manufacture of the products and sensory evaluation. 4. Statistical processing of the obtained results, generalization, and formulation of conclusions. Work preparation place ant term: The research was performed at the Food Safety and Quality Department of the Veterinary Academy of the Lithuanian University of Health Sciences and at the company of meat processing “X”. The research was performed at the Šiauliai National Food and Veterinary Risk Assessment Institute. Work span: The thesis consists of: 46 pages, 11 tables, 10 pictures, 4 annexes Keywords: cooked sausage, smoked sausage, sodium salt Conclusions: 1. 50% nitric salt replacement to calcium lactate leads to increase of aerobic microorganisms in cooked sausages and it is therefore unsuitable for the production of cooked sausages. The other investigated nitric salt replacement variants do not show a significant increase of aerobic microorganisms in cooked and smoked... [to full text]
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Arlauskaitė, Giedrė. „Geležies druskų ir polimerų poveikio dumblo anaerobinio pūdymo procesui tyrimas“. Master's thesis, Lithuanian Academic Libraries Network (LABT), 2012. http://vddb.laba.lt/obj/LT-eLABa-0001:E.02~2012~D_20120723_102518-58854.
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Baigiamajame magistriniame darbe tirta Utenos nuotekų valymo įrenginių pirminio ir perteklinio veikliojo dumblo mišinio skirtingų polimerų ir geležies druskų anaerobiniam puvimo procesui įtaka. Analizėje nagrinėjama proceso metu išsiskiriančių biodujų tūris ir metano dujų koncentracija. Tyrime naudojamas anaerobinio pūdymo modelis „W8 Armfield Ltd“, kuris dirba kaip vienalaipsniai anaerobiniai reaktoriai su mezofiliniu režimu. Išbuvimo trukmė – 20 dienų, apkrova bepelenėmis sausomis medžiagomis (BSM) nuo 0,61–0,96 gBSM/l/d, tiekiamo dumblo mišinio sausų medžiagų kiekis (SM) – 4 %. Baigiamuoju darbu siekiama išanalizuoti dumblo tirštinimui naudojamo sintetinio arba natūralaus polimero ir dozuojamos druskos (geležies sulfato (Fe2(SO4)3) bei geležies chlorido (FeCl3)) įtaką anaerobiniam pūdymo procesui. Panaudojus anaerobinio pūdymo modelį buvo sukurtos anaerobinės sąlygos ir pūdomas iš Utenos nuotekų valyklos tiekiamas pirminio ir perteklinio dumblo mišinys. Naudojantis įrenginiu INCA 4000 T100 buvo kaupiamos biodujos ir analizuojama jų sudėtis. Darbe taip pat nagrinėjamas SM sumažėjimas ir BSM suskaidymas. Įvertinus visus analizuojamus kriterijus nustatomas efektyviausias metodas išsiskiriančių dujų efektyvumui ir kokybei pagerinti. Išanalizavus tyrimo rezultatus pateiktos išvados. Darbą sudaro šios dalys: įvadas, 4 skyriai, išvados, rekomendacijos, literatūros sąrašas. Darbo apimtis – 63 p. teksto be priedų, 32 paveikslai, 8 lentelės, 42 bibliografiniai šaltiniai.Objective of this work was to investigate impact of different iron and polymer doses on anaerobic digestion process. Primary and waste activated sludge was obtained from Utena Wastewater treatment plant. Analysis shows the volume of biogas produced and percentage of methane. The work was carried out using high-rate anaerobic digestion model W8 (Armfied Ltd. UK) which operates in the mesophilic range. The solids retention time was 20 days. The volatile suspended solids loading rate ranged from 0.61 to 0.96 g VSS/l d.Sludge mixture feed concentration – 4%. The Purpose of this work is to analyse impact of synthetic and organic polymer also iron (III) sulphate (Fe2(SO4)3) and iron (III) chloride (FeCl3) on anaerobic digestion process. Primary and waste activated sludge was obtained from Utena Wastewater treatment plant. The biogas was collected and components were analysed using INCA 4000 T100 analyser. Analysis of TS reduction and VS destruction is also presented. The most effective method of improving off-gas efficiency and quality was determined considering all the criteria determined by analysis. Having analyzed the results of the research, conclusions have been made. This work consists of the following parts: pre-face, 3 sections, conculsions, recommendations, reference list. There are 63 pages of text without appendices, 32 figures, 8 tables and 42 bibliographical sources in this work.
