Auswahl der wissenschaftlichen Literatur zum Thema „Drama – social aspects – history“
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Zeitschriftenartikel zum Thema "Drama – social aspects – history"
Ahmad Rind, Dr Ayaz, Hafiz Muhammad Fiaz und Shams Zoha Ali. „URDU-20 The Beginning of Saraiki Drama“. Al-Aijaz Research Journal of Islamic Studies & Humanities 5, Nr. 3 (24.10.2021): 219–28. http://dx.doi.org/10.53575/urdu.v5.03(21).219-228.
Der volle Inhalt der QuelleBekbenbetova, Kazyna, Gaukhar Baltabayeva, Ulbossyn Aimbetova, Kulshat Smagulova und Rauan Kemerbay. „Social and philosophical research structures of drama and folk narratives: the manifestations of embodied world views“. XLinguae 15, Nr. 1 (Januar 2022): 14–22. http://dx.doi.org/10.18355/xl.2022.15.01.02.
Der volle Inhalt der QuelleWeerakkody, Iranga Samindani. „The Maraa-Ipaddima Ritual Drama in Sri Lanka“. ASIAN-EUROPEAN MUSIC RESEARCH JOURNAL 9 (27.06.2022): 65–82. http://dx.doi.org/10.30819/aemr.9-5.
Der volle Inhalt der QuelleZhurcheva, Olga V. „“New drama”: Pro et contra“. Izvestiya of Saratov University. Philology. Journalism 22, Nr. 4 (23.11.2022): 484–87. http://dx.doi.org/10.18500/1817-7115-2022-22-4-484-487.
Der volle Inhalt der QuelleAdhikari, Bishwo Raj. „Sexual Games of Power and Status in Edward Albee’s Who’s Afraid of Virginia Woolf ?“ Janapriya Journal of Interdisciplinary Studies 11, Nr. 1 (31.12.2022): 1–9. http://dx.doi.org/10.3126/jjis.v11i1.53905.
Der volle Inhalt der QuelleBinder, Werner. „The drama of politics“. Thesis Eleven 142, Nr. 1 (03.09.2017): 112–29. http://dx.doi.org/10.1177/0725513617727904.
Der volle Inhalt der QuelleDomingues, Petrônio José. „Elite da Liberdade: a contribution to the history of black clubs in Brazil“. Brasiliana: Journal for Brazilian Studies 9, Nr. 1 (05.09.2020): 396–411. http://dx.doi.org/10.25160/bjbs.v9i1.114909.
Der volle Inhalt der QuelleBaek, Soyoun. „The Meaning and Limitations of Family in Thirty-nine(2022), a Television Drama“. Korean Society of Culture and Convergence 45, Nr. 12 (31.12.2023): 415–27. http://dx.doi.org/10.33645/cnc.2023.12.45.12.415.
Der volle Inhalt der QuelleDelmanto, Ivan. „A dedirrósea aurora: feminismo e totalidade histórica em Vai raiar o sol, de Júlia Lopes de Almeida / The Dawn of Pink Fingers: Feminism and Historical Totality in Vai raiar o sol, by Júlia Lopes de Almeida“. O Eixo e a Roda: Revista de Literatura Brasileira 28, Nr. 3 (03.09.2019): 137. http://dx.doi.org/10.17851/2358-9787.28.3.137-162.
Der volle Inhalt der QuelleTaghavi, Leila. „Dramatic Elements of “Qanbar’s Elegy” Ritual in Fasa, Iran“. Environment Conservation Journal 16, SE (05.12.2015): 139–44. http://dx.doi.org/10.36953/ecj.2015.se1615.
Der volle Inhalt der QuelleDissertationen zum Thema "Drama – social aspects – history"
彭文慧 und M. W. Petti Pang. „The image of physics and physicists in modern drama: portraits and social implications“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2000. http://hub.hku.hk/bib/B31225056.
Der volle Inhalt der Quelle岑金倩 und Kam-sin Shum. „A study of female characters in modern Chinese historicaldrama (1911-1949)“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1996. http://hub.hku.hk/bib/B31214605.
