Auswahl der wissenschaftlichen Literatur zum Thema „Dowry, fiction“
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Zeitschriftenartikel zum Thema "Dowry, fiction"
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P, Praba. „Problems in Women's Lives in Perumal Murugan's Short Stories“. International Research Journal of Tamil 4, S-14 (28.11.2022): 21–25. http://dx.doi.org/10.34256/irjt224s143.
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Kongu regional-based literature types evolved because of R. Sanmmuga Sundaram. Further, another pioneer in this literature named Perumalmurugan has taken this to the next level. He has taken immense measures in order to bring down the socio-economically weaker women in the region. He is pointing out some of the reasons through his novels which act as a barrier to the growth of women is suppression from men, dowry, and child marriage. His novels reveal that even in the twentieth-century women leads sorrowful life. He described about how women is subjected to various unwanted situations such as poverty, dowry, suppression from men, and lack of responsible men. In Perumalmurugan’s novels, we could find that only a few women have undergone studies, otherwise, most women manage cattle and earn income through that. He also found that some older women resist the domination of men and live satisfactorily, and some women are accustomed to their men’s suppression. Women’s fiction points out modern-day women’s status. His distinction qualities are such as he exactly identified how socio-economic weaker women face various problems and how they affect their livelihoods. Hence this article is based on Perumalmurugan’s view on how women’s face problems in the konju region.
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Kuzmina, Marina D. „“Alphabet Scribe” in the History of Russian Literature“. Philology 19, Nr. 9 (2020): 87–101. http://dx.doi.org/10.25205/1818-7919-2020-19-9-87-101.
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The article is dedicated to the study of the most significant and popular Old Russian scribe – “Alphabetical”, written in the late 16th – early 17th century according to researchers. The assumption is made that it was replenished and adjusted over several decades, quickly responding to the demands of the times and reflecting the main processes that took place in Russian literature of the 16th and especially the 17th century. The scribe reflected the central feature of this period: the interaction of the traditional and the new, with an emphasis on the new. It demonstrates such new aspects of Russian literature of the 17th century as secularization, democratization, fiction, and individualization. It is rather telling that the vast majority of sample messages are private letters written for relatives and friends. Particularly noteworthy are the samples of ‘anti-friendly’ letters, some of which are parodies of friendly letters. They make up an organic part of the 17th century parodies, namely such satirical texts as Kalyazinsky Petition, The Dowry Document, The Tale of Ersh Ershovich, The Service of the Tavern. As it is known, parodies play a crucial role in the turning periods of literary development, which was the 17th century. In this era, first of all, the most stable and therefore most recognizable genres were parodied: business (petitions, dowry, court documents, etc.) and church (hagiographies, prayers, akathists, church services, etc.) writing. Quite noteworthy is the appearance along with these parodies of the parody of the epistolary genre, indicating that it had fully developed, and occupied a proper place in the system of literature genres, and was unmistakably recognized by authors and readers. Moreover, a new, ‘secular’ version had developed and was recognized: friendly letters, which were by no means educational, unlike those popular in Ancient Russian literature of previous centuries.
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Kuzmina, Marina D. „“Alphabet Scribe” in the History of Russian Literature“. Philology 19, Nr. 9 (2020): 87–101. http://dx.doi.org/10.25205/1818-7919-2020-19-9-87-101.
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The article is dedicated to the study of the most significant and popular Old Russian scribe – “Alphabetical”, written in the late 16th – early 17th century according to researchers. The assumption is made that it was replenished and adjusted over several decades, quickly responding to the demands of the times and reflecting the main processes that took place in Russian literature of the 16th and especially the 17th century. The scribe reflected the central feature of this period: the interaction of the traditional and the new, with an emphasis on the new. It demonstrates such new aspects of Russian literature of the 17th century as secularization, democratization, fiction, and individualization. It is rather telling that the vast majority of sample messages are private letters written for relatives and friends. Particularly noteworthy are the samples of ‘anti-friendly’ letters, some of which are parodies of friendly letters. They make up an organic part of the 17th century parodies, namely such satirical texts as Kalyazinsky Petition, The Dowry Document, The Tale of Ersh Ershovich, The Service of the Tavern. As it is known, parodies play a crucial role in the turning periods of literary development, which was the 17th century. In this era, first of all, the most stable and therefore most recognizable genres were parodied: business (petitions, dowry, court documents, etc.) and church (hagiographies, prayers, akathists, church services, etc.) writing. Quite noteworthy is the appearance along with these parodies of the parody of the epistolary genre, indicating that it had fully developed, and occupied a proper place in the system of literature genres, and was unmistakably recognized by authors and readers. Moreover, a new, ‘secular’ version had developed and was recognized: friendly letters, which were by no means educational, unlike those popular in Ancient Russian literature of previous centuries.
