Dissertationen zum Thema „Domestic space in motion pictures“
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Pasholok, Maria. „Imaginary interiors : representing domestic spaces in 1910s and 1920s Russian film and literature“. Thesis, University of Oxford, 2015. https://ora.ox.ac.uk/objects/uuid:c9d47ca1-6164-48fb-99f1-67ef37c77c4a.
Der volle Inhalt der QuelleGalt, Rosalind. „Redrawing the map of Europe space, history and spectacle in new European cinema /“. [S.l. : s.n.], 2002. http://books.google.com/books?id=kV9ZAAAAMAAJ.
Der volle Inhalt der QuelleToth, Benjamin. „Dream space“. Diss., Connect to the thesis, 2001. http://thesis.haverford.edu/2/01/2001TothB.pdf.
Der volle Inhalt der QuelleYung, Yuk-yu. „Teaching film as a space of interpretative interaction“. Click to view the E-thesis via HKUTO, 1998. http://sunzi.lib.hku.hk/HKUTO/record/B38628557.
Der volle Inhalt der QuelleCarroll, Elizabeth. „The representation of space in musical numbers“. Thesis, University of Southampton, 2014. https://eprints.soton.ac.uk/374396/.
Der volle Inhalt der QuellePeng, Huwan. „An analysis of promotion strategies for domestic youth films in China between 2010 and 2015“. HKBU Institutional Repository, 2016. https://repository.hkbu.edu.hk/etd_oa/299.
Der volle Inhalt der QuelleYung, Yuk-yu, und 容若愚. „Teaching film as a space of interpretative interaction“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 1998. http://hub.hku.hk/bib/B38628557.
Der volle Inhalt der QuelleRamlochand, John. „Japanese cinema : time space nation“. Thesis, McGill University, 2006. http://digitool.Library.McGill.CA:80/R/?func=dbin-jump-full&object_id=102159.
Der volle Inhalt der QuelleThe first part of the dissertation features an extended analysis of Japanese society using a variety of historical, philosophical and theoretical sources, both Japanese and foreign. They provide a theoretical base and a social history that ground the critical readings of the selected films; all of which are well-known and widely available. Part two is a close textual analysis of five 1950s productions---from a range of films and genres---that are contrasted with three films from the late 1980s/early 1990s. The final chapter examines notions about National Cinema in light of the preceding film analysis.
Chen, Lusi, und 陳露絲. „Mapping the production of space in Pang Ho-cheung's Love in a puff and Love in the buff“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2014. http://hdl.handle.net/10722/206560.
Der volle Inhalt der Quellepublished_or_final_version
Literary and Cultural Studies
Master
Master of Arts
Walsh, John. „A space and time machine : actuality cinema in New York City, 1890s to c. 1905“. Thesis, University of Nottingham, 2005. http://eprints.nottingham.ac.uk/10142/.
Der volle Inhalt der QuelleSimpson, Catherine. „Imagined geographies: women's negotiation of space in contemporary Australian cinema, 1988-98“. Thesis, Simpson, Catherine (2000) Imagined geographies: women's negotiation of space in contemporary Australian cinema, 1988-98. PhD thesis, Murdoch University, 2000. https://researchrepository.murdoch.edu.au/id/eprint/312/.
Der volle Inhalt der QuelleSimpson, Catherine. „Imagined geographies : women's negotiation of space in contemporary Australian cinema, 1988-98 /“. Simpson, Catherine (2000) Imagined geographies: women's negotiation of space in contemporary Australian cinema, 1988-98. PhD thesis, Murdoch University, 2000. http://researchrepository.murdoch.edu.au/312/.
Der volle Inhalt der QuelleEngelbrecht, Nadine. „University of Pretoria : school of motion picture production“. Pretoria : [s.n.], 2009. http://upetd.up.ac.za/thesis/available/etd-11212008-103253.
Der volle Inhalt der QuelleParpoulova, Petia R. „Amalgamated spaces of modernity /“. Thesis, Connect to this title online; UW restricted, 2008. http://hdl.handle.net/1773/6638.
Der volle Inhalt der QuelleElkington, Trevor G. „Moments in space, spaces in time : phenomenology and the embodied depth of cinematic image /“. Thesis, Connect to this title online; UW restricted, 2001. http://hdl.handle.net/1773/6621.