Der volle Inhalt der QuelleNtsane, Ntsane Steve. „The dual world metaphor and the 'struggle' in selected South African and African films (1948 to 1996)“. Thesis, Stellenbosch : Stellenbosch University, 2003. http://hdl.handle.net/10019.1/53628.
Der volle Inhalt der QuelleENGLISH ABSTRACT: The terminology used in segregationist discourse that South Africa is a combination of 'first world' and 'third world' elements has been appropriated from an international discourse about problems of world-wide socio-economic development. The terms are used to describe the sophisticated metropolitan areas inhabited by highly developed whites and simple, backward, isolated, rural regions occupied by undeveloped or underdeveloped blacks. However, in South Africa this dual world metaphor, which has socio-political implications that have brought great misfortune to blacks, was institutionalised by apartheid, with the consequences that blacks have expressed their resistance in what became known as the 'struggle' against the dualist system. Selected South African and African films whose themes have a bearing on such a socio-economic system are explored in this thesis. A supplementary exploration of films dealing with the theme of the 'struggle', which has become a metaphor for the 'generations of resistance', has been undertaken by means ofa detailed analysis. The interpretation of 'development' in this thesis finds a link betweeen the dualist paradigm, the perpetuation of poverty and the migratory labour system. The peculiar relationship which the 'struggle' has had with the cultures of black people, in which there is a mutual influence between the 'struggle' and the nature of these cultures, is explored in the relevant films. However, this thesis offers no solutions, but exposes a VICIOUS system which IS threatening to gain world ascendency.
AFRIKAANSE OPSOMMING: Die terminologie gebruik in die segregasie-diskoers tot die effek dat Suid-Afrika 'n kombinasie van 'Eerste Wêreld' en 'Derde Wêreld' elemente is, is oorgeneem uit 'n internasionale diskoers wat handeloor wêreld-wye sosio-ekonomiese ontwikkeling. Dié terme word gebruik om die gesofistikeerde metropolitaanse areas bewoon deur hoogsontwikkelde blankes en eenvoudige, agterlike, geïsoleerde, landelike streke beset deur onder- of on-ontwikkelde swartes te beskryf. Maar in Suid-Afrika is hierdie dubbelwêreld metafoor - met die sosio-politiese implikasies daarvan wat tot groot ellende vir swartes aanleiding gegee het - deur Apartheid geïnstitusionaliseer, met die gevolg dat swartes hul weerstand uitgedruk het in wat bekend geword het as die 'struggle' teen dierdie dualistiese sisteem. 'n Keur van films uit Suid-Afrika en die res van Afrika, die tema's waarvan betrekking het op hierdie sosio-ekonomiese sisteem, word ondersoek in hierdie skripsie. 'n Bykomstige ondersoek na films wat handeloor die tematiek van die 'struggle', wat metafories geword het vir die 'generasie van weerstand', is by wyse van 'n meer gedetaileerde analise uitgevoer. Die interpretasie van 'ontwikkeling' in hierdie skripsie ontbloot 'n verband tussen die dualistiese sisteem, die voortsetting van armoede en die sisteem van trekardbeid. Die besonderse manier wat die 'struggle' met die kulture van swart mense verhou, waarin daar 'n wedersydse beïnvloeding tussen die 'struggle' en die aard van die kulture plaasvind, word ondersoek in die relevante films. Hierdie skripsie bied egter geen oplossings nie, maar ontmasker eerder 'n wrede sisteem wat dreig tot wêreld-oorheersing.
Li, Ran. „Culture, gender and identity in American and Chinese television drama“. Thesis, University of Macau, 2017. http://umaclib3.umac.mo/record=b3690706.
Der volle Inhalt der QuelleBotha, Estelle. „Where dance and drama meet again : aspects of the expressive body in the 20th century“. Thesis, Stellenbosch : University of Stellenbosch, 2006. http://hdl.handle.net/10019.1/1704.