4
Shutan, M. I. „On structuring a concept study lesson“. Russian language at school 84, Nr. 2 (18.03.2023): 7–17. http://dx.doi.org/10.30515/0131-6141-2023-84-2-7-17.
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The relevance of the paper lies in the need to consider various structural types of concept study lessons. This is because the work of language and literature teachers in this line turns into a system conditioned by the objective of developing figurative and conceptual thinking of schoolchildren, as well as forming their world view and life stance. The testing and assessment materials of the unified state exam in the 9th and 11th forms also direct attention to concepts. The study aims to consider various types of lessons focusing on the one that involves a direct connection between Russian language lessons and the literature syllabus. The paper characterises one such lesson on the example of working with the concept "thing" in the 10th form while studying the drama "Girl without a Dowry" by A. N. Ostrovsky. I have identified the following stages: 1) visualising the concept on the basis of works of visual arts and popular science text; 2) creating a language portrait of the concept, which implies giving attention to the lexical meanings of the concept-word, its synonymic series, the combinability of the concept-word with other words, its phraseology, material nouns; 3) creating a context in conjunction with identifying the philosophical and moral-psychological meanings of the concept-word based on the analysis of aphorisms and fragments from works of fiction; 4) performing a fragment-focused analysis of A. N. Ostrovsky’s drama "Girl without a Dowry" (excerpts are examined against a background of the previously created context); 5) creating a concept model that consists of the rubrics "Reality", "Man", "Objectification of a person"; 6) fulfilling home creative assignments. Each new stage of the lesson is conditioned by the previous stage. This approach to a literary text followed in the classroom promotes the actualization of the interdisciplinarity principle whose attributes are the methods of linguo-stylistic and literary analysis.
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Josephs, Anya. „Left To Lose“. After Dinner Conversation 3, Nr. 7 (2022): 64–75. http://dx.doi.org/10.5840/adc20223766.
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To what degree is it appropriate to merge social networks with organizational goals in order to extract greater work from your volunteers? In this work of philosophical short story fiction, a young girl hears a voice from behind that promises to fulfill her wishes, but at a price. First, she wishes her abusive father dead, but it comes at the price of falling asleep for a week. Later, she sacrifices her leg in order to prevent the harvest from failing. She finally leaves her home as payment for her parents getting the money from her marriage dowry, while she escapes the unwanted marriage. Homeless, she is discovered by a rebel group fighting against their tyrannical king. They learn about her power and, bit by bit, ask her to sacrifice herself to aid them in their fight. She falls in love with one of the men in the struggle and continues to give more of herself to the fight. She goes blind and loses an arm, all as payment to the voice for favors it will do for her, and for the struggle. Finally, the young girl is asked to make the ultimate sacrifice and pay for a favor from the voice with her life.
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Cabrini, Ferdinando. „Educational Paradigms of Communication of the 21st Century: Educational Challenges for the Specialists of the Future“. Postmodernism Problems 13, Nr. 3 (05.12.2023): 358–64. http://dx.doi.org/10.46324/pmp2303358.