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Seckerdieck, Katja [Verfasser]. „Cholesterinesterhaltige Substrukturen von Drusen in Wholemountpräparationen humaner Bruchmembran / Katja Seckerdieck“. Lübeck : Zentrale Hochschulbibliothek Lübeck, 2017. http://d-nb.info/112760774X/34.
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Mora, André Teixeira Bento Damas. „Advanced image processing techniques for detection and quantification of drusen“. Doctoral thesis, Faculdade de Ciências e Tecnologia, 2010. http://hdl.handle.net/10362/5184.
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Dissertation presented to obtain the degree of Doctor of Philosophy in Electrical Engineering, speciality on Perceptional Systems, by the Universidade Nova de Lisboa,
Faculty of Sciences and TechnologyDrusen are common features in the ageing macula, caused by accumulation of extracellular materials beneath the retinal surface, visible in retinal fundus images as yellow spots. In the ophthalmologists’ opinion, the evaluation of the total drusen area, in a sequence of images taken during a treatment, will help to understand the disease progression and effectiveness. However, this evaluation is fastidious and difficult to reproduce when performed manually. A literature review on automated drusen detection showed that the works already published were limited to techniques of either adaptive or global thresholds which showed a tendency to produce a significant number of false positives. The purpose for this work was to propose an alternative method to automatically quantify drusen using advanced digital image processing techniques. This methodology is based on a detection and modelling algorithm to automatically quantify drusen. It includes an image pre-processing step to correct the uneven illumination by using smoothing splines fitting and to normalize the contrast. To quantify drusen a detection and modelling algorithm is adopted. The detection uses a new gradient based segmentation algorithm that isolates drusen and provides basic drusen characterization to the modelling stage. These are then fitted by Gaussian functions, to produce a model of the image, which is used to compute the affected areas. To validate the methodology, two software applications, one for semi-automated (MD3RI) and other for automated detection of drusen (AD3RI), were implemented. The first was developed for Ophthalmologists to manually analyse and mark drusen deposits, while the other implemented algorithms for automatic drusen quantification.Four studies to assess the methodology accuracy involving twelve specialists have taken place. These compared the automated method to the specialists and evaluated its repeatability. The studies were analysed regarding several indicators, which were based on the total affected area and on a pixel-to-pixel analysis. Due to the high variability among the graders involved in the first study, a new evaluation method, the Weighed Matching Analysis, was developed to improve the pixel-to-pixel analysis by using the statistical significance of the observations to differentiate positive and negative pixels. From the results of these studies it was concluded that the methodology proposed is capable to automatically measure drusen in an accurate and reproducible process. Also, the thesis proposes new image processing algorithms, for image pre-processing, image segmentation,image modelling and images comparison, which are also applicable to other image processing fields.
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Alavočius, Remigijus. „Automobilių kelių infrastruktūros įtaka dirvožemio pH aplinkinėse teritorijose“. Master's thesis, Lithuanian Academic Libraries Network (LABT), 2009. http://vddb.library.lt/obj/LT-eLABa-0001:E.02~2004~D_20090908_192058-78143.
