Auswahl der wissenschaftlichen Literatur zum Thema „Douglas Crimp“
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Zeitschriftenartikel zum Thema "Douglas Crimp"
Takemoto, Tina, und Marc Siegel. „For Douglas Crimp“. Art Journal 79, Nr. 3 (02.07.2020): 8–9. http://dx.doi.org/10.1080/00043249.2020.1801091.
Der volle Inhalt der QuelleLevine, Sherrie. „For Douglas Crimp“. October 171 (März 2020): 150–51. http://dx.doi.org/10.1162/octo_a_00384.
Der volle Inhalt der QuelleMauss, Nick. „On Douglas Crimp“. October 171 (März 2020): 152–54. http://dx.doi.org/10.1162/octo_a_00385.
Der volle Inhalt der QuelleJoselit, David. „An Appreciation of Douglas Crimp“. October 171 (März 2020): 159–60. http://dx.doi.org/10.1162/octo_a_00387.
Der volle Inhalt der QuelleLawler, Louise. „What Would Douglas Crimp Say?“ October 171 (März 2020): 161. http://dx.doi.org/10.1162/octo_a_00388.
Der volle Inhalt der QuelleCrimp, Douglas, und François Aubart. „Entretien avec Douglas Crimp (avril 2015)“. Marges, Nr. 26 (19.04.2018): 121–32. http://dx.doi.org/10.4000/marges.1385.
Der volle Inhalt der QuelleFermon, Daniel. „ON THE MUSEUM'S RUINS. Douglas Crimp“. Art Documentation: Journal of the Art Libraries Society of North America 13, Nr. 2 (Juli 1994): 107–8. http://dx.doi.org/10.1086/adx.13.2.27948647.
Der volle Inhalt der QuelleRafferty, Rebecca. „Review: Before Pictures, edited by Douglas Crimp“. Afterimage 44, Nr. 6 (01.05.2017): 30. http://dx.doi.org/10.1525/aft.2017.44.6.30.
Der volle Inhalt der QuelleWillis, Alfred. „AIDS DEMO GRAPHICS. Douglas Crimp , Adam Rolston“. Art Documentation: Journal of the Art Libraries Society of North America 10, Nr. 1 (April 1991): 49. http://dx.doi.org/10.1086/adx.10.1.27948320.
Der volle Inhalt der QuelleLajer-Burcharth, Ewa. „Warhol's Subject? A Response to Douglas Crimp“. October 132 (Mai 2010): 25–29. http://dx.doi.org/10.1162/octo.2010.132.1.25.
Der volle Inhalt der QuelleDissertationen zum Thema "Douglas Crimp"
Forster, Lou. „Page à la main. ː : Lucinda Childs et les pratiques de danse lettrée“. Electronic Thesis or Diss., Paris, EHESS, 2024. http://www.theses.fr/2024EHES0015.
Der volle Inhalt der QuelleLucinda Childs is a major figure in twentieth-century dance. In the early 1960s, she was one of the founding members of the Judson Dance Theater, a group of dancers, choreographers, artists and composers in New York City who reinvigorated dance forms and practices. With the establishment of her company in 1973, she emerged as one of the leading figures of American minimal dance and postmodern dance, while collaborating from the 1980s onward with major ballet companies in Europe and the United States. Whether with her own company, with repertory dance companies, or at Judson, literacy plays a crucial role in the conceiving, embodying, and performing of her dances. Through an anthropological investigation within dance studios, Lou Forster demonstrates that the technical gesture of dancing, page in hand, is constructed at the intersection of two parallel histories. In the 1950s, John Cage and Merce Cunningham devised a range of reading and writing practices in order to oppose, divert and reconfigure academic methods in which literacy serves as a foundation to establish disciplinary divisions and hierarchies. This neo-avant-garde approach played a crucial role at Judson. Among the members of this group, Childs was one of the choreographers who paid the most attention to these literacy practices, as they tied in with a lesser-known aspect of her dance training. From 1955 to 1962, she studied modern dance within the extensive network of the German diaspora in New York. Specifically, she attended the school run by the choreographer Hanya Holm (1893-1992), where an Americanised form of dance of expression (Ausdruckstanz) was taught. There Childs discovered Kinetography Laban or Labanotation, the system of analysing and writing movement developed by the Austro-Hungarian choreographer Rudolf Laban (1879-1958), in which dancers rehearse with page in hand. Fifteen years later she turned toward this literacy event, unusual for the dance world, to work with her company. Art history and dance history dissociated these two aspects of choreographic modernity when, from 1933, part of the dance of expression became involved with the Nazi regime. In the United States, the myth of the originality of American Modern dance began to take shape, further emphasized during the Cold War. Childs' unique position in this connected history meant that graphic practices became a matrix for postmodernism. Since 1973, she embraced all canonical techniques of Western dance, moving over the years from dance of expression to pedestrian activities, to Neoclassical and then to the Baroque. Positioning herself as an appropriationist, she developed a historical and critical perspective on these borrowed techniques. In her pieces, she seeks to bring together practices, genres and histories of dance that have been separated and disjointed, crafting a genuine poetics of relation
Bücher zum Thema "Douglas Crimp"
Hieber, Lutz. Zur Aktualität von Douglas Crimp. Wiesbaden: Springer Fachmedien Wiesbaden, 2013. http://dx.doi.org/10.1007/978-3-531-93429-7.
Der volle Inhalt der QuelleEl-Hai, Jack. The Nazi and the psychiatrist: Hermann Göring, Dr. Douglas M. Kelley, and a fatal meeting of minds at the end of WWII. New York: MJF Books, 2015.