Der volle Inhalt der QuelleAcknowledging theatrical styles such as physical theatre, Tanztheater and poor theatre as forms of ‘total theatre’, and recognizing that there has been a prolonged process of development to reach such a point, the first chapter investigates the historical divide between dramatic dance and drama as starting point. Subsequently, in considering the body as expressive medium, the impact of content and form on the training of the performers’ body for the theatrical context is also evaluated.
Hunter, Jesse. „The virtual stage : play, drama, and agency in communications“. Thesis, McGill University, 1996. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=42057.
Der volle Inhalt der QuelleIn this dissertation, virtual reality is treated not as a single technology or corpus of machines, but following conventions established in recent telepresence research as an experience which can obtain in varying degrees by means of a host of communications media.
Several complementary approaches are proposed and examined as a provisional framework for the study of emerging contemporary discourses of virtuality. Issues of virtuality are discussed from the perspective of historical cases which invite comparison and suggest a palimpsest of earlier technological modes of communication within contemporary situations. The social construction of technology approach is introduced following recent suggestions for marrying this approach to the Canadian tradition of socio-historical study of communication technology. Finally, play and dramaturgical theory are offered as a model for understanding how community and individual identity are constructed and maintained in some forms of computer mediated communication (video games, MUDs, and IRC) while allowing for potentially plausible notions of human agency.
Park, Choon-Keun. „Identity, society, and history in modern Korean plays three aspects of three modern Korean plays; Moonlight play, Material man, and Terrorists /“. Oxford, Ohio : Miami University, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=miami1145642426.
Der volle Inhalt der QuelleAronson, Shari Gay 1966. „La carpa: A descriptive model for teaching history through drama in education“. Thesis, The University of Arizona, 1995. http://hdl.handle.net/10150/278492.
Der volle Inhalt der QuelleAhn, Dohyun. „Does tragic drama have hedonic value? the social aspects of hedonic motivations and media enjoyment /“. Thesis, [Tuscaloosa, Ala. : University of Alabama Libraries], 2009. http://purl.lib.ua.edu/2126.
Der volle Inhalt der QuelleHollowell, Steven. „Aspects of Northamptonshire inclosure : social and economic motives and movements“. Thesis, University of Nottingham, 1998. http://ethos.bl.uk/OrderDetails.do?uin=uk.bl.ethos.243662.
Der volle Inhalt der QuelleBücher zum Thema "Drama – social aspects – history"
Goldman, Emma. The social significance of modern drama. New York, NY: Applause Theatre Book Publishers, 1987.
Den vollen Inhalt der Quelle findenGoldman, Emma. The social significance of modern drama. New York, NY: Applause Theatre Book Publishers, 1987.
Den vollen Inhalt der Quelle findenGoldman, Emma. The social significance of the modern drama. Boston: R.G. Badger, 1996.
Den vollen Inhalt der Quelle findenPeacock, James L. Rites of modernization: Symbolic and social aspects of Indonesian proletarian drama. Chicago: University of Chicago Press, 1987.
Den vollen Inhalt der Quelle findenPeacock, James L. Rites of modernization: Symbolic and social aspects of Indonesian proletarian drama. USA: University of Chicago Press, 1988.
Den vollen Inhalt der Quelle findenCases, Augusto Valera. Cruz y drama musical. Madrid: Alpuerto, 1985.
Den vollen Inhalt der Quelle findenBeth, Rose Mary, Hrsg. Disorder and the drama. Evanston, [Ill.]: Northwestern University Press, 1990.
Den vollen Inhalt der Quelle findenParvez, Nasrīn. Pakistan Television drama and social change: A research paradigm. Karachi: Dept. of Mass Communication, University of Karachi, 1998.
Den vollen Inhalt der Quelle findenHebach, Marion. Gestörte Kommunikation im amerikanischen Drama. Tübingen: Narr, 2006.
Den vollen Inhalt der Quelle findenSuárez, Durán Esther. De la investigación sociológica al hecho teatral. La Habana: Editorial de Ciencias Sociales, 1988.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Drama – social aspects – history"
Colby, Robert. „Drama and Social History“. In Key Concepts in Theatre/Drama Education, 265–69. Rotterdam: SensePublishers, 2011. http://dx.doi.org/10.1007/978-94-6091-332-7_43.