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Šiame magistro darbe tirta automobilių kelių infrastruktūros įtaka dirvožemio pH aplinkinėse teritorijose. Lietuvoje panašių tyrimų nėra atlikta. Pateiksiu pagrindinius tyrimo rezultatus: 1. Prie kelių, turinčių asfaltbetonio dangas, tiek paviršiniame, tiek gilesniame dirvožemio sluoksniuose, prie pat kelio sankasos, pastebėtas dirvožemio pH padidėjimas. Prie kelio su grunto danga dirvožemio pH padidėjimo nepastebėta. 2. Prie kelių su asfaltbetonio danga paviršinio dirvožemio sluoksnio mėginių rezultatai, paimti pirmaisiais mėnesiais, yra mažesni negu sekančių mėnesių. 3. Dirvožemio pH padidėjimą šalia kelių, padengtų asfaltbetonio danga, sieju su techninių druskų naudojimu. Jos gali spartinti kelio sankasos grunte esančių karbonatinių uolienų tirpimą.My master project is devoted to influence of soil pH in the surrounding territories to road traffic transport. There are no comparable researching in Lithuania. I would like to introduce the main results of my project: 1. pH of soil increase are beholded in the soil of surface and in the deep of soil near the roads with blacktop. The soil pH is not behold near the unsurfaced road. 2. The soil of surface specimen’s results are taken from the previous month near the roads with blacktop. These results are less than during next month. 3. The soil pH increase near the roads with blacktop is related with technical soil using. Technical soil can be quickening by melting of carbonaceous rock in the priming of subgrade.
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Kirkpatrick, James Nigel Pollock. „Spectral reflectance imaging of the ocular fundus using a scanning laser ophthalmoscope“. Thesis, University of Aberdeen, 1997. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.362247.
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An investigation of the spectral reflectance of the fundus in normals and patients with common eye diseases was carried out using a multi wavelength scanning laser ophthalmoscope (SLO). With a knowledge of the spectral properties of the principal ocular pigments in the fundus, the appearance of the retina and choroid is predictable in normal subjects. The optic disc has a characteristic dark appearance when viewed with the SLO, and reasons for this may include a filtering effect of the confocal aperture to reduce the return of scattered light to the detector. In patients with macular exudates these features have a high reflectance in green-yellow light. An image processing method has been developed to quantify exudates and this was applied to SLO images and digitised colour slides of the same patients. Results show similar performance of processing in both image types with high accuracy (90% sensitivity for 95% specificity). A similar experiment was carried out on patients with macular drusen. These structures are of lower intensity than exudates and may have less well-defined borders. Again performance of the image processing methods showed broadly similar performance when comparing SLO images and digitised colour slides (60 to 68% sensitivity for 95% specificity). A study was carried out to assess the ability of the SLO to image the fundus in patients with cataract using a range of wavelengths. In conclusion the SLO offers the ability to image the fundus at selected wavelengths to enhance the desired features under investigation. As a fundus camera, used to generate digital images, it is unlikely to offer significant improvements over commercially available digital imaging CCD cameras. However, the SLO has properties which are likely to make it an ideal instrument for reflectometry, angiography and fundus topography. These applications are discussed in the final chapter.
Bücher zum Thema "Druskin"
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Vvedenskiĭ, Aleksandr Ivanovich, und V. N. Sazhin. "--Sborishche druzeĭ, ostavlennykh sudʹboi︠u︡": A. Vvedenskiĭ, L. Lipavskiĭ, I︠A︡. Druskin, D. Kharms, N. Oleĭnikov : "chinari" v tekstakh, dokumentakh i issledovanii︠a︡kh : v dvukh tomakh. Moskva: Ladomir, 2000.
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2
Sakowski, Helmut. Daniel Druskat: Roman. Berlin: Neues Leben, 1986.
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Škutāns, St. Latgolas vēstures druskas. Rēzekne [Latvia]: Latgolas Kulturas centra izdevnīceiba, 1999., 1999.
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Die Drusen in Israel. Marburg: Tectum, 2001.
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Miśra, Indu. Kathāsr̥shṭi: Kābyadr̥shṭi = Katha srusti : kabya drusti. Kaṭaka: Oḍiśā Buk Shṭora, 2001.