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Language has always been the most powerful and versatile means of communication. Then the pictures painted in caves by primitive people gave us much more detail about their lives and their habits. If we move through time the ability to represent and communicate in others' language has been enriched. We have moved to moving images and transmitted images. Since its inception, cinema has become a global entertainment. Unlike television, cinema has always introduced audiences into a virtual space. Cinema creates emotions with an extraordinary power to polarize audiences. Each of us has at least one film to which we owe this involvement, for example, mine was "Blade Runner." Blade Runner is a 1982 science fiction film directed by Ridley Scott, Metaverse The metaverse is a new adventure that we have thanks to a huge amount of hardware and software technologies; for example, VR, AI, and AR have generated ever larger and more detailed spaces, think of the movie Matrix. The Metaverse is Ali Baba's new cave: all the riches are there, but you need the magic word. We are now on the threshold of a new transition. The Metaverse is a space populated by many suitors, none of whom have the dowry to claim the princess as their bride. I belong to one group of suitors. Looking back to some visionary writers we have a shining example of the metaverse: Alice's Adventures in Wonderland. The book was published before the invention of cinema. Alice in Wonderland is a "metaverse" described by Luis Carrol, a famous Oxford scientist. Alice goes in and out of a paradoxical world, a world populated by characters who do not follow the natural rules to which we are accustomed. Language, however, is still the most versatile, and that is where we must start if we are to understand the new paradigms of communication.
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Mohit Ul Alam, Mohit Ul Alam. „Tagore and Shakespeare:“. Crossings: A Journal of English Studies 3, Nr. 1 (01.12.2011): 77–98. http://dx.doi.org/10.59817/cjes.v3i1.344.
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In this study I want to show that the greatest Bengali writer and the greatest English writer had one concern in common as fathers—how to marry their daughters to suitable bridegrooms. This anxiety of the daughters’ fathers is counterpoised by the greed for dowry among the young men seeking a rich father-in-law. While my article will develop along this contrapuntal opposition–father’s anxiety versus dowry-hunter’s greed, I’ll also shed light on the biographical elements of both these writers as the depiction in their works of young women being married to wrong hands is so persistently identifiable with their own position as fathers in real life. I have tried to base my article first on a biographical premise, and then I have gone to focus on their treatment of the fictional daughters in their works, thus to prove a fact that writers do write about themes which keep them preoccupied in their lives.
But my paper by no means intends to present an exhaustive study on the topic, citing cases and examples from these two writers’ whole gamut of writings, rather my references will remain confined only to the pieces that I have lead of these two authors, and again only the most prominent ones will be referred to.
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Dauncey, Sarah. „BONDING, BENEVOLENCE, BARTER, AND BRIBERY: IMAGES OF FEMALE GIFT EXCHANGE IN THE JIN PING MEI“. NAN NÜ 5, Nr. 2 (2003): 203–39. http://dx.doi.org/10.1163/156852603322691128.
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AbstractThis article examines images of the practice of gift exchange among women in the late Ming. Despite the fact that the majority of orthodox historical and didactic sources overlook such activity among women, other sources such as the novel Jin Ping Mei reveal perceptions that gift-giving practices were common among women and could be used to facilitate many forms of social action. While highlighting the more mundane use of gifts in lieu of cash and the darker aspect of gift exchange for bribery, the fictional world of the Jin Ping Mei also reflects the socially significant practices of dowry preparation, betrothal gift presentation, and the everyday exchange of gifts to develop friendships and relationships.
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Anish, K., und N. S. Vishnu Priya. „Human Emotions in Narrative: Interventions of Fear in R. Chudamani’s Short Fictions“. Theory and Practice in Language Studies 12, Nr. 11 (03.11.2022): 2333–38. http://dx.doi.org/10.17507/tpls.1211.13.
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Chudamani is one of the inconspicuous writers in Indian literature who is gradually gaining prominence in the recent past. Chudamani’s works are powerful and sensitive unveiling the reality of human beings in society and their psychological aspects. This research article aims to analyse a novella and three short stories of R. Chudamani and inquires about the human emotions especially fear portrayed in those stories. The major focus of the article is on the novella, Yamini, and the minor focus is on the three short stories: “A Knock at the Door”, “The Strands of the Void” and “Drought”. Yamini is the story of a girl Yamini, who is forced into the institution of marriage. “A Knock at the Door” is the narrative of two widows who safeguard their sister’s son from his father. “The Strands of the Void” explores the system of dowry in Indian society. “Drought” is the story of a married woman who tries to escape from the torments of her husband. This paper also scrutinizes the fear in the protagonists and the central characters in the above works. It also inspects how fear transmogrifies the characters in different situations.