Der volle Inhalt der QuelleVervliet, Hendrik D. L. „Legal, Economic, Social Aspects“. In Annual Bibliography of the History of the Printed Book and Libraries, 266–82. Dordrecht: Springer Netherlands, 1986. http://dx.doi.org/10.1007/978-94-009-4450-3_10.
Der volle Inhalt der QuelleCappelle, Stefan, Lacaze Guylaine, M. Gänzle und M. Gobbetti. „History and Social Aspects of Sourdough“. In Handbook on Sourdough Biotechnology, 1–10. Boston, MA: Springer US, 2012. http://dx.doi.org/10.1007/978-1-4614-5425-0_1.
Der volle Inhalt der QuelleCappelle, Stefan, Lacaze Guylaine, Michael Gänzle und Marco Gobbetti. „History and Social Aspects of Sourdough“. In Handbook on Sourdough Biotechnology, 1–13. Cham: Springer International Publishing, 2023. http://dx.doi.org/10.1007/978-3-031-23084-4_1.
Der volle Inhalt der QuelleVervliet, Hendrik D. L. „Legal Economic, Social Aspects“. In ABHB Annual Bibliography of the History of the Printed Book and Libraries, 244–58. Dordrecht: Springer Netherlands, 1985. http://dx.doi.org/10.1007/978-94-009-5135-8_11.
Der volle Inhalt der QuelleVervliet, Hendrik D. L. „Legal, Economic, Social Aspects“. In ABHB Annual Bibliography of the History of the Printed Book and Libraries, 257–68. Dordrecht: Springer Netherlands, 1989. http://dx.doi.org/10.1007/978-94-009-2430-7_10.
Der volle Inhalt der QuelleVervliet, Hendrik D. L. „Legal, Economic, Social Aspects“. In ABHB Annual Bibliography of the History of the Printed Book and Libraries, 253–74. Dordrecht: Springer Netherlands, 1990. http://dx.doi.org/10.1007/978-94-009-2039-2_10.
Der volle Inhalt der QuelleVervliet, Hendrik D. L. „Legal Economic, Social Aspects“. In ABHB Annual Bibliography of the History of the Printed Book and Libraries, 265–78. Dordrecht: Springer Netherlands, 1988. http://dx.doi.org/10.1007/978-94-009-2784-1_11.
Der volle Inhalt der QuelleVervliet, Hendrik D. L. „Legal, Economic, Social Aspects“. In ABHB Annual Bibliography of the History of the Printed Book and Libraries, 259–73. Dordrecht: Springer Netherlands, 1988. http://dx.doi.org/10.1007/978-94-009-3689-8_11.
Der volle Inhalt der QuelleAlain, Choppin. „Aspects of Design“. In History and Social Studies – Methodologies of Textbook Analysis, 85–95. London: Routledge, 2022. http://dx.doi.org/10.1201/9780203751770-9.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Drama – social aspects – history"
Vasiljeva, Elina. „HOLOCAUST IN LATVIAN LITERATURE: THE ANTHROPOLOGICAL AND SOCIAL ASPECTS“. In SGEM 2014 Scientific SubConference on ANTHROPOLOGY, ARCHAEOLOGY, HISTORY AND PHILOSOPHY. Stef92 Technology, 2014. http://dx.doi.org/10.5593/sgemsocial2014/b31/s8.011.
Der volle Inhalt der QuelleAlexandrache, Carmen. „SOCIAL STEREOTYPES AND POLITICAL IDEOLOGY – ASPECTS REFLECTED ON THE HISTORY TEXTBOOKS“. In 16th International Technology, Education and Development Conference. IATED, 2022. http://dx.doi.org/10.21125/inted.2022.2772.
Der volle Inhalt der QuelleMohammed, D. BELARBI. „THE MYTHOLOGICAL TENDENCY AMONG ARAB HISTORIANS“. In I. International Century Congress for Social Sciences. Rimar Academy, 2024. http://dx.doi.org/10.47832/soci.con1-14.