Der volle Inhalt der QuelleSchaub, Kayla. „Representations of Minority Women in Banlieue Cinema: Divines and Bande de filles“. University of Cincinnati / OhioLINK, 2019. http://rave.ohiolink.edu/etdc/view?acc_num=ucin1554215562826029.
Der volle Inhalt der QuelleVanmalderghem, Olivier. „L'unité du film: une systémique du récit cinématographique“. Doctoral thesis, Universite Libre de Bruxelles, 1995. http://hdl.handle.net/2013/ULB-DIPOT:oai:dipot.ulb.ac.be:2013/212516.
Der volle Inhalt der QuelleHuang, Tsung-yi Michelle. „Amidst slums and skyscrapers the politics of walking and the ideology of open space in East Asian global cities /“. online access from Digital dissertation consortium, 2001. http://libweb.cityu.edu.hk/cgi-bin/er/db/ddcdiss.pl?3051067.
Der volle Inhalt der QuelleChan, K. K. Kylie C., und 陳琪琪. „Uncanny perceptions of urban space in painting and film: a comparison of the works of Edward Hopper and Wong Kar-wai“. Thesis, The University of Hong Kong (Pokfulam, Hong Kong), 2007. http://hub.hku.hk/bib/B38680063.
Der volle Inhalt der QuelleLee, Ka-kuen Chris. „[Cine + Scene]-ic City in Tsim Sha Tsui“. Thesis, Hong Kong : University of Hong Kong, 1998. http://sunzi.lib.hku.hk/hkuto/record.jsp?
Der volle Inhalt der QuelleLupro, Michael Mooradian. „Space Oddities for the Age of Space Tourism“. Bowling Green State University / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=bgsu1239723528.
Der volle Inhalt der QuelleStrausz, Laszlo. „Traveling through Space: Stylistic Progression and Camera Movement“. unrestricted, 2007. http://etd.gsu.edu/theses/available/etd-04202007-122230/.
Der volle Inhalt der QuelleTitle from file title page. Greg M. Smith, committee chair; Charlie Keil, Ted Friedman, Kathy Fuller-Seeley, Angelo Restivo, committee members. Electronic text (310 p. : ill. (some col.)) : digital, PDF file. Description based on contents viewed Oct. 17, 2007. Includes bibliographical references (p. 276-283).
Choudhuri, Sucheta Mallick Kopelson Kevin Kumar Priya. „Transgressive territories queer space in Indian fiction and film /“. Iowa City : University of Iowa, 2009. http://ir.uiowa.edu/etd/346.
Der volle Inhalt der QuelleChan, K. K. Kylie C. „Uncanny perceptions of urban space in painting and film : a comparison of the works of Edward Hopper and Wong Kar-wai“. Click to view the E-thesis via HKUTO, 2007. http://sunzi.lib.hku.hk/hkuto/record/B38680063.
Der volle Inhalt der QuelleTerry, Patrick Alan 1984. „Space In-Between: Masumura Yasuzo, Japanese New Wave, and Mass Culture Cinema“. Thesis, University of Oregon, 2011. http://hdl.handle.net/1794/11477.
Der volle Inhalt der QuelleDuring the early stage of Japan's High Economic Growth Period (1955-1970), a group of directors and films, labeled the Japanese New Wave, emerged to strong critical acclaim and scholarly pursuit. Over time, Japanese New Wave Cinema has come to occupy a central position within the narrative history of Japanese film studies. This position has helped introduce many significant films while inadvertently ostracizing or ignoring the much broader landscape of film at this time. This thesis seeks to complexify the New Wave's central position through the career of Daiei Studios' director, Masumura Yasuzo. Masumura signifies a "space in-between" the cultural elite represented by the New Wave and the box office focus of mass culture cinema. Utilizing available English language and rare Japanese sources, this thesis will re-examine Masumura's position on the periphery of film studies while highlighting the larger film environment of this dynamic period.
Committee in charge: Prof. Steven Brown, Chair; Dr. Daisuke Miyao, Advisor
Weber-Fève, Stacey A. „There's no place like home homemaking, making home, and femininity in contemporary women's filmmaking and the literature of the Métropol and the Maghreb /“. Columbus, Ohio : Ohio State University, 2006. http://rave.ohiolink.edu/etdc/view?acc%5Fnum=osu1148746370.