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Širmanis, Jānis. Daugavieši: Stāsti, pasakas un drusku par sevi. Sirakūzās: J. Širmanis, 1989.
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Hasarfaty, Eliahou. Sefer Aderet Eliyahu: Drushim u-beʾurim ʻal seder parshiyot ha-Torah. Yerushalayim: Ahavat Shalom, 1996.
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Betts, Robert Brenton. The Druze. London: Yale University Press, 1990.
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Betts, Robert Brenton. The Druze. New Haven, Conn: Yale University Press, 1988.
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Betts, Robert Brenton. The Druze. New Haven: Yale University Press, 1988.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Druskin"
1
Stepien, Kimberly E., und Susan Downes. „Drusen“. In Encyclopedia of Ophthalmology, 1. Berlin, Heidelberg: Springer Berlin Heidelberg, 2012. http://dx.doi.org/10.1007/978-3-642-35951-4_82-4.
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Stepien, Kimberly E., und Susan Downes. „Drusen“. In Encyclopedia of Ophthalmology, 663. Berlin, Heidelberg: Springer Berlin Heidelberg, 2018. http://dx.doi.org/10.1007/978-3-540-69000-9_82.
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3
Boon, Camiel J. F. „Cuticular Drusen“. In Inherited Chorioretinal Dystrophies, 321–26. Berlin, Heidelberg: Springer Berlin Heidelberg, 2014. http://dx.doi.org/10.1007/978-3-540-69466-3_33.
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Orellana, Juan, und Alan H. Friedman. „Dominant Drusen“. In Clinico-Pathological Atlas of Congenital Fundus Disorders, 157–59. New York, NY: Springer New York, 1993. http://dx.doi.org/10.1007/978-1-4613-9320-7_35.
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Al-Zubidi, Nagham, James D. Kim und Andrew G. Lee. „Pseudopapilledema: Disc Drusen“. In Encyclopedia of Ophthalmology, 1–3. Berlin, Heidelberg: Springer Berlin Heidelberg, 2015. http://dx.doi.org/10.1007/978-3-642-35951-4_521-1.
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Wiersma, Dirk J. „Drusen und Geoden“. In Zauber der Mineralien und Gesteine, 60–79. Berlin, Heidelberg: Springer Berlin Heidelberg, 2004. http://dx.doi.org/10.1007/978-3-642-18964-7_5.
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Al-Zubidi, Nagham, James D. Kim und Andrew G. Lee. „Pseudopapilledema: Disc Drusen“. In Encyclopedia of Ophthalmology, 1460–63. Berlin, Heidelberg: Springer Berlin Heidelberg, 2018. http://dx.doi.org/10.1007/978-3-540-69000-9_521.
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Lenassi, Eva, und Andrew R. Webster. „Autosomal Dominant Drusen“. In Inherited Chorioretinal Dystrophies, 315–20. Berlin, Heidelberg: Springer Berlin Heidelberg, 2014. http://dx.doi.org/10.1007/978-3-540-69466-3_32.
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Peres, Nicolas Jean Paul. „Optic Disc Drusen“. In Trauma and Miscellaneous Disorders in Retina, 51–56. Singapore: Springer Singapore, 2019. http://dx.doi.org/10.1007/978-981-13-8550-6_11.
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Kesler, Anat. „Optic Nerve Head Drusen“. In Encyclopedia of Ophthalmology, 1. Berlin, Heidelberg: Springer Berlin Heidelberg, 2014. http://dx.doi.org/10.1007/978-3-642-35951-4_1024-1.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Druskin"
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Gudonavičiūtė, Gintarė, und Marina Valentukevičienė. „Amonio jonų koncentracijos geriamajame vandenyje mažinimas“. In 18-toji Lietuvos jaunųjų mokslininkų konferencijos ciklo „Mokslas – Lietuvos ateitis” teminė konferencija "Pastatų inžinerinės sistemos". Vilnius Gediminas Technical University, 2015. http://dx.doi.org/10.3846/pinzs.2015.010.