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Lidya, Joey, und Liliek Soelistyo. „Parenting Style Influences on Mothers and Daughters' Relationship on Astonishing Color of After“. k@ta kita 10, Nr. 3 (20.12.2022): 436–43. http://dx.doi.org/10.9744/katakita.10.3.436-443.
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Young Adult fiction's popularity is at its peak right now due to the topic being related to the problems that teenagers are facing in today's era. One of those novels is Astonishing Color of After, a novel about the mother and daughter’s relationship between two generations, Dory with her mother, and Dory with her daughter, Leigh. This novel intrigues me to analyze the characteristics of Dory's and Dory's mother's parenting style, the influence of their parenting styles, and how it affects the mother's and daughter's relationship and their daughter's behavior problems. To analyze these three points, I will apply the authoritarian parenting style and permissive parenting style based on the types of parenting theory by Diana Baumrind. My analysis will show how Dory's and Dory's mother's parenting style is influenced by the culture and childhood trauma, and how their parenting styles affect the relationship between them and their daughter as well as their daughters' behavioral problems. This thesis will end with a conclusion that there is a line between when the parents become authority figures and when the parents become the companion of their children.
Bücher zum Thema "Dowry, fiction"
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Keady, Walter. The dowry. Leicester: Ulverscroft, 2006.
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Cheng, Andrea. The lace dowry. Asheville, N.C: Front Street, 2005.
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Cheng, Andrea. The lace dowry. Asheville, N.C: Front Street, 2005.
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Astaire, Libi. The disappearing dowry. Brooklyn, N.Y: Zahav Press, 2009.
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Griffey, Jackie. Merrywinds: A Dowry Girls adventure. Detroit: Five Star, 2010.
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Śrīvāstava, Himāṃśu. Piyāvasanta kī khoja. Naī Dillī: Vidyā Vihāra, 2013.
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Dube, Vijaya. Bhīgī āga: (upanyāsa). 8. Aufl. Naī Dillī: Sūryaprabhā Prakāśana, 2013.
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Śukla, Kamala. Laṛakī hī daheja hai. Dillī, Bhārata: Rāshṭrīya Rājadhānī Pustaka Saṃsthāna, 2009.
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Blackwell, Lawana. The dowry of Miss Lydia Clark. Minneapolis: Bethany House Publishers, 1999.
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Thakur, H. B. "Don't burn my mother!". New York, NY: International Pub. House, 1991.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Dowry, fiction"
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Bose, Mandakranta. „Postcolonial Identity as Feminist Fantasy A Study of Tamil Women’s Short Fiction on Dowry“. In Faces of the Feminine in Ancient, Medieval, and Modern India, 287–96. Oxford University PressNew York, NY, 2000. http://dx.doi.org/10.1093/oso/9780195122299.003.0019.
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Abstract In Canada in 1996, an Indian man’s massacre of almost all of his ex-wife’s family in the British Columbia town of Kelowna was immediately misrepresented in the media as a fatal consequence of the Indian system of arranged marriages, so that the incident was portrayed as something other than family violence and as indicating an Indian cultural pathology. The Inda-Canadian community stepped in to correct this misrepresentation and argue that the perpetrator of violence was operating from within patriarchal ideologies common to most cultures, including those of the West. However, for the West, even feminist studies departments, Indian dowry culture continues to function as the vehicle for a Western imperialist epistemology of India as its Third World “other.” The Indian nation’s central meanings are deliberately and reductively quilted to the experiences of the Indian woman’s body to produce an India that is culturally retrogressive and, more particularly, to represent its culture in sexual metaphor as a masculinity that is always-already pathologically inadequate in its greed and brutal perversity and as always-already less than masculine. This discourse has entailed the West’s willful refusal to recognize Indian women’s response to the dowry system as intending subjects of resistance and also to misrecognize one aspect of Indian culture as the representative of the whole. This burden-the excessive meaning that the dowry system is made to bear as signifier-is also made possible by the West’s imaginary perception of the dowry system as present everywhere in India and in the self-same form; in actual fact, dowry practices occur in specific pockets of the country and involve different activities, sometimes generating meanings for women that are other than disempowerment. For instance, in some southern parts of India, as well as in the diaspora, women are given control over their dowry money, and it is not unheard of for them to use this money for additional education.