Der volle Inhalt der QuelleSvensson, My. „‘A Machine for Living’ : Urban Domesticity in Polish Literature and Cinema 1969–2008“. Doctoral thesis, Uppsala universitet, Institutionen för moderna språk, 2015. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-259415.
Der volle Inhalt der QuelleRomero-González, Tanya. „El enigma de Medem: Espacio, género y desdoblamiento en Vacas“. Miami University / OhioLINK, 2009. http://rave.ohiolink.edu/etdc/view?acc_num=miami1259193836.
Der volle Inhalt der QuelleFogelholm, Jens. „Lost in Space : Sökandet efter mening hos människan i Titan A.E“. Thesis, Uppsala universitet, Teologiska institutionen, 2018. http://urn.kb.se/resolve?urn=urn:nbn:se:uu:diva-339480.
Der volle Inhalt der QuellePiper, Paige M. „Deathly Landscapes: The Changing Topography of Contemporary French Policier in Visual and Narrative Media“. The Ohio State University, 2016. http://rave.ohiolink.edu/etdc/view?acc_num=osu1469133497.
Der volle Inhalt der QuelleBrown, James Malcolm. „South Korean film since 1986 the domestic and regional formulation of East Asia's most recent commercial entertainment cinema /“. 2006. http://catalogue.flinders.edu.au/local/adt/public/adt-SFU20071122.143238/index.html.
Der volle Inhalt der QuellePalanti, Alessia. „Stranded, Isolated, Cloistered, and Confined: Women Queering Space in Twenty-First Century Italian Cinema“. Thesis, 2019. https://doi.org/10.7916/d8-azvp-1793.
Der volle Inhalt der QuelleUgor, Paul Ushang. „Youth culture and the struggle for social space the Nigerian video films /“. 2009. http://hdl.handle.net/10048/470.
Der volle Inhalt der QuelleTitle from pdf file main screen (viewed on July 31, 2009). "A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Doctor of Philosophy, Department of English and Film Studies." Includes bibliographical references.
Bercov, Kimberly Dawn. „Investing in the domestic : the crisis of the modern city in late new wave cinema“. Thesis, 2001. http://hdl.handle.net/2429/11630.
Der volle Inhalt der QuelleMngadi, Sikhumbuzo Richard. „Space, body and subjectivity : shifting conceptions of black African masculinities in four audio-visual texts“. Thesis, 2010. http://hdl.handle.net/10413/3049.
Der volle Inhalt der QuelleThesis (Ph.D.)-University of KwaZulu-Natal, Durban, 2010.
„Existential space“. 2005. http://library.cuhk.edu.hk/record=b5892309.
Der volle Inhalt der Quelle"Architecture Department, Chinese University of Hong Kong, Master of Architecture Programme 2004-2005, design report."
Includes bibliographical references.
Existential Space --- p.001
Moving experience --- p.007
Film in architecture --- p.027
Architecture in film --- p.045
Time Space City --- p.049
Time Space Film --- p.056
Experimental Site --- p.070
Program --- p.101
ideas and design --- p.105
Reference material --- p.141
Fruth, Bryan Ray. „Media reception, sexual identity, and public space“. Thesis, 2007. http://hdl.handle.net/2152/3214.
Der volle Inhalt der Quelle„The representation of space in contemporary Hong Kong nostalgia films“. 1998. http://library.cuhk.edu.hk/record=b5896266.
Der volle Inhalt der QuelleThesis submitted in: July 1997.
Thesis (M.Phil.)--Chinese University of Hong Kong, 1998.
Filmography: leaves 216-219.
Includes bibliographical references (leaves 204-215).