Der volle Inhalt der QuelleArchvadze, Joseph, und Lia Kurkhuli. „Black and White Shades of Social Network: Political-Economic and Psychological Aspects“. In V National Scientific Conference. Grigol Robakidze University, 2023. http://dx.doi.org/10.55896/978-9941-8-5764-5/2023-132-142.
Der volle Inhalt der QuelleJucu, Ioan Sebastian. „WHEN LIVE PERFORMANCES, SHOWS AND CONCERTS OF LEGENDARY ICONIC ARTISTS MARK THE HISTORY OF THE CITIES“. In 9th SWS International Scientific Conferences on SOCIAL SCIENCES - ISCSS 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscss.2022/s14.126.
Der volle Inhalt der QuelleRaheja, Roshni. „Social Evaluations of Accented Englishes: An Indian Perspective“. In GLOCAL Conference on Asian Linguistic Anthropology 2020. The GLOCAL Unit, SOAS University of London, 2020. http://dx.doi.org/10.47298/cala2020.1-1.
Der volle Inhalt der QuelleCviklova, Lucie. „STUDY EXPERIENCE OF GERMAN STUDENTS AT CZECH UNIVERSITIES“. In 9th SWS International Scientific Conferences on SOCIAL SCIENCES - ISCSS 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscss.2022/s09.093.
Der volle Inhalt der QuelleBryleva, Natalia. „CHINESE XIQU THEATER ON THE PAGES OF DREAM OF THE RED CHAMBER: THE PHENOMENON OF “HOME THEATER” IN THE QING PERIOD“. In 10th International Conference "Issues of Far Eastern Literatures (IFEL 2022)". St. Petersburg State University, 2023. http://dx.doi.org/10.21638/11701/9785288063770.15.
Der volle Inhalt der QuellePereira, Susana, Bruno Figueiredo und Paulo Mendonca. „Thermal and Natural Light Comfort Analysis of Bouça Social Housing Development in Porto, Portugal“. In 2023 8th International Conference on Civil Engineering and Materials Science & 2023 9th International Conference on Architecture, Materials and Construction. Switzerland: Trans Tech Publications Ltd, 2024. http://dx.doi.org/10.4028/p-7fk5m2.
Der volle Inhalt der QuelleSorrentino, Nicoletta. „DISCOVERING BEAUTY, RECOGNIZING HUMAN. A GLANCE AT WAYS, TOOLS, AND AIMS FOR TEACHING ART“. In 9th SWS International Scientific Conferences on SOCIAL SCIENCES - ISCSS 2022. SGEM WORLD SCIENCE, 2022. http://dx.doi.org/10.35603/sws.iscss.2022/s13.108.
Der volle Inhalt der QuelleBerichte der Organisationen zum Thema "Drama – social aspects – history"
Sultana, Munawar. Culture of silence: A brief on reproductive health of adolescents and youth in Pakistan. Population Council, 2005. http://dx.doi.org/10.31899/pgy19.1006.
Der volle Inhalt der QuelleHaider, Huma. Political Settlements: The Case of Moldova. Institute of Development Studies, Mai 2022. http://dx.doi.org/10.19088/k4d.2022.065.
Der volle Inhalt der QuelleHotsur, Oksana, und Anastasiia Bila. Епістолярна спадщина Олени Теліги як виразник творчої особистості. Ivan Franko National University of Lviv, März 2023. http://dx.doi.org/10.30970/vjo.2023.52-53.11723.
Der volle Inhalt der QuelleThompson, Stephen, Brigitte Rohwerder und Clement Arockiasamy. Freedom of Religious Belief and People with Disabilities: A Case Study of People with Disabilities from Religious Minorities in Chennai, India. Institute of Development Studies (IDS), Juni 2021. http://dx.doi.org/10.19088/creid.2021.003.
Der volle Inhalt der QuelleVuksanović, Vuk. Between Emotions and Realism: Two Faces of Turkish Foreign Policy in the Balkans. Belgrade Centre for Security Policy, Juni 2023. http://dx.doi.org/10.55042/wzvw6831.
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