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Straipsnyje nagrinėjamas amonio jonų, bendrosios geležies ir mangano koncentracijos vandenyje, filtruojamame pro kvarcinio smėlio užpildą, gamybinėmis ir laboratorinėmis sąlygomis, mažinimas. Vandens mėginiai tyrimui atlikti buvo imti iš UAB „Vilniaus Vandenys“ Antavilių vandens ruošimo įrenginių su dirbtinai užterštu amonio, geležies ir mangano druskos tirpalais geriamuoju vandeniu. Vykdant eksperimentą buvo nustatyta, kiek amonio jonų, bendrosios geležies ir mangano koncentracijos dalies pasišalina filtre su kvarcinio smėlio užpildu. Pasiūlyta empirinė formulė preliminariam amonio jonų koncentracijos mažinimo užpildo įkrovos aukščio apskaičiavimui.
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Freund, D. E., N. Bressler und P. Burlina. „Automated detection of drusen in the macula“. In 2009 IEEE International Symposium on Biomedical Imaging: From Nano to Macro (ISBI). IEEE, 2009. http://dx.doi.org/10.1109/isbi.2009.5192983.
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Parvathi, S. Swarna, und N. Devi. „Automatic Drusen Detection from Colour Retinal Images“. In International Conference on Computational Intelligence and Multimedia Applications (ICCIMA 2007). IEEE, 2007. http://dx.doi.org/10.1109/iccima.2007.100.
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Waseem, Saima, M. Usman Akram und Bilal Ashfaq Ahmed. „Drusen exudate lesion discrimination in colour fundus images“. In 2014 14th International Conference on Hybrid Intelligent Systems (HIS). IEEE, 2014. http://dx.doi.org/10.1109/his.2014.7086193.
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Okemgbo, Abum F., Irving D. Rein, Yiyang Wang, Amani Fawzi, Jacob Furst und Daniela Raicu. „Drusen segmentation with sparse volumetric SD-OCT sampling“. In Image Processing, herausgegeben von Bennett A. Landman und Ivana Išgum. SPIE, 2021. http://dx.doi.org/10.1117/12.2581116.
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Gorman, Alistair, Andy R. Harvey, Jano van Hemert und James Foubister. „Spectral Autofluorescence imaging of the retina for drusen detection“. In Ophthalmic Technologies XXVIII, herausgegeben von Fabrice Manns, Per G. Söderberg und Arthur Ho. SPIE, 2018. http://dx.doi.org/10.1117/12.2286611.
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Santos-Villalobos, H., T. P. Karnowski, D. Aykac, L. Giancardo, Y. Li, T. Nichols, K. W. Tobin und E. Chaum. „Statistical characterization and segmentation of drusen in fundus images“. In 2011 33rd Annual International Conference of the IEEE Engineering in Medicine and Biology Society. IEEE, 2011. http://dx.doi.org/10.1109/iembs.2011.6091540.
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Raza, Ghazanfar, Majid Rafique, Anam Tariq und M. Usman Akram. „Hybrid classifier based drusen detection in colored fundus images“. In 2013 IEEE Jordan Conference on Applied Electrical Engineering and Computing Technologies (AEECT). IEEE, 2013. http://dx.doi.org/10.1109/aeect.2013.6716473.
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Liu, Huiying, Yanwu Xu, Damon W. K. Wong und Jiang Liu. „Growcut-based drusen segmentation for age-related macular degeneration detection“. In 2014 Visual Communications and Image Processing (VCIP). IEEE, 2014. http://dx.doi.org/10.1109/vcip.2014.7051529.
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Patasius, Martynas, Vaidotas Marozas, Darius Jegelevicius und Arunas Lukosevicius. „Modification of drusen border detection algorithm based on flooding simulation“. In 2012 25th IEEE International Symposium on Computer-Based Medical Systems (CBMS). IEEE, 2012. http://dx.doi.org/10.1109/cbms.2012.6266340.
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