Chapter Chapter 1. --- Introduction: Contemporary Nostalgia Films Understood in the Colonial Context of Hong Kong
Chapter I. --- opular Culture as an Arena ofublicarticipation --- p.2
Chapter II. --- opular Culture and Colonialism --- p.14
The Ambivalence of Colonialism --- p.14
"""Status-quo Imaginary"" as the Manifestation of Colonial Ambivalence" --- p.17
Chapter i. --- Hong Kong in the late 60s --- p.21
Chapter ii. --- Hong Kong in the 70s --- p.24
Chapter iii. --- Hong Kong in the 80s and 90s --- p.30
Popular Culture Understood in the Colonial Context of Hong Kong --- p.35
Chapter III --- The Contemporary Mode of Nostalgia as Mediation of Colonialrocess --- p.38
Nostalgia Films Understood inost-Colonial Context -- The Ambivalence of History --- p.38
Chapter i. --- Nostalgia Films not Targetted towards the Rediscovery of History --- p.40
"The Appropriation of History as a ""Laughable"" Other" --- p.43
"The Substitution of History by ""Style""" --- p.47
Chapter ii. --- Nostalgia Films' Evocation of a Free-Floating Signifier of Hong Kong Historical Identity --- p.50
Nostalgia Films as a Context-Specific Articulation --- p.56
Nostalgia Films as a Form of Disavowal --- p.59
Outline of the Coming Chapters --- p.61
Chapter Chapter2. --- Nostalgia and History --- p.66
Chapter I. --- Rouge --- p.66
The Construction of Nostalgic Effects --- p.67
"“Sense of Loss"" as Identity Formation" --- p.72
"Theast as a ""Split Object"" of Identification" --- p.75
Pessimism as a Collective Empowerment --- p.84
Chapter II. --- Center Stage --- p.88
Interrogation of History --- p.89
Pessimism as Empowerment -- Reification of History --- p.93
The Ambivalence of History --- p.100
Chapter III. --- Days of Being Wild --- p.103
Interrogation of History:History and Subject Formation --- p.103
"""Internal Colonization"" and Fatalism" --- p.113
"The Image of “Innocence""" --- p.116
Conclusion --- p.121
Chapter Chapter 3. --- Nostalgia and Urban Space --- p.124
Chapter I. --- Nostalgia as a Critique of Urban Space --- p.124
Chapter II --- Chungking Express --- p.131
"Old Chinese Apartment as Site of “Re-enchantment""" --- p.133
"The “Urban Spectacle"" -- Old Chinese Apartment as Reified Spatial Construct" --- p.140
Chapter i. --- "The Traversed Space of ""Contemporariness"" and ""Pastness""" --- p.140
Chapter ii. --- "The ""Openness"" of Old Chinese Apartment" --- p.147
Old Chinese Apartment -- An Expression of Nostalgia? --- p.155
Chapter III. --- "He ´ةs a Woman and She ´ةs a Man, C'est La Vie Mon Cheri,He and She" --- p.158
"The “ Urban Spectacle""" --- p.158
Chapter i. --- ositive Human Qualities --- p.158
Chapter ii. --- A Historical Sense oflace --- p.163
Chapter iii. --- Interior Design -- The Assertion of Urban Spirit of Change --- p.165
Chapter iv. --- "Socially and Culturally ""Marginal"" Characters" --- p.167
Urban Status-quo Imaginary and Cultural Identificationin Hong Kong --- p.170
Old Chinese Apartment as Reified Spatial Construct --- p.174
Chapter i. --- Thearadox of Attraction and Anxiety A Discourse ofrogress --- p.174
Chapter ii. --- The Inscription of the Imperative of Advancement intohysical Surrounding --- p.179
Chapter iii. --- "The “Urban Spectacle"" of Social Differences ""Cloaked"" Gestures of ´ب´بSubversion""" --- p.181
Conclusion --- p.191
Chapter Chapter 4. --- Conclusion: Nostalgia -- The Ambivalence of History --- p.194
Chapter I. --- Optimism andessimism as Identity Formation --- p.194
Chapter II --- The Commercialization of Nostalgia --- p.197
Bibliography --- p.208
Filmography --- p.220
Appendix I-IX
Bojadzija, Amira. „Nostalgic (re)construction of the Central European cultural space“. 2004. http://link.library.utoronto.ca/eir/EIRdetail.cfm?Resources__ID=94968&T=F.
Der volle Inhalt der QuelleAvery, Lisa Katherine 1968. „Vulnerable London: narratives of space and affect in a twentieth-century imperial capital“. Thesis, 2007. http://hdl.handle.net/2152/3232.
Der volle Inhalt der Quelletext