Den vollen Inhalt der Quelle findenEl-Hai, Jack. El nazi y el psiquiatra: Hermann Göring y Douglas M. Kelley : un encuentro letal de mentes al fin de la Segunda Guerra Mundial. México, D.F: Planeta Mexicana, 2014.
Den vollen Inhalt der Quelle findenWexler, Harry K. A criminal justice system strategy for treating cocaine-heroin abusing offenders in custody: By Harry K. Wexler, Douglas S. Lipton and Bruce D. Johnson ; prepared for the National Institute of Justice, U.S. Dept. of Justice, by Abt Associates, Inc., under contract #OJP-86-C-002. [Washington, D.C.]: U. S. Dept. of Justice, National Institute of Justice, Office of Communication and Research Utilization, 1988.
Den vollen Inhalt der Quelle findenWexler, Harry K. A criminal justice system strategy for treating cocaine-heroin abusing offenders in custody: By Harry K. Wexler, Douglas S. Lipton and Bruce D. Johnson ; prepared for the National Institute of Justice, U.S. Dept. of Justice, by Abt Associates, Inc., under contract #OJP-86-C-002. [Washington, D.C.]: U. S. Dept. of Justice, National Institute of Justice, Office of Communication and Research Utilization, 1988.
Den vollen Inhalt der Quelle findenHieber, Lutz. Zur Aktualität Von Douglas Crimp: Postmoderne und Queer Theory. Springer Vieweg. in Springer Fachmedien Wiesbaden GmbH, 2013.
Den vollen Inhalt der Quelle findenZur Aktualit T Von Douglas Crimp Aktuelle Und Klassische Sozial Und KulturwissenschaftlerIn. Springer vs, 2012.
Den vollen Inhalt der Quelle findenDouglas Crimp : From Before Pictures, a Memoir of 1970s New York: DISSS-CO. MoMA PS1, 2016.
Den vollen Inhalt der Quelle findenVoß, Heinz-Jürgen, Hrsg. Die Idee der Homosexualität musikalisieren. Psychosozial-Verlag, 2018. http://dx.doi.org/10.30820/9783837978117.
Der volle Inhalt der QuelleUntitled Douglas Crime 1 Of 3. Orion Publishing Group, Limited, 2022.
Den vollen Inhalt der Quelle findenBuchteile zum Thema "Douglas Crimp"
Hieber, Lutz. „Texte aus der kulturellen Metropole“. In Zur Aktualität von Douglas Crimp, 1–3. Wiesbaden: Springer Fachmedien Wiesbaden, 2013. http://dx.doi.org/10.1007/978-3-531-93429-7_1.
Der volle Inhalt der QuelleHieber, Lutz. „Der Postmodernismus-Diskurs in den USA“. In Zur Aktualität von Douglas Crimp, 5–44. Wiesbaden: Springer Fachmedien Wiesbaden, 2013. http://dx.doi.org/10.1007/978-3-531-93429-7_2.
Der volle Inhalt der QuelleHieber, Lutz. „Die Fortsetzung des unvollendeten Projekts der historischen Avantgarde in New York“. In Zur Aktualität von Douglas Crimp, 45–84. Wiesbaden: Springer Fachmedien Wiesbaden, 2013. http://dx.doi.org/10.1007/978-3-531-93429-7_3.
Der volle Inhalt der QuelleHieber, Lutz. „Queer Theory“. In Zur Aktualität von Douglas Crimp, 85–110. Wiesbaden: Springer Fachmedien Wiesbaden, 2013. http://dx.doi.org/10.1007/978-3-531-93429-7_4.
Der volle Inhalt der QuelleHieber, Lutz. „Gisela Theising: Deutschland – ein Entwicklungsland in Sachen Protestkultur“. In Zur Aktualität von Douglas Crimp, 111–20. Wiesbaden: Springer Fachmedien Wiesbaden, 2013. http://dx.doi.org/10.1007/978-3-531-93429-7_5.
Der volle Inhalt der QuelleHieber, Lutz. „Douglas Crimp: Vom Postmodernismus zur Queer Culture“. In Kultur. Theorien der Gegenwart, 482–94. Wiesbaden: VS Verlag für Sozialwissenschaften, 2011. http://dx.doi.org/10.1007/978-3-531-92056-6_39.
Der volle Inhalt der Quelle„Douglas Kennedy, the Man for Whom Crime Paid“. In Origins and Legacies of Marcel Duhamel’s Série Noire, 149–77. Brill | Rodopi, 2017. http://dx.doi.org/10.1163/9789004359000_008.
Der volle Inhalt der QuelleWindlesham, Lord. „The Quest: Punishment in the Community, 1987–90“. In Responses to Crime, 209–54. Oxford University PressOxford, 1993. http://dx.doi.org/10.1093/oso/9780198254164.003.0005.
Der volle Inhalt der QuelleDownes, David. „Commentary“. In The Legacy of Thatcherism. British Academy, 2014. http://dx.doi.org/10.5871/bacad/9780197265703.003.0013.
Der volle Inhalt der QuelleMaesschalck, Jeroen. „Using Grid-Group Cultural Theory to Assess Approaches to the Prevention of Corporate and Occupational Crime: The EU as a Natural Experiment“. In European White-Collar Crime, 17–38. Policy Press, 2021. http://dx.doi.org/10.1332/policypress/9781529212327.003.0002.
Der volle Inhalt der QuelleKonferenzberichte zum Thema "Douglas Crimp"
Porwal, Charles. „Exploring the spatial tools to generate social inclusive and empowered space for people living in margins“. In Post-Oil City Planning for Urban Green Deals Virtual Congress. ISOCARP, 2020. http://dx.doi.org/10.47472/poca4957.
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